Department of Defense Dictionary of Military and Associated Terms
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Filterautomat
Filterautomat GB The New Definition of Purity for Your Medium Cooling Water Plate Heat Exchangers River Water Spray Nozzles Sea Water Piping Systems Sinter and Scale Separation Mechanical Seals Emulsions Process Water Pumps Mussel / Mussel Larvae Micro Filtration Separation flow rate 5 m3/h to 10,500 m3/h filter fineness ≥ 5 µm operating pressure 0.8 to 63 bar pressure loss with clean filter 0.1 to 0.3 bar flange DN 50 to DN 1,000 temperature – 10 to + 110 °C automatic backwash ✓ Scope of Delivery voltage 230 V or 400 V • voltage 110 V to 690 V ∆ Pressure Equipment Directive (PED) • ASME ∆ explosion protection ∆ differential pressure gauging • differential pressure as 4 - 20 mA-signal ∆ automatic filter control • self-medium backwash • backwash with suction pump ∆ electric or pneumatic backwash valve • signal exchange with PLC • electrical cabling incl. connectors • documentation • certificates • ∆ functional test at manufacturer’s works • included in the scope of delivery • available at extra charge ∆ Fig. 1 standard design sea water resistant design special design filter housing grey-cast iron nickel resist steel, stainless steel filter element stainless steel stainless steel stainless steel Fig. 2 filter system on skid incl. backwash pump Fig. 3 river water filtration for cooling plant Fig. 4 Fig. 4 sealing water filtration in power plant E Filtration Process The raw water enters the filter through the raw water inlet and disperses in the outer ring of the housing. Then it flows upwards in the housing and penetrates the three- part filter drum from outside to inside. The filter drum rotates with approx. -
The Wire the Complete Guide
The Wire The Complete Guide PDF generated using the open source mwlib toolkit. See http://code.pediapress.com/ for more information. PDF generated at: Tue, 29 Jan 2013 02:03:03 UTC Contents Articles Overview 1 The Wire 1 David Simon 24 Writers and directors 36 Awards and nominations 38 Seasons and episodes 42 List of The Wire episodes 42 Season 1 46 Season 2 54 Season 3 61 Season 4 70 Season 5 79 Characters 86 List of The Wire characters 86 Police 95 Police of The Wire 95 Jimmy McNulty 118 Kima Greggs 124 Bunk Moreland 128 Lester Freamon 131 Herc Hauk 135 Roland Pryzbylewski 138 Ellis Carver 141 Leander Sydnor 145 Beadie Russell 147 Cedric Daniels 150 William Rawls 156 Ervin Burrell 160 Stanislaus Valchek 165 Jay Landsman 168 Law enforcement 172 Law enforcement characters of The Wire 172 Rhonda Pearlman 178 Maurice Levy 181 Street-level characters 184 Street-level characters of The Wire 184 Omar Little 190 Bubbles 196 Dennis "Cutty" Wise 199 Stringer Bell 202 Avon Barksdale 206 Marlo Stanfield 212 Proposition Joe 218 Spiros Vondas 222 The Greek 224 Chris Partlow 226 Snoop (The Wire) 230 Wee-Bey Brice 232 Bodie Broadus 235 Poot Carr 239 D'Angelo Barksdale 242 Cheese Wagstaff 245 Wallace 247 Docks 249 Characters from the docks of The Wire 249 Frank Sobotka 254 Nick Sobotka 256 Ziggy Sobotka 258 Sergei Malatov 261 Politicians 263 Politicians of The Wire 263 Tommy Carcetti 271 Clarence Royce 275 Clay Davis 279 Norman Wilson 282 School 284 School system of The Wire 284 Howard "Bunny" Colvin 290 Michael Lee 293 Duquan "Dukie" Weems 296 Namond Brice 298 Randy Wagstaff 301 Journalists 304 Journalists of The Wire 304 Augustus Haynes 309 Scott Templeton 312 Alma Gutierrez 315 Miscellany 317 And All the Pieces Matter — Five Years of Music from The Wire 317 References Article Sources and Contributors 320 Image Sources, Licenses and Contributors 324 Article Licenses License 325 1 Overview The Wire The Wire Second season intertitle Genre Crime drama Format Serial drama Created by David Simon Starring Dominic West John Doman Idris Elba Frankie Faison Larry Gilliard, Jr. -
Crime, Class, and Labour in David Simon's Baltimore
"From here to the rest of the world": Crime, class, and labour in David Simon's Baltimore. Sheamus Sweeney B.A. (Hons), M.A. (Hons) This thesis is submitted to Dublin City University for the award of Ph.D in the Faculty of Humanities and Social Sciences. August 2013 School of Communications Supervisors: Prof. Helena Sheehan and Dr. Pat Brereton I hereby certify that this material, which I now submit for assessment on the programme of study leading to the award of Ph.D is entirely my own work, and that I have exercised reasonable care to ensure that the work is original, and does not to the best of my knowledge breach any law of copyright, and has not been taken from the work of others save and to the extent that such work has been cited and acknowledged within the text of my work. Signed: ___________________________________ (Candidate) ID No.: _55139426____ Date: _______________ TABLE OF CONTENTS Introduction 1 Literature review and methodology 17 Chapter One: Stand around and watch: David Simon and the 42 "cop shop" narrative. Chapter Two: "Let the roughness show": From death on the 64 streets to a half-life on screen. Chapter Three: "Don't give the viewer the satisfaction": 86 Investigating the social order in Homicide. Chapter Four: Wasteland of the free: Images of labour in the 122 alternative economy. Chapter Five: The Wire: Introducing the other America. 157 Chapter Six: Baltimore Utopia? The limits of reform in the 186 war on labour and the war on drugs. Chapter Seven: There is no alternative: Unencumbered capitalism 216 and the war on drugs. -
Anti-Access/Area-Denial (A2/AD)
C en t er f o R S t ra t egic and B udge t ary A ssessmen t S Outside-In Operating from Range to Defeat Iran’s Anti-Access and Area-Denial Threats BY MARK GUNZINGER With Chris Dougherty Outside-in: Operating frOm range tO defeat iran’s anti-access and area-denial threats BY MARK GUNZINGER With Chris Dougherty 2011 © 2011 Center for Strategic and Budgetary Assessments. All rights reserved. about the center for strategic and Budgetary assessments The Center for Strategic and Budgetary Assessments (CSBA) is an independent, nonpartisan policy research institute established to promote innovative thinking and debate about national security strategy and investment options. CSBA’s goal is to enable policymakers to make informed decisions on matters of strategy, security policy and resource allocation. CSBA provides timely, impartial and insightful analyses to senior decision mak- ers in the executive and legislative branches, as well as to the media and the broader national security community. CSBA encourages thoughtful participation in the de- velopment of national security strategy and policy, and in the allocation of scarce human and capital resources. CSBA’s analysis and outreach focus on key questions related to existing and emerging threats to U.S. national security. Meeting these challenges will require transforming the national security establishment, and we are devoted to helping achieve this end. about the authors Mark Gunzinger is a Senior Fellow at the Center for Strategic and Budgetary Assessments. Mr. Gunzinger has served as the Deputy Assistant Secretary of Defense for Forces Transformation and Resources. He is the principal author or co-author of multi- ple Defense Planning Guidance directives, key strategic planning guidance documents that shape DoD force planning. -
The Guns of Navarone
The Guns of Navarone by Alistair MacLean, 1922-1987 Published: 1956 J J J J J I I I I I Table of Contents Chapter 1 … Prelude: Sunday Chapter 2 … Sunday Night Chapter 3 … Monday Chapter 4 … Monday Evening Chapter 5 … Monday Night Chapter 6 … Monday Night Chapter 7 … Tuesday Chapter 8 … Tuesday Chapter 9 … Tuesday Night Chapter 10 … Tuesday Night Chapter 11 … Wednesday Chapter 12 … Wednesday Chapter 13 … Wednesday Evening Chapter 14 … Wednesday Night Chapter 15 … Wednesday Night Chapter 16 … Wednesday Night Chapter 17 … Wednesday Night * * * * * This is a work of fiction in the historical setting of World War II. All persons and events are imaginary. Any resemblance to actual persons or events is coincidental. J J J J J I I I I I Chapter 1 Prelude: Sunday 0100—0900 The match scratched noisily across the rusted metal of the corrugated iron shed, fizzled, then burst into a sputtering pool of light, the harsh sound and sudden brilliance alike strangely alien in the stillness of the desert night. Mechanically, Mallory‘s eyes followed the cupped sweep of the flaring match to the cigarette jutting out beneath the commodore‘s clipped moustache, saw the light stop inches away from the face, saw too the sudden stillness of that face, the unfocused vacancy of the eyes of a man lost in listening. Then the match was gone, ground into the sand of the airfield perimeter. „I can hear them,“ the commodore said softly. „I can hear them coming in. Five minutes, no more. No wind to-night—they‘ll be coming in on No. -
I:\28531 Ind Law Rev 46-2\46Masthead.Wpd
THE WIRE AND ALTERNATIVE STORIES OF LAW AND INEQUALITY ROBERT C. POWER* INTRODUCTION The Wire was a dramatic television series that examined the connections among crime, law enforcement, government, and business in contemporary Baltimore, Maryland.1 It was among the most critically praised television series of all time2 and continues to garner substantial academic attention in the form of scholarly articles,3 academic conferences,4 and university courses.5 One aspect * Professor, Widener University School of Law. A.B., Brown University; J.D., Northwestern University Law School. Professor Power thanks Alexander Meiklejohn and John Dernbach for their comments on an earlier draft of this Article. He also thanks Lucas Csovelak, Andrea Nappi, Gabor Ovari, Ed Sonnenberg, and Brent Johnson for research assistance. 1. Substantial information about the series is available at HBO.COM, http://www.hbo.com/ the-wire/episodes#/the-wire/index.html [hereinafter Wire HBO site]. This site contains detailed summaries of each episode. Subsequent references to specific episodes in this Article refer to the season, followed by the number of the episode counting from the beginning of season one, and then the name of the episode. For example, the first episode of season four, which introduces the four boys who serve as protagonists in season four, is The Wire: Boys of Summer (HBO television broadcast Sept. 10, 2006) [hereinafter Episode 4-38, Boys of Summer]. Additional information is available at The Wire, IMDB.COM, http://www.imdb.com/ title/tt0306414/ (last visited Mar. 26, 2013) [hereinafter Wire IMDB site]. Several books contain essays and other commentaries about the series. -
The Black Image in the White Mind: Educational Consequences of Media Racism
THE BLACK IMAGE IN THE WHITE MIND: EDUCATIONAL CONSEQUENCES OF MEDIA RACISM Sheldon A. Lanier A dissertation submitted to the faculty at the University of North Carolina at Chapel Hill in partial fulfillment of the requirements for the degree of Doctor of Education in the School of Education. Chapel Hill 2017 Approved by: Kathleen Brown Dana Thompson-Dorsey Misti Williams © 2017 Sheldon A. Lanier ALL RIGHTS RESERVED ii ABSTRACT Sheldon A. Lanier: The Black Image in the White Mind: Educational Consequences of Media Racism (Under the direction of Kathleen Brown) In the United States of America, Black male students often face a cultural disconnect when entering classrooms today. As a result, outcomes for these students, including academic ones, are both alarming and reprehensible. It is conceivable that a link exists between the exposure to negative racial portrayals of Black males in the media, teachers’ perceptions of their Black male students, and the negative treatments of Black males that result. These perceptions are important when examining how they can affect school policies and practices institutionally. Given the multitude of structures that help shape the negative outcomes of Black males in this country, mixed methods on both quantitative and qualitative inquiry were used to explore and examine the following questions: 1) How are Black males portrayed in the HBO original series, The Wire? 2) Do these portrayals reify (or, not) stereotypes of Black males in the United States? 3) How might these portrayals cultivate White female teachers’ perceptions and subsequent treatment of Black male students? The Wire was used as the media content sample due to the vast amount of Black male actors in lead or prominent recurring roles. -
Operating from Range to Defeat Iran's Anti-Access and Area-Denial Threats
C en t er f o R S t ra t egic and B udge t ary A ssessmen t S Outside-In Operating from Range to Defeat Iran’s Anti-Access and Area-Denial Threats BY MARK GUNZINGER With Chris Dougherty Outside-in: Operating frOm range tO defeat iran’s anti-access and area-denial threats BY MARK GUNZINGER With Chris Dougherty 2011 © 2011 Center for Strategic and Budgetary Assessments. All rights reserved. about the center for strategic and Budgetary assessments The Center for Strategic and Budgetary Assessments (CSBA) is an independent, nonpartisan policy research institute established to promote innovative thinking and debate about national security strategy and investment options. CSBA’s goal is to enable policymakers to make informed decisions on matters of strategy, security policy and resource allocation. CSBA provides timely, impartial and insightful analyses to senior decision mak- ers in the executive and legislative branches, as well as to the media and the broader national security community. CSBA encourages thoughtful participation in the de- velopment of national security strategy and policy, and in the allocation of scarce human and capital resources. CSBA’s analysis and outreach focus on key questions related to existing and emerging threats to U.S. national security. Meeting these challenges will require transforming the national security establishment, and we are devoted to helping achieve this end. about the authors Mark Gunzinger is a Senior Fellow at the Center for Strategic and Budgetary Assessments. Mr. Gunzinger has served as the Deputy Assistant Secretary of Defense for Forces Transformation and Resources. He is the principal author or co-author of multi- ple Defense Planning Guidance directives, key strategic planning guidance documents that shape DoD force planning. -
Reflections on the Wire, Prosecutors, and Omar Little, 8 Ohio St
Maurice A. Deane School of Law at Hofstra University Scholarly Commons at Hofstra Law Hofstra Law Faculty Scholarship 2011 I Got the Shotgun: Reflections on The irW e, Prosecutors, and Omar Little Alafair Burke Maurice A. Deane School of Law at Hofstra University Follow this and additional works at: https://scholarlycommons.law.hofstra.edu/faculty_scholarship Part of the Criminal Law Commons Recommended Citation Alafair Burke, I Got the Shotgun: Reflections on The Wire, Prosecutors, and Omar Little, 8 Ohio St. J. Crim. L. 447 (2011) Available at: https://scholarlycommons.law.hofstra.edu/faculty_scholarship/202 This Article is brought to you for free and open access by Scholarly Commons at Hofstra Law. It has been accepted for inclusion in Hofstra Law Faculty Scholarship by an authorized administrator of Scholarly Commons at Hofstra Law. For more information, please contact [email protected]. I Got the Shotgun: Reflections on The Wire, Prosecutors, and Omar Little Alafair S. Burke* I. INTRODUCTION The Wire, although it features police and prosecutors, is not a show that sets out to be about the law or the criminal justice system. Instead, the series creator, David Simon, views The Wire as a critique of the excesses of unencumbered capitalism: Thematically, it's about the very simple idea that, in this Postmodern world of ours, human beings-all of us-are worth less. Whether you're a corner boy in West Baltimore, or a cop who knows his beat, or an Eastern European brought here for sex, your life is worth less. It's the triumph of capitalism over human value. -
I Got the Shotgun: Reflections on the Wire, Prosecutors, and Omar Little
I Got the Shotgun: Reflections on The Wire, Prosecutors, and Omar Little Alafair S. Burke* I. INTRODUCTION The Wire, although it features police and prosecutors, is not a show that sets out to be about the law or the criminal justice system. Instead, the series creator, David Simon, views The Wire as a critique of the excesses of unencumbered capitalism: Thematically, it's about the very simple idea that, in this Postmodern world of ours, human beings-all of us-are worth less. Whether you're a corner boy in West Baltimore, or a cop who knows his beat, or an Eastern European brought here for sex, your life is worth less. It's the triumph of capitalism over human value. This country has embraced the idea that this is a viable domestic policy. It is. It's viable for the few. But I don't live in Westwood, L.A., or on the Upper West Side of New York. I live in Baltimore.' The Wire is also a show about institutions, the people trapped inside of them, and a society made static by their inaction, indifference, and ineptitude. Whether the series was exploring the drug trade, police departments, city hall, unions, or public schools, the individual actors within those systems were depicted as having little control over either the institutions or their individual fates within them. As a result, the constituencies supposedly served by those institutions continually "got the shaft." To say that The Wire is about the tolls of unmitigated capitalism and inflexible bureaucracies is not to say that the show is silent on, or indifferent to, the criminal justice system that encompasses its main characters. -
Joint Publication 1-02, Department of Defense Dictionary of Military and Associated Terms
Joint Publication 1-02 Department of Defense Dictionary of Military and Associated Terms 8 November 2010 (As Amended Through 15 February 2016) As Amended Through 15 February 2016 PREFACE 1. Scope The Joint Publication (JP) 1-02, Department of Defense Dictionary of Military and Associated Terms, sets forth standard US military and associated terminology to encompass the joint activity of the Armed Forces of the United States. These military and associated terms, together with their definitions, constitute approved Department of Defense (DOD) terminology for general use by all DOD components. 2. Purpose This publication supplements standard English-language dictionaries and standardizes military and associated terminology to improve communication and mutual understanding within DOD, with other federal agencies, and among the United States and its allies. 3. Application This publication applies to the Office of the Secretary of Defense, the Services, the Joint Staff, combatant commands, DOD agencies, and all other DOD components. It is the primary terminology source when preparing correspondence, to include policy, strategy, doctrine, and planning documents. Criteria for inclusion of terminology in JP 1-02 is enumerated in Department of Defense Instruction 5025.12, Standardization of Military and Associated Terminology, and Chairman of the Joint Chiefs of Staff Instruction (CJCSI) 5705.01, Standardization of Military and Associated Terminology. 4. Publication Format This edition of JP 1-02 has been published in two basic parts: a. Terms and definitions. These are annotated with the source publication. b. Abbreviations and acronyms. The source publication establishes the authoritative context for proper understanding and management of the associated term. 5. JP 1-02 Online Availability and Update Schedule JP 1-02 is accessible online as a searchable database and in PDF format at the following Internet address: http://www.dtic.mil/doctrine/dod_dictionary and at the following NIPRNET i Preface As Amended Through 15 February 2016 address: https://jdeis.js.mil/jdeis/. -
Gender, Genre, and Seriality in the Wire and Weeds
DEALING WITH DRUGS: GENDER, GENRE, AND SERIALITY IN THE WIRE AND WEEDS By AMY LONG A THESIS PRESENTED TO THE GRADUATE SCHOOL OF THE UNIVERSITY OF FLORIDA IN PARTIAL FULFILLMENT OF THE REQUIREMENTS FOR THE DEGREE OF MASTER OF ARTS UNIVERSITY OF FLORIDA 2008 1 © 2008 Amy Long 2 ACKNOWLEDGMENTS I would like especially to thank my director, Trysh Travis, for her guidance, encouragement, and support throughout the writing process and my time at the University of Florida as a whole. Additionally, my committee members, Florence Babb and Joseph Spillane, deserve thanks for their participation in the project and particularly for, respectively, allowing me to work out some of the ideas presented here in here in her seminar fall 2007, Sex Love & Globalization, and providing me with useful reference materials and guidance. I would also like to thank LaMonda Horton Stallings for giving me the opportunity to develop substantial portions of my chapter on The Wire in her fall 2007 seminar, Theoretical Approaches to Black Popular Culture. In her spring 2008 seminar, History of Masculinities, Louise Newman also provided me with valuable theoretical resources, particularly with regard to the thesis’ first chapter. Mallory Szymanski, my Women’s Studies colleague, deserves acknowledgement for her role in making the last two years enjoyable and productive, particularly during the thesis writing process. I would also like to thank my parents for their support in all my endeavors. Lastly, my sisters, Beverly and Cassie Long, and friends who are too numerous to name (but know who they are) deserve special acknowledgment for giving me much needed diversions and generally putting up with me during this busy time.