MTV Meet Bebe Rexha: the Anti-Katy Perry of Pop
Total Page:16
File Type:pdf, Size:1020Kb
Load more
Recommended publications
-
Special Issue
ISSUE 750 / 19 OCTOBER 2017 15 TOP 5 MUST-READ ARTICLES record of the week } Post Malone scored Leave A Light On Billboard Hot 100 No. 1 with “sneaky” Tom Walker YouTube scheme. Relentless Records (Fader) out now Tom Walker is enjoying a meteoric rise. His new single Leave } Spotify moves A Light On, released last Friday, is a brilliant emotional piano to formalise pitch led song which builds to a crescendo of skittering drums and process for slots in pitched-up synths. Co-written and produced by Steve Mac 1 as part of the Brit List. Streaming support is big too, with top CONTENTS its Browse section. (Ed Sheeran, Clean Bandit, P!nk, Rita Ora, Liam Payne), we placement on Spotify, Apple and others helping to generate (MusicAlly) love the deliberate sense of space and depth within the mix over 50 million plays across his repertoire so far. Active on which allows Tom’s powerful vocals to resonate with strength. the road, he is currently supporting The Script in the US and P2 Editorial: Paul Scaife, } Universal Music Support for the Glasgow-born, Manchester-raised singer has will embark on an eight date UK headline tour next month RotD at 15 years announces been building all year with TV performances at Glastonbury including a London show at The Garage on 29 November P8 Special feature: ‘accelerator Treehouse on BBC2 and on the Today Show in the US. before hotfooting across Europe with Hurts. With the quality Happy Birthday engagement network’. Recent press includes Sunday Times Culture “Breaking Act”, of this single, Tom’s on the edge of the big time and we’re Record of the Day! (PRNewswire) The Sun (Bizarre), Pigeons & Planes, Clash, Shortlist and certain to see him in the mix for Brits Critics’ Choice for 2018. -
PTAB April 8, 2021 Meeting Packet
Municipality of Anchorage Public Transit Advisory Board Meeting Agenda April 8, 2021, 5:30–7:00 p.m. https://bit.ly/PTAB-April-2021 1. Call to Order 2. Roll Call 3. Approval of the Agenda 4. Public Involvement Announcement: For those watching live online, comments and questions can be submitted via Teams Live Q&A by clicking on the Q&A button on the right side of the screen. Public comments for this meeting have also been collected via email and people have had the opportunity to sign up for a phone call. When the Board reaches your agenda item, your comment will be addressed, first by written comment, then by Teams Live Q&A, and finally via outbound phone call. If you have elected to be contacted by phone, the meeting moderator will attempt to call you after the agenda item has been discussed by the Board. You will have 2 minutes to speak on each item you wish to comment on. Written comments will be read aloud by the meeting moderator after the items have been discussed by the Board. Teams Live Q&A comments will be addressed when appropriate. A recording is being made of this meeting and will be posted on the Municipal website. 5. Action / Information Items a. Minutes of the March 11, 2021 Meeting (Action Item) b. Director’s Update (Info Item) c. PTAB Core Ideology and Annual Goals (Action Item) d. 2020 System Report Card (Info Item) e. Ridership Update (Info Item) 6. Public Comments [2 minutes each] 7. Member Comments 8. -
Peter Sidote : Determination Dta Nos
STATE OF NEW YORK DIVISION OF TAX APPEALS __________________________________________ In the Matter of the Petitions : of : PETER SIDOTE : DETERMINATION DTA NOS. 825772, for Revision of Determinations or for Refund of : 825899, 825964, Sales and Use Taxes under Articles 28 and 29 of AND 825965 the Tax Law for the Periods June 1, 2008 through : February 28, 2010 and June 1, 2010 through May 31, 2013. : __________________________________________ Petitioner, Peter Sidote, filed petitions for revision of determinations or for refund of sales and use taxes under Articles 28 and 29 of the Tax Law for the periods June 1, 2008 through February 28, 2010 and June 1, 2010 through May 31, 2013. A hearing was held before Barbara J. Russo, Administrative Law Judge, at the offices of the Division of Tax Appeals in New York, New York, on October 2, 2014 at 10:30 A.M., with all briefs to be submitted by February 26, 2015, which date commenced the six-month period for issuance of this determination. Petitioner appeared by Sales Tax Defense LLC (Mark L. Stone, CPA, and Jennifer Koo, Esq., of counsel). The Division of Taxation appeared by Amanda Hiller, Esq. (Michael J. Hall). ISSUES I. Whether Peter Sidote was a person responsible for the collection and payment of sales and use taxes on behalf of POP, Inc., d/b/a Party Time Beverages, within the meaning and intent of Tax Law §§ 1131(1) and 1133(a). -2- II. Whether the Division of Taxation has met its burden of proof for the assertion of fraud penalties against petitioner pursuant to Tax Law § 1145(a)(2). -
The Globalization of K-Pop: the Interplay of External and Internal Forces
THE GLOBALIZATION OF K-POP: THE INTERPLAY OF EXTERNAL AND INTERNAL FORCES Master Thesis presented by Hiu Yan Kong Furtwangen University MBA WS14/16 Matriculation Number 249536 May, 2016 Sworn Statement I hereby solemnly declare on my oath that the work presented has been carried out by me alone without any form of illicit assistance. All sources used have been fully quoted. (Signature, Date) Abstract This thesis aims to provide a comprehensive and systematic analysis about the growing popularity of Korean pop music (K-pop) worldwide in recent years. On one hand, the international expansion of K-pop can be understood as a result of the strategic planning and business execution that are created and carried out by the entertainment agencies. On the other hand, external circumstances such as the rise of social media also create a wide array of opportunities for K-pop to broaden its global appeal. The research explores the ways how the interplay between external circumstances and organizational strategies has jointly contributed to the global circulation of K-pop. The research starts with providing a general descriptive overview of K-pop. Following that, quantitative methods are applied to measure and assess the international recognition and global spread of K-pop. Next, a systematic approach is used to identify and analyze factors and forces that have important influences and implications on K-pop’s globalization. The analysis is carried out based on three levels of business environment which are macro, operating, and internal level. PEST analysis is applied to identify critical macro-environmental factors including political, economic, socio-cultural, and technological. -
L'italia E L'eurovision Song Contest Un Rinnovato
La musica unisce l'Europa… e non solo C'è chi la definisce "La Champions League" della musica e in fondo non sbaglia. L'Eurovision è una grande festa, ma soprattutto è un concorso in cui i Paesi d'Europa si sfidano a colpi di note. Tecnicamente, è un concorso fra televisioni, visto che ad organizzarlo è l'EBU (European Broadcasting Union), l'ente che riunisce le tv pubbliche d'Europa e del bacino del Mediterraneo. Noi italiani l'abbiamo a lungo chiamato Eurofestival, i francesi sciovinisti lo chiamano Concours Eurovision de la Chanson, l'abbreviazione per tutti è Eurovision. Oggi più che mai una rassegna globale, che vede protagonisti nel 2016 43 paesi: 42 aderenti all'ente organizzatore più l'Australia, che dell'EBU è solo membro associato, essendo fuori dall'area (l’anno scorso fu invitata dall’EBU per festeggiare i 60 anni del concorso per via dei grandi ascolti che la rassegna fa in quel paese e che quest’anno è stata nuovamente invitata dall’organizzazione). L'ideatore della rassegna fu un italiano: Sergio Pugliese, nel 1956 direttore della RAI, che ispirandosi a Sanremo volle creare una rassegna musicale europea. La propose a Marcel Bezençon, il franco-svizzero allora direttore generale del neonato consorzio eurovisione, che mise il sigillo sull'idea: ecco così nascere un concorso di musica con lo scopo nobile di promuovere la collaborazione e l'amicizia tra i popoli europei, la ricostituzione di un continente dilaniato dalla guerra attraverso lo spettacolo e la tv. E oltre a questo, molto più prosaicamente, anche sperimentare una diretta in simultanea in più Paesi e promuovere il mezzo televisivo nel vecchio continente. -
Rita Ora– I Will Never Let You Down
Rita Ora – I Will bitenewsingles Never Let You Down e have truly missed singing sensation Rita Ora! Now she’s back with a new single, ‘I Will Never Let You Down’ written by beau Calvin Harris, and a sexy and stylish hairdo. The new single is the first release from ORA RITA her forthcoming sophomore album and if her certified platinum first Walbum, Ora, is anything to go by, which clocked up an incredible three consecutive No.1 singles, her second offering should also set the charts ablaze. ‘I Will Never Let You Down’ is said to be the perfect union of two huge powerhouses making the ultimate feel good song. Rita said: “This is the perfect song to launch my new album because I wanted to be as personal and honest as possible. I’m in a very good place and I really wanted people to see how I felt and how I want other people to feel when they listen to it – happy! I love the fact this is such an uplifting love song.” To bring her creative vision to life for the new single, Rita enlisted the help of Italian-born photographer and Emmy-Award-nominated director Francesco Carrozzini, who has worked with global A-list stars such as Natalie Portman, Scarlett Johanssen, Naomi Campbell and Beyoncé. As well as shooting the artwork for the campaign, the director worked closely with the singer to create the stunning video for ‘I Will Never Let You Down’. Despite being absent from our airwaves for a time, Rita has been working hard on home turf in the UK and stateside on her album. -
Record of the Week
ISSUE 754 / 16 NOVEMBER 2017 TOP 5 MUST-READ ARTICLES record of the week } CISAC reports global Sober Mary J Blige. Produced royalty collections for by Maths Time Joy, the songwriters, music Mahalia track has received some composers and Asylum/Atlantic Records serious love online from publishers grew by Sober: out now / Album: Spring 2018 The Fader, Dummy and 6.8% to €8bn in 2016. Complex, including a recent (RotD) Sober from 19-year-old session video for the Berlin- singer-songwriter Mahalia is based Colors studio that has } Steve Stoute launches an exquisite R&B gem that clocked up over 1.9 million in three months last night (15 Mixmag, her music is quickly UnitedMasters, with showcases why she is a views on YouTube. Her music November) at the Hoxton becoming synonymous with backing from Alphabet. rising star and one to watch has so far amassed over eight Square Bar and Kitchen, the trials of everyday life for (Medium) for in 2018. With its chilled million combined streams Mahalia will be supporting today’s youth. And if, like boom-bap beat offering and garnered support from Jorja Smith on her UK tour us, you adore clever and } Viagogo and Stubhub a gorgeous soundbed for 1Xtra, Radio 1, The Guardian, in February next year before expressive songwriting with have their offices Mahalia’s smooth vocals, the NME and a position within headlining Omeara in London a luscious vibe and sublime raided. (Guardian) track effortlessly glides along i-D’s prestigious Class of on 14 March. Recently hailed vocals, then Mahalia is one in a hazy vibe reminiscent 2018 list. -
Pop Icon Rita Ora Confirms New Year's Eve
POP ICON RITA ORA CONFIRMS NEW YEAR’S EVE PERFORMANCE AT AMILLA FUSHI, MALDIVES Submitted by: Bacall PR Limited Wednesday, 21 November 2018 21 November 2018: Ahead of the launch of her long-awaited new album Phoenix this Friday, 23 November, pop phenomenon Rita Ora (https://ritaora.com/) has confirmed an exclusive New Year’s Eve performance at scene-shaping Maldives luxury resort Amilla Fushi (https://www.amilla.mv/). As if spectacular entertainment from pyro performers The Fuel Girls (https://fuelgirls.co.uk/) and lead singer of B*witched Edele Lynch (https://en.wikipedia.org/wiki/Edele_Lynch) were not enough, guests seeing out 2018 at Amilla can now look forward to an intimate performance by the UK singles chart’s most successful British female artist of all time. Taking place two months before the start of the Phoenix World Tour, which kicks off in Melbourne on 1 March 2019, the Amilla ‘tribe’ could be amongst the first to experience the singer’s new material live. It has been a momentous year and a half for Rita. Following a sold out European tour, her last five hit singles have amassed over 1.3 billion Spotify streams worldwide – with global hit, Your Song, written by Ed Sheeran and Steve Mac, reaching more than 352m streams alone. She released global Top 10 hit Lonely Together, a collaboration with Avicii, in August, and in October her single Anywhere earnt a #2 spot in the UK. Further collaborations saw Rita team up with Liam Payne on For You for the Fifty Shades Freed soundtrack, her fourth Top 10 hit; and Cardi B, Bebe Rexha and Charli XCX on girl-power anthem Girls, another global success. -
Conceptually Androgynous
Umeå Center for Gender Studies Conceptually androgynous The production and commodification of gender in Korean pop music Petter Almqvist-Ingersoll Master Thesis in Gender Studies Spring 2019 Thesis supervisor: Johanna Overud, Ph. D. ABSTRACT Stemming from a recent surge in articles related to Korean masculinities, and based in a feminist and queer Marxist theoretical framework, this paper asks how gender, with a specific focus on what is referred to as soft masculinity, is constructed through K-pop performances, as well as what power structures are in play. By reading studies on pan-Asian masculinities and gender performativity - taking into account such factors as talnori and kkonminam, and investigating conceptual terms flower boy, aegyo, and girl crush - it forms a baseline for a qualitative research project. By conducting qualitative interviews with Swedish K-pop fans and performing semiotic analysis of K-pop music videos, the thesis finds that although K-pop masculinities are perceived as feminine to a foreign audience, they are still heavily rooted in a heteronormative framework. Furthermore, in investigating the production of gender performativity in K-pop, it finds that neoliberal commercialism holds an assertive grip over these productions and are thus able to dictate ‘conceptualizations’ of gender and project identities that are specifically tailored to attract certain audiences. Lastly, the study shows that these practices are sold under an umbrella of ‘loyalty’ in which fans are incentivized to consume in order to show support for their idols – in which the concept of desire plays a significant role. Keywords: Gender, masculinity, commercialism, queer, Marxism Contents Acknowledgments ................................................................................................................................... 1 INTRODUCTION ................................................................................................................................. -
Worldcharts TOP 75 + Album TOP 30 Vom 28.03.2019
CHARTSSERVICE – WORLDCHARTS – TOP 75 SINGLES NO. 1006 – 28.03.2019 PL VW WO PK ARTIST SONG 1 3 3 1 JONAS BROTHERS sucker 2 1 9 1 ARIANA GRANDE 7 rings 3 2 10 2 CALVIN HARRIS & RAG'N'BONE MAN giant 4 5 24 1 AVA MAX sweet but psycho 5 6 25 1 LADY GAGA & BRADLEY COOPER shallow 6 4 10 4 SAM SMITH & NORMANI dancing with a stranger 7 8 7 7 DADDY YANKEE & SNOW con calma 8 10 8 8 MABEL don't call me up 9 7 6 5 ARIANA GRANDE break up with your girlfriend, i'm bored 10 11 5 10 ZEDD ft. KATY PERRY 365 11 9 12 7 POST MALONE wow. 12 12 16 2 MARK RONSON ft. MILEY CYRUS nothing breaks like a heart 13 16 4 13 P!NK walk me home 14 13 24 5 HALSEY without me 15 14 5 12 CARDI B & BRUNO MARS please me 16 15 30 8 PANIC! AT THE DISCO high hopes 17 18 7 17 LAUV & TROYE SIVAN i'm so tired 18 20 16 18 PEDRO CAPÓ ft. FARRUKO calma 19 21 6 19 CHAINSMOKERS ft. 5 SECONDS OF SUMMER who do you love 20 19 22 6 POST MALONE & SWAE LEE sunflower 21 24 8 21 ALEC BENJAMIN ft. ALESSIA CARA let me down slowly 22 25 8 22 LEWIS CAPALDI someone you loved 23 17 7 7 BILLIE EILISH bury a friend 24 26 6 19 KHALID & DISCLOSURE talk 25 23 19 15 IMAGINE DRAGONS bad liar 26 28 15 22 ROBIN SCHULZ ft. -
PM Compilation ENERGY Hits
CD 1 1 Dermot Kennedy Power Over Me 2 Mark Ronson feat. Miley Cyrus Nothing Breaks Like A Heart 3 Alec Benjamin Let Me Down Slowly 4 Declan J Donovan Pieces 5 Alle Farben & ILIRA Fading 6 Kygo & Imagine Dragons Born To Be Yours 7 Robin Schulz feat. Erika Sirola Speechless 8 Galantis & OneRepublic Bones 9 Marshmello feat. Bastille Happier 10 Calvin Harris feat. Sam Smith Promises 11 HUGEL feat. Amber Van Day WTF 12 The Prince Karma Later Bitches Clean Bandit feat. Marina And The Diamonds & Luis 13 Fonsi Baby 14 Rita Ora Let You Love Me 15 Ellie Goulding x Diplo feat. Swae Lee Close To Me 16 Alice Merton Why So Serious 17 A Boogie Wit Da Hoodie Look Back At It 18 Jax Jones feat. Years & Years Play 19 Jonas Blue feat. Jack & Jack Rise 20 Felix Jaehn feat. R. City & Bori Jennie 21 Gaullin Moonlight 22 Ed Sheeran Happier CD 2 1 Imagine Dragons Bad Liar 2 Sido Tausend Tattoos 3 George Ezra Shotgun 4 Panic! At The Disco High Hopes 5 Austin Mahone Why Don't We 6 El Profesor Bella Ciao (HUGEL Remix) 7 Post Malone Wow 8 Anne-Marie 2002 9 Decco x Alex Clare Crazy To Love You 10 Alvaro Soler La Cintura 11 Matt Simons We Can Do Better 12 Rudimental feat. Jess Glynne, Macklemore & Dan Caplen These Days 13 Namika Je Ne Parle Pas Français 14 The Chainsmokers & 5 Seconds Of Summer Who Do You Love 15 Lost Frequencies f. The NGHBRS Like I Love you 16 Maroon 5 Girls Like You 17 Justin Jesso Getting Closer 18 David Guetta feat. -
English Song Booklet
English Song Booklet SONG NUMBER SONG TITLE SINGER SONG NUMBER SONG TITLE SINGER 100002 1 & 1 BEYONCE 100003 10 SECONDS JAZMINE SULLIVAN 100007 18 INCHES LAUREN ALAINA 100008 19 AND CRAZY BOMSHEL 100012 2 IN THE MORNING 100013 2 REASONS TREY SONGZ,TI 100014 2 UNLIMITED NO LIMIT 100015 2012 IT AIN'T THE END JAY SEAN,NICKI MINAJ 100017 2012PRADA ENGLISH DJ 100018 21 GUNS GREEN DAY 100019 21 QUESTIONS 5 CENT 100021 21ST CENTURY BREAKDOWN GREEN DAY 100022 21ST CENTURY GIRL WILLOW SMITH 100023 22 (ORIGINAL) TAYLOR SWIFT 100027 25 MINUTES 100028 2PAC CALIFORNIA LOVE 100030 3 WAY LADY GAGA 100031 365 DAYS ZZ WARD 100033 3AM MATCHBOX 2 100035 4 MINUTES MADONNA,JUSTIN TIMBERLAKE 100034 4 MINUTES(LIVE) MADONNA 100036 4 MY TOWN LIL WAYNE,DRAKE 100037 40 DAYS BLESSTHEFALL 100038 455 ROCKET KATHY MATTEA 100039 4EVER THE VERONICAS 100040 4H55 (REMIX) LYNDA TRANG DAI 100043 4TH OF JULY KELIS 100042 4TH OF JULY BRIAN MCKNIGHT 100041 4TH OF JULY FIREWORKS KELIS 100044 5 O'CLOCK T PAIN 100046 50 WAYS TO SAY GOODBYE TRAIN 100045 50 WAYS TO SAY GOODBYE TRAIN 100047 6 FOOT 7 FOOT LIL WAYNE 100048 7 DAYS CRAIG DAVID 100049 7 THINGS MILEY CYRUS 100050 9 PIECE RICK ROSS,LIL WAYNE 100051 93 MILLION MILES JASON MRAZ 100052 A BABY CHANGES EVERYTHING FAITH HILL 100053 A BEAUTIFUL LIE 3 SECONDS TO MARS 100054 A DIFFERENT CORNER GEORGE MICHAEL 100055 A DIFFERENT SIDE OF ME ALLSTAR WEEKEND 100056 A FACE LIKE THAT PET SHOP BOYS 100057 A HOLLY JOLLY CHRISTMAS LADY ANTEBELLUM 500164 A KIND OF HUSH HERMAN'S HERMITS 500165 A KISS IS A TERRIBLE THING (TO WASTE) MEAT LOAF 500166 A KISS TO BUILD A DREAM ON LOUIS ARMSTRONG 100058 A KISS WITH A FIST FLORENCE 100059 A LIGHT THAT NEVER COMES LINKIN PARK 500167 A LITTLE BIT LONGER JONAS BROTHERS 500168 A LITTLE BIT ME, A LITTLE BIT YOU THE MONKEES 500170 A LITTLE BIT MORE DR.