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DANCE Feature Films: Award Shows: Katy Perry: Part Of Me 2010 VMAs - Opening Number Jack and Jill 2010 AMAs - Katy Perry “Firework” La La Land 2011 Grammys - KP “Teenage Dream” Birds Of Prey - Harley Quinn 2012 Grammys - KP “Part Of Me” 2012 VMAs - Taylor Swift “WANEGBT” 2012 AMAs - Taylor Swift “IKYWT” Tour: 2013 Grammys - TS “WANEGBT” Katy Perry California Dreams Tour 2013 Brit Awards - TS “IKYWT” Taylor Swift Red Tour 2013 Billboard Awards - TS “22” Katy Perry Prismatic Tour 2013 MTV VMAs - KP “Roar” Demi Lovato Tell Me You Love Me Tour 2013 AMAs - KP “Unconditionally” 2013 NRJ Awards - KP “Unconditionally” 2014 Grammys - KP “Dark Horse" Television: 2017 Grammys - KP “CTTR” Jerry Lewis Telethon 2017 MTV Movie Awards - Opening DWTS Jason Derulo House - Bombshells Glee - Saturday Night Fever Music Videos: VH1 Divas Taylor Swift - 22 DWTS Selena Gomez Taylor Swift - Red Disney’s Shake It Up Katy Perry - This Is How We Do Glee - Starships & Pinball Wizard X Factor DWTS “Heavy Metal Lover” Stage: Gilmore Girls - Netﬂix Rock In Rio Brazil - Katy Perry Greatest Hits - Coolio Obama Presidential Campaign Katy Perry Super Bowl Halftime Show Jessie & The ToyBoys - Jingle Ball SNL - Katy Perry Capital FM Ball - Taylor Swift & KP The Voice - Berlin iTunes Festival - Katy Perry DWTS Season 24 Finale iHeart Radio - Katy Perry Lip Sync Battle - Season 3-5 Rock in Rio Brazil - Katy Perry Prismatic CMA Country Christmas MET Opera “The Merry Widow” Curb Your Enthusiasm - “Fatwa” Swansea Festival - Demi Lovato Nickelodeon - “Its On” Rock In Rio Lisbon - Demi Lovato Disney’s “KC Undercover” RuPauls Drag Race Season 10 DWTS Athletes Choreography & Assistant: The Talk - Halloween Special MTV VMA Britney Tribute - Asst Choreo The Late Late Show - Halloween Special LSB Shorties Season 1&2 - Asst Choreo The Late Late Show - Adam Lambert American Housewife Teaching: West Coast Dance Explosion 2016 - Present Dancers Edge Dance Precisions Workshop Mather Dance Company Millenium OC List Of Choreographers I’ve Worked With: Marguerite Derricks RJ Durrell Michael Rooney Mia Michaels Kat Burns Dani Vitale Zach Woodley Susan Stroman Mandy Moore Christian Owens Brooke Lipton Kevin Maher Alison Holker Miguel Zarate Chris Judd Brian Friedman Nick Florez Blake McGrath Tyce Diorio Melanie Benz Ash Wallen Danielle Flora Ryan Hefﬁngton Denna Thomsen Travis Wall Shannon Mather Jamal Sims Rosero Anthony Kin NappyTabs Daniel Ezralow Chloe Arnold Danny Teeson Bobby Newberry Tovaris Wilson Tessandra Chavez.

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The Michael Jackson Allegations
The Michael Jackson Allegations A PDF version of the website https://themichaeljacksonallegations.com/ Condensed version 1 Foreword This document, or e-Book, if you like, evolved from the content of the website https://themichaeljacksonallegations.com. The aim and mission of the document is to give a full representation of the 1993, the 2005, and the posthumous Wade Robson child sexual abuse allegations against Michael Jackson. There is still a lot of misinformation circulating about those cases and people often make judgments about them based on out of context cherry-picked half-truths, incomplete information or even complete lies. We hope that this document will help to better understand these complicated cases. Previously we have published a longer, more detailed version of this document, but we felt that a condensed version is also warranted for those who do not have that much time to read and explore these cases, but still want to get more insight than what they might get from superficial soundbites or tabloid information circulating on the Internet. This document is that condensed version in which we managed to bring down more than 400 pages to less than 80. If you are interested in the more detailed discussion of these cases then those longer versions are available at https://themichaeljacksonallegations.com/. The longer documents also contain a detailed source list at the end of each chapter, because everything we say in these documents (including this one) is properly sourced from court documents, testimonies and other material. If you truly want to understand these allegations you will have to invest a bit of time in reading.
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CNO Awarded at IHS Tribal Urban Awards Ceremony
State-of-the-art Chahta Oklahoma press at Texoma Foundation teams play Print Services works to secure in Stickball Choctaw legacy World Series Page 3 Page 9 Page 18 BISKINIK CHANGE SERVICE REQUESTED PRESORT STD P.O. Box 1210 AUTO Durant OK 74702 U.S. POSTAGE PAID CHOCTAW NATION BISKINIKThe Official Publication of the Choctaw Nation of Oklahoma August 2012 Issue CNO awarded at IHS Tribal Urban Awards Ceremony By LISA REED services staff, the Choctaw Nation Choctaw Nation of Oklahoma has several new programs aimed at educating us on improving our life- The ninth annual Oklahoma styles.” City Area Director’s Indian Health Receiving awards were: Service Tribal Urban Awards Cer- • Area Director’s National Impact emony was held July 19 at the Na- – Mickey Peercy, Choctaw Nation’s tional Cowboy & Western Heritage Executive Director of Health. Museum in Oklahoma City. Chief • Area Director’s Area Impact – Gregory E. Pyle assisted in present- Jill Anderson, Clinic Director of the ing awards to the recipients from the Choctaw Health Clinic in McAles- Choctaw Nation of Oklahoma. Thir- ter. teen individuals and one group from • Area Director’s Lifetime the Choctaw Nation’s service area Achievement Award – Kelly Mings, were recognized for their dedica- Chief Financial Officer for Choctaw tion and contributions to improving Nation Health Services. the health and well-being of Native • Exceptional Group Performance Americans. Award Clinical – Chi Hullo Li, The “I would like to commend all who Choctaw Nation’s long-term com- are here today,” said Chief Pyle. prehensive residential treatment pro- “Their hard work and dedication gram for Native American women Choctaw Nation: LISA REED are exemplary.
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YDC Talks to Adam Goldstein of SPLC Kathy Zhang Adam Goldstein Answers a Physical Disruption of the School Day
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Strut, Sing, Slay: Diva Camp Praxis and Queer Audiences in the Arena Tour Spectacle
Strut, Sing, Slay: Diva Camp Praxis and Queer Audiences in the Arena Tour Spectacle by Konstantinos Chatzipapatheodoridis A dissertation submitted to the Department of American Literature and Culture, School of English in fulfillment of the requirement for the degree of Doctor of Philosophy Faculty of Philosophy Aristotle University of Thessaloniki Konstantinos Chatzipapatheodoridis Strut, Sing, Slay: Diva Camp Praxis and Queer Audiences in the Arena Tour Spectacle Supervising Committee Zoe Detsi, supervisor _____________ Christina Dokou, co-adviser _____________ Konstantinos Blatanis, co-adviser _____________ This doctoral dissertation has been conducted on a SSF (IKY) scholarship via the “Postgraduate Studies Funding Program” Act which draws from the EP “Human Resources Development, Education and Lifelong Learning” 2014-2020, co-financed by European Social Fund (ESF) and the Greek State. Aristotle University of Thessaloniki I dress to kill, but tastefully. —Freddie Mercury Table of Contents Acknowledgements...................................................................................i Introduction..............................................................................................1 The Camp of Diva: Theory and Praxis.............................................6 Queer Audiences: Global Gay Culture, the Arena Tour Spectacle, and Fandom....................................................................................24 Methodology and Chapters............................................................38 Chapter 1 Times
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Free Part of Me Katty
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Feigning Or Feeling? on the Staging of Authenticity on Stage 1
Online publications of the Gesellschaft für Popularmusikforschung/ German Society for Popular Music Studies e. V. Ed. by Eva Krisper and Eva Schuck w w w . gf pm- samples.de/Samples1 8 / v o n a ppe n . pdf Volume 18 (2020) - Version of 8 May 2020 FEIGNING OR FEELING? ON THE STAGING OF AUTHENTICITY ON STAGE 1 Ralf von Appen Deciding who or what is genuinely authentic cannot be the objective of an academic analysis of the value of authenticity. A binding, universally ac- cepted measure will not be found, because the concept of authenticity ad- dresses different, sometimes contradictory values, which are also subject to historical change and therefore cannot be reduced to a fixed common de- nominator. These conflicting values are the result of the various personal and social needs of the listener and are therefore all justified. The focus should rather be on documenting the various structures and attributes of authentic- ity and identifying recurring patterns in order to disclose the underlying ide- als, needs, attempts to identify and to distinguish, etc., hidden behind them. This is linked to a cultural anthropological interest in understanding the social and individual functions of music. As an additional goal, by heightening an awareness of the staged character of authenticity structures transmitted by media, a contribution can be made towards a more enlightened handling of economically and/or ideologically motivated staging. With these aims, I will first discuss the key terms of authenticity, liveness and staging, in order to then examine the commonly used authentication strategies based on current examples, especially live performances.
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Loyaltyone, Points Optimum and Everything in Between
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