The Sudbury S E N I O R Scene March
Total Page:16
File Type:pdf, Size:1020Kb
Load more
Recommended publications
-
“White Christmas”—Bing Crosby (1942) Added to the National Registry: 2002 Essay by Cary O’Dell
“White Christmas”—Bing Crosby (1942) Added to the National Registry: 2002 Essay by Cary O’Dell Crosby’s 1945 holiday album Original release label “Holiday Inn” movie poster With the possible exception of “Silent Night,” no other song is more identified with the holiday season than “White Christmas.” And no singer is more identified with it than its originator, Bing Crosby. And, perhaps, rightfully so. Surely no other Christmas tune has ever had the commercial or cultural impact as this song or sold as many copies--50 million by most estimates, making it the best-selling record in history. Irving Berlin wrote “White Christmas” in 1940. Legends differ as to where and how though. Some say he wrote it poolside at the Biltmore Hotel in Phoenix, Arizona, a reasonable theory considering the song’s wishing for wintery weather. Some though say that’s just a good story. Furthermore, some histories say Berlin knew from the beginning that the song was going to be a massive hit but another account says when he brought it to producer-director Mark Sandrich, Berlin unassumingly described it as only “an amusing little number.” Likewise, Bing Crosby himself is said to have found the song only merely adequate at first. Regardless, everyone agrees that it was in 1942, when Sandrich was readying a Christmas- themed motion picture “Holiday Inn,” that the song made its debut. The film starred Fred Astaire and Bing Crosby and it needed a holiday song to be sung by Crosby and his leading lady, Marjorie Reynolds (whose vocals were dubbed). Enter “White Christmas.” Though the film would not be seen for many months, millions of Americans got to hear it on Christmas night, 1941, when Crosby sang it alone on his top-rated radio show “The Kraft Music Hall.” On May 29, 1942, he recorded it during the sessions for the “Holiday Inn” album issued that year. -
Hollywood Musicals
i HOLLYWOOD MUSICALS Hollywood Musicals offers an insightful account of a genre that was once a main- stay of twentieth- century fi lm production and continues to draw audiences today. What is a fi lm musical? How do musicals work, formally and culturally? Why have they endured since the introduction of sound in the late 1920s? What makes them more than glittery surfaces or escapist fare? In answering such questions, this guidebook by Steven Cohan takes new and familiar viewers on a tour of Hollywood musicals. Chapters discuss defi nitions of the genre, its long history, different modes of analyzing it, the great stars of the classic era, and auteur directors. Highlights include extended discussions of such celebrated musicals from the studio era as The Love Parade, Top Hat , Holiday Inn , Stormy Weather, The Gang’s All Here, Meet Me in St. Louis, Cover Girl, Mother Wore Tights, Singin’ in the Rain , Gentlemen Prefer Blondes, The Band Wagon , Seven Brides for Seven Brothers , and Jailhouse Rock as well as later fi lms, such a s Cabaret , All that Jazz, Beauty and the Beast, and La La Land. Cohan brings in numerous other examples that amplify and extend to the present day his claims about the musical, its generic coherence and fl exibility, its long and distinguished history, its special appeal, and its cultural signifi cance. Clear and accessible, this guide provides students of fi lm and culture with a succinct but substantial overview that provides both analysis and intersectional context to one of Hollywood’s most beloved genres. Steven Cohan’s books include Masked Men: Masculinity and the Movies in the Fifties, Incongruous Entertainment: Camp, Cultural Value, and the MGM Musical , and Hollywood by Hollywood: The Backstudio Picture and the Mystique of Making Movies. -
Hello! My Baby Student Guide.Pdf
Goodspeed’s Student Guide to the Theatre is made possible through the generosity of GOODSPEED MUSICALS GOODSPEED GUIDE TO THE THEATRE Student The Max Showalter Center for Education in Musical Theatre HELLO! MY BABY The Norma Terris Theatre November 3 - 27, 2011 _________ CONCEIVED & WRITTEN BY CHERI STEINKELLNER NEW LYRICS BY CHERI STEINKELLNER Student Guide to the Theatre TABLE OF CONTENTS NEW MUSIC & ARRANGEMENTS BY GEORGIA STITT ABOUT THE SHOW: The Story...................………………………………………….3 LIGHTING DESIGN BY JOHN LASITER ABOUT THE SHOW: The Characters...........................……………………………5 ABOUT THE SHOW: The Writers....................…..…………………………………...6 COSTUME DESIGN BY ROBIN L. McGEE Listen Up: Tin Pan Alley Tunes................………………………………................7 SCENIC DESIGN BY A Few Composers + Lyricists..............................……………………………….....8 MICHAEL SCHWEIKARDT Welcome to the Alley!...............…………………………………………………...10 CHOREOGRAPHED BY Breaking into the Boys Club......…………………………………………………...11 KELLI BARCLAY New York City..............................…………………………………………………...12 DIRECTED BY RAY RODERICK FUN AND GAMES: Word Search........................................................................13 FUN AND GAMES: Crossword Puzzle….……………………………...................14 PRODUCED FOR GOODSPEED MUSICALS BY How To Be An Awesome Audience Member…………………......................15 MICHAEL P. PRICE The Student Guide to the Theatre for Hello! My Baby was prepared by Joshua S. Ritter M.F.A, Education & Library Director and Christine Hopkins, -
Gospel Music The
Section 2 October 14, 1967 ocirill TheWorld of GOSPEL MUSIC THE EGC:311iiim THING IN GOSPEL MP "SIG HERE ARE JUST NINE OF THE MANY GREATGOSPEL HITS FEATURED BY PATHWAY GreiA a Name am. P.tw -OW Ow LP 6053 -SIP 6053 LP 3219 -SIP 3219 LP 6050-SLP 6050 BLACKWOOD MINERS afI SfR 4 ENSEMILE LP 6044-SLP 6044 LP 6055-SLP 6055 LP 6045-SLP 6045 LP 6051-SLP 6051 smirrrGATLIN TRIO 1-JAT H WAY RECORDS P. 0. BOX 880 I CLEVELAND, TENNESSEE 3 7 3 1 1 Exclusive Distributors for SKYLITE/SING (-4"HIGH VIDALaxy Sole International Distributors LP 6000-SLP 6000 LP 6056 -SIP 6056 and Sales Representatives for CHRISTIAN FAITH/TEMPLE/WORSHIP TheWorld of GOSPEL 1111SIC Contents GMA Gains in Stature 6 Gospel Enters the Mainstream -1967 8 It Is No Secret 10 Gos-Pop Sound Emerges 12 Religious Records Enjoy Longer Sales Life 16 Almost All Bluesmen Cut Gospel Records 18 Cathedral of Tomorrow 20 Chuck Wagon Gang 22 Nashville, a Center of Religious Music 22 National Quartet Convention 30 Bible Interest on Rise 32 Gospel Is Davis First Love 34 From Sausages to Sacred Music 36 Supreme Breaks Through 38 Gospel Symposium Honors Edwards 38 Women Promote Gospel Music 40 New Sound in Gospel Music 40 The Churches Are Singing More 42 Back to Historical Hymnity 44 Gospel Music Discography 46 Billboard Publications,Inc. General Advertising Office, N. Y. 2160 Patterson St., Cincinnati, 0. 45214 Advertising Manager Ron Carpenter Tel.: Area Code 513, 381-6450 PromotionDirector GeraldinePlatt Midwest MusicSales Richard Wilson West Coast Gen. -
CELEBRATION of the NEW COVENANT Luke 22:7-23; Acts 2:42; 1 Corinthians 11:23-32
Covenant Community The Lord’s Supper: Celebration of the New Covenant Dr. David Platt March 29, 2009 THE LORD’S SUPPER: CELEBRATION OF THE NEW COVENANT Luke 22:7-23; Acts 2:42; 1 Corinthians 11:23-32 If you have a Bible, and I hope you do, let me invite you to open with me to Luke 22. We’re going to jump into the Word a little bit earlier than we normally do in our worship gathering, so that we might respond to the Word in the Lord’s Supper that we celebrate in just a minute. Luke 22, let me invite you to pull out those notes from the Worship Guide that you received when you came in. I want to start by connecting what we’ve just celebrated in baptism and what we are going to do in the Lord’s Supper. Baptism and the Lord’s Supper. In fact, I want to go back real briefly to the end of last week and extend a little bit on where we left off, maybe even clarify a little bit. When we were talking about baptism, we were looking at, “When should I be baptized?” What we saw in Scripture was clearly, as soon as you trust in Christ for salvation, you should be baptized. We added on to that, as soon as you can best publicly claim your faith in Christ through baptism. The reason we added that...we didn’t get to elaborate here...the reason we talk about baptism as a public act is because of what we had seen in New Testament picture in Acts, picture in the letters of the New Testament, that baptism is a public act. -
Irving Berlin's Holiday
IIrrvviinngg BBeerrlliinn’’ss HHoolliiddaayy IInnnn At the Fireside Dinner Theatre (Fort Atkinson, WI) Sunday, November 14, 2021 Sunday, November 14, 2021 PPeerr PPeerrssoonn RRaattee:: $$112299 The Ark Encounter Irving Berlin’s HOLIDAY INN tells the story of Jim, who leaves the bright lights of show business behind to settle down on his farmhouse in Connecticut, but life just isn’t the same without a bit of song and dance. Jim’s luck takes a spectacular turn when he meets Linda, a spirited schoolteacher with talent to spare. Together they turn the farmhouse into a fabulous inn with dazzling performances to celebrate each holiday, from Thanksgiving to the Fourth of July. But when Jim’s best friend Ted tries to lure Linda away to be his new dance partner in Hollywood, will Jim be able to salvage his last chance at love? Based on the classic film, this joyous musical features thrilling dance numbers, laugh-out-loud comedy and a parade of hit Irving Berlin songs, including “Blue Skies,” “Easter Parade,” “Steppin’ Out With My Baby,” “Heat Wave,” “White Christmas,” “Be Careful, It’s My Heart,” “Cheek to Cheek,” “Shaking the Blues Away” and many more. It’s a year-round classic to make any holiday sparkle! Sunday Matinee Brunch Begin your Brunch with an assortment of Quick Breads and Pastries from our Bakery along with a Fresh Fruit Smoothie. Each show our Chef will prepare a Beef Tenderloin dish and select one of our popular Breakfast Potatoes for our Brunch Buffet which includes Chef-Carved Jones Hickory Smoked Ham and Roast Turkey Breast, Eggs Benedict on Jones Canadian Bacon, Scrambled Eggs, Bacon, Maple Sausage Links, Chicken Tenderloin Tempura with Brandied Apricot Sauce, Biscuits and Sausage Gravy, Fresh Atlantic Salmon, Buttermilk Pancakes, and Roasted Farm Fresh Vegetables. -
Irving Berlin's Holiday
Irving Berlin’s Holiday Inn Irving Berlin’s Holiday Inn At the Fireside Dinner Theatre (Fort Atkinson, WI) TThhuurrssddaayy,, NNoovveemmbbeerr 1111,, 22002211 PPeerr PPee rrssoonn RRaattee:: $$112299 The Ark Encounter Irving Berlin’s HOLIDAY INN tells the story of Jim, who leaves the bright lights of show business behind to settle down on his farmhouse in Connecticut, but life just isn’t the same without a bit of song and dance. Jim’s luck takes a spectacular turn when he meets Linda, a spirited schoolteacher with talent to spare. Together they turn the farmhouse into a fabulous inn with dazzling performances to celebrate each holiday, from Thanksgiving to the Fourth of July. But when Jim’s best friend Ted tries to lure Linda away to be his new dance partner in Hollywood, will Jim be able to salvage his last chance at love? Based on the classic film, this joyous musical features thrilling dance numbers, laugh-out-loud comedy and a parade of hit Irving Berlin songs, including “Blue Skies,” “Easter Parade,” “Steppin’ Out With My Baby,” “Heat Wave,” “White Christmas,” “Be Careful, It’s My Heart,” “Cheek to Cheek,” “Shaking the Blues Away” and many more. It’s a year-round classic to make any holiday sparkle! Menu: Cream of Watercress Soup served with Toasted Pine Nuts, Chicken Piccata (Skinless Breast of Chicken dipped in egg, lightly breaded, sautéed to a golden brown, resting on a Velouté Lemon Cream Sauce and garnished with tiny Caper Buds and French Fried Parsley). Served with Scalloped Potatoes and Fresh Asparagus and Baby Carrots. -
Handout Vocal Jazz in the Choral Curriculum Voices United 8-13-16
Vocal Jazz in the Choral Curriculum Repertoire for your Concert Choir Kathleen Shannon, R & R Chair for Vocal Jazz, Delaware ACDA assisted by Martin Lassman, Treasurer, Delaware ACDA Voices United Conference August 13, 2016 [email protected] http://deacda.org/index.html Selecting Repertoire – Where to Start Great American Songbook u A recognized musical canon encompassing critically acclaimed, significant songs written during the first half of the 20th Century u Synonymous with the concept of the American “standard” u Sources include Broadway, Tin Pan Alley, Hollywood musical films, songs written for specific famous singers u The availability of sheet music, the advent of recording technology and the birth of radio and television helped to bring this music to a wide audience. Irving Berlin (1888-1989) Berlin wrote most of his own lyrics, except as noted u Anything You Can Do I Can Do Better u I’ve Got My Love To Keep Me Warm u Blue Skies u Let’s Face The Music And Dance u Cheek to Cheek u Play A Simple Melody u Count Your Blessings (Instead of u Puttin’ On Th e Ri tz Sheep) u Sisters u God Bless America u Steppin’ Ou t Wi th My B ab y u Happy Holiday (Bing Crosby) u There’s No Business Like Show u How Deep Is The Ocean Business u I Got the Sun In the Morning and the u They Say It’s Wonderful Moon At Night u Top Hat, White Tie and Tails u I Love A Piano u What’ll I Do? u It’s A Lovely Day Today u White Christmas Jerome Kern (1885-1945) Kern and Oscar Hammerstein II wrote five musicals together, including Show Boat. -
Liner Notes, Visit Our Web Site
Irving Berlin “This Is the Life!” The Breakthrough Years: 1909–1921 by Rick Benjamin “Irving Berlin remains, I think, America’s Schubert.” —George Gershwin It was a perfect late summer evening in 2015. A crowd had gathered in the park of a small Pennsylvania town to hear the high-school band. I was there to support my trombonist son and his friends. The others were also mostly parents and relatives of “band kids,” with a sprinkling of senior citizens and dog walkers. As the band launched its “covers” of current pop hits toward the treetops, some in the crowd were only half-listening; their digital devices were more absorbing. But then it happened: The band swung into a new tune, and the mood changed. Unconsciously people seemed to sit up a bit straighter. There was a smattering of applause. Hands and feet started to move in time with the beat. The seniors started to sing. One of those rare “public moments” was actually happening. Then I realized what the band was playing—“God Bless America.” Finally, here was something solid—something that resonated, even with these teenaged performers. The singing grew louder, and the performance ended with the biggest applause of the night. “God Bless America” was the grandest music of the concert, a mighty oak amongst the scrub. Yet the name of its creator—Irving Berlin—was never announced. It didn’t need to be. A man on a bench nearby said to me, “I just love those Irving Berlin songs.” Why is that, anyway? And how still? Irving Berlin was a Victorian who rose to fame during the Ragtime Era. -
Carl Dengler Scrapbooks
CARL DENGLER COLLECTION RUTH T. WATANABE SPECIAL COLLECTIONS SIBLEY MUSIC LIBRARY EASTMAN SCHOOL OF MUSIC UNIVERSITY OF ROCHESTER Processed by Mary J. Counts, spring 2006 and Mathew T. Colbert, fall 2007; Finding aid revised by David Peter Coppen, summer 2021 Carl Dengler and his band, at a performance at The Barn (1950): Tony Cataldo (trumpet), Carl Dengler (drums), Fred Schubert (saxophone), Ray Shiner (clarinet), Ed Gordon (bass), Gene Small (piano). Photograph from the Carl Dengler Collection, Scrapbook 3 (1950-1959). Carl Dengler and His Band, at unidentified performance (ca. 1960s). Photograph from the Carl Dengler Collection, Box 34/15. 2 TABLE OF CONTENTS Description of Collection . 4 Description of Series . 8 INVENTORY SUB-GROUP I: MUSIC LIBRARY Series 1: Manuscript Music . 13 Series 2: Published Sheet Music . 74 Series 3: Original Songs by Carl Dengler . 134 SUB-GROUP II: PAPERS Series 4: Photographs . 139 Series 5: Scrapbooks . 158 Series 6: Correspondence . 160 Series 7: Programs . 161 Series 8: Press Material . 161 Series 9: Association with Alec Wilder . 162 Series 10: Books . 163 Series 11: Awards . 165 Series 12: Ephemera . 165 SUB-GROUP III: SOUND RECORDINGS Series 13: Commercial Recordings . 168 Series 14: Instantaneous Discs . 170 Series 15: Magnetic Reels . 170 Series 16: Audio-cassettes . 176 3 DESCRIPTION OF COLLECTION Shelf location: M4A 1,1-7 and 2,1-8 Extent: 45 linear feet Biographical Sketch (L) Carl Dengler, 1934; (Center) Carl Dengler with Sigmund Romberg, ca. 1942; (Right) Carl Dengler, undated (ca. 1960s). Photographs from the Carl Dengler Collection, Box 34/30, 34/39, 34/11. Musician Carl Dengler—dance band leader*, teacher, composer. -
Broadway 1 a (1893-1927) BROADWAY and the AMERICAN DREAM
EPISODE ONE Give My Regards to Broadway 1 A (1893-1927) BROADWAY AND THE AMERICAN DREAM In the 1890s, immigrants from all over the world came to the great ports of America like New York City to seek their fortune and freedom. As they developed their own neighborhoods and ethnic enclaves, some of the new arrivals took advantage of the stage to offer ethnic comedy, dance and song to their fellow group members as a much-needed escape from the hardships of daily life. Gradually, the immigrants adopted the characteristics and values of their new country instead, and their performances reflected this assimilation. “Irving Berlin has no place in American music — he is American music.” —composer Jerome Kern My New York (excerpt) Every nation, it seems, Sailed across with their dreams To my New York. Every color and race Found a comfortable place In my New York. The Dutchmen bought Manhattan R Island for a flask of booze, E V L U C Then sold controlling interest to Irving Berlin was born Israel Baline in a small Russian village in the Irish and the Jews – 1888; in 1893 he emigrated to this country and settled in the Lower East Side of And what chance has a Jones New York City. He began his career as a street singer and later turned to With the Cohens and Malones songwriting. In 1912, he wrote the words and music to “Alexander’s Ragtime In my New York? Band,” the biggest hit of its day. Among other hits, he wrote “Oh, How I Hate to Get Up in the Morning,” “What’ll I Do?,” “There’s No Business Like —Irving Berlin, 1927 Show Business,” “Easter Parade,” and the patriotic “God Bless America,” in addition to shows like Annie Get Your Gun. -
Hotel Reservation Information
Annual Meeting 2020 Philadelphia Hotel Reservation Information Hotel Reservation Information 2 Hotel Descriptions 3 Hotel Listings and Amenities 9 Hotel Map 11 Shuttle Bus Routes 12 2 Hotel Reservation Information Protect Yourself From Hotel Scams! total number of sleeping rooms actually booked inside our contracted room block, as well as our onPeak is the only official hotel spending on other services at the hotel. Booking provider associated with the 2020 within our block helps us to maintain our strong Annual Meeting. Hotel reservations business value, which is critical to our negotiations made outside of the official 2020 with future cities and cost-containment efforts. Annual Meeting hotel block can be risky: tradeshows are often uniquely targeted by Housing Instructions companies who can put you at risk of being stranded without hotel rooms and lost deposits. Please do not Online: psychiatry.org/annualmeeting become a victim of these companies and their scams. Address: onPeak Visit the official reservation site of the 2020 Annual 381 Park Ave. South, 3rd Floor Meeting or call onPeak directly to secure your worry-free New York, NY 10016 reservation. By Phone: dial 1-855-992-3353 (USA, Caribbean and Canada); Why Book With APA internationally, dial 1-312-527-7300 Deposit Policy: Reservations will only be accepted Here’s how you and APA benefit when you stay at the with a credit card guarantee or check deposit. hotels included in the 2020 Annual Meeting hotel block: ALL reservations require a credit card at the time 1. APA has contracted hotel rooms at discounted rates of booking.