Gary Husband & Markus Reuter – Music

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Gary Husband & Markus Reuter – Music Of Our Times (51:00; Download, Moonjune, 2020) Ein Fan – übrigens kein geringerer als Sal P. von der [progrock-dt] – wird auf der Bandcamp-Seite des Touch- Gitarristen Markus Reuter (Centrozoon, Crimson ProjeKCt) „Music of our times“ sei das „Köln Concert“ für das 21. Jahrhundert. Ein guter Vergleich, denn damit wirft er einen wunderbaren musikalischen Bezug in den Raum, der die stilistische Einordnung des Albums deutlich erleichtert. Die sanften Piano-Improvisationen von Gary Husband (u.a. John McLaughlin, Billy Cobham, Jack Bruce, ex-Level 42, Allan Holdsworth, Force Majeure) werden, ganz anders als auf dem Klassiker von Keith Jarrett, von teils sperrigen Soundscapes und Gitarren Einwürfen von Markus Reuter unterwandert. Dadurch entsteht immer wieder eine unterschwellig bedrohliche Stimmung, die eine allzu wohlige Entspannung verhindert. Ähnliche Gegensätze findet man unter anderem auch auf den gemeinsamen Alben von David Sylvian und Holger Czukay. Zum Schutz Ihrer persönlichen Daten ist die Verbindung zu YouTube blockiert worden. Klicken Sie auf Video laden, um die Blockierung zu YouTube aufzuheben. Durch das Laden des Videos akzeptieren Sie die Datenschutzbestimmungen von YouTube. Mehr Informationen zum Datenschutz von YouTube finden Sie hier Google – Datenschutzerklärung & Nutzungsbedingungen. YouTube Videos zukünftig nicht mehr blockieren. Video laden Keine leichte Kost also, auch keine Musik für alle Tage. „Music Of Our Times“ ist ein Werk für das aufmerksame Hören mit Kopfhörer. Wirklich greifbare Melodien sind eher die Ausnahme. Am zugänglichsten ist ausgerechnet das abschließende ‚Illuminated Heart‘. Wer mit den erwähnten Vergleichsalben etwas anfangen kann, dürfte an dem gemeinsamen Oeuvre von Gary Husband & Markus Reuter sicher Gefallen finden. Erhältlich ist das Werk als CD oder Download von der Bandcamp-Seite Reuters. Bewertung: 11/15 Punkten (DH 11, KR 13) Surftipps zu Gary Husband: Facebook Twitter YouTube Instagram Bandcamp Soundcloud Spotify Wikipedia Surf-Tipps zu Markus Reuter: Markus Reuter Facebook Twitter Instagram YouTube Bandcamp Spotify Apple Music Deezer Interview (2017) auf BetreutesProggen.de Wikipedia (DE) Wikipedia (EN).

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Allan Holdsworth Schille Reshaping Harmony
BJØRN ALLAN HOLDSWORTH SCHILLE RESHAPING HARMONY Master Thesis in Musicology - February 2011 Institute of Musicology| University of Oslo 3001 2 2 Acknowledgment Writing this master thesis has been an incredible rewarding process, and I would like to use this opportunity to express my deepest gratitude to those who have assisted me in my work. Most importantly I would like to thank my wonderful supervisors, Odd Skårberg and Eckhard Baur, for their good advice and guidance. Their continued encouragement and confidence in my work has been a source of strength and motivation throughout these last few years. My thanks to Steve Hunt for his transcription of the chord changes to “Pud Wud” and helpful information regarding his experience of playing with Allan Holdsworth. I also wish to thank Jeremy Poparad for generously providing me with the chord changes to “The Sixteen Men of Tain”. Furthermore I would like to thank Gaute Hellås for his incredible effort of reviewing the text and providing helpful comments where my spelling or formulations was off. His hard work was beyond what any friend could ask for. (I owe you one!) Big thanks to friends and family: Your love, support and patience through the years has always been, and will always be, a source of strength. And finally I wish to acknowledge Arne Torvik for introducing me to the music of Allan Holdsworth so many years ago in a practicing room at the Grieg Academy of Music in Bergen. Looking back, it is obvious that this was one of those life-changing moments; a moment I am sincerely grateful for.
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Allan Holdsworth R.I.P. 1946 - 2017
ALLAN HOLDSWORTH R.I.P. 1946 - 2017 Progressive rock and jazz fusion guitar pioneer Allan Holdsworth, who Eddie Van Halen called “the best, in my book,” has died on April 16, 2017 of unknown causes. He was 70. Holdsworth’s daughter Louise confirmed the news on Facebook, saying “it is with heavy hearts that we notify everyone of the passing of our beloved father. We would appreciate privacy and time while we grieve the loss of our dad, grandad, friend and musical genius. We will update close friends and family when service arrangements have been made and will notify the public of an open memorial service, which all would be welcome. We are undeniably still in shock with his unexpected death and cannot begin to put into words the overwhelming sadness we are experiencing. He is missed tremendously.” Holdsworth first appeared on a record in 1969 with the group ‘Igginbottom. After ’70s stints in groundbreaking progressive rock and jazz fusion acts such as Soft Machine, the New Tony Williams Lifetime, Pierre Moerlen’s Gong, Bruford and UK, he released his first official solo album, I.O.U., in 1982. + + + + + Thanks to glasnostrd19 for sharing the show at The Traders’ Den. glasnostrd19 noted: This may be the most widely circulated Holdsworth show out there (other than with UK in 1978)... I don’t know how circulated this is directly from the master tape, and this is probably as good as it’s ever been circulated. I’m pretty sure this is the full show from Reseda. The last song was tacked on the same tape as “filler” (and it is a pretty cool jam and nice audience recording) so I left it in here.
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Indian Music Integrates Every Dimension of the Human Psyche ORCHESTRA to REMEMBER
SEPTEMBER/OCTOBER 2012 ISSUE MMUSICMAG.COM SEPTEMBER/OCTOBER 2012 ISSUE MMUSICMAG.COM MUSICIAN Is there a theme guiding the album? he was doing. But the Beatles were doing TOOLS OF THE TRADE Not at all. The music just came. But each it, and the Beach Boys, too—we were all piece has an anecdote behind it. The looking for answers to these profound opening piece, “Trancefusion,” is from my existential questions: Who am I? What does John McLaughlin played some of his favorite old hippie days, my trance days. Even it all mean? What is this thing called God? guitars on Now Here This including one he today, when I meditate, I go into another The big questions of life. That was tied with received as a gift from PRS owner Paul state of consciousness that some would my musical search. It took me a long time. Reed Smith. “It’s a standard model with call a trance. Trance is not a bad word, and Some people get it younger and quicker, McCarty pickups and a whammy bar, and is fusion is a label that’s been put on me for but not me. The whole of the ’60s was really a wonderful instrument,” he says. the last 40 years. But I like the real word research and work. “There are two pieces on the new transfusion, too. It’s a healthy word. When album where I play MIDI through a Godin you put fresh blood into someone, you make Miles Davis named a song after you. Freeway, which has the new wireless MIDI them feel better.
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Dave Hartl's 2017 Top Ten (Or So) Most Influential Albums
Dave Hartl’s 2017 Top Ten (Or So) Most Influential Albums It’s time once again to look back and do that annual tradition of picking out the 10 or so most influential albums I heard in the past year. Not the most popular, or even the best, but what made me think the most as a musician. You can always go to http://www.davehartl.com/top10.html and look at other years’ postings. The links there go all the way back to 1998, when I started this with George Tucker. It’s a way of hearing about great music you might otherwise miss. If you want to contribute, please write to [email protected] with your own list and your contribution will be added to this document online for future downloads. This is why I do this! It always gives me some great recommendations for what to listen to that would be off my radar otherwise. So don’t be shy! Last year, Brian Groder, Jack Loughhead, and Kaz Yoshihara gave me some great things to listen to. 1.) John McLaughlin & the 4th Dimension: Live at Ronnie Scott’s 2017 saw the farewell American tour of the great guitarist John McLaughlin, who joined up with fellow guitarist Jimmy Herring for an unbelievable 3-set night concluding with pieces from his old Mahavishnu Orchestra days (you can see an entire concert at https://www.youtube.com/watch?v=ZPWa9F4UBQQ&t=19s, highly recommended!). This CD was recorded in London with McLaughlin’s working band of the last decade, the 4th Dimension, about 7 months ahead of the aforementioned American tour, but it shows a microcosm of that concept, opening with 1971’s Meeting of the Spirits and working through pieces showcasing the amazing drummer Ranjit Barot and his Indian classical influences, bassist Etienne M’Bappé’s multilevel constructions, and Gary Husband’s otherworldly synth textures, blowout chops, and energetic drumming.
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Born in America, Jazz Can Be Seen As a Reflection of the Cultural Diversity and Individualism of This Country
1 www.onlineeducation.bharatsevaksamaj.net www.bssskillmission.in “Styles in Jazz Music”. In Section 1 of this course you will cover these topics: Introduction What Is Jazz? Appreciating Jazz Improvisation The Origins Of Jazz Topic : Introduction Topic Objective: At the end of this topic student would be able to: Discuss the Birth of Jazz Discuss the concept of Louis Armstrong Discuss the Expansion of Jazz Understand the concepts of Bebop Discuss todays Jazz Definition/Overview: The topic discusses that the style of music known as jazz is largely based on improvisation. It has evolved while balancing traditional forces with the pursuit of new ideas and approaches. Today jazz continues to expand at an exciting rate while following a similar path. Here you will find resources that shed light on the basics of one of the greatest musical developments in modern history.WWW.BSSVE.IN Born in America, jazz can be seen as a reflection of the cultural diversity and individualism of this country. At its core are openness to all influences, and personal expression through improvisation. Throughout its history, jazz has straddled the worlds of popular music and art music, and it has expanded to a point where its styles are so varied that one may sound completely unrelated to another. First performed in bars, jazz can now be heard in clubs, concert halls, universities, and large festivals all over the world. www.bsscommunitycollege.in www.bssnewgeneration.in www.bsslifeskillscollege.in 2 www.onlineeducation.bharatsevaksamaj.net www.bssskillmission.in Key Points: 1. The Birth of Jazz New Orleans, Louisiana around the turn of the 20th century was a melting pot of cultures.
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Downbeat.Com December 2020 U.K. £6.99
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Ad Perpetuum FAFARD
Antoine Ad Perpetuum FAFARD Vinnie Jerry Featuring COLAIUTA De VILLIERS Jr Featuring Vinnie Colaiuta Jerry De Villiers Jr Antoine Fafard with Gerry Etkins (on tracks 2, 3 & 7) Gary Husband (on track 6) Jean-Pierre Zanella (on tracks 6, 9 & 10) 01 Shuffle It! (5:30) 02 Riff & Raft (4:49) 03 PolySeven (5:32) 04 Same but Different (4:28) 05 Five Course Meal (5:10) 06 D-Day (5:20) 07 Eternal Loop (5:23) 08 Slash One (4:51) 09 The Egg (5:52) 10 PreSilence (2:52) Produced by Antoine Fafard and Jerry De Villiers Jr Music composed by A. Fafard except ‘Shuffle It!’ composed by A. Fafard and J. De Villiers Jr Shuffle It! (5:30) 01 (A. Fafard/J. De Villiers Jr) Vinnie Colaiuta: drums Jerry De Villiers Jr: lead guitar Antoine Fafard: bass & classical guitar his was the first piece composed for the piece together. The song features layers of synth Talbum. The main groove was inspired by pads and percussive ambiences, providing an John Bonham’s beat for Fool in the Rain on Led introduction to what is to come. The piece was Zeppelin’s Physical Graffiti. This slow shuffle also the first to be mixed. This proved difficult to was adapted to a bar of 6/4 followed by a bar of begin with, but the final mix helped define the 7/4 throughout the song. A chord progression direction for the rest of the album. written on guitar was then added: as with many chord progressions on this album, the frequent modulation made improvisation quite difficult.
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Pioneer of “Free Classic & Jazz“
YOUNEE – Pioneer of “Free Classic & Jazz“ The media adore her as a star pianist. Younee, composer and singer-songwriter has long left her mark, not only because of her unique and virtuoso piano playing. By means of her awesome power of improvisation and that exceptional gift of being able to improvise and to compose freely based on a classical foundation, she has defined her very own type of style: Free Classic & Jazz. Down to the last note, everything happens intuitively, spontaneously, unexpectedly without ever slipping into the realm of “kitsch”, or hiding behind a virtuosity because of virtuosity’s sake. “That’s Me” says Younee, who has made her current home in Bavaria. The manner in which Younee presents her music to a live audience does not only have its charm, each time it is as if she were reinventing her own music over again. This woman can really turn some heads. Those of men and women, young and old people alike! But most of all of those who like to listen to music. “What kind of music?” is the immediately unuttered question about categorisation. And from there on it gets complicated. Younee, the classically trained Korean pianist, plays – almost – everything. Rachmaninoff, Chopin, blues, jazz, pop melodies, and Beethoven. On “Jugendstil”, her first album produced in Germany, she reworks the great ones with relish from Mussorgsky’s “Pictures from an Exhibition”, through Debussy and Bizet, finally arriving at Beethoven’s Fifth. Full of passionate radiance she translates them into blues scales, reignites them in off-beats, or unexpectedly dilutes them into fresh and cocky jazz harmonies.
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Leeds Jazz 0905
E S V E I L L L S L E H S K E N C H A C E U S A N M G M I L e K R I Z K B O R A Z b R O M F A N I N T J J o E E D A I r H O D 6 L N W T E N A U d O 0 O V J A B S r Y R B K 0 S G K A I R a G N I B D D A 2 B O S N N ’ M w E y M A A Y R l N E E B B R R e S S R D D u Y U U A E j N h B P L H H A F t e E N V F Y Y I V L R R n U N E t A A O E T H u a S G G S K C j y a z m l i z r p a a j LEEDS JAZZ Wednesday June 21 • 8pm £12/8 6th – 13th May Gary Husband – Interpretations of The Music of Allan Holdsworth and John McLaughlin (for pianos and percussion) Part 1 THE THINGS I SEE Part 2 A MEETING OF SPIRITS Leeds born, Gary Husband is one of a rare breed of musicians in that his expression is divided equally in his capacity as a drummer and a pianist of international repute.
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Thesis University of London
THESIS UNIVERSITY OF LONDON COPYRIGHT This is a thesis accepted for a higher degree of the University of London. It has been made available to the Institute of Education library for public reference, photocopying and inter-library loan. The copyright is held by the author. All persons consulting the thesis must read and abide by the Copyright Declaration below. COPYRIGHT DECLARATION I recognise that the copyright of this thesis rests with the author and that no quotation from it or information derived from it may be published without the prior written consent of the author. `I drum, therefore I am'? A study of kit drummers' identities, practices and learning Gareth Dylan Smith Institute of Education, University of London Submitted for PhD 1 ABSTRACT Drummers have largely been neglected in scholarly literature on music and education, despite being active in large numbers in popular music and having an increasing presence in the music education arena. The study explores the identities, practices and learning of kit drummers in the UK from an emic perspective, using a mixed methodological approach with a focus on qualitative sociological enquiry drawing on interpretative phenomenological analysis and grounded theory. Semi-structured interviews were conducted with 15 teenage drummers and 12 adult drummers; both age groups were interviewed to allow for consideration of whether adults' reflections on their formative years differ greatly from those of teenage drummers today. Secondary data were gathered from a brief questionnaire conducted with 100 more drummers to support and contextualize the richer interview data. Data were also taken from relevant biographies, audio/visual media and journalistic sources.
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Allan Holdsworth Secrets Mp3, Flac, Wma
Allan Holdsworth Secrets mp3, flac, wma DOWNLOAD LINKS (Clickable) Genre: Jazz Album: Secrets Country: US Released: 1989 Style: Fusion MP3 version RAR size: 1640 mb FLAC version RAR size: 1678 mb WMA version RAR size: 1986 mb Rating: 4.6 Votes: 349 Other Formats: RA MOD WAV AU TTA VOC AUD Tracklist Hide Credits 1 City Nights 2:33 Secrets 2 4:21 Vocals – Rowanne Mark 54 Duncan Terrace (Dedicated To Pat Smythe) 3 4:33 Piano – Alan Pasqua Joshua 4 5:54 Keyboards – Steve Hunt 5 Spokes 3:29 Maid Marion 6 7:16 Keyboards – Steve Hunt Peril Premonition 7 Bass – Bob WackermanDrums, Keyboards – Chad WackermanOther [Hammer] – Jeffrey 4:43 OcheltreeVoice – Clair Holdsworth Endomorph (Dedicated To My Parents) 8 4:19 Vocals – Craig Copeland Credits Artwork By [Design] – Lisa Sutton Artwork By [Typography] – Jeannine Pinkerton Bass – Jimmy Johnson (tracks: 1 to 6) Drums – Vinnie Colaiuta (tracks: 1 to 6) Engineer [Additional] – Biff Vincent, Charlie Watts , Dan Humann Guitar, Mixed By – Allan Holdsworth Lyrics By – Rowanne Mark (tracks: 2, 8) Mastered By – Bernie Grundman Mixed By – Robert Feist Music By – Allan Holdsworth (tracks: 2, 3, 5, 8), Chad Wackerman (tracks: 7), Gary Husband (tracks: 1), Steve Hunt (tracks: 4, 6) Photography – Ed Colver Producer – Allan Holdsworth Notes Recorded at Front Page Recorders. Additional recording at Music Grinder and The Brewery. Mixed at the Brewery. Barcode and Other Identifiers Barcode: 0 1877-73328-2 Other versions Category Artist Title (Format) Label Category Country Year Restless 7 72573-2, 7 Secrets (CD, 7
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18 Th and 19 Th Century Who Had an Impact on Later Developments in Jazz Guitar
The development of the Electric Jazz Guitar in the 20 th century – by Pebber Brown One of the areas that is historically very important but sorely missing from any music texts, is that of the history of the jazz guitar and its players. In this essay, I will explore some of its early origins as an instrument and briefly look at some of the significant early guitar players of the 18 th and 19 th century who had an impact on later developments in jazz guitar. Moving into the early part of the 20 th century, I will also explore some of the influential non-classical guitarists who influenced the acceptance of the guitar as a viable jazz instrument, and lastly I will explore the importance of the invention of the electric guitar an look at some of the less well known but very important jazz guitarists of the 20 th century. Some insight into the origins of the guitar The guitar was invented many centuries ago in Spain as a predecessor of older Middle-Eastern stringed instruments such as the Zither, and the Lyre. The first guitars had less strings on them and were called "Chitarra." These instruments were played up until the 17th century when the more modern "Guitarra" was invented in Spain. The Guitarra later became the "Guitar," and it made its way to Northern Europe and in England and the Netherlands they created their own version of it called the Lute. Lutes are most called "Baroque" lutes pertaining to the music played on them during the Baroque period.
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