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Western Invitational Jazz Festival 2013–14 Season Saturday 15 March 2014 484Th–486Th Concerts Dorothy U
34th Annual Western Invitational Jazz Festival 2013–14 Season Saturday 15 March 2014 484th–486th Concerts Dorothy U. Dalton Center BILLY DREWES, Saxophone, Guest Artist SCHEDULE OF EVENTS Big Bands Combos 8:00 Kalamazoo Central High School 8:20 Byron Center High School Jazz Lab 8:40 West Michigan Home School 8:40 Loy Norrix High School 9:00 Mishawaka High School 9:00 Black River – “Truth” 9:20 Reeths-Puffer High School 9:20 Byron Center I 9:40 Grandwille High School 9:40 West Michigan Home School 10:00 WMU Jazz Lab Band 10:00 Northview 10:30 Byron Center High School Jazz Band 10:30 Community 5 10:50 Black River High School 10:50 Community 4 11:10 Ripon High School 11:10 Grandville 11:30 Comstock Park High School 11:30 Northside 11:50 Mona Shores High School BREAK 12:40 Mona Shores 1:00 Stevenson High School 1:00 Byron Center II 1:20 Northside High School 1:20 Community 3 1:40 East Kentwood High School 1:40 Community 2 2:00 Lincholn Way High School 2:00 Waterford Kettering 2:20 Northview High School 2:20 Stevenson 2:40 Byron Center Jazz Orchestra 2:40 Community 1 3:15 WMU Advanced Jazz Combo (Rehearsal B) 4:00 Clinic with guest artist Billy Drewes and the Western Jazz Quartet (Recital Hall) 5:00 Announcement of Outstanding Band and Combo Awards and Individual Citations BREAK 7:30 Evening Concert featuring an Outstanding Band and Combo from the Festival and Billy Drewes with the WMU Jazz Orchestra If the fire alarm sounds, please exit the building immediately. -
Notre Dame Collegiate Jazz Festival Program, 2005
Archives of the University of Notre Dame Archives of the University of Notre Dame ro WEDNESDAY, FEB. 23, 2005 Preview Night. LaFortune Ballroom. FREE .-> 8:00 p.m. University of Notre Dame Jazz Band II and Jazz Combo -I-J (J) FRIDAY, FEB. 25, 2005 Evening concert block. Washington Hall. FREE for Students; Non-students $3 for 1 night, $5 for both nights OJ U 6:00 p.m. Oberlin College Small Jazz Ensemble N N 6:45 p.m. Western Michigan UniversityCombo ro 7:30 p.m. University of Illinois Concert Jazz Band --, 8: 15 p.m. Oberlin College Jazz Ensemble 9:00 p.m. Western Michigan UniversityJazz Orchestra OJ 9:45 p.m. Judges' Jam ro-I-J :Jro Frank Catalano (saxophone) c· Andre Hayward (trombone) cO) Lynne Arriale (piano) <{OJ Jay Anderson (bass) ...c:= Steve Davis (drums) ~O ~U SATURDAY, FEB. 26, 2005 Clinic. Notre Dame Band Building. FREE 2-3:00 p.m. Meet in main rehearsal room. Evening concert block. Washington Hall. Free for Students; Non-students $3 for 1 night, $5 for both nights 6:00 p. m. University of Notre Dame Jazz Band I 6:45 p.m. Middle Tennessee State UniversityJazz Ensemble I 7:30 p.m. Jacksonville State UniversityJazz Ensemble I 8: 15 p.m. Carnegie Mellon University 6:30 Jazz Ensemble 9:00 p.m. University of Notre Dame Brass Band 9:45 p.m. Collegiate Jazz Festival Alumni Combo Archives of the University of Notre Dame Festival Director: Greg Salzler OJ Assistant to the Director: WillSeath OJ ~ Festival Graphic Designer: Melissa Martin ~ Student Union Board Advisor: Erin Byrne , Faculty advisorto the festival: Larry Dwyer E SUB E-Board: Jimmy Flaherty E Patrick Vassel e Lauren Hallemann u - HeatherKimmins ro John McCarthy > Caitlin Burns .- ~ MarkHealy (J) OJ (J) 1 Jazz Festival Committee Special Thanks to: Ourguests L.L. -
Advance Program Notes
Advance Program Notes Maria Schneider Orchestra Friday, May 4, 2018, 7:30 PM These Advance Program Notes are provided online for our patrons who like to read about performances ahead of time. Printed programs will be provided to patrons at the performances. Programs are subject to change. MARIA SCHNEIDER ORCHESTRA Program to be announced from the stage Reeds Guitar Steve Wilson Ben Monder Dave Pietro Rich Perry Accordion Jon Irabagon Gary Versace Scott Robinson Piano Trumpets Frank Kimbrough Greg Gisbert Bass Jonathan Heim Jay Anderson Nadje Noordhuis Jason Palmer Drums Terreon Gully Trombones Keith O’Quinn Sound Ryan Keberle Ken Jablonski Dion Tucker George Flynn Management Marie Le Claire This performance is supported in part by gifts received in memory of Michael Hyer, Ph.D. About Maria Schneider Maria Schneider’s music has been hailed by critics as “evocative, majestic, magical, heart-stoppingly gorgeous, and beyond categorization.” She and her orchestra became widely known starting in 1994 when they released their first recording,Evanescence. There, Schneider began to develop her personal way of writing for what would become her 18-member collective, made up of many of the finest musicians in jazz today, tailoring her compositions to distinctly highlight the uniquely creative voices of the group. The Maria Schneider Orchestra has performed at festivals and concert halls worldwide. She, herself, has received numerous commissions and guest-conducting invites, working with over 85 groups from over 30 countries. Schneider’s music blurs the lines between genres, making her long list of commissioners quite varied, stretching from Jazz at Lincoln Center and the Saint Paul Chamber Orchestra to collaborating with David Bowie. -
Maria Schneider
JAZZ AT THE nATION'S lIBRARY THE CAROLYN ROYALL JUST FUND iN tHE LIBRARY oF CONGRESS THE REVA & DAVID LOGAN FOUNDATION MARIA SCHNEIDER rESIDENCY APRIL 12 - APRIL 16, 2016 LIBRARY OF CONGRESS WASHINGTON, DC The CAROLYN ROYALL JUST FUND in the Library of Congress, established in 1993 through a bequest of the distinguished attorney and symphony musician Carolyn Royall Just, supports the presentation and broadcasting of classical chamber music concerts. Made possible by The Reva and David Logan Foundation is a Chicago-based family foundation that provides strategic grants to support the arts, investigative journalism, scholarship and social justice. ***** Concerts from the Library of Congress has joined forces with the Logan Foundation to showcase some of the greatest figures and musicians in contemporary jazz. Bandleader and composer Maria Schneider, pianist and composer Abdullah Ibrahim, and scholar Dan Morgenstern will explore the Library's jazz collections and incorporate new discoveries into their perfor- mance and writing activities. Join us for an unprecedented focus on jazz at the nation's library. A live recording of the world premiere performance of Maria Schneider's Library of Congress commission will be available at q2music.org/libraryofcongress, as part of the ongoing collaboration between the Library of Congress and Q2 Music. Maria Schneider Residency Events Tuesday, April 12, 7 pm | Panel Discussion Artists' Rights and the Digital Marketplace Maria Schneider | John L. Simson | Spree Wilson | Jennifer Cutting Montpelier Room -
Frank Kimbrough Frank Kimbrough Solstice SOLS T ICE
PRESS CONTACT: PIROUET Records Grünwalder Weg 30 · 82041 Oberhaching · Germany Steffen Mayer press release www.pirouet.com · [email protected] phone: +49-89-55 077674 Spritzenplatz 12 22765 Hamburg Germany phone: +49-40-8817288-6 [email protected] www.herzogpromotion.com frank kimbrough Frank Kimbrough Solstice SOLS T ICE Frank Kimbrough · piano Jay Anderson · bass Jeff Hirshfield · drums Release date: November 25, 2016 Pirouet Records · PIT3097 Distribution: 1. Seven 2. Here Come the Honey Man 3. Solstice USA, Canada, Europe (except GB): NRW Distribution 4. The Sunflower 5. Albert’s Love Theme Digital: Believe Digital 6. Question’s the Answer 7. From California with Love 8. El Cordobes 9. Walking by Flashlight Press release Frank Kimbrough: Solstice 1 Release: November 25, 2016 Pirouet Records · PIT3097 PRESS CONTACT: PIROUET Records Grünwalder Weg 30 · 82041 Oberhaching · Germany Steffen Mayer press release www.pirouet.com · [email protected] phone: +49-89-55 077674 Spritzenplatz 12 22765 Hamburg Germany phone: +49-40-8817288-6 [email protected] www.herzogpromotion.com Solstice: exploring the boundaries of darkness and light Frank Kimbrough counts among a handful of New York-based pianists who have been refining and expanding the language of ensemble playing over the last few decades (this November he marks 35 years in New York and his sixtieth birthday). Declared a “a near-visionary whose piano-improvising, composing, and band-leading skills seek out the dark corners of untrod jazz terrain” by The New Yorker, Kimbrough is noted for his exquisite ensemble, trio and solo recordings as well as his duo work with Lee Konitz, Scott Robinson, Joe Locke and Paul Bley, his work as a sideman in Dewey Redman’s quartet, and his long-term involvement with the Jazz Composers Collective and the Maria Schneider Orchestra. -
Old Dominion University Jazz Choir & Jazz Ensemble with Special Guest
Rufus Reid, and Harold Danko—and spent the next two years touring the U.S. and Europe. After Thad Jones left the band, Perry continued playing with Mel Lewis, Old Dominion University recording three LP’s with him, including "Live in Montreux", and "Naturally". The band, Department of Music____________ with Perry as a key member, is now known as The Vanguard Jazz Orchestra, and continues to tour and record. Three of their recent CDs have been nominated for Grammy awards. Presents A highlight of Perry’s career has been his association with the gifted composer and Old Dominion University arranger Maria Schneider. As a charter member of her orchestra, Perry has been featured on all of her CDs including, "Allegresse", "Coming About", "Evanesence," and Jazz Choir the Grammy award winning "Concert In The Garden". Her latest recording, "Sky Blue", & features "Rich’s Piece", a beautiful composition written for him. He has performed with her in Europe, Asia, and throughout the U.S. Jazz Ensemble He has maintained a long-term friendship and collaboration with Harold Danko, begun during their days with Thad Jones/Mel Lewis. It has resulted in Perry’s CDs "To Start With Special Guest Again", "Cancoes do Brasil", "At Eastman", "East Of The Sun", "Rhapsody", "You’re My Everything" and "At The Kitano Vol 1". and Danko’s CDs "Prestigious", "Nightscapes", Rich Perry, Saxophone "Stablemates", "Tidal Breeze", "New Autumn", "The Feeling of Jazz", "Next Age", and "Oatts &Perry". Perry has recorded extensively for SteepleChase. The seventeen CDs he has recorded as John Toomey, Jazz Choir Director a leader have featured such greats as George Mraz, Fred Hersch, Victor Lewis, Dennis Keith Philbrick, Jazz Ensemble Director Irwin, Scott Colley, Billy Hart, Frank Kimbrough, Jay Anderson, Renee Rosnes, Billy Drumond, George Colligan, and Tom Rainey. -
2014 NEA Jazz Masters Awards Ceremony and Concert Honoring the 2014 National Endowment for the Arts Jazz Masters
Monday Evening, January 13, 2014, at 7:30 Wynton Marsalis, Managing and Artistic Director Greg Scholl, Executive Director 2014 NEA Jazz Masters Awards Ceremony and Concert Honoring the 2014 National Endowment for the Arts Jazz Masters JAMEY AEBERSOLD ANTHONY BRAXTON RICHARD DAVIS KEITH JARRETT There will be no intermission during the presentation. Please turn off your cell phones and other electronic devices. Jazz at Lincoln Center thanks its season sponsors: Bloomberg, Brooks Brothers, The Coca-Cola Company, Con Edison, Entergy, HSBC Bank, MasterCard ®, The Shops at Columbus Circle at Time Warner Center, and SiriusXM. Jazz at Lincoln Center’s Please make certain your cellular phone, The Allen Room pager, or watch alarm is switched off. Frederick P. Rose Hall jalc.org Jazz at Lincoln Center 2014 NEA Jazz Masters Awards Ceremony and Concert with NEA JAZZ MASTERS KENNY BARRON (2010), Piano JIMMY HEATH (2003), Tenor Saxophone DAVE LIEBMAN (2011), Soprano Saxophone JIMMY OWENS (2012), Trumpet and Thelonious Monk International Jazz Competition Winners MELISSA ALDANA (2013), Saxophone KRIS BOWERS (2011), Piano JAMISON ROSS (2012), Drums Special Guests TAYLOR HO BYNUM, Cornet ANN HAMPTON CALLAWAY, Vocals AMINA FIGAROVA, Piano BILL FRISELL, Guitar RUSSELL HALL, Bass MARY HALVORSON, Guitar BRUCE HARRIS, Trumpet INGRID LAUBROCK, Tenor Saxophone JOE LOVANO, Saxophone JASON MORAN, Piano YASUSHI NAKAMURA, Bass CHRIS PATTISHALL, Piano ANNE RHODES, Soprano Vocals VINCE VINCENT, Baritone Vocals MARK WHITFIELD, JR., Drums WARREN WOLF, Vibraphone Jazz at Lincoln Center and the National Endowment for the Arts gratefully thank 60 Minutes for their participation and production of the 2014 NEA Jazz Masters video biographies directed by Anya Bourg. -
Presenting the Best of Music, Dance, Comedy and Entertainment from Around the World
2015 / 2016 SEASON PRESENTING THE BEST OF MUSIC, DANCE, COMEDY AND ENTERTAINMENT FROM AROUND THE WORLD. FUN EVENTS FOR KIDS AND THE ENTIRE FAMILY. JORGENSEN Center for the Performing Arts jorgensen.uconn.edu | 860-486-4226 Friday, April 8, 2016 at 8:00 pm University of Connecticut School of Fine Arts Anne D'Alleva, Dean Jorgensen Center for the Performing Arts Rodney Rock, Director presents Maria Schneider Orchestra Photo credit Jimmy & Dena Katz The Kurland Agency Media Sponsor 173 Brighton Avenue Boston, MA 02134 (617) 254-0007 www.thekurlandagency.com MARIA SCHNEIDER "Maria Schneider is a national treasure." – NPR Maria Schneider’s music has been hailed by critics as “evocative, majestic, magical, heart-stoppingly gorgeous, and beyond categorization.” She and her orchestra became widely known starting in 1994 when they released their first recording, Evanescence. There, Schneider began to develop her personal way of writing for what would become her 18-member collective, made up of many of the finest musicians in jazz today, tailoring her compositions to distinctly highlight the uniquely creative voices of the group. The Maria Schneider Orchestra has performed at festivals and concert halls worldwide. She herself has received numerous commissions and guest-conducting invites, working with over 85 groups from over 30 countries. Schneider’s music blurs the lines between genres, making her long list of commissioners quite varied, stretching from Jazz at Lincoln Center, to The Saint Paul Chamber Orchestra, to collaborating with David Bowie. She is among a small few to have received Grammys in multiple genres, having received the award in both jazz and classical categories, as well as for her work with David Bowie. -
JOEL FOUNTAIN - ‘Saturn Return’
JOEL FOUNTAIN - ‘saturn return’ While best known for his drumming with groups such as Maynard Ferguson’s “Big Bob Nouveau Band,” and the “One O’clock Lab Band”, Joel Fountain is also a prolific composer. With a Magna Cum Laude degree in Jazz Arranging from the prestigious University Of North Texas, Joel has spent many hours in front of a piano writing and scoring for jazz ensembles. Armed with a band of 6 world class jazz musicians, Joel Fountain’s first album release “saturn return” is an eclectic mix of heartfelt instrumental compositions. The band is made up of Paul Tynan on trumpet, Jeff Eckels on Bass, Wayne Delano on Saxophones, Steve Anderson on piano, Noel Johnston on Guitar, Scott Trayer on bass, and Joel Fountain on drums. All of these musicians are former members of the famed “One O’clock Lab Band.” and each are exceptional jazz musicians who perform and teach worldwide. Joel was born in Canada, but was quickly whisked away by his family to the beautiful South Island of New Zealand. Spending his youth in Christchurch, he attended the Christchurch Polytechnic School of jazz for one year before moving to Vancouver BC, Canada, at age 18. Immediately Joel began working as a freelance drummer, and has since had the chance to perform and record with many incredible Canadian artists; including - Chris Gestrin, Chris Tarry, Brad Turner, Mike Allen, Miles Black, Coco Love Alcorn, Ron Sanworth, George McFetridge, Marc Rogers, and many others. Continuing his musical studies at the University of North Texas, Joel had the chance to perform with musicians including John Abercrombie, The Brecker Brothers, Kenny Wheeler, Terry Gibbs, Rufus Reid, Tim Hagans, Bobby Shew, Fred Hersch, Russ Ferrante, Byron Stripling, and many others, including fellow classmate, Norah Jones. -
MARIA SCHNEIDER's MUSICAL LAND ETHIC by Joel
“QUIETLY PRESENT IN THE LAND AND THE WIND”: MARIA SCHNEIDER’S MUSICAL LAND ETHIC by Joel Oliver-Cormier Submitted in partial fulfilment of the requirements for the degree of Master of Arts at Dalhousie University Halifax, Nova Scotia March 2018 © Copyright by Joel Oliver-Cormier, 2018 Table of Contents List of Figures ...................................................................................................................................... iii Abstract ................................................................................................................................................. iv Acknowledgments ................................................................................................................................ v Chapter 1 – Introduction .................................................................................................................... 1 Chapter 2 – “The Thompson Fields” ............................................................................................. 15 Chapter 3 – “Nimbus” ...................................................................................................................... 32 Chapter 4 – “Cerulean Skies” ........................................................................................................... 53 Chapter 5 – Conclusion ..................................................................................................................... 79 Bibliography ....................................................................................................................................... -
The Perfect Pitch 2014
Western Michigan University ScholarWorks at WMU School of Music News Music 2014 The Perfect Pitch 2014 WMU School of Music Follow this and additional works at: https://scholarworks.wmich.edu/music_news Part of the Music Education Commons WMU ScholarWorks Citation WMU School of Music, "The Perfect Pitch 2014" (2014). School of Music News. 2. https://scholarworks.wmich.edu/music_news/2 This Newsletter is brought to you for free and open access by the Music at ScholarWorks at WMU. It has been accepted for inclusion in School of Music News by an authorized administrator of ScholarWorks at WMU. For more information, please contact wmu- [email protected]. 2 014 1903 W. Michigan Ave. Nonprofit Organization Kalamazoo, MI 49008-5434 U.S. Postage 269-387-4667 PAID www.wmich.edu/music Western Michigan University CHANGE SERVICE REQUESTED PerfectThe Pitch 2014 PUBLISHED BY THE WMU SCHOOL OF MUSIC David Colson, Director | Kevin West, Editor Photography: Mark Niskanen, Dani Reynolds and the Office of University Relations Design: Newhall Klein, Inc. THE PERFECT PITCH Mariam Adam, Clarinet Alvaro Gomez, Violin Josh Nelson, Piano Jay Anderson, Bass Christine Guter, Jazz Vocals Northstar Jazz Betsey Biggs, Composer David Haglund, Trumpet Orpheus Chamber Orchestra Blakemore Trio Ellen Hargis, Soprano Shane Parus, Percussion The Butterfat Trio Jennifer Parker Harley, Flute Denise Root Pierce, Horn Carl Cafagna, Saxophone Fred Hersch Trio Jim Pugh, Trombone Frank Carlberg, Piano Aleksandra Holowka, Viola Gilad Rabinovitch, Piano Violin Michael Rickman, -
The Blues Scale and Its Use
THE BLUES SCALE AND ITS USE The blues scale consists of the following: Root, b3rd, 4th, #4th, 5th and b7th. EXAMPLE: F blues Scale = F, Ab, Bb, B, C, Eb, F When playing a twelve bar blues in the key of Bb, use the Bb blues scale: Bb, Db, Eb, E, F, Ab, Bb The blues scale can also be used over minor chords when the minor chord is sounded for 2, 4, 8, or 16 measures or longer. EXAMPLE: If D minor is sounded for eight measures, you may use the D blues scale: D, F, G, Ab, A, C, D When playing in minor tonalities you may choose to alternate between the dorian minor and the blues scale, both having the same root tone. EXAMPLE: If D minor is sounded for eight measures, play D minor (dorian) or play D blues scale or alternate between the two scale sounds. The blues scale is used to convey a "Funky," "Down-Home," "Earthy" or "Bluesy" sound/feel. Rhythm and blues players use this scale extensively. Don't run it into the ground by overuse! Experiment with the blues scales listed below and apply them to recorded tracks on your play-a-long recordings. After you become familiar with the blues scale as I have it listed, you may want to add tones to the scale which give the scale sound more variety. Added tones are underlined. EXAMPLE: F blues scale = F, G, Ab, A, Bb, B, C, D, Eb, F This scale sounds strange when played straight up or down.