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World Bank Document
37587 Public Disclosure Authorized National and Regional Secondary Level Examinations and the Reform of Secondary Education (ROSE II)1 Public Disclosure Authorized Prepared for the Ministry of Education, Youth, and Culture Government of Jamaica January 2003 Public Disclosure Authorized Carol Anne Dwyer Abigail M. Harris and Loretta Anderson 1 This report is based on research conducted by Carol A. Dwyer and Loretta Anderson with funding from the Japan PHRD fund. It extends the earlier investigation to incorporate comments made at the presentation to stake- holders and additional data analyses and synthesis. The authors are grateful for the generous support of the Ministry Public Disclosure Authorized of Education, Youth, and Culture without whose contributions in time and effort this report would not have been possible. Acknowledgement is also given to W. Miles McPeek and Carol-Anne McPeek for their assistance in pre- paring the report. Findings and recommendations presented in this report are solely those of the authors and do not necessarily reflect the views of the Jamaican government or the World Bank. 2 A Study of Secondary Education in Jamaica Table of Contents List of Tables and Figures 3 Executive Summary 4 Recommendation 1 4 Recommendation 2 5 Introduction and Rationalization 8 Evaluation of the CXC and SSC examinations 10 CXC Examinations. 13 SSC Examinations. 13 CXC & SSC Design & Content Comparison. 13 Vocational and technical examinations. 15 JHSC Examinations. 15 Examinations and the Curriculum. 16 Junior High School and Upper Secondary Curricula. 18 The Impact Of Examinations On Students’ School Performance And Self- Perceptions. 19 Data on Student’s Non-Academic Traits. -
Texas Music Education Research 2008
Texas Music Education Research 2008 Reports of Research in Music Education Presented at the Annual Meeting of the Texas Music Educators Association San Antonio, Texas, February, 2008 Robert A. Duke, Chair TMEA Research Committee School of Music, The University of Texas at Austin Edited by: Edited by Mary Ellen Cavitt, Texas State University, San Marcos Published by the Texas Music Educators Association, Austin, Texas contents The Effect of Self-Directed Peer Teaching on Undergraduate Acquisition of Specified Music Teaching Skills .......................3 Janice N. Killian & Keith G. Dye & Jeremy J. Buckner The Effects of Computer-Augmented Feedback on Self-Evaluation Skills of Student Musicians .............................................16 Melanie J. McKown & Mary Ellen Cavitt Relationships Between Attitudes Toward Classroom Singing Activities and Assessed Singing Skill Among Elementary Education Majors .................................................................................................................................................................................33 Charlotte P. Mizener Texas Music Education Research, 2008 J. N. Killian, K. G. Dye, & J. J. Buckner Edited by Mary Ellen Cavitt, Texas State University—San Marcos The Effect of Self-Directed Peer Teaching on Undergraduate Acquisition of Specified Music Teaching Skills Janice N. Killian, Keith G. Dye, and Jeremy J. Buckner Texas Tech University Peer teaching is a time-honored method of practicing teaching skills prior to entering a classroom. Traditionally, a pre-service educator teaches an assigned lesson and the instructor gives feedback regarding lesson content and structure (Fuller & Brown, 1975). Drawbacks of peer teaching include the fact that peers often can perform the content of the lesson; thus the pre- service teacher does not get accurate feedback nor does he/she practice error-detection skills because the “students” do not make errors on familiar material. -
PAUL F. DOERKSEN, PH.D. Mary Pappert School of Music, Duquesne University [email protected] • (412) 396-1888
PAUL F. DOERKSEN, PH.D. Mary Pappert School of Music, Duquesne University [email protected] • (412) 396-1888 Table of Contents Professional Background Education 1 Academic Positions 1 Administrative Accomplishments (Department Chair, 2004–18) Accreditation 1 Assessment 1 Budgets 1 Curricula 2 Facilities and Equipment 2 Faculty and Staff 2 Student Recruitment 2 Professional Development 3 Scholarship Publications Chapters 4 Books 4 Articles 5 State Education Columns 5 Music Reviews 5 Presentations Professional Meetings International 6 National 6 Regional (Multistate) 8 State 9 Local 10 University Settings 11 Music Performances Guest Conductor 12 Band Clinician 12 Grants 13 Teaching Undergraduate Instruction Courses Taught 13 Advisor, Mentor, and Sponsor 14 Directed Study: Music Education 1 14 Music Education Internship 1 14 Practicum 2 14 Reading and Conference 2 14 Institutions: 1 Duquesne University, 2 University of Oregon, 3 Ball State University, 4 The Ohio State University. 10/26/20 PAUL F. DOERKSEN, PH.D. Duquesne University Research 2 15 Graduate Instruction Courses Taught 15 Directed Study in Music Education 1 15 Pedagogy and Practicum 2 15 Practicum 2 16 Reading and Conference 2 16 Research 2 16 Supervised College Music Teaching 2 17 Service Professional Associations National Association for Music Education 17 State Music Education Associations 17 Additional Professional Committees 18 Education Settings Arts-Education Programs 18 Consultant and Evaluator 18 Adjudicator 18 Service Learning and Community Engagement 19 Institution -
Jamaica-Wikipedia-Re
4/15/2017 Jamaica Wikipedia Coordinates: 18°N 77°W Jamaica From Wikipedia, the free encyclopedia i Jamaica ( /dʒәˈmeɪkә/) is an island country situated in the Jamaica Caribbean Sea, consisting of the thirdlargest island of the Greater Antilles. The island, 10,990 square kilometres (4,240 sq mi) in area, lies about 145 kilometres (90 mi) south of Cuba, and 191 kilometres (119 mi) west of Hispaniola (the island containing the nationstates of Haiti and the Dominican Republic). Jamaica is the fourthlargest island country in the Caribbean, by area.[6] Flag Coat of arms Motto: "Out of Many, One People" Inhabited by the indigenous Arawak and Taíno peoples, the island came under Spanish rule following the arrival of Anthem: Christopher Columbus in 1494. Many of the indigenous people "Jamaica, Land We Love" died of disease, and the Spanish imported African slaves as 0:00 MENU labourers. Named Santiago, the island remained a possession of Royal anthem: "God Save the Queen" Spain until 1655, when England (later Great Britain) conquered it and renamed it Jamaica. Under British colonial rule Jamaica became a leading sugar exporter, with its plantation economy highly dependent on slaves imported from Africa. The British fully emancipated all slaves in 1838, and many freedmen chose to have subsistence farms rather than to work on plantations. Beginning in the 1840s, the British imported Chinese and Indian indentured labour to work on plantations. The island achieved independence from the United Kingdom on 6 August 1962.[7] With 2.8 million people, Jamaica is the thirdmost populous Anglophone country in the Americas (after the United States and Canada), and the fourthmost populous country in the Caribbean. -
Survey of ICT and EDUCATION in the CARIBBEAN
+ mainstreaming ICT and Education Series SURVEY OF ICT AND EDUCATION IN THE CARIBBEAN S A Summary Report, Based on 16 Country Surveys UR A Summary Report Based on V EY SURVEY OF ICT 16 Country Surveys: Anguilla, This project seeks to gather together in a single resource the most relevant and useful information O F ICT Antigua and Barbuda, Aruba, on ICT in education activities in the Caribbean. AND Education Barbados, British Virgin The study addresses the following general topics: AND Islands, Cayman Islands, • The state of policy and planning IN THE CARIBBEAN E Dominica, Grenada, Jamaica, • Current usage of ICT in the primary, secondary and tertiary education systems ducation VOLUME I: REGIONAL Montserrat, St. Kitts and Nevis, • Pre-service and in-service teacher professional development (TPD) St Lucia, St. Vincent and the • Critical challenges TRENDS AND ANALYSIS Grenadines, Trinidad and Contents: IN Tobago, Turks and Caicos T Islands, U.S. Virgin Islands • Regional trends in ICT in Caribbean education H An infoDev PUBLICATION PREPARED BY: E • Global trends in ICT and education, and their relevance to the Caribbean context C ARIBBEAN Edmond Gaible, PhD • Selected regional ICT initiatives in education The Natoma Group • Regional and national EMIS initiatives ICT AND EDUCATION SERIES This Summary Report is complemented by 16 separate Country Reports addressing policy and – planning; ICT in primary and secondary schools; TPD; tertiary education; non-formal learning VOLUME SERIES EDITOR: and TVET; education management information systems (EMIS) and Ministry of Education (MOE) Michael Trucano capacity; barriers and challenges. Please note that Cuba, the Dominican Republic, Haiti, and the U.S. -
Secondary Level Music Teacher Training Institutions in Jamaica: a Historical Study
University of Mississippi eGrove Electronic Theses and Dissertations Graduate School 2013 Secondary Level Music Teacher Training Institutions in Jamaica: A Historical Study Garnet Christopher Lloyd Mowatt University of Mississippi Follow this and additional works at: https://egrove.olemiss.edu/etd Part of the Music Commons Recommended Citation Mowatt, Garnet Christopher Lloyd, "Secondary Level Music Teacher Training Institutions in Jamaica: A Historical Study" (2013). Electronic Theses and Dissertations. 705. https://egrove.olemiss.edu/etd/705 This Dissertation is brought to you for free and open access by the Graduate School at eGrove. It has been accepted for inclusion in Electronic Theses and Dissertations by an authorized administrator of eGrove. For more information, please contact [email protected]. SECONDARY LEVEL MUSIC TEACHER TRAINING INSTITUTIONS IN JAMAICA: A HISTORICAL STUDY A Dissertation Presented in partial fulfillment of requirements for the degree of Doctor of Philosophy in the Department of Music The University of Mississippi By GARNET C.L. MOWATT July 2013 Copyright Garnet C.L. Mowatt 2012 ALL RIGHTS RESERVED ABSTRACT Jamaica, one of the many countries of the Commonwealth Caribbean, is known for its rich musical heritage that has made its impact on the international scene. The worldwide recognition of Jamaica’s music reflects the creative power of the country’s artists and affects many sectors of the island’s economy. This has lead to examination and documentation of the musical culture of Jamaica by a number of folklorists and other researchers. Though some research has focused on various aspects of music education in the country, very little research has focused on the secondary level music teacher education programs in Jamaica. -
Education in Jamaica: a Need for Redefinition and a Changing of the Old Philosophy of Education
International Journal of Research in Humanities and Social Studies Volume 5, Issue 2, 2018, PP 36-41 ISSN 2394-6288 (Print) & ISSN 2394-6296 (Online) Education in Jamaica: A need for redefinition and a changing of the old philosophy of education Paul Andrew Bourne, Ruth Owen-Wright Northern Caribbean University, Mandeville, Manchester, Jamaica *Corresponding Author: Paul Andrew Bourne, Northern Caribbean University, Mandeville, Manchester, Jamaica ABSTRACT According to Peters (2001) among the legacies of imperialism in the Caribbean is the educational system, which still holds some of the philosophies of the British structure. This educational philosophy dates back to the Emancipation Act 1834 when metaphysics and idealism were the dominant paradigms. It was not until 1972 when Michael Manley became Prime Minister of Jamaica that there were any bold steps to reform education in Jamaica or for anyone to articulate that the education system then was for another time, people living in an agrarian economy. It was noted that the students at primary levels at the primary level performed poorly in English Language and Mathematics, which was evidenced in the selection examinations for entry to high and technical schools (Glasgow & Langley, 1989). Thirty-five years later since Michael Manley shifted the education paradigm the statistics are showing that students are failing in the area of English (reading, writing) and Mathematics. The Grade 4 Numeracy test for 2016 revealed that Of the 765 public schools, 764 entered 33,447 students to sit the Test with “approximately 57 percent attaining mastery; some 27.2 percent attaining almost mastery and 15.8 percent non-mastery. -
Ending Violence in Jamaica
@UNICEF/JAM/PAWELCZYK UNICEF JAMAICA Ending Violence in Jamaica A REPORT PREPARED FO R NEXTGEN AUGUST 2018 Situation Overview In Jamaica, considerable progress has been made to improve the lives and wellbeing of children. However, many children, especially those from the poorest families, are not receiving the basic foundational skills they need to meet minimum learning standards and are subjected to violence, including corporal punishment. Greater efforts are also needed to improve services for the hardest to reach and reduce toxic stress and exposure to violence. Children in Jamaica encounter violence, not only in schools but also in their homes and communities. Over the past five years, children and adolescents have consistently accounted for approximately one third of all violent injuries reported at hospitals in Jamaica. Statistics produced by the Jamaica Crime Observatory Integrated Crime and Violence Information System in its 2011-2015 Report on Children and Violence attest to the fact that, on an annual basis, children are victims of major crimes including sexual abuse, murder, shootings and robberies. More than twice as many children were victims of sexual assault than adults. In Jamaica two key program areas - Life Long Learning and Child Safety and Justice - are helping to break cycles of violence and ensure that children have access protective learning environments. Under these broad program areas, UNICEF is implementing several initiatives to foster safe environments for children and support child-friendly, rights-based schools that promote positive discipline and advance student-centered learning to create a generation of critical, creative and confident thinkers. The Impact of Your Support Lifelong Learning Your support for education in Jamaica has enabled UNICEF and its partners to continue activities that are aimed at reaching the poorest and most vulnerable children to achieve more equitable developmental outcomes. -
Music History Education Music History
Music History Education Music History Education in Ontario Elementary Schools By Georgia Gianarakos A research paper submitted in conformity with the requirements For the degree of Master of Teaching Department of Curriculum, Teaching and Learning Ontario Institute for Studies in Education of the University of Toronto Copyright by Georgia Gianarakos, April 2016 Music History Education 2 Abstract This study investigates how a small sample of elementary music educators design meaningful lessons that include music history as a component of their music education pedagogy. The subject area of music is one where pre-service teacher education, school board supports, and professional development is greatly lacking, which directly results in the sparse teaching of music history education. Consequently, the goal of this research inquiry was to investigate and improve upon the current pedagogy surrounding the teaching of music history in Ontario elementary schools by compiling information on best practice methods. A qualitative research approach was used and data was collected through semi-structured interviews. Findings report that the successful integration of music history education at the elementary level depends on the teacher’s knowledge and expertise in the subject area of music. When music history education is taught in a context-specific way and is directly related to what is being learned in the music classroom, students can respond positively to the content being taught. It was also discovered that inviting musical experts into the classroom is an effective way for an inexperienced music teacher to expose students to different types of music, musical cultures, and the history of those cultures. Key Words: Music History Education, Music Specialist, Professional Music Teacher, Generalist Music Teacher, Culturally Responsive Music Pedagogy, Ontario Music Curriculum. -
PIANO PEDAGOGY for FOUR- and FIVE-YEAR-OLDS: an ANALYSIS of SELECTED PIANO METHODS for TEACHING PRESCHOOL CHILDREN by PAULA M. T
PIANO PEDAGOGY FOR FOUR- AND FIVE-YEAR-OLDS: AN ANALYSIS OF SELECTED PIANO METHODS FOR TEACHING PRESCHOOL CHILDREN by PAULA M. THOMAS-LEE (Under the Direction of Harriet Hair) ABSTRACT The purpose of this study was to analyze nine early childhood piano methods designed for teaching the beginning four- to five-year-old piano student and to determine whether or not they included the elements which researchers and practitioners deem necessary for an age-appropriate comprehensive music program. The research questions examined in this study were 1) to determine which methods are currently available for teaching piano to the younger child; 2) to determine whether or not these programs include the age- appropriate elements that researchers consider essential for early childhood musical development such as playing instruments (the piano), singing, moving, creating, and aural skills development; 3) to determine the variety of styles of repertoire found in each series; and 4) to determine whether or not parental involvement was discussed in these methods. Criteria for selecting preschool piano methods were methods which 1) were specifically designed for the four- and five-year-old beginning student; 2) were currently in print; 3) and were recommended in James Bastien’s (1988) How to Teach Piano Successfully and Marienne Uszler’s (2000) The Well-Tempered Keyboard Teacher. Thus, the methods which met these criteria were Music for Little Mozarts (1999-2000) by Barden, Kowalchyk, and Lancaster, Invitation to Music (1993-1994) by Jane, Lisa, and Lori Bastien, Prep Course for the Young Beginner (1988-1989, 1993) by Palmer, Manus, and Lethco, Piano for the Young Beginner (1987) by James Bastien, Sing and Play (1987) by Collins and Clary, Music Readiness Series (1984) by Glover, Glasscock, and Stewart, Mainstreams Primer Method (1977) by Cory, Music for Moppets (1971)and Kinder-Keyboard (1977) by Robert and Helen Pace, and The Very Young Pianist (1970, 1973) by Jane Smisor Bastien. -
Jamaica National Heritage Trust (JNHT), Jamaica Archive and Gordon, Ms
AtlAs of CulturAl HeritAge AND iNfrAstruCture of tHe Americas JAMAICA luis Alberto moreno President Board of trustees Honourable General Coordinator liliana melo de sada olivia grange m. P. Alfonso Castellanos Ribot ChairPerson of the Board Minister ● ● ● national liaison Trustees mr. robert martin Marcela Diez teresa Aguirre lanari de Bulgheroni PerManent seCretary ● sandra Arosemena de Parra ● national teaM Adriana Cisneros de griffin senator Warren Newby Desmin Sutherland-Leslie (Coordinator) gonzalo Córdoba mallarino Halcyee Anderson Andrés faucher Minister of state marcello Hallake Shemicka Crawford enrique V. iglesias ● Christine martínez V-s de Holzer ProGraMMers eric l. motley, PhD A Alfonso Flores (Coordinator) rodolfo Paiz Andrade Eduardo González López marina ramírez steinvorth directories Alba M. Denisse Morales Álvarez Julia salvi ● Ana maría sosa de Brillembourg Diego de la torre editorial Coordination ● Alfonso Castellanos Ribot sari Bermúdez ● Ceo editorial desiGn raúl Jaime Zorrilla Juan Arroyo and Luz María Zamitiz dePuty Ceo Editorial Sestante, S.A. de C.V. Atlas of Cultural Heritage and Printed and made in Mexico Infrastructure of the Americas: Jamaica isBN (colection:) 978-607-00-4877-7 Primera edición, 2011 isBN (Jamaica Atlas) 978-607-00-4910-1 first edition, 2011 © C. r. inter American Culture and Development foundation, ministry of Youth, sports and Culture, Jamaica. Acknowledgements Institute of Jamaica on behalf of the Cultural Atlas team, we would like to thank the following organisations provided fundamental information the following persons were instrumental in the creation minister olivia grange, m.P. minister of Youth, sports and Culture and support that enabled the publication of the Atlas: of the Atlas: for partnering with the inter-American Cultural foundation (iCDf) to facilitate the creation of the Atlas of Cultural Heritage institute of Jamaica (IOJ), National library of Jamaica (NlJ), ms. -
The Status of Music Education in Secondary Schools in Trinidad and Tobago: Perspectives from Educational Leadership
THE STATUS OF MUSIC EDUCATION IN SECONDARY SCHOOLS IN TRINIDAD AND TOBAGO: PERSPECTIVES FROM EDUCATIONAL LEADERSHIP ______________________________________________________________________________ A Dissertation Submitted to the Temple University Graduate Board ______________________________________________________________________________ In Partial Fulfillment of the Requirement for the Degree DOCTOR OF PHILOSOPHY ______________________________________________________________________________ By Eldon Blackman December, 2015 Committee Members: Dr. Deborah Confredo, Advisory Chair, Music Education Dr. Alison Reynolds, Music Education Dr. Rollo Dilworth, Music Education Dr. Cynthia Folio, Music Studies i ABSTRACT The purpose of this study was to investigate principals’ perceptions of the status of music education in secondary schools in Trinidad and Tobago. The guiding questions were (a) What are secondary school principals’ perceptions of music learning outcomes as they are currently being met and as they should be met under ideal conditions, (b) What are secondary school principals’ perceptions of broad educational goals as they are currently being met and as they should be met under ideal conditions, (c) Is there a difference between principals’ perceptions of current and ideal conditions for the learning outcomes and the educational goals, and (d) What are secondary school principals’ perceptions about the degree to which eleven selected variables impact music education? A descriptive research design was used in which secondary school principals (n = 93) were provided with the survey instrument. The survey is organized into four sections based on the questions that are derived from the research purpose and questions. Cronbach’s alpha was used to test for internal consistency of the survey items. Data, related to the first two guiding questions, was fielded via Likert-type scales where the responses represented the principals’ perceptions of the level of realization of the standards for the music learning outcomes and the broad educational goals.