World Union of Karate-Do Federations

Total Page:16

File Type:pdf, Size:1020Kb

World Union of Karate-Do Federations World Union of Karate-Do Federations Rules of Karate Competition INDEX PART 1: WUKF COMPETITION RULES ................................................................................................. 4 ART.1: COMPETITION STRUCTURE .................................................................................................................. 4 ART.2: PARTICIPATION RULES .......................................................................................................................... 5 ART. 3: COMPETITION STAFF ........................................................................................................................... 5 ART. 4: OFFICIAL UNIFORMS.............................................................................................................................. 5 ART. 5: PROTECTION EQUIPMENT, OUTFIT AND PRESENTATION ..................................................... 7 ART. 6: MATCH AREA SIZES ............................................................................................................................... 8 ART. 7: COMPETITION EQUIPMENT ............................................................................................................... 8 ART. 8: PROTESTS AGAINST DECISION AND REVISION OF DECISION ................................................. 9 ART. 9: OTHER MATTERS ................................................................................................................................... 9 PART 2: JUDGING RULES ...................................................................................................................... 10 ART. 1: GENERAL MATTERS ........................................................................................................................... 10 CHAPTER 1: THE PANEL OF REFEREES ......................................................................................... 10 ART. 1: APPOINTMENTS .................................................................................................................................. 10 ART. 2: GENERAL DUTIES OF REFEREES AND JUDGES .......................................................................... 10 ART. 3: RESPONSIBILITIES AND DUTIES OF THE CHIEF REFEREE ................................................... 11 ART. 4: RESPONSIBILITIES AND DUTIES OF THE REFEREE (SUSHIN) ............................................... 11 ART. 5: RESPONSIBILITIES AND DUTIES OF THE MIRROR JUDGE (FUKUSHIN), CORNER JUDGE AND ARBITRATOR (KANSA) ............................................................................................................................. 12 ART. 6: RESPONSIBILITIES AND DUTIES OF THE JURY TABLE .......................................................... 13 (JURY TABLE JUDGE, SCORE-KEEPER, TIME-KEEPER, AND THE CALLER-ANNOUNCER) ............ 13 Chapter 2: TERMINOLOGY & GESTURES ......................................................................................... 14 ART. 1: THE MEANING OF THE TERMS USED AND THE GESTURES .................................................... 14 ART. 2: THE CENTRAL REFEREE’S GESTURES MUST BE CLEAR AND LARGE ................................... 15 ART. 3: THE MIRROR JUDGE’S GESTURES ................................................................................................... 16 ART. 4: SIGNALS .................................................................................................................................................... 17 Chapter 3: DECISIONS ............................................................................................................................. 18 PART 3: KUMITE RULES ........................................................................................................................ 19 ART. 1: STARTING – SUSPENDING – ENDING THE KUMITE MATCH ................................................. 19 ART.2: CRITERIA FOR DECIDING IPPON AND WAZA-ARI ...................................................................... 20 ART. 3: VICTORY OR DEFEAT ......................................................................................................................... 20 ART. 4: SCORING AREAS AND SCORING TECHINQUES ............................................................................ 22 ART. 5: FORBIDDEN ACTIONS/TECHNIQUES–WARNINGS AND PENALTIES ................................. 22 ART. 6: INJURIES AND ACCIDENTS................................................................................................................. 25 A. KUMITE SANBON ................................................................................................................................. 27 Chapter 4: INDIVIDUAL SANBON KUMITE ...................................................................................... 27 ART. 1: CATEGORIES ALLOWED .................................................................................................................... 27 ART. 2: DURATION OF AN INDIVIDUAL KUMITE SANBON MATCH ..................................................... 28 1 ART. 3: TIE AND EXTENSION ............................................................................................................................ 28 Chapter 5: TEAM SANBON KUMITE ................................................................................................... 28 ART. 1: CATEGORIES ALLOWED ...................................................................................................................... 28 ART. 2: TEAM SANBON MATCH ....................................................................................................................... 29 ART. 3: THE SANBON TEAM MEMBERS ........................................................................................................ 29 ART. 4: CRITERIA FOR DECIDING THE WINNING TEAM ......................................................................... 29 ART. 5: TIE AND EXTRA MATCH ..................................................................................................................... 29 `Chapter 6: ROTATION TEAM SANBON KUMITE ........................................................................... 30 ART. 1: CATEGORIES ALLOWED ...................................................................................................................... 30 ART. 2: DURATION ............................................................................................................................................... 30 ART. 3: THE ROTATION TEAM MEMBERS ................................................................................................... 30 ART.4: CRITERIA FOR DECIDING THE WINNING TEAM .......................................................................... 30 ART. 5: TIE IN ROTATION TEAM ..................................................................................................................... 30 ART. 6: SUBSTITUTIONS IN ROTATION TEAM ........................................................................................... 32 ART. 7: PENALTIES IN ROTATION TEAM ..................................................................................................... 32 B. KUMITE NIHON .................................................................................................................................... 33 ART. 1: CATEGORIES ALLOWED ...................................................................................................................... 33 ART. 2: DURATION ............................................................................................................................................... 33 ART.3: PROTECTIONS ......................................................................................................................................... 33 ART. 4: FORBIDDEN CONTACT AND TECHNIQUES ................................................................................... 33 C. KUMITE IPPON ..................................................................................................................................... 34 Chapter 7: INDIVIDUAL IPPON KUMITE .......................................................................................... 34 ART. 1: CATEGORIES ALLOWED ...................................................................................................................... 34 ART. 2: DURATION OF A MATCH ................................................................................................................... 34 ART. 3: THE ADJUDICATION SYSTEM .......................................................................................................... 34 ART.4: EXTENSIONS ......................................................................................................................................... 34 ART. 5: PROHIBITED ACTS AND TECHNIQUES ........................................................................................ 35 ART. 6: PENALTIES AND DISQUALIFICATION .......................................................................................... 35 Chapter 8: TEAM IPPON KUMITE ....................................................................................................... 36 ART. 1: CATEGEGORIES ALLOWED ................................................................................................................ 36 ART. 2: TEAM IPPON MATCH ......................................................................................................................... 36 ART. 3: THE IPPON TEAM MEMBERS .........................................................................................................
Recommended publications
  • Ash's Okinawan Karate
    ASH’S OKINAWAN KARATE LOCATION: 610 Professional Drive, Suite 1, Bozeman, Montana 59718 PHONE: 406-994-9194 EMAIL: [email protected] WEBSITE: www.ashsokinawankarate.com INSTRUCTORS: Brian Ash – Roku dan (6th degree Black Belt) Lisa Ash – Yon dan (4th degree Black Belt) Kaitlyn Ash – San dan (3rd degree Black Belt) Karate is an individual endeavor. Each person is taught and advanced according to his/her own ability. Initially, you will learn a basic foundation of karate techniques on which to build. Fundamentals of actual street and sport karate are later incorporated into your training as well as the Isshinryu kata. All classes include stretching and calisthenics. To be effective in karate, you must be in optimum shape. This book lists the minimal testing criteria for each belt level. Your sensei will decide when you are ready for testing, even if you have met the listed criteria. The rank criteria are simply a guide for the student. Practice is very important to prepare yourself for learning and advancement. To be a true black belt, you must not rush through the kyu ranks. Take advantage of that time to practice and improve all techniques and kata. We can never stop learning or improving ourselves. The secret of martial arts success is practice. Like uniforms are required during class representing tradition and equality in students. The main objective of Isshinryu is the perfection of oneself through both physical and mental development. Ash’s Karate combines teaching Isshinryu karate with a well- rounded exercise program. MISSION STATEMENT: To instill confidence, courtesy, and respect while building mental and physical strength, self discipline, balance, focus, endurance and perseverance in students so that they may empower themselves to overcome physical and mental obstacles, build character and unify mind, body and spirit.
    [Show full text]
  • Meibukanmagazine No 2
    MEIBUKAN MAGAZINE House Of The Pure Martial Arts Interview with Master Anthony Mirakian Science as a Weapon The History of Goju-ryu Karate, Part III What is Ki? Courtesy of Anthony Mirakian. Picture taken by Edward Mills. Courtesy of THE INTERNATIONAL WEB BASED MARTIAL ARTS No 4 FEBRUARY 2005 MAGAZINE AS A PDF DOCUMENT MEIBUKAN MAGAZINE House of the Pure Martial Arts WWW.MEIBUKANMAGAZINE.ORG No 4 February 2005 MEIBUKAN MAGAZINE House of the Pure Martial Arts No 4 FEBRUARY 2005 MISSION STATEMENT Column 2 A Shift in Intention Meibukan Magazine is an initiative of Lex Opdam and Mark Hemels. Aim of this web based magazine is to spread the knowledge and spirit of the martial arts. In a non profitable manner Meibukan Maga- zine draws attention to the historical, spiritual and Interview 2 technical background of the oriental martial arts. Interview with Master Anthony Mirakian Starting point are the teachings of Okinawan ka- rate-do. As ‘House of the Pure Martial Arts’, how- Anthony Mirakian was the first Westerner taught by Grandmaster Meitoku ever, Meibukan Magazine offers a home to the vari- Yagi, the top student and successor of Chojun Miyagi, the founder of Goju- ous authentic martial arts traditions. ryu. Reflecting on a lifetime of practice, Master Anthony Mirakian dis- FORMAT cusses the meaning of karate-do and the techniques of Goju-ryu kata. Meibukan Magazine is published several times a year in an electronical format with an attractive mix Feature 10 of subjects and styles. Each issue of at least twelve pages is published as pdf-file for easy printing.
    [Show full text]
  • Snapkick Dojo Student Newsletter
    Snapkick Dojo student newsletter “The ultimate aim of karate lies not in victory nor defeat, but in the perfection of the character of its participants ” ― Gichin Funakoshi “Protect your enthusiasm from the negativity of others.” ~ H. Jackson Brown, Jr. Sensei Gichin Funakoshi - Father of Modern Day Karate O’Sensei Gichin Funakoshi is known as the Father of One was that he adapted the training methods so Modern Day Karate and is probably the best known name that they could be more easily practiced by everybody, in karate history. regardless of age, ability or sex. He was born in the city of Shuri on the island of He also made karate more accessible to the Okinawa in 1868 and by the age of 11, Funakoshi was Japanese by changing the meaning of the word ‘Kara’. training with the great Okinawan teachers Anko Itosu and Originally, the words kara and te meant ‘Chinese’ and Yasutsune Azato. ‘hand.’ However, in Japanese the characters used for At this time it was illegal to learn martial arts, though kara could also mean ‘empty’ in Japanese. As this fitted that did not stop him and many others practicing in secret. the style so well and since karate had developed to be Around the turn of the century the art came out into the very different from the Chinese styles, ‘empty hand’ open and began to be taught in public schools, thanks became the new meaning of the word. largely to the efforts of Anko Itosu. Amongst his more prominent beliefs was By the time Funakoshi was an adult he excelled in Funakoshi’s conviction that the best martial arts karate, so much so that when the Crown Prince of Japan, exponents should be so confident that they had nothing Hirohito, visited Okinawa, Funakoshi was chosen to to prove about their fighting prowess.
    [Show full text]
  • Seiunchin Kata Bunkai
    Seiunchin Kata Bunkai Bunkai Description Kata Description Rei (bow) Rei (bow) Set (salutation) Set (salutation) Heiko dachi (parallel stance, ready position) Heiko dachi (parallel stance, ready position) 1. Look to left, slide right foot straight ahead into Move to opponent's left; grab high. Seiunchin dachi, hands posted at ready. Bring open hands up and out (breaking grab), execute double low From opponent diagonal, right blocks to sides (kick coming from 45º). Right hand straightforward kick. Right step and punch. middle haito block, grab and pull into left hand nukite. 2. Look over right shoulder, slide left foot toward front. Move to opponent right; grab high. Bring open hands up and out (breaking grab), execute double low blocks to sides. Left hand middle haito From opponent diagonal, left block, grab and pull into right hand nukite. straightforward kick. Left step and punch. 3. Look behind over left shoulder, slide right foot Move to opponent left; grab high. toward front. Bring open hands up and out (breaking grab), execute double low blocks to sides. Right hand From opponent diagonal, right middle haito block, grab and pull into left hand nukite. straightforward kick. Right step and punch. 4. Catch kick (punch) with left hand with right hand back Move to opponent front. Right fist leg while sliding left foot back into cat stance. Put straightforward kick, land right foot left hand shuto on top of right wrist in reinforcing forward. position (also kamae). 5. Slide forward with right foot into Seisan dachi, right hand reinforced punch to solar plexus. Grab behind Be punched, struck with upward elbow opponent's head with left hand, right elbow strike up strike.
    [Show full text]
  • April 2007 Newsletter
    February 2020 Newsletter Goju-Ryu Karate-Do Kyokai www.goju.com ________________________________________________________ Hello GKK members, Dojo Leaders and National Directors, It is once again time to collect the annual dues and update the active member list. Dan ranks are $25 and Kyu ranks are $15.Dojo Leaders are to send this to your National Director. For example, Frank Matt (Dojo Leader) of the Corinth Goju Dojo in New York will send their dues and active member list to the USA Director, Dwight Scales. The National Directors are to send the active member list (in Excel or word) and dues to Ed Myers (CEO) This is all due by April 1st." Spring Seminar and Organizational Meeting By Dwight Scales Save the Date! This year's Spring Seminar and Organizational Meeting will be hosted by Mr. Bill Kane - Ambler Dojo. It will be held the weekend after Mother's Day, May 15th and 16th. Black belt testing will be Friday with Yamakura Shihan's seminars the following day. Please send black belt candidate information to Sensei Myers and Scales no later than April 15. Further updates to follow. Some Thoughts on Kata Niseishi and Goju Ryu By Stephen Hampsten The kata Niseishi, also called Nijushiho, is usually translated as “24.” I learned this kata around 1987 from my first karate instructor, Jim Knoblet, who, at the time, was teaching a Shorin Ryu-related style called Shobukan. Shobukan is a minor style taught primarily in Sasebo, Japan, near the US Naval base, which is where Jim’s teacher, Bruce Lisle, trained for 14 years.
    [Show full text]
  • Los Orígenes De Los Kata De Goju Ryû Shisochin
    Los orígenes de los kata de Goju ryû Shisochin Dan Djurdjevic Miyagi Sensei. Shishochin bunkai Kenshinkan dôjô 2013 Shisochin comienza con tres posiciones sanchin dachi, esto, en principio, la hace semejante a los kata del Grupo H. Sin embargo, se aparta del Grupo H en casi todo lo demás: el kata es “simétrico” y contiene una alta proporción de técnicas “suaves”. Más aún, la apertura se hace ejecutando golpes en nukite. Aunque se dice que los kata del Grupo H se practicaban originalmente con las manos abiertas, es más probable que, al igual que ocurre en Uechi ryû, la técnica de nukite se ejecutara con la palma hacia abajo -apuntando ligeramente más abajo de la tetilla del atacante- no con la mano en posición vertical dirigida al plexo solar, como ocurre en Shisochin. Esto apunta a que Shisochin puede provenir de una fuente diferente a la de los kata del Grupo H y de la misma fuente que otros katas, como: Saifa, Seiyunchin, Sepai, Kururunfa. ¿Pero cuál es esa fuente? Como dije en la segunda parte de este artículo, Shisochin debía de existir en Okinawa antes de que Kanryo Higaonna viajara a China: hay un registro escrito de Seisho Aragaki ejecutando un kata llamado Chisakuin en una demostración realizada en 1867. Seisho Aragaki fue, por supuesto, el primer profesor de Kanryo Higaonna. ¿Podría haber enseñado Kanryo Higaonna el kata Chisakuin/Shisochin a Miyagi Sensei como un kata separado del programa? ¿O, quizá, Miyagi Sensei rescató formas que le enseñara su primer profesor, Ryuko Aragaki?, quién seguramente había conocido las formas de Seisho.
    [Show full text]
  • The Folk Dances of Shotokan by Rob Redmond
    The Folk Dances of Shotokan by Rob Redmond Kevin Hawley 385 Ramsey Road Yardley, PA 19067 United States Copyright 2006 Rob Redmond. All Rights Reserved. No part of this may be reproduced for for any purpose, commercial or non-profit, without the express, written permission of the author. Listed with the US Library of Congress US Copyright Office Registration #TXu-1-167-868 Published by digital means by Rob Redmond PO BOX 41 Holly Springs, GA 30142 Second Edition, 2006 2 Kevin Hawley 385 Ramsey Road Yardley, PA 19067 United States In Gratitude The Karate Widow, my beautiful and apparently endlessly patient wife – Lorna. Thanks, Kevin Hawley, for saying, “You’re a writer, so write!” Thanks to the man who opened my eyes to Karate other than Shotokan – Rob Alvelais. Thanks to the wise man who named me 24 Fighting Chickens and listens to me complain – Gerald Bush. Thanks to my training buddy – Bob Greico. Thanks to John Cheetham, for publishing my articles in Shotokan Karate Magazine. Thanks to Mark Groenewold, for support, encouragement, and for taking the forums off my hands. And also thanks to the original Secret Order of the ^v^, without whom this content would never have been compiled: Roberto A. Alvelais, Gerald H. Bush IV, Malcolm Diamond, Lester Ingber, Shawn Jefferson, Peter C. Jensen, Jon Keeling, Michael Lamertz, Sorin Lemnariu, Scott Lippacher, Roshan Mamarvar, David Manise, Rolland Mueller, Chris Parsons, Elmar Schmeisser, Steven K. Shapiro, Bradley Webb, George Weller, and George Winter. And thanks to the fans of 24FC who’ve been reading my work all of these years and for some reason keep coming back.
    [Show full text]
  • The Canadian Isshinryu Way Everything Karate & Kobudo
    Isshinryu Canada The Canadian Isshinryu Way Everything Karate & Kobudo The Canadian Isshinryu Way Feb 2018 The Drive to Improve Inside this Issue: In all pursuits we are moving forwards or come and will have a great time! going backwards. Sometimes we are on- ly going forward just enough to avoid going backwards. It’s also a great time to improve yourself as well as share. Preparing a seminar is Seiunchin By Chat 2 a good chance for introspection, and the Fletcher In our Karate training, most of us push feedback/questions illuminating. ourselves clearly forward. Sometimes there are stumbles, but each year we can Chitora Dojo 3 clearly see that we are better than the year Keep improving, keep pushing forward News before. and I hope to see you in May. That drive to improve is what defines the Kihon By Richard 3 successful and the unsuccessful. Please Essential Isshinryu is available! Ruberto remember that anytime you feel tired, or For more information on the first Ca- bored, or unmotivated. By pushing nadian Isshinryu book, visit www.essentialisshinryu.com! through you keep yourself driving for- The Challenges 4 ward, improving, learning and bettering yourself. ATTENTION NEEDED! Do you know of someone great in The upcoming Expo is a great opportuni- Isshinryu? If so, please e-mail ty to jump yourself ahead. No matter [email protected] with the contact de- your rank or organization, you are wel- tails to be profiled in future newsletters. Upcoming Events Events event you won’t want to USIK Seminar Shallotte Isshinryu Expo May miss.
    [Show full text]
  • Los Orígenes De Los Kata De Goju Ryû Seiyunchin
    Los orígenes de los kata de Goju ryû Seiyunchin Dan Djurdjevic Teruo Chinen Sensei. Seiyunchin kata Kenshinkan dôjô 2013 En su libro “Okinawan Kempo”, Choki Motobu Sensei menciona a Seisan, Seiunchin y Naihanchi, como katas existentes en Okinawa mucho antes de que Kanryo Higaonna Sensei viajase a China: Escribe: “Entre los estilos, o katas, que se han practicado en Ryu Kyu desde los tiempos antiguos tenemos: Sanchin, Jo-Ju-Shi-Ho, Seisan, Seiunchin, Ippakku-Re-Hachi, Naihanchi (Ichidan, Nidan, Sandan), Passai, Chinto, Chinte, (estilo de yari -lanza- de bambú), Wanshu, Rohai y Kusanku. Y, especialmente, estos tres: Naihanchi, Passai (Dai y Sho) y Kusanku, ampliamente conocidos por muchos isleños. Como indiqué anteriormente, Ryu Kyu Kempo Karate viene originalmente de China. Sanchin, Jo-Ju-Shi-Ho, Seisan y Seiunchin se han practicado durante muchos siglos.” ¿Es el Seiyunchin de Miyagi el mismo que el de la forma original de shorin? Nunca lo sabremos con certeza. El Seiyunchin de hoy día parece tener los suficientes elementos de Naha-te como para sugerir que tiene modificaciones hechas por Miyagi Sensei. Tiene, ciertamente, un patrón equilibrado en el uso de las manos (derecha/izquierda) al igual que el Naihanchi, aunque es importante remarcar que a este respecto sigue el patrón distintivo del Grupo M, más que el usado en Naihanchi. Seiyunchin kata Es imposible determinar cuánto del “original” Seiyunchin existe en la creación de Miyagi y cuánto tiene de otras técnicas okinawenses o chinas, con las que Miyagi pudiera contar. Quizá lo único constructivo que podemos hacer es examinar otros kata que contengan elementos observados en Seiyunchin con la esperanza de que nos muestren alguna luz en cuanto a los orígenes de este kata.
    [Show full text]
  • World Karate Federation
    WORLD KARATE FEDERATION Version 6 Amended July 2009 VERSION 6 KOI A MENDED J ULY 2009 CONTENTS KUMITE RULES............................................................................................................................ 3 ARTICLE 1: KUMITE COMPETITION AREA............................................................................... 3 ARTICLE 2: OFFICIAL DRESS .................................................................................................... 4 ARTICLE 3: ORGANISATION OF KUMITE COMPETITIONS ...................................................... 6 ARTICLE 4: THE REFEREE PANEL ............................................................................................. 7 ARTICLE 5: DURATION OF BOUT ............................................................................................ 8 ARTICLE 6: SCORING ............................................................................................................... 8 ARTICLE 7: CRITERIA FOR DECISION..................................................................................... 12 ARTICLE 8: PROHIBITED BEHAVIOUR ................................................................................... 13 ARTICLE 9: PENALTIES........................................................................................................... 16 ARTICLE 10: INJURIES AND ACCIDENTS IN COMPETITION ................................................ 18 ARTICLE 11: OFFICIAL PROTEST ......................................................................................... 19 ARTICLE
    [Show full text]
  • Section 2: Class Formats
    SECTION 2: CLASS FORMATS 2.1 Class warm up 2.2 Class stretching 2.3 Class cool down 2.4 Karate techniques 2.5 Beginners class format and training drills 2.6 Grading formats 2.6 Kata grading criteria 2.7 Terminology 2.1 Class Warm Up Approximate time to complete is 1 ½ minutes. Guidelines • Light jogging on the spot (approximately 15 Warm-up exercises should be specific to the - 20 seconds). training that follows. • Jogging on spot with knees up They should activate the energy systems required. (approximately 15 seconds). They should promote flexibility among the joints and muscles. • Jogging with feet back – towards buttocks (approximately 15 seconds). Inadequate warm up routines have been shown to be associated with injury to muscles and • Bouncing forward and back in fighting connective tissue. stance - get your students to put right leg back into a fighting stance. Have them Purpose of the warm up bounce back and forward on the balls of the feet. Have them keep their guard up • Increase body and tissue temperature. while doing this exercise. This may be done for approx 20-30 seconds, changing legs • Increase heart rate, which will prepare the approximately every 10 seconds. cardiovascular (heart/lung) system for exercise. 2. Joints and connective tissue • Decreases muscular tension. Approximate time to complete is 1 minute. • Minimise the risk of injury. Feet • Enhance optimal performance. • Lift one leg. • Enhance joint mobility. • Point toes down and hold. Note: Students should always be encouraged • Point toes up and hold. to arrive at class 15 minutes early to do their own warm-up (especially those students of less • Point foot up and hold.
    [Show full text]
  • Official Kata List
    OFFICIAL KATA LIST: GOJU RYU SHITO RYU SHOTOKAN RYU WADO RYU SHITEI SHITEI SHITEI SHITEI Taikyoku Ju No Kata Taikyoku 1.2.3 Kihon Kata Gekisai Dai Ichi Ju Ni No Kata Heian Shodan Pinan Nidan Gekisai Dai Ni Pinan 1.2.3.4.5 Heian Nidan Pinan Shodan Saifa Naihanchin Shodan Heian Sandan Pinan Sandan Saifa Heian Yondan Pinan Yondan Aoyagi Heian Godan Pinan Godan Miojio Tekki Shodan Juroku SENTEI SENTEI SENTEI SENTEI Seisan Matsumora no Rohai Bassai Dai Kushanku Sanseru Bassai Dai Kanku Dai Niseishi Seiunchin Kosokun Dai Enpi Jion Shisochin Tomari no Wanshu Jion Passai Seienchin Hangetsu Jitte Pachu Niseishi Chinto TOKUI TOKUI TOKUI TOKUI Kururunfa Jion Tekki Nidan Chinto Suparimpei Kosokun Sho Tekki Sandan Naihanchi Seipai Sochin Jitte Rohai *Chatan Yara no Kushanku Matsumura no Bassai Gankaku Wanshu *Nipaipo Tomari no Bassai Bassai Sho Seishan *Hanan Sanseru Kanku Sho Shisochin Nijushiho * only in interstyle category Tomari no Chinto Sochin Nipaipo Unsu Nepai Gojushiho Dai Papuren Gojushiho Sho Kururunfa Meikyo Seipai Chinte Seisan Wankan Gojushiho Jiin Unshu Suparimpei Hanan Hanan Ni Paiku Heiku Chatan Yara no Kushanku 1 OFFICIAL LIST OF SOME RENGOKAI STYLES: GOJU SHORIN RYU SHORIN RYU UECHI RYU USA KYUDOKAN OKINAWA TE SHITEI SHITEI SHITEI SHITEI SHITEI Taikyoku Jodan Fukiu Gata Ichi Fugyu Shodan Kanshiva Taikyoku Chiudan Fukiu Gata Ni Fugyu Nidan Kanshu Taikyoku Gedan Pinan Nidan Pinan Nidan Sechin Taikyoku Consolidale Ichi Pinan Shodan Pinan Shodan Seryu Taikyoku Consolidale Ni Pinan Sandan Pinan Sandan SENTEI Taikyoku Consolidale San Pinan
    [Show full text]