The Nile Project Europe Premiere
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The Nile Project Europe Debut
For Immediate Release: June 03, 2016 The Nile Project Europe Debut This June, the Nile Project will make its European premiere with concerts in Brussels, Bradford, and London. We will also be performing on BBC Radio 3 on June 17 at 11pm (UK Time) - tune in! Belgium Panel @ 10th European Development Days Tour & Taxis, Brussels 15 June 9:30am Concert @ 10th European Development Days Tour & Taxis, Brussels 15 June 7:45pm Concert @ Bozar Centre for Fine Arts Bozar, Brussels 16 June 8:00pm United Kingdom Concert @ Yorkshire Festival 2016 Alhambra Theatre, Bradford, UK 18 June 7:30pm Concert @ Barbican Islington Assembly Hall, London 19 June 7:30pm Described as “a committed, euphoric international coalition” by the New York Times, the Nile Project brings together artists from the 11 countries sharing the world’s longest river to combine their instruments, languages, scales and rhythms in one of the tightest cross- cultural collaborations in music. The project’s mission is to inspire, inform and empower Nile citizens to collaboratively cultivate the sustainability of their shared ecosystem. The Nile Project has designed an innovative musical process that allows its artists to self- organize by leveraging each other’s strengths in order to unearth a unique sound representative of the Nile watershed as a whole. By creating award-winning music within a participatory leadership framework, the Nile Project Collective provides a blueprint for new ways in which Nile citizens can organize themselves across sectors to generate creative and mutually-beneficial system-wide solutions in response to their shared hydro-political challenges. Now in its 4th year, the Nile Project is growing beyond its musical program to strengthen its mission of Nile stewardship. -
9789082606607 DVB.Pdf
ጌታቸው መኩሪያ (1935 - 2016) A lifelong musical history in photos, from the Municipality Band to The Ex. ሞዓ አንበሳ፡ ማስታወሻና ቅርስ terp B-28/EX 146-B ISBN: 978-90-826066-0-7 Ⓟ&Ⓒ Terp Records/The Ex 2016. All rights reserved. [email protected] www.theex.nl u THE STORY THE EX AND GETATCHEW MEKURIA. (2004-2014) We were intrigued by Getatchew’s music, which we had discovered on an old cassette, back in 1996. Recordings from 1972 (Philips vinyl), later released as Ethiopiques 14 “The Negus of Ethiopian Sax”. A big sound and a huge vibrato in a minimal setting. A saxophone sound where you recognise Getatchew in a second! Unique. We had our 25th year anniversary party in November 2004 and invited a wide variety of musical friends for a two day festival at the Paradiso, in Amsterdam. Our big dream was to invite Getatchew and have him play with the ICP, the Instant Composers Pool, for many decades Holland’s most amazing free-impro- vising jazz orchestra, based around Misha Mengelberg and Han Bennink. But, of course, we realised that Getatchew came from quite another world, that he hadn’t played concerts for a long time and, in his seventies, was maybe getting on a bit. We took the risk, went to Addis to find him, and explained our story. He agreed to do it right away! What followed was a whirlwind. It was his first time travelling to Europe. When he arrived, he was so full of energy, that he didn’t go to bed for two nights. -
Music of the Ethiopian American Diaspora: a Preliminary Overview
CORE Metadata, citation and similar papers at core.ac.uk Provided by Harvard University - DASH Music of the Ethiopian American Diaspora: A Preliminary Overview The Harvard community has made this article openly available. Please share how this access benefits you. Your story matters. Citation Shelemay, Kay Kaufman. 2009. Music of the Ethiopian American diaspora: A preliminary overview. In Proceedings of the 16th International Conference of Ethiopian Studies: July 2-6, 2007, Trondheim, Norway, ed. by Svein Ege, Harald Aspen, Birhanu Teferra and Shiferaw Bekele, 1153-64. Wiesbaden: Harrassowitz. Published Version http://portal.svt.ntnu.no/sites/ices16/Proceedings/Volume%204/Ka y%20Kaufman%20Shelemay%20- %20Music%20in%20the%20Ethiopian%20American%20Diaspor a.pdf Accessed February 18, 2015 6:05:55 PM EST Citable Link http://nrs.harvard.edu/urn-3:HUL.InstRepos:4269154 Terms of Use This article was downloaded from Harvard University's DASH repository, and is made available under the terms and conditions applicable to Open Access Policy Articles, as set forth at http://nrs.harvard.edu/urn-3:HUL.InstRepos:dash.current.terms-of- use#OAP (Article begins on next page) Music in the Ethiopian American Diaspora: A Preliminary Overview Kay Kaufman Shelemay1 Since the inception of the Ethiopian revolution in the mid-1970’s, the forced migration of large numbers of Ethiopians has resulted in the establishment of new permanent communities of Ethiopians in the United States. This paper provides a brief, and necessarily partial, sketch of musical life in the Ethiopian American community, spanning several musical genres touching on a cross-section of Ethiopian American musical activities. -
Addis Abeba, La Capital Del Ethio-Jazz
Mulatu Astatke, en una publicidad de las aerolíneas etíopes en los años 70. Addis Abeba, la capital del ethio-jazz El programa cultural Vis-À-Vis es una iniciativa impulsada por Casa África, la Agencia Española de Cooperación Internacional para el Desarrollo (AECID) y la Sociedad General de Autores y Editores (SGAE) para promover el intercambio de creadores y artistas entre España y los países del continente africano. Después de las primeras ediciones celebradas en 2010 y 2011 en Senegal y Cabo Verde, Etiopía será el tercer país que albergará las reuniones de trabajo entre productores musicales y promotores de conciertos, que se celebrarán entre los próximos 2 y 5 de febrero en Addis Abeba, la capital del país africano. Como en las dos ediciones anteriores, entre los grupos de música participantes se seleccionará a los integrantes de próximas giras en España. Con motivo de esta tercera edición del programa Vis-À-Vis, el blog musical de Casa África ofrece hoy un breve esbozo histórico de la música en Etiopía y una selección de veinte canciones de sus principales protagonistas. Con esta edición especial de Semilla Negra queremos poner el foco sobre la cultura sonora de un país que, ahora hace medio siglo, disfrutó de una efervescente escena de jazz y músicas vocales. En la actualidad, los sonidos etíopes presentan unas características bastante comunes al de otras tantas zonas de África. La creciente importancia de las poblaciones urbanas queda marcada en escenas como el rock o el hip hop etíopes, lo que no constituye una novedad grande respecto a otros países africanos de largo recorrido musical. -
The Nile Project Sets Sail on First Africa Tour
For Immediate Release Feburary 14th, 2014 The Nile Project sets sail on first Africa Tour The Nile Project is pleased to announce that it has set sail on its first Africa Tour and will be performing concerts and leading Nile sustainability workshops at universities in Uganda, Tanzania, Kenya, Ethiopia, and Egypt. The tour follows the second Nile Gathering, which took place in Uganda from January 23 to February 13, 2014. During this musical residency, 14 musicians from Burundi, Egypt, Ethiopia, Kenya, Rwanda, Sudan, and Uganda collaborated in writing and composing songs inspired by the Nile Basin’s diverse musical traditions and instruments. This music will be performed during the Africa Tour concerts and will culminate in Jinja - the Nile Project’s second album. In January 2013, the Nile Project held its first Nile Gathering in Aswan, Egypt. After two sold out concerts in Aswan and Cairo, the project’s first album, Aswan, was released. NPR Music named it one of the ‘5 Must-Hear International Albums of the Fall’ and it was selected for Songlines ‘Top of the World’ annual collection. “We were very happy that the Nile Project’s music struck a deep chord with our Egyptian audiences last January,” said Mina Girgis, Nile Project Founder & Executive Director. “This year, we built on this success by inviting a more diverse pool of musicians, expanding our performance circuit to more Nile Basin countries, and launching the project’s university education and innovation programs with partner institutions. Based on our audience’s feedback after our Kampala premiere, it is clear that the Nile Project is equally relevant in Uganda as it is in Egypt.” By exposing audiences to the music of their river neighbors, these performances are meant to foster cross- cultural empathy and inspire environmental curiosity among Nile citizens. -
Music of the Ethiopian American Diaspora: a Preliminary Overview
Music of the Ethiopian American Diaspora: A Preliminary Overview The Harvard community has made this article openly available. Please share how this access benefits you. Your story matters Citation Shelemay, Kay Kaufman. 2009. Music of the Ethiopian American diaspora: A preliminary overview. In Proceedings of the 16th International Conference of Ethiopian Studies: July 2-6, 2007, Trondheim, Norway, ed. by Svein Ege, Harald Aspen, Birhanu Teferra and Shiferaw Bekele, 1153-64. Wiesbaden: Harrassowitz. Published Version http://portal.svt.ntnu.no/sites/ices16/Proceedings/Volume%204/ Kay%20Kaufman%20Shelemay%20-%20Music%20in%20the %20Ethiopian%20American%20Diaspora.pdf Citable link http://nrs.harvard.edu/urn-3:HUL.InstRepos:4269154 Terms of Use This article was downloaded from Harvard University’s DASH repository, and is made available under the terms and conditions applicable to Open Access Policy Articles, as set forth at http:// nrs.harvard.edu/urn-3:HUL.InstRepos:dash.current.terms-of- use#OAP Music in the Ethiopian American Diaspora: A Preliminary Overview Kay Kaufman Shelemay1 Since the inception of the Ethiopian revolution in the mid-1970’s, the forced migration of large numbers of Ethiopians has resulted in the establishment of new permanent communities of Ethiopians in the United States. This paper provides a brief, and necessarily partial, sketch of musical life in the Ethiopian American community, spanning several musical genres touching on a cross-section of Ethiopian American musical activities. Since the inception of the Ethiopian revolution in the mid-1970’s, the forced migration of large numbers of Ethiopians has resulted in the establishment of new permanent communities of Ethiopians in the United States. -
TOP Draft 7 Final Draft African Studies MA Thesis
UCLA UCLA Electronic Theses and Dissertations Title Diplomacy, Resistance and Jazz: Twentieth Century Meetings of Modern Music and Politics in the Horn of Africa Permalink https://escholarship.org/uc/item/79k7q0tz Author Story, Dexter Publication Date 2019 Peer reviewed|Thesis/dissertation eScholarship.org Powered by the California Digital Library University of California UNIVERSITY OF CALIFORNIA Los Angeles Diplomacy, Resistance and Jazz: Twentieth Century Meetings of Modern Music and Politics in the Horn of Africa A thesis submitted in partial satisfaction of the requirement for the degree Master of Arts in African Studies by Dexter Gordon Bryan Story 2019 © Copyright by Dexter Gordon Bryan Story 2019 ABSTRACT OF THE THESIS Diplomacy, Resistance and Jazz: Twentieth Century Meetings of Modern Music and Politics in the Horn of Africa by Dexter Gordon Bryan Story Master of Arts in African Studies University of California, Los Angeles, 2019 Professor Aomar Boum, Chair This paper surveys a collection of music-related interactions, sanctions, circumstances and figures that embodies the spirit of diplomacy and defiance in the Horn of Africa during the twentieth century. The research will examine historic moments of goodwill, propagation, ingenuity and activism that altered the course of modern music culture in Ethiopia, Eritrea, Somalia, and Sudan, where government officials, cultural ambassadors and, most significantly, musicians wield their authority, influence, popularity, instruments and voices beyond the traditional norms of their enterprise. Along these lines, the paper will discuss the expansive concept of jazz as symbolically appropriated and re-purposed by the performing artist and diplomat associated with the region. Although far from being exhaustive, this work engages with musical activity as a vehicle for information, identity, nationalism and broad meaning. -
P38-39 Layout 1
lifestyle MONDAY, APRIL 10, 2017 FEATURES Michael Douglas on Kirk’s dismay over ‘Cuckoo’s Nest’ snub heir once rocky relationship is closer than Ratched, before Louise Fletcher was hired. It was ever, but Michael Douglas has revealed the first movie since “It Happened One Night” Tdad Kirk still harbors one grudge-being (1934) to sweep the “big five” Oscars-a feat that snubbed for his son’s Oscar-winning “One Flew has only been matched once since, by “Silence of Over the Cuckoo’s Nest.” The younger Douglas the Lambs” (1991). “I like to tease my father was just 29 when he earned his place among because I gave him half of our producing deal Hollywood’s elite as the producer behind the and he made more money off that movie than first movie in 40 years to sweep the “big five” any movie he ever made,” Douglas laughed. Oscars for best picture, director, actor, actress and screenplay. ‘You were terrible’ Kirk, now 100, had starred in the Broadway Now a Hollywood icon, Michael Douglas was version and even handed the movie rights for a TV actor-a job considered very much less illus- the iconic 1975 drama to his son, but was trious than big screen acting at the time-on The Jano band-a rare rock band in Ethiopia-has been playing locally and touring shocked when he was passed over for the role of crime series “The Streets of San Francisco” when in Europe for the past five years. —AFP photos convict Randle McMurphy in favor of the he took on his debut producing role. -
Itineraries of Modern Ethiopian Instrumental Music
ITINERARIES OF MODERN ETHIOPIAN INSTRUMENTAL MUSIC BY LUCIEN JOHNSON A thesis submitted to the Victoria University of Wellington in fulfilment of the requirements for the degree of Doctor of Musical Arts in Composition Victoria University of Wellington 2017 ACKNOWLEDGMENTS Many thanks go to my supervisors: Dugal McKinnon for his thorough guidance and long hours of reading, Kimberly Cannady for setting me on the right path and John Psathas for his imaginative and luminous responses. Thanks to Mulatu Astatke for doing me the honour of allowing me to play with him and for sharing his stories with me. Thanks to Francis Falceto for bringing Ethiopiques to the world and for his insights and help with materials. Thanks to the musicians who partook in the recordings, Justin Clarke, Nick Van Dijk, Toby Laing, Barrett Hocking, Will Ricketts, and most of all Jeffrey Grice for his stellar work in spending so much time perfecting my piano pieces and having the courage to present them in an important event in both our lives. It was something I will never forget! I would like to express my gratitude to my mother Cecilia for providing a home that was filled with art and music. Thanks also to my sister Miranda and companion Lucy-Margaux who gave me excellent advice when I needed it and who now know a lot more about the music of Ethiopia than they ever considered possible. 2 ABSTRACT This dissertation explores the way in which Ethiopian musicians of the 1960s and 70s adapted forms such as jazz, soul and Latin music to create a new hybrid instrumental music style variously referred to as Ethio-Jazz or Ethio- Groove. -
Ethio Jazz» FORMAT : LP
HEAVENLY SWEETNESS ETHIOPIQUES VINYL SERIES Heavenly Sweetness is proud to announce the release of a selection of the famous Ethiopiques series on vinyl. These 8 LPs are reissues of albums taken from the amazing Ethiopiques CD collection of Ethiopian music. Since 1997 the series has been bringing the treasures of the Ethiopian music scene of the 60s and 70s to a wider audience, including some of the founding fathers like Mulatu Astatke, Mahmoud Ahmed and Tilahun Gessesse. The series was known by the global groove diggers for years, but reached a larger audience thanks to the Jim Jarmusch movie “Broken Flowers”, which largely used Ethiopian jazz in its soundtrack. Some classic titles and best sellers to be filed alongside Fela Kuti, the Fania label and Soul Jazz Records compilations CATALOG ARTIST : MULATU ASTATKE TITLE : « Ethio Jazz» FORMAT : LP Ref : HS091VL Barcode : 370040981244(6) Présentation : Reissue of the original ethiopian vinyl album. The Ethio Jazz album by Mulatu Astatqé is a jewel of the modern Ethiopian music and a mythical album, since the beginning of Ethiopian music reissues (mainly on Buda Musique). An incredibly groovy Ethiopian record, originally from 1969-1972. Amazing orchestral 'Ethio-groove' filled with US soul, jazz, sometimes Latin and the deepest Eastern rhythms, even including some great nasty and dirty fuzz guitars. A true gem of Ethiopian modern instrumental music, which illustrates perfectly this symbiosis of strong rhythms and quality arrangements of subtle yet deep Ethiopian melodies. A must for all '60s/'70s collectors! In the Ethiopian musical landscape, Mulatu Astatke is a unique musician, composer, arranger. -
Música Em Contexto
Música em Contexto http://periodicos.unb.br/index.php/Musica Éthiopiques vs EthioSonic: about world music and globalized music Francis Falceto French Centre of Ethiopian Studies in Addis Abeba ORCID: https://orcid.org/0000-0002-7236-1193 https://independent.academia.edu/FALCETO [email protected] Falceto, Francis. 2019. “Éthiopiques vs EthioSonic: about world music and globalized music”. Música em Contexto 13, no. 2: 118-130. Disponível em http://periodicos.unb.br/. ISSN: 1980-5802 DOI: Recebido: 03 de outubro, 2019. Aceite: 8 de dezembro, 2019. Publicado: 25 de dezembro, 2019. Éthiopiques vs EthioSonic: about world music and globalized music Francis Falceto Abstract: This article deals with music influences post-WW2 between North and South and vice versa. It traces the concept of World !usic" emergence$ then the adoption of %frican #rooves b& mi'ed bands as well as non-%frican musicians$ openin# the wa& to globali(ed music". )ecause *thiopia remained never coloni(ed over +,,, &ears -apart from .ve &ears under fascist Italian occupation/$ the modern part of the countr&0s musical culture remained totall& un1nown to the rest of the world. 2ecordings of modern -or urban/ *thiopian music were simpl& ine'istent outside of the countr& before 3456$ when other musics from %frica had 1ind of loud-speakers in the colonial capital cities 7aris$ 8ondon$ )russels or 8isbon$ for e'ample. % focus about *thiopian musics through two music series -9thiopi:ues and ethioSonic/ complete the scope of this stud&. Keyword: *thiopia. !odern music. 2ecordin#. World music. Éthiopiques vs EthioSonic: sobre a world music e a música globalizada Resumo: *ste artigo trata das influ;ncias musicais m<tuas entre os hemisf9rios Norte e Sul pós-Segunda >uerra !undial. -
Egypt Concerts
The Nile Project: Egypt Concerts Sunday 27 January, Aswan Cultural Palace, 8pm Thursday 31 January, Al Azhar Park (Cairo), 8pm Free, all ages Following the two-week music residency in Aswan, which brings together an ensemble of Nile basin musicians to compose and record new music, the Nile Project presents its world premier with two free concerts in Aswan and Cairo. “The Nile Project has been in the making for nearly two years and we are thrilled to be bringing such an exciting line up of stories, songs and musicians to audiences in Egypt. We hope these concerts showcase the fresh encounters among our musicians,” said Mina Girgis, founder and executive director. During the residency (15-29 January at Fekra Cultural Center in Aswan), musicians from countries that share the Nile collaborate to create a new body of songs, drawn from the rich and diverse genres, traditions and instruments found throughout the Nile basin. Under the musical direction of Miles Jay (see notes to editors), the music residency provides a space for the musicians to learn about one another and compose and record new music to be performed in Africa and around the world. The Nile Project was founded in August 2011 by Egyptian ethnomusicologist Mina Girgis and Ethiopian-American singer Meklit Hadero to address the Nile basin’s cultural and environmental challenges using an innovative approach that combines music, education and an enterprise platform. The world’s longest river runs through 11 countries (Congo DRC, Burundi, Rwanda, Uganda, Tanzania, Kenya, Ethiopia, Eritrea, South Sudan, Sudan and Egypt) and touches the lives of 400 million people.