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Julian Barnes
Julian Barnes Julian Barnes' work has been translated into more than thirty languages. In France, he is the only writer to have won both the Prix Medicis (for Flaubert's Parrot) and the Prix Femina (for Talking it Over). In 1993 he was awarded the Shakespeare Prize by the FVS Foundation of Hamburg. In 2011 he was awarded the David Cohen Prize for Literature, and he won the Man Booker Prize for The Sense of An Ending. He lives in London. Agents Sarah Ballard Associate [email protected] Eli Keren [email protected] 0203 214 0775 Publications Fiction Publication Notes Details THE ONLY Would you rather love the more, and suffer the more; or love the less, and suffer STORY the less? That is, I think, finally, the only real question. First love has lifelong 2018 consequences, but Paul doesn’t know anything about that at nineteen. At Jonathan Cape nineteen, he’s proud of the fact his relationship flies in the face of social convention. As he grows older, the demands placed on Paul by love become far greater than he could possibly have foreseen. Tender and wise, The Only Story is a deeply moving novel by one of fiction’s greatest mappers of the human heart. United Agents | 12-26 Lexington Street London W1F OLE | T +44 (0) 20 3214 0800 | F +44 (0) 20 3214 0801 | E [email protected] Publication Notes Details THE NOISE OF In May 1937 a man in his early thirties waits by the lift of a Leningrad apartment TIME block. -
The Rhetoric of Irony in Julian Barnes's Novels
UNIVERSITATEA DIN CRAIOVA FACULTATEA DE LITERE ȘCOALA DOCTORALĂ „ALEXANDRU PIRU” THE RHETORIC OF IRONY IN JULIAN BARNES’S NOVELS SUMMARY Conducător științific, Prof. univ. dr. Victor OLARU Doctorand, Anca-Ioana VULCĂNESCU (VULCĂNESCU-FLOREA) Craiova 2020 SUMMARY Key words: Postmodernism, rhetoric, irony, Socratic irony, Derrida, Deconstructivism, Bakhtinian influences, carnivalization of literature, literary techniques, intertextuality, reinterpretation, narrative, reinterpreting history, carnival, sarcasm, parody, burlesque characters, hyperreal, simulacrum, irony and postmodernism, re-enactment of dandyism, Neo-Victorian influences. Julian Barnes is one of the writers who transgresses the narrative boundaries and rewrites the major themes of Early postmodernism, thus becoming a controversial figure. His narrative technique differs from the modernist one and we notice that he either deconstructs the narration replacing it with a state of mind, or goes beyond the boundaries of narratology, changing the structure, and impregnating it with irony. Barnes replaces the plot with a narrative game and his motto seems to be a simple one: ‘Let’s play with the characters, the plot… let’s play with everything.’ His changeable style, either journalistic or dramatic, constitutes an element of novelty that might puzzle the average reader. For example, in Flaubert’s Parrot, he starts by presenting a short history of literature, and re-writes it in an imaginary way: 2/3 of the story is real, while the rest is fictional. He never ceases to amaze us when he uses language as a means of transition and combines postmodernism with classical rhetorical features in order to obtain ironic situations. In The Porcupine he relies on both verbal and situational irony when he describes the activity of the Devinsky Comando. -
Monthly Multidisciplinary Research Journal Review of Research Journal
Vol II Issue V Feb 2013 ISSN No : 2249-894X ORIGINAL ARTICLE Monthly Multidisciplinary Research Journal Review Of Research Journal Chief Editors Ashok Yakkaldevi Flávio de São Pedro Filho A R Burla College, India Federal University of Rondonia, Brazil Ecaterina Patrascu Kamani Perera Spiru Haret University, Bucharest Regional Centre For Strategic Studies, Sri Lanka Welcome to Review Of Research RNI MAHMUL/2011/38595 ISSN No.2249-894X Review Of Research Journal is a multidisciplinary research journal, published monthly in English, Hindi & Marathi Language. All research papers submitted to the journal will be double - blind peer reviewed referred by members of the editorial Board readers will include investigator in universities, research institutes government and industry with research interest in the general subjects. Advisory Board Flávio de São Pedro Filho Horia Patrascu Mabel Miao Federal University of Rondonia, Brazil Spiru Haret University, Bucharest, Romania Center for China and Globalization, China Kamani Perera Delia Serbescu Ruth Wolf Regional Centre For Strategic Studies, Sri Spiru Haret University, Bucharest, Romania University Walla, Israel Lanka Xiaohua Yang Jie Hao Ecaterina Patrascu University of San Francisco, San Francisco University of Sydney, Australia Spiru Haret University, Bucharest Karina Xavier Pei-Shan Kao Andrea Fabricio Moraes de AlmeidaFederal Massachusetts Institute of Technology (MIT), University of Essex, United Kingdom University of Rondonia, Brazil USA Osmar Siena Catalina Neculai May Hongmei Gao Brazil University of Coventry, UK Kennesaw State University, USA Loredana Bosca Anna Maria Constantinovici Marc Fetscherin Spiru Haret University, Romania AL. I. Cuza University, Romania Rollins College, USA Romona Mihaila Liu Chen Ilie Pintea Spiru Haret University, Romania Beijing Foreign Studies University, China Spiru Haret University, Romania Mahdi Moharrampour Nimita Khanna Govind P. -
Filosofická Fakulta Masarykovy Univerzity
Masaryk University Faculty of Arts Department of English and American Studies Teaching English Language and Literature for Secondary Schools Bc. Radek Nikl The Concept of Memory in Selected Works by Julian Barnes Master’s Diploma Thesis Supervisor: Stephen Paul Hardy, Ph. D. 2015 I declare that I have worked on this thesis independently, using only the primary and secondary sources listed in the bibliography. …………………………………………….. Author‘s signature 2 Acknowledgement I would like to thank my supervisor, Mr Stephen Paul Hardy, PhD. for his patient guidance and to Mr James Edward Thomas for advice in the area of corpora linguistics. 3 Table of Contents 1. Introduction 5 1.1 Main Secondary Sources 6 2. Julian Barnes 8 2.1 Biography 8 2.2 Julian Barnes in Literary Criticism 9 2.3 Recurrent Themes 12 3. History in A History of the World in 10 ½ Chapters 17 3.1 Analysis 17 3.2 Chapter Summaries with Examples and Commentaries 18 4. Historiographic Fiction in Arthur & George 36 4.1 Plot Summary 36 4.2 Analysis 37 4.3 Examples with Commentaries 40 5. Memory in The Sense of an Ending 47 5.1 Plot Summary 47 5.2 Analysis 48 5.3 Examples with Commentaries 50 6. Lexical Field of Memory/History in Individual Works 63 7. Conclusion 72 8. Works Cited and Consulted 75 9. Résumé 77 4 1. Introduction For my master‘s thesis I have decided to research the concept of memory in three selected works by Julian Barnes. Memory has been a prominent motif in Barnes‘ novels, be it in the form of a satirical account of the history of the world, as was the case of A History of the World in 10 ½ Chapters, or through the personal histories of main protagonists, where biographical facts and fiction indiscernibly blend – as was the case of the novel Arthur & George. -
The Only Story Julian Barnes
BIBLIOTECA TECLA SALA June 18, 2020 The Only Story Julian Barnes “Much of the pleasure in The Only Story comes from the wit and verbal precision that Barnes allows his narrator. Barnes’s switch from voice to voice is at once understated and dazzling.” —The New York Review of Books “The prose master paints a lovely, elegiac portrait of a young man’s disruptive love affair . forgoing the easy literary clichés of May- December romance for something much sadder, deeper, and more resonant.” —Entertainment Weekly Contents: Introduction 1 “Beautiful. Profoundly enjoyable. Through his precise attention to Brief Author 2 the marvels of love and his perfect stylistic accompaniments to each Biography state—Barnes has once again shown himself capable of transforming Barnes on suburbia 3 the mundane and ephemeral into the lyrical and lasting.” An exquisite look 4-5 —Los Angeles Review of Books at love Notes 6 “A thought-provoking meditation on memory and the seemingly endless complexities of love. Barnes’ prose is quietly elegant and adroit. [The Only Story] has strong, memorably drawn characters and a keen sense of time and place.” —Richmond Times-Dispatch [https://www.penguinrandomhouse.com/books/568058/the-only-story-by-julian-barnes/] Page 2 Brief Author Biography Booker Prize (Flaubert's outstanding contributions as a Parrot 1984, England, European narrator and essayist. England 1998, and Arthur & On 25 January 2017, the French George 2005). Barnes's other President appointed Julian Barnes awards include the Somerset to the rank of Officier in the Maugham Award Ordre National de la Légion (Metroland 1981), Geoffrey Faber d'Honneur. -
Essays on Julian Barnes's Fiction
barnes_zold-bordo.indd 1 11/8/14 11:36 PM Stunned into Uncertainty: Essays on Julian Barnes’s Fiction Book-Barnes2.indb 1 2014.11.23. 21:15:44 ELTE Papers in English Studies Judit Friedrich series editor Book-Barnes2.indb 2 2014.11.23. 21:15:45 Stunned into Uncertainty: Essays on Julian Barnes’s Fiction Eszter Tory and Janina Vesztergom editors Department of English Studies School of English and American Studies Faculty of Humanities Eötvös Loránd University Budapest, 2014 Book-Barnes2.indb 3 2014.11.23. 21:15:45 The publication was supported by Eötvös Loránd University Student Union (EHÖK), Division of Literary Studies Association of Hungarian PhD and DLA Students (DOSZ) Copyright © WOJCIECH DRĄG, JUDIT FRIEDRICH, ÁGNES HARASZTOS, DOROTTYA JÁSZAY, MIKLÓS MIKECZ, PÉTER TAMÁS, ESZTER SZÉP, ESZTER TORY, DÓRA VECSERNYÉS, JANINA VESZTERGOM, 2014 All rights reserved Editing copyright © Judit Friedrich, Eszter Tory, Janina Vesztergom, 2014 Cover design by szabógabi Layout by Zsuzsanna Simonkay Printed by Pátria Nyomda Zrt. Published by the Department of English Studies School of English and American Studies Eötvös Loránd University Budapest, 2014 All rights reserved ISSN: 2061-5655 ISBN: 978-963-284-554-8 Book-Barnes2.indb 4 2014.11.23. 21:15:45 Table of Contents Introduction: Selenelion in October 7 Abstraction 13 Dorottya Jászay 15 “Supernormal Simulacra”: The Relation of the Human Psyche and the Theme Park Phenomenon in Julian Barnes’s England, England Dóra Vecsernyés 29 With His Watch on the Inside of the Wrist: Time in Julian Barnes’s The -
The Sense of an Ending / Julian Barnes.—1St American Ed
Also by Julian Barnes FICTION Metroland Before She Met Me Flaubert’s Parrot Staring at the Sun A History of the World in 10 ½ Chapters Talking It Over The Porcupine Cross Channel England, England Love, Etc. The Lemon Table Arthur & George Pulse NONFICTION Nothing to Be Frightened Of Letters from London, 1990–1995 Something to Declare The Pedant in the Kitchen TRANSLATION In the Land of Pain by Alphonse Daudet THIS IS A BORZOI BOOK PUBLISHED BY ALFRED A. KNOPF Copyright © 2011 by Julian Barnes All rights reserved. Published in the United States by Alfred A. Knopf, a division of Random House, Inc., New York. www.aaknopf.com Originally published in Great Britain by Jonathan Cape, an imprint of The Random House Group Limited, London, in 2011. Knopf, Borzoi Books, and the colophon are registered trademarks of Random House, Inc. Library of Congress Cataloging-in-Publication Data Barnes, Julian. The sense of an ending / Julian Barnes.—1st American ed. p. cm. “This is a Borzoi book.” eISBN: 978-0-307-95733-7 1. Middle-aged men—Fiction. 2. Life change events—Fiction. 3. Male friendship—Fiction. 4. Psychological fiction. I. Title. PR6052.A6657S46 2012 823′.914—dc23 2011025433 This is a work of fiction. Names, characters, places, and incidents either are the product of the author’s imagination or are used fictitiously. Any resemblance to actual persons, living or dead, events, or locales is entirely coincidental. Jacket image by Roger Mayne/Mary Evans Picture Library Jacket design by Carol Devine Carson v3.1 For Pat Contents Cover Other Books by -
A N N Otated B Ook S R Eceived
A n n otated B ook s R eceived A SUPPLEMENT TO Tran slation R ev iew Volume 21, No. 1–2, 2016 THE UNIVERSITY OF TEXAS AT DALLAS CONTRIBUTORS Stephanie Tamayo Shelby Vincent All correspondence and inquiries should be directed to: Translation Review The University of Texas at Dallas 800 West Campbell Road, JO 51 Richardson, TX 75080-3021 Telephone: 972-883-2093 Fax: 972-883-6303 [email protected] Annota ted B ooks R eceived is a supplement of T ra nsla tion Review, a publication of The Center for Translation Studies at The University of Texas at Dallas. ISSN 0737-4836 Copyright © 2016 by The University of Texas at Dallas The University of Texas at Dallas is an equal opportunity /affirmative action employer. Annotated Books Received — vol. 21.1–2 ANNOTATED BOOKS RECEIVED 21.1 – 2 TABLE OF CONTENTS Arabic .................................................................................................................. 1 Armenian ………………………………………………………………………………. 2 Bulgarian …...…………………………………………………………………..……... 2 Chinese ................................................................................................................. 3 Croatian ……………………………………………………………………………. 4 Czech………………………………………………………………………………..…… 5 Danish …………………………………………………………………………………… 5 Dutch ……………………….………………………………………………………….… 6 Estonian …………………………………………………………………………………. 6 Annotated Books Received — vol. 21.1–2 French .................................................................................................................. 7 German .............................................................................................................. -
Reading Group Guide Spotlight
Spotlight on: Reading Group Guide Arthur & George Author: Julian Barnes Born January 9, 946, in Leicester, England; son of Name: Julian Barnes Albert Leonard (a French teacher) and Kaye (a French Born: January 9, 946 teacher) Barnes; married Pat Kavanagh (a literary Education: Magdalen agent), 979. Education: Magdalen College, Oxford, College, Oxford, B.A. B.A. (with honors), 968. Addresses: Agent: Peters, (with honors) Fraser, and Dunlop Ltd., Drury House, 34-43 Russell St., Address: Peters, Fraser, and London WC2B 5HA, England. Dunlop Ltd., Drury House, 34-43 Russell St., London WC2B 5HA, England. Career: Freelance writer, 972—. Lexicographer for Oxford English Dictionary Supplement, Oxford, England, 969-72; New Statesman, London, England, assistant literary editor, 977-78, television critic, 977-8; Sunday Times, London, deputy literary editor, 979-8; Observer, London, television critic, 982-86; London correspondent for New Yorker magazine, 990-94. Awards: Somerset Maugham Prize, 980, for Metroland; Booker Prize nomination, 984, Geoffrey Faber Memorial Prize, and Prix Medicis, all for Flaubert’s Parrot; American Academy and Institute of Arts and Letters award, 986, for work of distinction; Prix Gutembourg, 987; Premio Grinzane Carour, 988; Prix Femina for Talking It Over, 992; Shakespeare Prize (Hamburg), 993; Officier de l’Ordre des Arts et des Lettres; shortlisted for Booker Prize, 998, for England, England. Writings: Novels Metroland, St. Martin’s Press (New York, NY), 980. Before She Met Me, Jonathan Cape (London, England), 982, McGraw-Hill (New York, NY), 986. Flaubert’s Parrot, Jonathan Cape (London, England), 984, Knopf (New York, NY), 985. Staring at the Sun, Jonathan Cape (London, England), 986, Knopf (New York, NY), 987. -
Julian Barnes and the Postmodern Problem of Truth
Julian Barnes and the Postmodern Problem of Truth Abigail G. Dalton Submitted in Partial Fulfillment of the Prerequisite for Honors in English April 2008 © 2008 Abigail G. Dalton Table of Contents I: Introduction 1 II: Chasing the Writer in Flaubert‘s Parrot 21 III: Objective Truth in A History of the World in 10 ½ Chapters 45 IV: Memory and Obsession in Talking It Over and Love, Etc. 76 Bibliography 93 I: Introduction ―Of course fiction is untrue, but it‘s untrue in a way that ends up telling a greater truth than any other information system – if that‘s what we like to call it – that exists. That always seems to me very straightforward, that you write fiction in order to tell the truth. People find this paradoxical, but it isn‘t.‖1 Julian Barnes is a name that neither academics nor recreational readers are very familiar with. As one of the lesser-known authors among his contemporaries, his work is often overlooked before it even receives the benefit of study. Yet Barnes‘s work, ranging from novels with a traditional narrative, to novels that defy convention, to short stories and essays, experiment with themes and forms which prove that he is, ultimately, worthy of study, and an author to whom readers should look with greater seriousness and academic interest. Those who know him are most familiar with his book, Flaubert‘s Parrot, a novel which is neither story nor biography, intertwining the life of Gustave Flaubert with that of the narrator, Geoffrey Braithwaite, a man whose own story becomes just as convoluted and elusive as Flaubert‘s. -
Reading the Archives: the Construction of Character in Julian Barnes's Talking It Over and Love, Etc
Reading the Archives: the Construction of Character in Julian Barnes’s Talking It Over and Love, etc. Vanessa Guignery To cite this version: Vanessa Guignery. Reading the Archives: the Construction of Character in Julian Barnes’s Talking It Over and Love, etc.. Çankaya University Journal of Humanities and Social Sciences, Çankaya University, 2020, 14 (2), pp.141-157. 10.47777/cankujhss.848761. halshs-03045786 HAL Id: halshs-03045786 https://halshs.archives-ouvertes.fr/halshs-03045786 Submitted on 23 Mar 2021 HAL is a multi-disciplinary open access L’archive ouverte pluridisciplinaire HAL, est archive for the deposit and dissemination of sci- destinée au dépôt et à la diffusion de documents entific research documents, whether they are pub- scientifiques de niveau recherche, publiés ou non, lished or not. The documents may come from émanant des établissements d’enseignement et de teaching and research institutions in France or recherche français ou étrangers, des laboratoires abroad, or from public or private research centers. publics ou privés. Reading the Archives: The Construction of Character in Julian Barnes’s Talking It Over and Love, etc. Arşivi Okumak: Julian Barnes’ın Seni Sevmiyorum ve Aşk, Vesaire Adlı Eserlerinde Karakter İnşası Vanessa Guignery École Normale Supérieure de Lyon, France Abstract The aim of this article is to examine the meticulous way in which Julian Barnes created his characters in the diptych Talking It Over (1991) and Love, etc. (2000) through an exploration of his archives, more specifically his preliminary notes, sketches and drafts. These archival documents shed light on the protagonists’ main characteristics and functions which Barnes sketched from the start. -
Download Article
Advances in Social Science, Education and Humanities Research, volume 83 2nd International Conference on Humanities and Social Science (HSS 2017) Representation of the Sciences in Julian Barnes’ Fiction Wei-qiang MAO1,a,* 1School of Foreign Languages, Jiangsu University, 301 Xuefu Road Zhenjiang, 212013, Jiangsu Province, China [email protected] Keywords: Julian Barnes, Science. Abstract. Julian Barnes demonstrates a consistent interest in the relationship between science and literature. For him, writing is a substitution of the religious faith destroyed by advances in science. This paper examines how different aspects of science are represented in each of his novels, with an aim to recapitulate Julian Barnes’ thought about truth and aging against the background of current studies of the relationship between science and literature. Introduction Writing in the era of postmodernism, Barnes demonstrates an unmistakable distrust of scientific truth and endeavors a critique of science. For Barnes, the past is like a piglet “smeared with grease” that refuse capture. [1] There is neither total truth to be discovered in A History of the World in 10 1/2 Chapters nor TAT (The Absolute Truth) to be provided by GPC (general purpose computer) in Staring at the Sun. In stead, there is truth and accuracy in Barnes” fictional widow: “rather than inventing the correct grief for my fictional character, I had merely been predicting my own probable feelings- an easier job.” [2] Julian Barnes sets most of his novels in the shadow or the aftermath of nuclear destruction, Cultural Revolution of 1960s, Thatcherian reinvigoration of Victorian values in the 1980s, globalization and technocracy.