JOEL FOUNTAIN - ‘Saturn Return’
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Kenny Wheeler Gnu High Mp3, Flac, Wma
Kenny Wheeler Gnu High mp3, flac, wma DOWNLOAD LINKS (Clickable) Genre: Jazz Album: Gnu High Country: Germany Released: 1976 Style: Contemporary Jazz MP3 version RAR size: 1354 mb FLAC version RAR size: 1292 mb WMA version RAR size: 1647 mb Rating: 4.7 Votes: 634 Other Formats: MPC APE AA TTA MP3 MMF AAC Tracklist A Heyoke 21:47 B1 'Smatter 5:56 B2 Gnu Suite 12:47 Companies, etc. Phonographic Copyright (p) – ECM Records GmbH Published By – ECM Verlag Recorded At – Generation Sound Studios Credits Bass – Dave Holland Composed By – Kenny Wheeler Drums – Jack DeJohnette Engineer – Tony May Flugelhorn – Kenny Wheeler Layout – B. Wojirsch* Mixed By – Martin Wieland Photography By [Cover] – Tadayuki Naito* Piano – Keith Jarrett Producer – Manfred Eicher Notes Recorded June 1975, Generation Sound Studios, New York City. An ECM Production ℗ 1976 ECM Records GmbH Printed in W. Germany Barcode and Other Identifiers Matrix / Runout (Side A runout, stamped): ST-ECM 1069-A Matrix / Runout (Side B runout, stamped): ST-ECM 1069-B Rights Society: GEMA Other versions Category Artist Title (Format) Label Category Country Year ECM ECM 1069, 825 Kenny Gnu High (CD, ECM 1069, 825 Records, Germany Unknown 591-2 Wheeler Album, RE) 591-2 ECM Records Kenny Gnu High (LP, 25MJ 3327 ECM Records 25MJ 3327 Japan 1976 Wheeler Album) ECM ECM 1069, ECM Kenny Gnu High (LP, ECM 1069, ECM Records, Germany Unknown 1069 ST Wheeler Album, RE) 1069 ST ECM Records ECM ECM 1069, Kenny Gnu High (CD, ECM 1069, Records, US 2008 B0011628-02 Wheeler Album, RE, Dig) B0011628-02 ECM -
3H3b &Eotercammemc
teptexber 13, 197G n mcry, 3h3b & eotercammemc ' ; i i -- JG2Z5 G3JJ Vy OTil 1 1 If I ( nil if f i If tI HI- ..I 11 v "l( II II k I..V J L" J I i V uvu Lauy M Xiw the material bi isvzzs there is never doubt whose album it really releasing psckr. Yet, any Siice there have been over 20 albums of this type mar- If yca're fcto are more 251 ca is. Tens and ttzs it is Wheeler's comrnasdsig pre- jzn, tlre jped tin, keted ia the last four months, a complete review is im- fa lisccla this astena thaa ever before. tence ca the Ihil horn that drives this music into new fre-qaen- and possible. Local dubs sre bcd? sets triS cy. territories, bis horn Caching with dramatic purpose Arista com- jrrz fccreas Spontaneous Combustion from Savoy Area jazz mtr.scfcrrs arc a ? to show- warmth. grtrj bines the first two sessions ever recorded by the great case their tslssti st the Zoo Car's masiSLIy KFlfQ Add l!asfred Eicfcers flawless production and you psa. Cannonba3 Adderiey. These 1955 recordings find Adder-ley-'s deovies two hours jazz-orient- ed one the best acoustic efforts. every to come wi& cf year's Bird-inspir- Ssnday cht cp JCSHhenched and ed sax wiA such mon- musie, and the word is that the soca wi3 be ex- Kcfc!e &bzt Gcsdea prcsram by Horace Silver and, of course, tended another hour. - John Gordon makes a notable debut. Step by Step, sters as Kenny Clarke, Nat. -
Western Invitational Jazz Festival 2013–14 Season Saturday 15 March 2014 484Th–486Th Concerts Dorothy U
34th Annual Western Invitational Jazz Festival 2013–14 Season Saturday 15 March 2014 484th–486th Concerts Dorothy U. Dalton Center BILLY DREWES, Saxophone, Guest Artist SCHEDULE OF EVENTS Big Bands Combos 8:00 Kalamazoo Central High School 8:20 Byron Center High School Jazz Lab 8:40 West Michigan Home School 8:40 Loy Norrix High School 9:00 Mishawaka High School 9:00 Black River – “Truth” 9:20 Reeths-Puffer High School 9:20 Byron Center I 9:40 Grandwille High School 9:40 West Michigan Home School 10:00 WMU Jazz Lab Band 10:00 Northview 10:30 Byron Center High School Jazz Band 10:30 Community 5 10:50 Black River High School 10:50 Community 4 11:10 Ripon High School 11:10 Grandville 11:30 Comstock Park High School 11:30 Northside 11:50 Mona Shores High School BREAK 12:40 Mona Shores 1:00 Stevenson High School 1:00 Byron Center II 1:20 Northside High School 1:20 Community 3 1:40 East Kentwood High School 1:40 Community 2 2:00 Lincholn Way High School 2:00 Waterford Kettering 2:20 Northview High School 2:20 Stevenson 2:40 Byron Center Jazz Orchestra 2:40 Community 1 3:15 WMU Advanced Jazz Combo (Rehearsal B) 4:00 Clinic with guest artist Billy Drewes and the Western Jazz Quartet (Recital Hall) 5:00 Announcement of Outstanding Band and Combo Awards and Individual Citations BREAK 7:30 Evening Concert featuring an Outstanding Band and Combo from the Festival and Billy Drewes with the WMU Jazz Orchestra If the fire alarm sounds, please exit the building immediately. -
Ron Mcclure • Harris Eisenstadt • Sackville • Event Calendar
NEW YORK FebruaryVANGUARD 2010 | No. 94 Your FREE Monthly JAZZ Guide to the New ORCHESTRA York Jazz Scene newyork.allaboutjazz.com a band in the vanguard Ron McClure • Harris Eisenstadt • Sackville • Event Calendar NEW YORK We have settled quite nicely into that post-new-year, post-new-decade, post- winter-jazz-festival frenzy hibernation that comes so easily during a cold New York City winter. It’s easy to stay home, waiting for spring and baseball and New York@Night promising to go out once it gets warm. 4 But now is not the time for complacency. There are countless musicians in our fair city that need your support, especially when lethargy seems so appealing. To Interview: Ron McClure quote our Megaphone this month, written by pianist Steve Colson, music is meant 6 by Donald Elfman to help people “reclaim their intellectual and emotional lives.” And that is not hard to do in a city like New York, which even in the dead of winter, gives jazz Artist Feature: Harris Eisenstadt lovers so many choices. Where else can you stroll into the Village Vanguard 7 by Clifford Allen (Happy 75th Anniversary!) every Monday and hear a band with as much history as the Vanguard Jazz Orchestra (On the Cover). Or see as well-traveled a bassist as On The Cover: Vanguard Jazz Orchestra Ron McClure (Interview) take part in the reunion of the legendary Lookout Farm 9 by George Kanzler quartet at Birdland? How about supporting those young, vibrant artists like Encore: Lest We Forget: drummer Harris Eisenstadt (Artist Feature) whose bands and music keep jazz relevant and exciting? 10 Svend Asmussen Joe Maneri In addition to the above, this month includes a Lest We Forget on the late by Ken Dryden by Clifford Allen saxophonist Joe Maneri, honored this month with a tribute concert at the Irondale Center in Brooklyn. -
Notre Dame Collegiate Jazz Festival Program, 2005
Archives of the University of Notre Dame Archives of the University of Notre Dame ro WEDNESDAY, FEB. 23, 2005 Preview Night. LaFortune Ballroom. FREE .-> 8:00 p.m. University of Notre Dame Jazz Band II and Jazz Combo -I-J (J) FRIDAY, FEB. 25, 2005 Evening concert block. Washington Hall. FREE for Students; Non-students $3 for 1 night, $5 for both nights OJ U 6:00 p.m. Oberlin College Small Jazz Ensemble N N 6:45 p.m. Western Michigan UniversityCombo ro 7:30 p.m. University of Illinois Concert Jazz Band --, 8: 15 p.m. Oberlin College Jazz Ensemble 9:00 p.m. Western Michigan UniversityJazz Orchestra OJ 9:45 p.m. Judges' Jam ro-I-J :Jro Frank Catalano (saxophone) c· Andre Hayward (trombone) cO) Lynne Arriale (piano) <{OJ Jay Anderson (bass) ...c:= Steve Davis (drums) ~O ~U SATURDAY, FEB. 26, 2005 Clinic. Notre Dame Band Building. FREE 2-3:00 p.m. Meet in main rehearsal room. Evening concert block. Washington Hall. Free for Students; Non-students $3 for 1 night, $5 for both nights 6:00 p. m. University of Notre Dame Jazz Band I 6:45 p.m. Middle Tennessee State UniversityJazz Ensemble I 7:30 p.m. Jacksonville State UniversityJazz Ensemble I 8: 15 p.m. Carnegie Mellon University 6:30 Jazz Ensemble 9:00 p.m. University of Notre Dame Brass Band 9:45 p.m. Collegiate Jazz Festival Alumni Combo Archives of the University of Notre Dame Festival Director: Greg Salzler OJ Assistant to the Director: WillSeath OJ ~ Festival Graphic Designer: Melissa Martin ~ Student Union Board Advisor: Erin Byrne , Faculty advisorto the festival: Larry Dwyer E SUB E-Board: Jimmy Flaherty E Patrick Vassel e Lauren Hallemann u - HeatherKimmins ro John McCarthy > Caitlin Burns .- ~ MarkHealy (J) OJ (J) 1 Jazz Festival Committee Special Thanks to: Ourguests L.L. -
Contact: a Journal for Contemporary Music (1971-1988) Citation
Contact: A Journal for Contemporary Music (1971-1988) http://contactjournal.gold.ac.uk Citation Barry. Malcolm. 1977-1978. ‘Review of Company 1 (Maarten van Regteren Altena, Derek Bailey, Tristan Honsinger, Evan Parker) and Company 2 (Derek Bailey, Anthony Braxton, Evan Parker)’. Contact, 18. pp. 36-39. ISSN 0308-5066. ! Director Professor Frederick Rimmer MA B M us FRco Secretary and Librarian James. L McAdam BM us FRco Scottish R Music Archive with the support of the Scottish Arts Council for the documentation and study of Scottish music information on all matters relating to Scottish composers and Scottish music printed and manuscript scores listening facilities: tape and disc recordings Enquiries and visits welcomed: full-time staff- Mr Paul Hindmarsh (Assistant Librarian) and Miss Elizabeth Wilson (Assistant Secretary) Opening Hours: Monday to Friday 9.30 am- 5.30 pm Monday & Wednesday 6.00-9.00 pm Saturday 9.30 am- 12.30 pm .. cl o University of Glasgow 7 Lily bank Gdns. Glasgow G 12 8RZ Telephone 041-334 6393 37 INCUS it RECORDS INCUS RECORDS/ COMPATIBLE RECORDING AND PUBLISHING LTD. is a self-managed company owned and operated by musicians. The company was founded in 1970, motivated partly by the ideology of self-determination and partly by the absence of an acceptable alternative. The spectrum of music issued has been broad, but the musical policy of the company is centred on improvisation. Prior to 1970 the innovative musician had a relationship with the British record industry that could only be improved on. To be offered any chance to make a record at all was already a great favour and somehow to question the economics (fees, royalties, publishing) would certainly have been deemed ungrateful. -
The Compositional Language of Kenny Wheeler
THE COMPOSITIONAL LANGUAGE OF KENNY WHEELER by Paul Rushka Schulich School of Music McGill University, Montreal March 2014 A paper submitted to McGill University in partial fulfillment of the requirements of the degree of D.Mus. Performance Studies ©Paul Rushka 2014 2 ABSTRACT The roots of jazz composition are found in the canon ofthe Great American Songbook, which constitutes the majority of standard jazz repertoire and set the compositional models for jazz. Beginning in the 1960s, leading composers including Wayne Shorter and Herbie Hancock began stretching the boundaries set by this standard repertoire, with the goal of introducing new compositional elements in order to expand that model. Trumpeter, composer, and arranger Kenny Wheeler has been at the forefront of European jazz music since the late 1960s and his works exemplify a contemporary approach to jazz composition. This paper investigates six pieces from Wheeler's songbook and identifies the compositional elements of his language and how he has developed an original voice through the use and adaptation of these elements. In order to identify these traits, I analyzed the melodic, harmonic, structural and textural aspects of these works by studying both the scores and recordings. Each of the pieces I analyzed demonstrates qualities consistent with Wheeler's compositional style, such as the expansion oftonality through the use of mode mixture, non-functional harmonic progressions, melodic composition through intervallic sequence, use of metric changes within a song form, and structural variation. Finally, the demands of Wheeler's music on the performer are examined. 3 Resume La composition jazz est enracinee dans le Grand repertoire American de la chanson, ou "Great American Songbook", qui constitue la plus grande partie du repertoire standard de jazz, et en a defini les principes compositionnels. -
Fred Hersch Trio Since Its Inception in 1985
UPCOMING THEATER EVENT wexner center for the arts THE OHIO STATE UNIVERSITY PRESENTS Wexner Center Artist Residency Award recipient Young Jean Lee’s Theater Company WORLD PREMIERE Fred STRAIGHT Hersch Trio WHITE MEN THU–SAT, APR 10–12 | 8 pm Provocative playwright/director Young SUN, APR 13 | 2 pm Jean Lee and her fantastic cast plumb issues of privilege and social justice PERFORMANCE SPACE with nuance and wit. “Hands down, the most adventurous downtown FRI, MAR 28 | 8 pm playwright of her generation.”—NEW YORK TIMES PERFORMANCE SPACE PHOTO: BLAINEPHOTO: DAVIS ON SALE NOW—TICKETS.WEXARTS.ORG | (614) 292-3535 2013–14 PERFORMING ARTS SEASON PROGRAM PROGRAM NOTES This is the fifth iteration of the Fred Hersch Trio since its inception in 1985. The Wall Street Fred Hersch Trio Journal calls the trio “one of the major ensembles of our time,” and the New Yorker describes their musical sound as having “high lyricism and high danger.” This version of the trio started Fred Hersch ...............piano playing together in 2009 and have since released two albums, Whirl (2010) and Alive at the Vanguard (2012). Whirl found its way into numerous 2010 Best-Recordings-of-the-Year lists, John Hébert ...............bass and the trio has toured extensively in both Europe and the US to wide acclaim. John Hébert and Eric McPherson also served as legendary pianist Andrew Hill’s final rhythm section and Eric McPherson ............drums have a long history of playing together. All compositions will be announced from the stage. BIOGRAPHIES Fred Hersch plays the Steinway piano. Fred Hersch is represented by Mike Epstein. -
Jazz Practice and Pedagogy in Canada
The Relevance of Jazz History in the Twenty-First Century: Jazz Practice and Pedagogy in Canada JEREMY HEPNER azz history in Canada is the story of a people and their relationship to a jazz identity; however, jazz in Canada has always been greatly influenced Jby its proximity to the United States. As Duke Ellington put it: I am well aware that a problem of communication exists between Canada with its twenty-one million people and us, the big neighbor to the south, with our two hundred and three million. Canada has a character and a spirit of its own, which we should recognize and never take for granted.1 Despite living in the shadow of the US, Canada has produced a number of major jazz innovators. Many jazz aficionados are often surprised to hear that some of the great names in jazz—including artists such as Oscar Peterson, Gil Evans, Kenny Wheeler, Maynard Ferguson, and Paul Bley—are in fact Cana- dians.2 Our jazz heritage must be preserved and taught so that our music stu- dents become aware of the significant contributions made by Canadians. As jazz emerged from New Orleans and began to move north in the early twentieth century, large Canadian cities located close to the border became stops for American touring ensembles. The first known jazz concert in Can- ada took place when the Creole Band from New Orleans performed in Winni- peg, Manitoba in 1914, as part of a Pantages Theatre tour. By the 1930s, jazz broadcasts from strong American radio signals and the new recordings flow- ing north from the United States, lifted jazz to new heights of musical popu- larity in Canada. -
Concerts Thursday 17Th November
C0NCERTS Thursday 17th November Royal Conservatoire of Scotland (RCS) Glasgow Friday 18th November The Blue Lamp, Aberdeen Concerts Thursday 17th November, Royal Conservatoire of Scotland (RCS) Glasgow Friday 18th November, The Blue Lamp, Aberdeen WELCOME TO TONIGHT’S CONCERT BY THE 2016 EURORADIO JAZZ ORCHESTRA It is a great honour to be hosting the 2016 Euroradio Jazz Orchestra. We are particularly thrilled that Tommy Smith, Scotland’s most prominent jazz artist and a leading and prolific educator is such an integral part of this project. The Euroradio Jazz Orchestra is a unique initiative which supports jazz at the highest level. Each player here tonight has been nominated to represent their country by their national broadcaster. We hope that they will enjoy both a profound musical experience and also make lasting friendships as they build on their professional careers. The concert at RCS Glasgow on 17th November will be recorded, and made available for broadcast by EBU radio organizations from 25th November onwards. It will be broadcast on Radio 3’s Jazz Line Up on the10th December 2016. Highlights will also feature on Radio Scotland’s Jazz House. And finally, we are delighted to introduce Alexandra Ridout, the reigning BBC Young Musician of the Year - Jazz Award to our colleagues in Europe to perform Kenny Wheeler’s solo part in the Sweet Sister Suite. Enjoy a unique moment in jazz history tonight! Lindsay Pell Senior Producer, Music BBC Scotland | BBC Radio 3 BBC Broadcasting House 40 Pacific Quay Glasgow G51 1DA Email: [email protected] -
May 2008AAJ-NY.Qxd
NEW YORK May 2008 | No. 73 Your FREE Monthly Guide to the New York Jazz Scene newyork.allaboutjazz.com AHMAD JAMAL IT'S MAGIC Vince Giordano • George Garzone • Les Disques Victo • Dizzy’s Club • Event Calendar NEW YORK May is significant in the history of Miles Davis. Not only is the 26th the late trumpeter’s birthday but many of his most enduring works were New York@Night recorded during this month, including the Charlie Parker All-Stars (1948); the 4 Miles Davis-Tadd Dameron Quintet’s run in Paris (1949), most of the Workin’, Steamin’ and Relaxin’ triumvirate by the quintet with John Coltrane (1956), Miles Interview: Vince Giordano Ahead and At Carnegie Hall, both with the Gil Evans Orchestra (1957 and 1961 6 by Michael Hittman respectively); and the bulk of Miles in the Sky (1968). Now in May 2008, another chapter to the Miles Legacy will be written with an ambitious concert at Town Artist Feature: George Garzone Hall May 9th, “Miles From India”. A companion concert to a just-released album 7 by Matthew Miller of the same name, the concert brings together musicians who played with the legend throughout his career as well as a number of classical Indian musicians for Label Spotlight: Les Disques Victo what is billed as a “cross-cultural summit meeting”. Our Encore this month, 8 by Kurt Gottschalk guitarist Pete Cosey, is participating in what is sure to be a monumental event. But, as is typical for New York, the happenings don’t stop happening there. Club Profile: Dizzy’s Club Pianist Ahmad Jamal (Cover) brings his trio to Blue Note in a pre-release by Laurel Gross celebration of his first new album in three years, It’s Magic (Birdology-Dreyfus), due out in June. -
Advance Program Notes
Advance Program Notes Maria Schneider Orchestra Friday, May 4, 2018, 7:30 PM These Advance Program Notes are provided online for our patrons who like to read about performances ahead of time. Printed programs will be provided to patrons at the performances. Programs are subject to change. MARIA SCHNEIDER ORCHESTRA Program to be announced from the stage Reeds Guitar Steve Wilson Ben Monder Dave Pietro Rich Perry Accordion Jon Irabagon Gary Versace Scott Robinson Piano Trumpets Frank Kimbrough Greg Gisbert Bass Jonathan Heim Jay Anderson Nadje Noordhuis Jason Palmer Drums Terreon Gully Trombones Keith O’Quinn Sound Ryan Keberle Ken Jablonski Dion Tucker George Flynn Management Marie Le Claire This performance is supported in part by gifts received in memory of Michael Hyer, Ph.D. About Maria Schneider Maria Schneider’s music has been hailed by critics as “evocative, majestic, magical, heart-stoppingly gorgeous, and beyond categorization.” She and her orchestra became widely known starting in 1994 when they released their first recording,Evanescence. There, Schneider began to develop her personal way of writing for what would become her 18-member collective, made up of many of the finest musicians in jazz today, tailoring her compositions to distinctly highlight the uniquely creative voices of the group. The Maria Schneider Orchestra has performed at festivals and concert halls worldwide. She, herself, has received numerous commissions and guest-conducting invites, working with over 85 groups from over 30 countries. Schneider’s music blurs the lines between genres, making her long list of commissioners quite varied, stretching from Jazz at Lincoln Center and the Saint Paul Chamber Orchestra to collaborating with David Bowie.