Quotations on Love
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August 2016 List
August 2016 Catalogue Prices valid until Wednesday 28�� September 2016 unless stated otherwise 0115 982 7500 [email protected] 1 Welcome! Dear Customer, The ‘Shakespeare 400’ celebrations have been in full swing for a few months now, with performances and special events happening around the UK and beyond. Here at Europadisc, we have seen an uplift of interest in the DVD/Blu- ray versions of his plays recorded at the RSC and The Globe Theatre (issued by Opus Arte), and there have been a noticeable number of Shakespeare-themed recitals on CD featuring items such musical settings of the sonnets. Although our focus is primarily on classical music, we have agreed to feature a new CD set issued by Decca this month containing the complete plays, sonnets and poems of Shakespeare recorded by The Marlowe Dramatic Society back in the ‘50s and ‘60s, originally released on Argo Records. It is a beautifully presented boxset containing 100 CDs alongside a 200pp booklet crammed with fascinating notes and historical information. Much more information can be found on p.4 - highly recommended! Other boxsets featured this month include the Complete Remastered Stereo Collection of recordings from Jascha Heifetz on Sony (RCA), the Complete Decca Recordings of pianist Julius Katchen and some bargain re-issues of wonderful recordings from EMI, Virgin, Warner and Erato in Warner Classics’ Budget Boxset range. Of course, we mustn’t forget the many interesting new recordings being released: highlights include the next discs in both the Classical Piano Concerto (FX Mozart/Clementi) and the Romantic Violin Concerto (Stojowski/Wieniawski) series on Hyperion (p.5); four brand new titles from Dutton Epoch (see opposite); the already well-reviewed final instalment in Osmo Vänskä’s latest Sibelius cycle on BIS (Disc of the Month - see below); and a brilliant performance of works by Telemann from Florilegium (p.8). -
Season 2016-2017
23 Season 2016-2017 Thursday, May 18, at 8:00 Friday, May 19, at 8:00 The Philadelphia Orchestra Saturday, May 20, at 8:00 Sunday, May 21, at 2:00 Yannick Nézet-Séguin Conductor Karen Cargill Mezzo-soprano Women of the Philadelphia Symphonic Choir Amanda Quist Director The American Boychoir Fernando Malvar-Ruiz Music Director Mahler Symphony No. 3 in D minor Part I I. Kräftig. Entschieden Part II II. Tempo di menuetto: Sehr mässig III. Comodo. Scherzando. Ohne Hast IV. Sehr langsam. Misterioso— V. Lustig im Tempo und keck im Ausdruck— VI. Langsam. Ruhevoll. Empfunden This program runs approximately 1 hour, 40 minutes, and will be performed without an intermission. The May 18 concert is sponsored by Ballard Spahr. The May 19 concert is sponsored by Elia D. Buck and Caroline B. Rogers. The May 20 concert is sponsored by Wells Fargo. Philadelphia Orchestra concerts are broadcast on WRTI 90.1 FM on Sunday afternoons at 1 PM. Visit WRTI.org to listen live or for more details. 24 Please join us immediately following the May 18-20 performances for free Postlude recitals. May 18 Jeremy Flood Organ J.S. Bach Prelude and Fugue in G major, BWV 541 Brahms from Eleven Chorale Preludes, Op. 122: V. Schmücke dich, o liebe Seele VII. O Gott, du frommer Gott X. Herzlich tut mich verlangen XI. O Welt, ich muss dich lassen Vierne from Symphony No. 1, Op. 14: VI. Final May 19-20 Peter Richard Conte Organ Elgar from Organ Sonata No. 1 in G major, Op. 28: I. -
Production Support Is Generously Provided by Larry & Sally Rayner Support for the 2015 Season of the Festival Theatre Is Ge
Production Sponsor Support for the 2015 season of Production support is the Festival Theatre is generously generously provided by provided by Claire & Daniel Bernstein Larry & Sally Rayner UNIVERSITY OF WATERLOO Shakespeare lived in an age of rapid DISCOVERY: change, a time of new worlds, new beliefs and scientific discoveries. THAT EUREKA In short, he lived in an age very on the much like our own. But in that early modern age, change was MOMENT especially unsettling, overturning world stage societal foundations and leading to “We know what we revolution. In our own time we have This is a place where imagination are, but know not not only become inured to change, meets innovation — where we welcome it to the point where it is unconventional approaches push what we may be.” our new faith. performance to new heights and — Hamlet And so for the 2015 season I wanted allow talent to soar. to explore plays that especially Through research, teaching and examine discovery. In these plays, public engagement, University characters learn surprising truths of Waterloo is a proud supporter about the world around them or of culture and community. perhaps about themselves. In that eureka moment, their lives change forever. How do they deal with From Solitary to Solidarity: that change? At what cost comes Unravelling the Ligatures of Ashley Smith knowledge? Since Adam and Eve, March 2014 these questions have been at University of Waterloo Drama Faculty of Arts the centre of the human narrative. In 2015, through our playbill and in more than 200 Forum events, we will celebrate the power of the newest god in our pantheon – Discovery. -
Semantic Change in William Shakespeare: a Case Study from Sonnet 130
GRADO EN FILOLOGÍA MODERNA: INGLÉS FACULTAD DE FILOSOFÍA Y LETRAS UNIVERSIDAD DE LEÓN Curso Académico 2015/2016 SEMANTIC CHANGE IN WILLIAM SHAKESPEARE: A CASE STUDY FROM SONNET 130 Ana Lis Galán Da Costa Trinidad Guzmán González LA TUTORA, LA ALUMNA, Fdo.: Fdo.: Abstract This dissertation focuses in semantic change in the English language as particularised in a selection of words from Sonnet 130 by William Shakespeare: wire, rare, reek and mistress. The reasons why this topic has been selected are the need to raise an awareness of the changing nature of the meaning of words and, through the knowledge of the semantic change in these words, to allow a better understanding of Shakespeare’s sonnets –thus providing evidence of the need of sound rigorous philological work in the edition of works from earlier periods. An introduction containing the theoretical framework about semantic change and about the relevant linguistic period (Early Modern English, EModE, henceforth) is followed by an account and discussion of main facts concerning Shakespeare’s life, works and language, with particular attention to the sonnets. The textual work consists of research into authoritative reference (etymological) works in order to outline the various semantic changes undergone by the above-mentioned words. These changes have been traced back as early in time as necessary, on the one hand, while, on the other, their semantic histories from Shakespeare’s time till Present-Day English have also been described. The TFG is closed by an analysis of the main tendencies detected and by the general conclusions. Key words: semantic change, historical linguistics, literary language, Shakespeare, sonnets Resumen Este Trabajo de Fin de Grado (TFG, en adelante) se centra en el cambio semántico del inglés a través de una selección de palabras del Soneto 130 de William Shakespeare: wire, rare, reek y mistress. -
March 25 April 1
MARCH 25 ISSUE APRIL 1 Orders Due February 26 7 Orders Due March 4 axis.wmg.com 3/25/16 AUDIO & VIDEO RECAP ARTIST TITLE LBL CNF UPC SEL # SRP ORDERS DUE Birdy Beautiful Lies ATL CD 825646482061 554263 13.99 2/26/16 Graham, Lukas Lukas Graham WB CD 093624921806 553552 13.99 2/26/16 Hardy, Françoise Et si je m'en vais avant toi (Vinyl) PRH A 190295993511 59935 21.98 2/26/16 Hardy, Françoise La question (Vinyl) PRH A 190295993481 406415 21.98 2/26/16 John Hurt, Kenneth Branagh, Diana Rigg, Joseph Fiennes, Imelda When Love Speaks (Shakespears's Staunton, Alan Rickman, PRX CD 724355732125 557321 12.98 2/26/16 Sonnets) Barbara Bonney, Bryan Ferry, Annie Lennox, Rufus Wainright, etc. Last Update: 04/04/14 For the latest up to date info on this release visit axis.wmg.com. ARTIST: Birdy TITLE: Beautiful Lies Label: TLA/Trill Entertainment, LLC Config & Selection #: CD 554263 Street Date: 03/25/16 Order Due Date: 02/26/16 UPC: 825646482061 Box Count: 30 Unit Per Set: 1 SRP: $13.99 Alphabetize Under: B TRACKS Compact Disc 1 01 Growing Pains 08 Lifted 02 Shadow 09 Take My Heart 03 Keeping Your Head Up 10 Hear You Calling 04 Deep End 11 Words 05 Wild Horses 12 Save Yourself 06 Lost It All 13 Unbroken 07 Silhouette 14 Beautiful Lies ALBUM FACTS Genre: Pop ARTIST & INFO Hometown: Lymington, Hampshire, UK Since emerging onto the scene just two years ago, 17-year old Birdy (born Jasmine van den Bogaerde) has catapulted herself into a realm of pop stardom across the world and picked up many accolades along the way. -
Love Songs Featuring Johannes Brahms’S
LOve Songs Featuring Johannes Brahms’s Liebeslieder & Neue Liebeslieder Wednesday, February 14, 2018 Valentine’s Day Resonance at SOMA Towers Bellevue, Washington Dr. Gary D. Cannon Artistic Director PROGRAM Love Songs February 14, 2018 Liebeslieder Walzer, op.52 Johannes Brahms (1833–1897) 1. Rede, Mädchen, allzu liebes 2. An Gesteine rauscht die Flut 3. O die Frauen 4. Wie des Abends schöne Röte 5. Die grüne Hopfenranke 6. Ein kleiner, hübsche Vogel nahm den Flug 7. Wohl schön bewandt 8. Wenn so lind dein Augen mir 9. Am Donaustrande, da steht ein Haus 10. O wie sanft die Quelle 11. Nein, est ist nicht auszukommen 12. Schlosser auf, und mache Schlösser 13. Vöglein durchrauscht die Luft 14. Sieh, wie ist die Welle klar 15. Nachtigall, sie singt so schön 16. Ein dunkeler Schacht ist Liebe 17. Nicht wandle, mein Licht dort auβen 18. Es bebet das Gesträuche Love and Humor Tell me the truth about love Benjamin Britten (1913–1976) Amor William Bolcom (b.1938) Love in the Dictionary Celius Dougherty (1902–1986) Melissa Plagemann, mezzo-soprano Jay C. Rozendaal, piano Lost Love Après un rêve Gabriel Fauré (1845–1924) Beatriz’s Song William Walton (1902–1983) I hear an army Samuel Barber (1910–1981) Gary D. Cannon, tenor Christina Siemens, piano ~intermission~ Love Songs Faithful Love Sì, tra i ceppi George Frideric Handel (1685–1759) Through Love’s Eyes Donald M. Skirvin world premiere performance J. Scott Kovacs, bass-baritone Jay C. Rozendaal, piano Love and Dreams Oh! quand je dors Franz Liszt (1811–1886) En drøm Edvard Grieg (1843–1907) Var det en dröm Jean Sibelius (1865–1957) Maria Männistö, soprano Christina Siemens, piano Neue Liebeslieder Walzer, op.65 Johannes Brahms 1. -
Shakespeare's Sonnets the Complete Guide
Shakespeare's Sonnets The Complete Guide PDF generated using the open source mwlib toolkit. See http://code.pediapress.com/ for more information. PDF generated at: Wed, 12 Jan 2011 15:37:45 UTC Contents Articles Shakespeare's sonnets 1 Introduction 9 Petrarch's and Shakespeare's Sonnets 9 Dedication and Characters 15 Henry Wriothesley, 3rd Earl of Southampton 15 Sexuality of William Shakespeare 21 Emilia Lanier 25 Mary Fitton 31 Rival Poet 33 The Sonnets 35 Procreation sonnets 35 Sonnet 1 35 Sonnet 2 37 Sonnet 3 38 Sonnet 4 39 Sonnet 5 41 Sonnet 6 42 Sonnet 7 43 Sonnet 8 47 Sonnet 9 48 Sonnet 10 50 Sonnet 11 51 Sonnet 12 52 Sonnet 13 54 Sonnet 14 55 Sonnet 15 57 Sonnet 16 58 Sonnet 17 60 Sonnet 18 62 Sonnet 19 65 Sonnet 20 67 Sonnet 21 70 Sonnet 22 72 Sonnet 23 74 Sonnet 24 76 Sonnet 25 78 Sonnet 26 80 Sonnet 27 82 Sonnet 28 83 Sonnet 29 84 Sonnet 30 89 Sonnet 31 92 Sonnet 32 93 Sonnet 33 94 Sonnet 34 96 Sonnet 35 98 Sonnet 36 102 Sonnet 37 106 Sonnet 38 107 Sonnet 39 108 Sonnet 40 109 Sonnet 41 111 Sonnet 42 112 Sonnet 43 114 Sonnet 44 116 Sonnet 45 117 Sonnet 46 118 Sonnet 47 121 Sonnet 48 122 Sonnet 49 123 Sonnet 50 124 Sonnet 51 125 Sonnet 52 126 Sonnet 53 127 Sonnet 54 130 Sonnet 55 134 Sonnet 56 136 Sonnet 57 137 Sonnet 58 138 Sonnet 59 140 Sonnet 60 146 Sonnet 61 150 Sonnet 62 151 Sonnet 63 153 Sonnet 64 154 Sonnet 65 159 Sonnet 66 162 Sonnet 67 163 Sonnet 68 164 Sonnet 69 165 Sonnet 70 166 Sonnet 71 167 Sonnet 72 168 Sonnet 73 169 Sonnet 74 173 Sonnet 75 174 Sonnet 76 175 Sonnet 77 176 Sonnet 78 177 Sonnet 79 178 Sonnet 80 179 -
Asides-As-You-Like-It.Pdf
2014|2015 SEASON • Issue 1 TABLE OF Dear Friend, CONTENTS Welcome to the first mainstage show of our 2014-2015 Season, As You Like It. I am thrilled to ® 1 Title page welcome to Washington a fellow Recipient of the 2012 Regional Theatre Tony Award 3 Cast Commander of the British Artistic Director Michael Kahn Empire, Michael Attenborough. Managing Director Chris Jennings 5 Synopsis This production was born a few years ago when I 7 About the Playwright approached Michael, at the time the Artistic Director William Shakespeare’s 9 Director’s Thoughts of the Almeida Theatre in London, and asked him what show he would like to direct for us. His answer 10 Wanderlust was immediate and twofold. First, Michael told me by Drew Lichtenberg he wanted to direct As You Like It, which he calls one of Shakespeare’s most “intimate” plays. Second, he 14 The Many Colors of wanted to direct it in the Lansburgh Theatre, whose intimate confines he had seen and loved. Michael has Michael Attenborough had a long and illustrious career in English theatre, by Drew Lichtenberg and I am confident that his production is one worth Performances begin October 28, 2014 18 As Who Likes It? waiting for. Opening Night November 3, 2014 Lansburgh Theatre by David Schalkwyk Joining Michael is a stellar cast of familiar and new 24 Cast Biographies faces, including STC Affiliated Artists Derek Smith as Jaques and Gregory Wooddell as Oliver, Andrew Director Resident Casting Director 25 Play in Process Veenstra (The Heir Apparent, Two Gentlemen of Verona) as Orlando, and newcomer Zoë Waites, Michael Attenborough Carter C. -
Queer Performativity and Grieving Through Music in the Work of Rufus Wainwright
TRUE LOVES, DARK NIGHTS: QUEER PERFORMATIVITY AND GRIEVING THROUGH MUSIC IN THE WORK OF RUFUS WAINWRIGHT Stephanie Salerno A Dissertation Submitted to the Graduate College of Bowling Green State University in partial fulfillment of the requirements for the degree of DOCTOR OF PHILOSOPHY December 2016 Committee: Jeremy Wallach, Advisor Christian Coons Graduate Faculty Representative Kimberly Coates Katherine Meizel © 2016 Stephanie Salerno All Rights Reserved iii ABSTRACT Jeremy Wallach, Advisor This dissertation studies the cultural significance of Canadian-American singer/songwriter Rufus Wainwright’s (b. 1973) album All Days Are Nights: Songs for Lulu (Decca, 2010). Lulu was written, recorded, and toured in the years surrounding the illness and eventual death of his mother, beloved Québécoise singer/songwriter Kate McGarrigle. The album, performed as a classical song cycle, stands out amongst Wainwright’s musical catalogue as a hybrid composition that mixes classical and popular musical forms and styles. More than merely a collection of songs about death, loss, and personal suffering, Lulu is a vehicle that enabled him to grieve through music. I argue that Wainwright’s performativity, as well as the music itself, can be understood as queer, or as that which transgresses traditional or expected boundaries. In this sense, Wainwright’s artistic identity and musical trajectory resemble a rhizome, extending in multiple directions and continually expanding to create new paths and outcomes. Instances of queerness reveal themselves in the genre hybridity of the Lulu song cycle, the emotional vulnerability of Wainwright’s vocal performance, the deconstruction of gender norms in live performance, and the circulation of affect within the performance space. -
Shakespeare and the Uses of Comedy
University of Kentucky UKnowledge Literature in English, British Isles English Language and Literature 2014 Shakespeare and the Uses of Comedy J. A. Bryant Jr. University of Kentucky Click here to let us know how access to this document benefits ou.y Thanks to the University of Kentucky Libraries and the University Press of Kentucky, this book is freely available to current faculty, students, and staff at the University of Kentucky. Find other University of Kentucky Books at uknowledge.uky.edu/upk. For more information, please contact UKnowledge at [email protected]. Recommended Citation Bryant, J. A. Jr., "Shakespeare and the Uses of Comedy" (2014). Literature in English, British Isles. 97. https://uknowledge.uky.edu/upk_english_language_and_literature_british_isles/97 Shakespeare & the Uses of Comedy This page intentionally left blank J.A. Bryant, Jr. Shakespeare & the Uses of Comedy THE UNIVERSITY PRESS OF KENTUCKY Copyright © 1986 by The University Press of Kentucky Scholarly publisher for the Commonwealth, serving Bellarmine College, Berea College, Centre College of Kentucky, Eastern Kentucky University, The Filson Club, Georgetown College, Kentucky Historical Society, Kentucky State University, Morehead State University, Murray State University, Northern Kentucky University, Transylvania University, University of Kentucky, University of Louisville, and Western Kentucky University. Editorial and Sales Offices: Lexington, Kentucky 40506-0024 Library of Congress Cataloging-in-Publication Data Bryant, J. A. (Joseph Allen), 1919- Shakespeare and the uses of comedy. Bibliography; p. Includes index. l. Shakespeare, William, 1564-1616-Comedies. I. Title. PR298l.B75 1987 822.3'3 86-7770 ISBN 978-0-8131-5632-3 For Allen, Virginia, and Garnett This page intentionally left blank Contents Acknowledgments IX 1. -
Information to Users
INFORMATION TO USERS This manuscript has been reproduced from the microfilm master. UMI films the text directly from the original or copy submitted. Thus, some thesis and dissertation copies are in typewriter face, while others may be from any type of computer printer. The quality of this reproduction is dependent upon the quaiity of the copy sutwnitted. Broken or indistinct print, colored or poor quality illustrations and photographs, print t)leedthrough, substandard margins, and improper alignment can adversely affect reproduction. In the unlikely event that the author did rK>t send UMI a complete manuscript aruJ there are missing pages, these will t*e noted. Also, if unauthorized copyright material had to be removed, a note will indicate the deletion. Oversize materials (e.g.. maps, drawings, charts) are reproduced by sectioning the original, beginning at the upper left-hand comer and continuing from left to right in equal sections with small overlaps. Photographs included in the original manuscript have been reproduced xerographically in this copy. Higher quality 6* x 9" black and white photographic prints are availat)le for any photographs or illustrations appearing in this copy for an additional charge. Contact UMI directly to order. ProQuest Information and Learning 300 North Zeeb Road. Ann Arbor. Ml 48106-1346 USA 800-521-0600 UMI THE UNIVERSITY OF OKLAHOMA GRADUATE COLLEGE CARLISLE FLOYD’S COLD SASSY TREE A Document SUBMITTED TO THE GRADUATE FACULTY in partial fulfillment of the requirements for the Degree of DOCTOR OF MUSICAL ARTS By SUS ANNE R. SHESTON Norman, Oklahoma 2002 UMI Number 3040845 UMI UMI Microform 3040845 Copyright 2002 by ProQuest Information and Learning Company. -
Boston Symphony Orchestra Concert Programs, Summer, 1978
« $m -tel Accompanist to Leonard Bernstein • Arthur Fiedler Gilbert Kalish • Seiji Ozawa • Andre Previn Gunther Schuller • YehudiWyner Live MusicTo Go. The unique combination of direct and reflected sound is what gives a live performance its depth, richness and excitement. Instead of bringing an orchestra into your living room, bring home a pair of Bose Direct/Reflecting®speakers. Photo Courtesy of the Civic Symphony Orchestra of Boston Since 1831 . S. S. Pierce From that first moment when you taste any one of our full line of liquors, premium California or imported wines, you'll know what we mean by our guarantee of quality and value. It has been a family tradition for generations. So, when you're shopping at your local package store or dining at your favorite restaurant, ask for S. S. Pierce. *>$*£ V.-* BOSTON SYMPHONY ORCHESTRA SEIJI OZAWA J&s Music Director S$ >>] , a Seiji Ozawa, Music Director Colin Davis, Principal Guest Conductor Joseph Silverstein, Assistant Conductor Ninety-Seventh Season 1977-1978 The Trustees of the Boston Symphony Orchestra Inc. Talcott M. Banks, Chairman Nelson J. Darling, Jr., President Philip K. Allen, Vice-President Sidney Stoneman, Vice-President Mrs. Harris Fahnestock, Vice-President John L. Thorndike, Vice-President Abram T. Collier, Treasurer Vernon R. Alden Archie C. Epps III Albert L. Nickerson Allen G. Barry E. Morton Jennings, Jr. Irving W. Rabb Leo L. Beranek Edward M. Kennedy Paul C. Reardon Mrs. John M. Bradley George H. Kidder David Rockefeller, Jr. Richard P. Chapman Roderick M. MacDougall Mrs. George Lee Sargent George Clowes Edward G. Murray John Hoyt Stookey Trustees Emeriti Harold D.