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Royal Umd 0117E 18974.Pdf (465.4Kb)
ABSTRACT Title of Dissertation: SELECTED WORKS OF COMPOSERS ASSOCIATED WITH HOWARD UNIVERSITY Guericke Christopher Royal, Doctor of Musical Arts, 2018 Dissertation directed by: Professor Chris Gekker School of Music Throughout its over 100 year history, Howard University has produced and attracted many talented composers of many musical genres. Limiting this project to any one genre or focus would have lessened the overall impact of the music they created and the inspiration that has been a lauded part of the institution. The project will demonstrate the various harmonic, melodic, rhythmic and emotional contributions of the selected composers through interpretation of their music on the trumpet. Composers have been connected to the university in three general ways: as students, alumni and faculty; as commissioned artists; and through the performance of their works by notable performers associated with Howard. The pieces selected for this project exemplify a wide range of musical expressions and compositional techniques, and hopefully have been presented in a way that allows the emotional impact of each piece to resonate in a unique fashion. The selected works tended to fall into the categories of A. Trumpet and Brass Works B. Spirituals/ Meditational/ Religious Works C. Popular and Jazz Pieces D. Organ or other Instrumental Works E. Works of Historical Reference or Significance In some cases, certain pieces may be categorized across multiple categories (e.g. an organ piece based on religious material). As this was also a recording project, great care was taken during the recording process to capture as much emotional content as possible through stereo microphone techniques and the use of high quality equipment. -
Department Historyrevised Copy
The Music Department of Wayne State University A History: 1994-2019 By Mary A. Wischusen, PhD To Wayne State University on its Sesquicentennial Year, To the Music Department on its Centennial Year, and To all WSU music faculty and students, past, present, and future. ii Contents Preface and Acknowledgements ……………………………………………………………………...........v Abbreviations ……………………………………………………………………………............................ix Dennis Tini, Chair: 1993-2005 …………………………………………………………………………….1 Faculty .…………………………………………………………………………..............................2 Staff ………………………………………………………………………………………………...7 Fundraising and Scholarships …………………………………………………................................7 Societies and Organizations ……………………………………………..........................................8 New Music Department Programs and Initiatives …………………………………………………9 Outreach and Recruitment Programs …………………………………………….……………….15 Collaborative Programs …………………………………………………………………………...18 Awards and Honors ……………………………………………………………………………….21 Other Noteworthy Concerts and Events …………………………………………………………..24 John Vander Weg, Chair: 2005-2013 ………………………………………………................................37 Faculty………………………………………………………………..............................................37 Staff …………………………………………………………………………………………….....39 Fundraising and Scholarships …………………………………………………..............................40 New Music Department Programs and Initiatives ……………………………………………..…41 Outreach and Recruitment Programs ……………………………………………………………..45 Collaborative Programs …………………………………………………………………………...47 Awards -
Concert & Recital Programs Concert & Recital Programs
Ithaca College Digital Commons @ IC All Concert & Recital Programs Concert & Recital Programs 11-10-2012 Concert: The Thirty-Fourth Annual Ithaca College Choral Composition Contest Ithaca College Choir Lawrence Doebler Follow this and additional works at: https://digitalcommons.ithaca.edu/music_programs Part of the Music Commons Recommended Citation Ithaca College Choir and Doebler, Lawrence, "Concert: The Thirty-Fourth Annual Ithaca College Choral Composition Contest" (2012). All Concert & Recital Programs. 4058. https://digitalcommons.ithaca.edu/music_programs/4058 This Program is brought to you for free and open access by the Concert & Recital Programs at Digital Commons @ IC. It has been accepted for inclusion in All Concert & Recital Programs by an authorized administrator of Digital Commons @ IC. THE THIRTY-FOURTH ANNUAL ITHACA COLLEGE CHORAL COMPOSITION CONTEST Sponsored jointly by Ithaca College and Roger Dean Publishing Company Ford Hall Saturday November 10th, 2012 7:00 pm ITHACA COLLEGE THIRTY-FOURTH ANNUAL CHORAL COMPOSITION CONTEST AND FESTIVAL Sponsored jointly by Ithaca College and Roger Dean Publishing Company Professor Lawrence Doebler founded the Choral Composition Festival in 1979 to encourage the creation and performance of new choral music and to establish the Ithaca College Choral Series. Six scores were chosen for performance this evening from entries submitted from around the world. The piece …to balance myself upon a broken world (September, 1918) (Amy Lowell) by Paul Carey was commissioned by Ithaca College and -
African American Sheet Music Collection, Circa 1880-1960
African American sheet music collection, circa 1880-1960 Emory University Stuart A. Rose Manuscript, Archives, and Rare Book Library Atlanta, GA 30322 404-727-6887 [email protected] Descriptive Summary Title: African American sheet music collection, circa 1880-1960 Call Number: Manuscript Collection No. 1028 Extent: 6.5 linear feet (13 boxes) and 2 oversized papers boxes (OP) Abstract: Collection of sheet music related to African American history and culture. The majority of items in the collection were performed, composed, or published by African Americans. Language: Materials entirely in English. Administrative Information Restrictions on Access Unrestricted access. Terms Governing Use and Reproduction Printed or manuscript music in this collection that is still under copyright protection and is not in the Public Domain may not be photocopied or photographed. Researchers must provide written authorization from the copyright holder to request copies of these materials. The use of personal cameras is prohibited. Source Collected from various sources, 2005. Custodial History Some materials in this collection originally received as part of the Delilah Jackson papers. Citation [after identification of item(s)], African American sheet music collection, Stuart A. Rose Manuscript, Archives, and Rare Book Library, Emory University. Processing Processed by Elizabeth Russey, October 13, 2006. Emory Libraries provides copies of its finding aids for use only in research and private study. Copies supplied may not be copied for others or otherwise distributed without prior consent of the holding repository. African American sheet music collection, circa 1880-1960 Manuscript Collection No. 1028 This finding aid may include language that is offensive or harmful. -
Record Series 1121-113, W. W. Law Sheet Music and Songbook
Record Series 1121-113, W. W. Law Sheet Music and Songbook Collection by Title Title Added Description Contributor(s) Date(s) Item # Box Publisher Additional Notes A Heritage of Spirituals Go Tell it on the Mountain for chorus of mixed John W. Work 1952 voices, three part 1121-113-001_0110 1121-113-001 Galaxy Music Corporation A Heritage of Spirituals Go Tell it on the Mountain for chorus of women's John W. Work 1949 voices, three part 1121-113-001_0109 1121-113-001 Galaxy Music Corporation A Heritage of Spirituals I Want Jesus to Walk with Me Edward Boatner 1949 1121-113-001_0028 1121-113-001 Galaxy Music Corporation A Heritage of Spirituals Lord, I'm out Here on Your Word for John W. Work 1952 unaccompanied mixed chorus 1121-113-001_0111 1121-113-001 Galaxy Music Corporation A Lincoln Letter Ulysses Kay 1958 1121-113-001_0185 1121-113-001 C. F. Peters Corporation A New Song, Three Psalms for Chorus Like as a Father Ulysses Kay 1961 1121-113-001_0188 1121-113-001 C. F. Peters Corporation A New Song, Three Psalms for Chorus O Praise the Lord Ulysses Kay 1961 1121-113-001_0187 1121-113-001 C. F. Peters Corporation A New Song, Three Psalms for Chorus Sing Unto the Lord Ulysses Kay 1961 1121-113-001_0186 1121-113-001 C. F. Peters Corporation Friday, November 13, 2020 Page 1 of 31 Title Added Description Contributor(s) Date(s) Item # Box Publisher Additional Notes A Wreath for Waits II. Lully, Lully Ulysses Kay 1956 1121-113-001_0189 1121-113-001 Associated Music Publishers Aeolian Choral Series King Jesus is A-Listening, negro folk song William L. -
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559299 bk American Choral US 12/8/06 13:28 Page 8 James Morrow AMERICAN CLASSICS James Morrow is Director of Choral Activities at the University of Texas at Austin where he conducts the Chamber Singers and Choral Arts Society and directs the graduate program in choral conducting. Prior to his appointment at the University of Texas, he served as Director of Choral Activities at the University of Florida AMERICAN CHORAL MUSIC and at Hope College in Michigan. Choirs under his direction have received numerous invitations to perform for various music conferences, and in 2005 he conducted the University of Texas Persichetti • Ives • Corigliano • Foss • Copland Chamber Singers in performances for both the Texas Music Educators Association Convention in San Antonio and for the Susanne Mentzer, Mezzo-soprano national convention of the American Choral Directors Association in Los Angeles. Also in 2005, he led that group in a performance with the Kronos Quartet and in a modern-day première and The University of Texas Chamber Singers recording of Brazilian composer José Maurício Nunes Garcia’s Missa de Nossa Senhora da Conceição of 1810. Additionally, his James Morrow choirs have toured internationally, singing for audiences in England, Scotland, The Netherlands, Germany, Austria, the Czech Republic, and Brazil. James Morrow performed as a choral singer with Robert Shaw and the Robert Shaw Festival Singers in France and in the United States, participating in several recordings for TELARC, as well as performing as baritone soloist under Robert Shaw’s direction. He is a featured soloist on a TELARC CD with the Atlanta Symphony Orchestra Chamber Chorus released in 2006. -
The Life and Solo Vocal Works of Margaret Allison Bonds (1913-1972) Alethea N
Florida State University Libraries Electronic Theses, Treatises and Dissertations The Graduate School 2013 The Life and Solo Vocal Works of Margaret Allison Bonds (1913-1972) Alethea N. Kilgore Follow this and additional works at the FSU Digital Library. For more information, please contact [email protected] FLORIDA STATE UNIVERSITY COLLEGE OF MUSIC THE LIFE AND SOLO VOCAL WORKS OF MARGARET ALLISON BONDS (1913-1972) By ALETHEA N. KILGORE A Treatise submitted to the College of Music in partial fulfillment of the requirements for the degree of Doctor of Music Degree Awarded: Fall Semester, 2013 Copyright © 2013 Alethea N. Kilgore All Rights Reserved Alethea N. Kilgore defended this treatise on September 20, 2013. The members of the supervisory committee were: Wanda Brister Rachwal Professor Directing Treatise Matthew Shaftel University Representative Timothy Hoekman Committee Member Marcía Porter Committee Member The Graduate School has verified and approved the above-named committee members, and certifies that the treatise has been approved in accordance with university requirements. ii This treatise is dedicated to the music and memory of Margaret Allison Bonds. iii ACKNOWLEDGEMENTS I would first like to acknowledge the faculty of the Florida State University College of Music, including the committee members who presided over this treatise: Dr. Wanda Brister Rachwal, Dr. Timothy Hoekman, Dr. Marcía Porter, and Dr. Matthew Shaftel. I would also like to thank Dr. Louise Toppin, Director of the Vocal Department of University of North Carolina at Chapel Hill for assisting me in this research by providing manuscripts of Bonds’s solo vocal works. She graciously invited me to serve as a lecturer and performer at A Symposium of Celebration: Margaret Allison Bonds (1913-1972) and the Women of Chicago on March 2-3, 2013. -
Volume 46, Number 12 (December 1928) James Francis Cooke
Gardner-Webb University Digital Commons @ Gardner-Webb University The tudeE Magazine: 1883-1957 John R. Dover Memorial Library 12-1-1928 Volume 46, Number 12 (December 1928) James Francis Cooke Follow this and additional works at: https://digitalcommons.gardner-webb.edu/etude Part of the Composition Commons, Ethnomusicology Commons, Music Education Commons, Musicology Commons, Music Pedagogy Commons, Music Performance Commons, Music Practice Commons, and the Music Theory Commons Recommended Citation Cooke, James Francis. "Volume 46, Number 12 (December 1928)." , (1928). https://digitalcommons.gardner-webb.edu/etude/47 This Book is brought to you for free and open access by the John R. Dover Memorial Library at Digital Commons @ Gardner-Webb University. It has been accepted for inclusion in The tudeE Magazine: 1883-1957 by an authorized administrator of Digital Commons @ Gardner-Webb University. For more information, please contact [email protected]. PRICE 25 CENTS December i928 32.00 A YEAR THE ETUDE DECEMBER 1928 Page 893 I DO NOT CARE TO ▼ YetE thTHINK of singing as a com¬ wplete art, an entity in itself. And so I Berkey SING ALONE am called a soloist. BY Yet to me the gift of the human &<jAY voice, divine as it is, is not sufficient unto itself. In grand opera, flute or piano trill cadenzas with the coloratura; the full orchestra thunders the chords of a chorus. Opera stars do not sing alone. If accompaniment is important in opera, it is absolutely SOPRANO vital in concert work. Here the singer must rely entirely on METROPOLITAN OPERA one instrument—the piano. And only when the tone of the COMPANY piano harmonizes completely with the singer’s voice do you ★ have that “sweetest strain” the poet described—“a song in which the singer has been lost”. -
Concert: Ithaca College Thirtieth Annual Choral Composition Contest
Ithaca College Digital Commons @ IC All Concert & Recital Programs Concert & Recital Programs 11-15-2008 Concert: Ithaca College Thirtieth Annual Choral Composition Contest Ithaca College Choir Ithaca College Chorus Ithaca College Women's Chorale Lawrence Doebler Janet Galván Follow this and additional works at: https://digitalcommons.ithaca.edu/music_programs Part of the Music Commons Recommended Citation Ithaca College Choir; Ithaca College Chorus; Ithaca College Women's Chorale; Doebler, Lawrence; and Galván, Janet, "Concert: Ithaca College Thirtieth Annual Choral Composition Contest" (2008). All Concert & Recital Programs. 6810. https://digitalcommons.ithaca.edu/music_programs/6810 This Program is brought to you for free and open access by the Concert & Recital Programs at Digital Commons @ IC. It has been accepted for inclusion in All Concert & Recital Programs by an authorized administrator of Digital Commons @ IC. ITHACA COLLEGE THIRTIETH ANNUAL CHORAL COMPOSITION CONTEST \ Ford Hall Saturday, November 15, 2008 7:00 p.m. ITHACA COLLEGE THIRTIETH ANNUAL CHORAL COMPOSITION CONTEST Sponsored Jointly by Ithaca College and Theodore Presser Company The Choral Composition Festival was founded by Professor Doebler in 1979 to encourage the creation and performance of new choral music and to establish the Ithaca College Choral Series. Six scores were chosen for performance this evening from entries submitted from around the world. The piece We A.re One, by Behzad Ranjbaran, was commissioned by Ithaca College and will be premiered by the lthaca -
Volume 66, Number 07 (July 1948) James Francis Cooke
Gardner-Webb University Digital Commons @ Gardner-Webb University The tudeE Magazine: 1883-1957 John R. Dover Memorial Library 7-1-1948 Volume 66, Number 07 (July 1948) James Francis Cooke Follow this and additional works at: https://digitalcommons.gardner-webb.edu/etude Part of the Composition Commons, Music Pedagogy Commons, and the Music Performance Commons Recommended Citation Cooke, James Francis. "Volume 66, Number 07 (July 1948)." , (1948). https://digitalcommons.gardner-webb.edu/etude/171 This Book is brought to you for free and open access by the John R. Dover Memorial Library at Digital Commons @ Gardner-Webb University. It has been accepted for inclusion in The tudeE Magazine: 1883-1957 by an authorized administrator of Digital Commons @ Gardner-Webb University. For more information, please contact [email protected]. utTL II Lh > r tMii.L gmm THEODORE PRESSER Educator - Publisher - Philanthropist 1848-1925 ONE HUNDREDTH ANNIVERSARY Founder of The Music Teachers National Association, The Etude Music Magazine — Theodore Presser Company The Presser Foundation . Hans Schweiger, who since 1944 has the Fort Bayne of the seventy-fifth been conductor of The Music Season has In- (Indiana) Philharmonic Orchestra, i annual assembly of the Chatauqua conductorship of the Kansas stitution will open at Lake Chautauqua accepted the a position vacated by on July 16 with an operatic performance City Philharmonic, he became conductor conducted by Alfredo A alenti. On July Efrem Kurtz when (Texas) Symphony 17 the Chautauqua Symphony Orchestra, of the Houston under the baton of Franco Autori, will Orchestra. open a series of twenty-four concerts. Prof. Paul Stoye, concert pianist and twenty-seven years head of The Goldman Band, on June 18. -
Choral Music
SHOWSTOPPERS INTERNATIONAL INVITATIONAL AT DISNEYLAND@ PARK Anaheim, CA / April 17-20, 1997 KEYNOTE CHORAL FESTIVAL SERIES NASHVILLE CHORAL FESTIVAL Nashville, TN / April 17-20, 1997 KEYNOTE CHORAL FESTIVAL SERIES MANHATTAN CHORAL FESTIVAL New York, NY / May 1-4, 1997 CHILDREN IN HARMONY CHORAL FESTIVAL Orlando, FL / May 22-25, 1997 !lew! CHILDREN'S CELEBRATION SHOWSTARTERS CHORAL FESTIVAL SHO\,T CHOIR WORKSHOPS Anaheim, CA / June 26-29, 1997 Coming to an area near you ... September - November 1996 CONCERT TOURS Domestic & International/Year Round CHILDREN'S HOLIDAY CHORAL FESTIVAL AMERICA SINGS! FESTIVALS Orlando, FL / December 5-8, 1996 Los Angeles, CA / March 21-22, 1997 Orlando, FL / April 4-5, 1997 MEN OF SONG SHOWCASE Pittsburgh, PA / April 25-26, 1997 AT WALT DISNEY \VORLD@ RESORT Chicago, IL / May 9-10, 1997 Lake Buena Vista, FL February 27 - March 2, 1997 MAGIC MUSIC DAYS AT WALT DISNEY WORLD RESORT@ SHOWSTOPPERS & DISNE\'LlLND@PARK INTERNATIONAL INVITATIONAL Lake Buena Vista, FL / Anaheim, CA AT WALT DISNEY WORLD@ RESORT Year Round Lake Buena Vista, FL / March 13 -16, 1997 SHOWSTOPPERS NATIONAL --f!W- SHOW CHOIR INVITATIONAL I-= -::. --::. Chicago, IL / March 20-23, 1997 KEYNOTE ARTS ASSOCL\TES KEYNOTE ARTS ASSOCIATES COLLEGIATE 1637 E. ROBINSON ST. SHOWCASE INVITATIONAL ORLANDO, FL 32803 AT \VJ-\LT DISNEY \"X"TORLD@ RESORT Lake Buena Vista, FL / April 10-13, 1997 T407-897-8181 F407-897-8184 TOLL FREE 800-522-2213 KEYNOTE CHORAL FESTIVAL SERIES EMAIL [email protected] CHICAGO CHORAL FESTIVAL Chicago, IL / April 10-13, 1997 Official Publication of the American Choral Directors Association Volume Thirty-seven Number One AUGUST 1996 CHORALJO John Silantien Barton L.Tyner Jr. -
A Conductor's Guide to Twentieth-Century Choral-Orchestral Works in English
INFORMATION TO USERS This manuscript has been reproduced from the microfilm master. UMI films the text directly from the original or copy submitted. Thus, some thesis and dissertation copies are in typewriter face, while others may be from any type of computer printer. The quality of this reproduction is dependent upon the quality of the copy submitted. Broken or indistinct print, colored or poor quality illustrations and photographs, print bleedthrough, substandard margins, and improper alignment can adversely affect reproduction. In the unlikely event that the author did not send UMI a complete manuscript and there are missing pages, these will be noted. Also, if unauthorized copyright material had to be removed, a note will indicate the deletion. Oversize materials (e.g., maps, drawings, charts) are reproduced by sectioning the original, beginning at the upper left-hand corner and continuing from left to right in equal sections with small overlaps. Each original is also photographed in one exposure and is included in reduced form at the back of the book. Photographs included in the original manuscript have been reproduced xerographically in this copy. Higher quality 6" x 9" black and white photographic prints are available for any photographs or illustrations appearing in this copy for an additional charge. Contact UMI directly to order. University Microfilms International A Bell & Howell Information Company 300 North Zeeb Road, Ann Arbor, Ml 48106-1346 USA 313/761-4700 800/521-0600 Order Number 9314580 A conductor's guide to twentieth-century choral-orchestral works in English Green, Jonathan David, D.M.A. The University of North Carolina at Greensboro, 1992 UMI 300 N.