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Newsletter 05/13 DIGITAL EDITION Nr
ISSN 1610-2606 ISSN 1610-2606 newsletter 05/13 DIGITAL EDITION Nr. 328 - Mai 2013 Michael J. Fox Christopher Lloyd LASER HOTLINE - Inh. Dipl.-Ing. (FH) Wolfram Hannemann, MBKS - Talstr. 11 - 70825 K o r n t a l Fon: 0711-832188 - Fax: 0711-8380518 - E-Mail: [email protected] - Web: www.laserhotline.de Newsletter 05/13 (Nr. 328) Mai 2013 editorial THE BROKEN CIRCLE: Kino & Konzert im Schauburg Cinerama Theater, Karlsruhe Cast & Crew im Gespräch mit Wolfram Hannemann 5 JAHRE LEBEN: Baden-Württemberg-Premiere mit Cast & Crew Liebe Filmfreundinnen und WIDESCREEN WEEKEND: Filmfreunde! Wolfram Hannemann führt in „Hello, Dolly!“ ein Wann sind Sie das nächste Mal „online“? Es lohnt sich wieder einmal auf unseren Youtube-Kanal zu surfen. Dort gibt es nicht weniger als gleich vier Neuzugänge zu entdecken. Alles natürlich wie immer in Full HD. Wir freuen uns über jeden Klick und jedes „Like“. Also ran an die Tasten und viel Spaß dabei! Noch ein wichtiger Hinweis für alle, die sich schon auf das CinemaScope-Festival in der Karlsruher Schauburg gefreut haben: es findet leider vorerst nicht statt. Der Termin 01./0.2 Juni 2013 ist einer umfassenden Renovierung des Hauses zum Opfer gefallen. Einen Trost gibt es: aufgeschoben ist nicht aufgehoben! Ihr LASER HOTLINE Team JÄGER DES AUGENBLICKS: Sportkletterer Stefan Glowacz und Holger Heuber im Gespräch mit SWR-Kinomann Herbert Spaich LASER HOTLINE Seite 2 Newsletter 05/13 (Nr. 328) Mai 2013 Star Trek Wars München hat mich wieder. Frisch aus der Schweiz zurück, lasse ich 15•-Kino-Tickets, zweisprachige Untertitel und nerventötende Filmpausen hinter mir. Als erstes ging es in meiner bayerischen Hei- matstadt auch nicht in den Biergarten oder auf den Marienplatz, sondern ins langjährige, heimi- sche Stammkino. -
A Miniseries of Unfortunate Events: Realizing the Full Potential of Lemony Snicket's Book Series Through Television Adaptation Ryan T
Western Kentucky University TopSCHOLAR® Honors College Capstone Experience/Thesis Honors College at WKU Projects 5-6-2015 A Miniseries of Unfortunate Events: Realizing the Full Potential of Lemony Snicket's Book Series through Television Adaptation Ryan T. Pait Western Kentucky University, [email protected] Follow this and additional works at: http://digitalcommons.wku.edu/stu_hon_theses Part of the Children's and Young Adult Literature Commons, and the Screenwriting Commons Recommended Citation Pait, Ryan T., "A Miniseries of Unfortunate Events: Realizing the Full Potential of Lemony Snicket's Book Series through Television Adaptation" (2015). Honors College Capstone Experience/Thesis Projects. Paper 545. http://digitalcommons.wku.edu/stu_hon_theses/545 This Thesis is brought to you for free and open access by TopSCHOLAR®. It has been accepted for inclusion in Honors College Capstone Experience/ Thesis Projects by an authorized administrator of TopSCHOLAR®. For more information, please contact [email protected]. A MINISERIES OF UNFORTUNATE EVENTS: REALIZING THE FULL POTENTIAL OF LEMONY SNICKET’S BOOK SERIES THROUGH TELEVISION ADAPTATION A Capstone Experience/Thesis Project Presented in Partial Fulfillment of the Requirements for the Degree Bachelor of Arts with Honors College Graduate Distinction at Western Kentucky University By Ryan T. Pait ***** Western Kentucky University 2015 CE/T Committee: Approved by Dr. Ted Hovet, Advisor Dr. Jerod Hollyfield ______________________ Advisor Mr. Derick Strode Department of English Copyright by Ryan T. Pait 2015 ABSTRACT Lemony Snicket’s A Series of Unfortunate Events, a series of 13 children’s books, seemed like it had the potential to become a massive franchise in a similar vein to the Harry Potter film series. -
Todos Los Monstruos Son Humanos»: El Imaginario Cultural Y La Creación De Bestiarios Contemporáneos En American Horror Story
B R U M A L Revista de Investigación sobre lo Fantástico DOI: http://dx.doi.org/10.5565/rev/brumal.210 Research Journal on the Fantastic Vol. III, n.º 2 (otoño/autumn 2015), pp. 69-88, ISSN: 2014–7910 «TODOS LOS MONSTRUOS SON HUMANOS»: EL IMAGINARIO CULTURAL Y LA CREACIÓN DE BESTIARIOS CONTEMPORÁNEOS EN AMERICAN HORROR STORY Patricia Trapero Llobera Universitat de les Illes Balears [email protected] Recibido: 23-05-2015 Aceptado: 11-11-2015 Resumen El 7 de noviembre de 2011 inicia su andadura televisiva American Horror Story (FX, 2011-presente). A pesar de que sus cuatro temporadas desarrollan argumentos inde- pendientes que rompen la idea de serialidad de la ficción televisiva contemporánea, el conjunto creado por Ryan Murphy y Brad Falchuck puede ser considerado como un conjunto conceptualmente unitario y estéticamente híbrido. El presente artículo anali- za las dos concepciones del monstruo subyacentes en las cuatro entregas de AHS des- de su adscripción al new horror televisivo o al llamado «horror postmoderno» en el que se recurre sistemáticamente al imaginario cultural fetichista del terror y lo fantástico para construir bestiarios y mitologías contemporáneas. Palabras clave: Alteridad, bricolaje cultural, gótico, horror, mitologías contemporá- neas, monstruosidad, Ryan Murphy, televisión. Abstract On November 7, 2011, FX aired American Horror Story (2011 to present). Instead of viewing each season as developing independent plots by breaking the seriality of cur- rent television fiction, the show can be considered as a unitary whole, as an aestheti- cally hybrid cultural product. This paper analyses the concept of Monstrosity in Amer- ican Horror Story, whose underlying idea is extremely related to contemporary new horror as well as to postmodern horror. -
Reminder List of Productions Eligible for the 92Nd Academy Awards
REMINDER LIST OF PRODUCTIONS ELIGIBLE FOR THE 92ND ACADEMY AWARDS FILM TITLE ACTORS ACTRESSES ABOMINABLE Albert Tsai Chloe Bennet Tenzing Norgay Trainor Sarah Paulson Joseph Izzo Tsai Chin Eddie Izzard AD ASTRA Brad Pitt Ruth Negga Tommy Lee Jones Liv Tyler John Ortiz Kimberly Elise Donald Sutherland LisaGay Hamilton Greg Bryk Loren Dean John Finn Donnie Keshawarz Bobby Nish ADAM Nicholas Alexander Bobbi Salvor Menuez Bobbi Salvor Menuez Margaret Qualley Leo Sheng THE ADDAMS FAMILY Oscar Isaac Charlize Theron Finn Wolfhard Chloe Grace Moretz Nick Kroll Bette Midler Snoop Dogg Allison Janney Martin Short Catherine O'Hara Tituss Burgess Jenifer Lewis Conrad Vernon Elsie Fisher Scott Underwood THE AERONAUTS Eddie Redmayne Felicity Jones Himesh Patel Phoebe Fox Robert Glenister Rebecca Front Vincent Perez Anne Reid Tom Courtenay Page 1 of 53 FILM TITLE ACTORS ACTRESSES AFTER THE WEDDING Billy Crudup Julianne Moore Michelle Williams Abby Quinn THE AFTERMATH Alexander Skarsgard Keira Knightley Jason Clarke Kate Phillips Martin Compston Flora Li Thiemann Jannik Schumann ÁGA Mikhail Aprosimov Feodosia Ivanova Sergey Egorov Galina Tikhonova ALADDIN Will Smith Naomi Scott Mena Massoud Marwan Kenzari Navid Negahban Nasim Pedrad Billy Magnussen Numan Acar ALITA: BATTLE ANGEL Christoph Waltz Rosa Salazar Mahershala Ali Jennifer Connelly Ed Skrein Lana Condor Jackie Earle Haley Idara Victor Keean Johnson Eiza Gonzalez Jorge Lendeborg, Jr. Jeff Fahey Rick Yune ALWAYS BE MY MAYBE Randall Park Ali Wong James Saito Michelle Buteau Daniel Dae Kim Vivian Bang Keanu Reeves Charlyne Yi Karan Soni Susan Park THE AMAZING JOHNATHAN —— —— DOCUMENTARY AMERICAN FACTORY —— —— Page 2 of 53 FILM TITLE ACTORS ACTRESSES AMERICAN WOMAN Aaron Paul Sienna Miller Will Sasso Christina Hendricks Pat Healy Sky Ferreira Alex Neustaedter Amy Madigan E. -
The Stereotype of the Witch in American Horror Story, Coven
FACULTAD de FILOSOFÍA Y LETRAS DEPARTAMENTO de FILOLOGÍA INGLESA Grado en Estudios Ingleses TRABAJO DE FIN DE GRADO Burn, Witch, Burn: The Stereotype of the Witch in American Horror Story, Coven Juan Ignacio de la Fuente McCauley Tutor: Marta María Gutiérrez Rodríguez 2017 - 2018 ABSTRACT The Salem Witch Trials, which took place in 1692, were one of the most important events in American History, and its relevance has leaked onto our nowadays culture. One of the key elements is the stereotype of the early-modern witch, which originated during the witch hunts in Europe. The present dissertation aims at analysing the way in which the stereotype of the witch has been treated in American Horror Story, Coven. In order to do this, the different witches portrayed in the series will be analysed according to a series of traits. Results intend to offer an insight onto whether these characters are more or less stereotypical, also studying the relevance of their outcome. Keywords: Salem, witch, American Horror Story, Coven, stereotype, woman. RESUMEN Los procesos de Salem, en 1692, fueron uno de los eventos de mayor relevancia en la historia de los Estados Unidos, y su importancia ha permeado nuestra cultura actual. Uno de los elementos clave es el estereotipo de la bruja de principios del período moderno, que se creó durante la caza de brujas en Europa. El presente Trabajo de fin de Grado pretende analizar la forma en la que se ha tratado el estereotipo de la bruja en la serie American Horror Story, Coven. Para esto, se analizará a las brujas representadas en la serie de acuerdo con una serie de rasgos. -
21724 Warner Bros. Television Gotham Mhg the Artisan
Prsrt Std U.S. Postage Paid Santa Ana, CA Make-Up Artists and Hair Stylists Guild Permit No. 450 Local 706–I.A.T.S.E. 828 N. Hollywood Way Burbank, California 91505 FOR YOUR EMMY® CONSIDERATION “Gotham…arrives as its own entity: a fully realized universe with enough intriguing figures and a stylized visual approach that is immediately captivating.” – The Hollywood Reporter 21724 WARNER BROS. TELEVISION GOTHAM MHG THE ARTISAN MAGAZINE-3/4 PAGE BACK COVER AD RUNS: 5/26/2015 AD CLOSES: 5/15/2015 BLEED: 8.625"W x 8.125"H (NO TOP BLEED) TRIM: 8.375"W x 8"H SAFETY: 7.875"W x 7.5"H SAFETY CHEAT: 7.625"W x 7.25"H 5/13/15 mech01 818-509-9669 VOLUME 11 NUMBER 2 Spring 2015 what’s inside Features 16 2015 Guild Awards Recap 18 Parks and Recreation Prepping for the sitcom’s finale 28 Survivor’s Remorse Specific looks for a series 32 Hollywood Beauty Awards 18 28 16 32 Departments 4 From the President Proceed with caution in social media 6 Local Perspective Memorandum of Agreement highlights Make Your Fantasies Come True 8 Letters to The Artisan 10 Theater News 14 Education News/ Photo of Calendar of Events actual MUD 10 Student work. 35 Guild News Each year, MUD schools train hundreds of students from around the globe in a variety of Photographer: IATSE strike and Daytime Emmy winners makeup specialties. Whether a student chooses the intricacies of prosthetics or the delicacy Seth Miranda 40 Extended Family News of beauty make-up, MUD prepares them for their personal journey as a make-up artist. -
Who's Afraid of the Rubber Man? Perversions and Subversions Of
Volume 5, Issue 2 September 2012 Who’s Afraid of the Rubber Man? Perversions and Subversions of Sex and Class in American Horror Story TOSHA TAYLOR, Loughborough University ABSTRACT This article examines representations of sexuality in the first series of American Horror Story. Though the series presents many supernatural villains and is, on the surface, a typical haunted house story, it often creates its sense of horror through deployment of sexual tropes. The haunted house story itself is traditionally linked to notions of sexuality and class (Bailey, 1999; Ellis, 1989); this paper argues that American Horror Story (2011- ) emphasizes that link and manipulates such notions to explore their place in contemporary American thought and entertainment. Analysis of Kristeva’s and Creed’s linking of Horror to sexuality demonstrates that the series builds its sense of horror on abjection. Ghosts and other supernatural creatures in the series, this article contends, are merely accoutrements to a plot that is steeped in sexual anxieties. Grounded in Foucault’s characterization of sanctioned sexual repression as ‘a sentence to disappear’ and ‘an injunction to silence’ (Foucault, 1978: 4), this discussion of American Horror Story studies the show’s explicit references to, and depictions of, sexual practices that are typically neglected on mainstream television. Finally, this article questions the show’s success in subverting popular opinions about aberrant sexualities. KEYWORDS American Horror Story, BDSM, Gothic fiction, haunted house, Horror, queer television, sexuality, Telefantasy Though programs boasting Science Fiction and Fantasy elements seem far more numerous, primetime television in the US has not avoided Horror. Shows like Twin Peaks (1990-1991) and The X-Files (1993-2002) still enjoy a niche viewership, and even Dr. -
Media Contact: Susan Clausen Clausen Communications [email protected] 619-933-0038
Media Contact: Susan Clausen Clausen Communications [email protected] 619-933-0038 A crew of 70% Individuals with Developmental Disabilities Recently Produced Inclusion Films’ First Feature Length Film, “Carol of the Bells” directed by Joey Travolta Carol of the Bells to Screen in December in Los Angeles, San Diego, Bakersfield, Lodi and Vero Beach LOS ANGELES/SAN DIEGO/BAKERSFIELD/LODI/VERO BEACH (November 24, 2019) -- A crew of 70% individuals with developmental disabilities recently produced Inclusion Films’ first feature length film, Carol of the Bells, directed by Joey Travolta. Fresh from earning the Audience Favorite Feature award at the San Diego International Film Festival in October - Carol of the Bells will release in multiple cities in December. Travolta teaches filmmaking to individuals with developmental disabilities at 6 partner studios across California via Inclusion Films. Carol of the Bells was produced in association with Futures Explored, Inc. and Options for All. About Inclusion Films Inclusion Films www.inclusionfilms.com was started in 2007 by veteran filmmaker Joey Travolta. The mission of Inclusion Films is to teach filmmaking to individuals with developmental disabilities in six dedicated production studios through California. In addition to their workshops, they travel the country doing short film camps for children and teens with autism. The production team that has been trained by Inclusion Films is available for hire - where they work side by side with veteran filmmakers. One of the goals of Inclusion Films is to continue to seek out employment opportunities in the film industry for individuals with developmental disabilities. Additionally, Inclusion Films and two non-profit organizations that support adults with developmental disabilities, Futures Explored, Inc. -
Filmdis White Paper on Disability Representation on Television: Examining 180 TV Shows from March 2018 to March 2019
FilmDis White Paper on Disability Representation on Television: Examining 180 TV Shows from March 2018 to March 2019 White Paper by: Ashtyn Law & Dominick Evans Our study and white paper were completed through the work of Ashtyn Law and Dominick Evans, with assistance from MaeLee Johnson. Contents Introduction ...............................................................................................................................3 Categorizing Disability & Disabled Characters .......................................................................4 Representation by Disability ....................................................................................................5 Alcoholism/Addiction ...............................................................................................................6 Amputee ....................................................................................................................................8 Blind, Low Vision ....................................................................................................................10 Body & Facial Differences, Scarring ......................................................................................13 Cancer......................................................................................................................................15 Chronic Health ........................................................................................................................17 Coma ........................................................................................................................................19