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Stablemates Written by Benny Golson à 184 9 7 - 13 7(#9) Maj + E a - a Db C Charlie Haden (Focused Interval {4Th}) Eb B Christian Mcbride 3 Œ Œ

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Stablemates Written by Benny Golson à 184 9 7 - 13 7(#9) Maj + E a - a Db C Charlie Haden (Focused Interval {4Th}) Eb B Christian Mcbride 3 Œ Œ Bassline by Dave Fink www.jazzcapacitor.com Stablemates written by Benny Golson ã 184 9 7 - 13 7(#9) maj + E A - A Db C Charlie Haden (Focused Interval {4th}) Eb b Christian McBride 3 œ œ. ? b b 4 nœ œ œ œ œ œ œ nœ #œ ‰ œ œ b b b 4 nœ nœ nœ œ 7( 5) 7( 9) 13 7 Gmin b C b Ab- Db Gbmaj Doug Watkins Melodic Shape (5th, 3rd, Root) œ ∫œ œ ? b b bœ œ ∫œ œ œ œ œ nœ nœ œ œ 5 b b b ∫œ œ 7(#5) 9 7(#5) - B A F Dougb Watkins Melodic Shape (5th, 3rd, Root) Eb- b ? œ œ nœ œ #œ nœ . œ œ œ œ œ œ œ b b nœ œ Paul Chambers ii-V7-I Pattern 9 b b b œ D maj7(9) ( C 7 ) b Doug Watkins Melodic Shape (5th, 3rd, Root) œ 3 ? œ œ ∫œ œ œ nœ b b Paul Chambers ii-V7-I œ ‰ œ 13 b b b 13 7(#5) F- Gb G C7 œ ? b b œ nœ œ œ bœ œ bœ nœ #œ nœ œ 15 b b b nœ nœ nœ nœ 7 7 7 7 B Bb A Ab . ? b b #œ nœ œ nœ nœ bœ. œ b #Patternœ n 1œ Ray Brown Sequence œ nPatternœ 1 œ 19 b b #œ nœ nœ Ray Brown Sequenceœ 7(#9) 7 9 13 - A D maj + Ron Carter (Enclosed 3rd) E- A Eb b b C 3 Charlie Haden (Focused Interval {4th}) 3 nœ bœ œ œ nœ œ œ œ œ œ nœ œ #œ œ nœ . œ ? bb b nœ nœ J 23 b b nœ J 13 - 7( 5) 7 A Db Ron Carter (Enclosed 3rd) maj7 Gmin C b 3 Gb b bœ œ œ œ œ œ nœ nœ ? b b œ nœ œ œ œ œ bœ œ 27 b b b J œ B 7 7(#5) 9 b 3 9 A D - Focusedb Interval/Melodic Shape F- Eb (Ascending Minor 2nd) œ nœ œ œ ? œ œ J bœ œ . œ œ bœ œ nœ b b nœ œ œ nœMinor 2nd 31 b b b Focused Interval/Melodic Shape Focused Interval/Melodic Shape 7(9) (Ascending Minor 2nd) maj (Ascending Minor 2nd) Db 3 nœ œ œ œ œ ? b b œ œ ‰ nœ. œ 35 b b b ©2013 www.jazzcapacitor.com 2 Stablemates - 9 13 + E A 7(#9) 7 C 3 Charlie Haden (Focused Interval {4th}) Eb- Ab D maj b œ œ œ ? b œ œ œ #œ . œ b b nœ nœ ∫œ œ œ Christian McBride ‰nœ 37 b b nœ nœ œ A - 7 b 13 7 Enclosure C 3 Db Gbmaj ? bœ ‰ œ œ œ œ nœ b b Paul Chambers Lick œ ∫œ œ œ œ œ nœ œ 41 b b b nœ bœ nœ 7 F- Bb 9 7(#5) 3 3 Eb- Ab ? b œ nœ œ nœ œ . œ ∫œ œ œ œ b b nœ ‰nœ œ œ nœ Christian McBride∫œ nœ 45 b b J œ 7 7(9) ( C ) 3 Dbmaj nœ ‰ œ ? bb b œ œ 49 b b œ œ nœ œ nœ 7(#5) 4 1 F- 13 G 2 7 Gb 0 0 C œ nœ œ nœ œ œ œ nœ ? b œ œ œ œ nœ œ b b Melodic Sequence Mingus Lick nœ œ 51 b b nœ nœ nœ 7 7 B 7 A 7 B Doug bWatkins Melodic Shape A Doug bWatkins Melodic Shape . ? bb b #œ nœ #œ nœ œ œ nœ œ bœ œ 55 b b #œ nœ nœ nœ nœ œ (#9) + 9 13 7 7 C E- A Eb- Ab Dbmaj Doug Watkins Melodic Shape (3rd, Root, 7th) œ ? b b nœ bœ œ œ #œ nœ b nœ Charlieœ Haden (Focusedœ Interval {3rd}) œ œ 59 b b nœ nœ œ œ 13 7( 5) 7 D Doug Watkins Melodic Shape 7 min A - b (3rd, Root, 7th) G maj G b C b Enclosed 3rd b ? b b bœ œ œ nœ œ œ bœ œ œ œ œ nœ bœ œ nœ 63 b b b œ 7 7(#5) 9 (9) F- B 9 A D maj7 b 3 Charlieb Haden (Focused Interval {4th}) D 3 Eb- b ? œ nœ œ nœ œ . > bb b nœ ‰nœ œ œ nœ œ œ œ bœ bœ nœ bœ 67 b b J nœ nœ maj7(9) 9 13 3 Db E- A ? j bb b ‰ ‰ œ œ œ nœ œ œ 71 b b nœ. œ œ nœ œ nœ www.jazzcapacitor.com Stablemates 3 Christian McBride from "Too Close For Comfort" Gettin' To It (1995) maj7 C7(#5) Db 3 1 ? b œ œ œ nœ #œ œ b bbb œ œ ‰ œ 7(#5) maj7 C Db 3 œ œ œ bœ 2 ? b œ œ #œ . œ b bbb œ ‰ nœ 7 7( 5) Bb Ebmin b 3 œ ∫œ ? b b bœ nœ œ œ b b b œ ∫œ Paul Chambers from "Love For Sale" with Miles Davis '58 Sessions (1958) ii - V7 - I Pattern 7 A 7 D maj Eb- b b œ œ œ œ ? b œ œ œ œ œ œ œ ∫œ œ b bbb Paul Chambers from "A Foggy Day" with Red Garland A Garland of Red (1956) C6 r Glissando œ bœ œ ? œ œ œ Ron Carter from "Now's The Time" with Sonny Rollins Now's The Time (1964) Enclosed 3rd 7 7 7( 5) C 7 Ab Gmin b Eb 3 œ 3 œ ‰ œ œ œ œ œ #œ nœ œ œ ? b J J b b 3 Melodic Sequence - 7 F B 7 3 b 3 Eb œ nœ œ bœ nœ œ œ #œ œ œ ? b J J œ b b Melodic Sequence Ron Carter from "H and T Blues" with Thad Jones Enclosed 3rd Mean What You Say (1966) 7 Bb 3 F7 œ bœ œ bœ ? #œ œ b J Ron Carter from "Israel" with Kai Winding and J.J. Johnson K. & J.J.: ISRAEL (1968) Enclosed 3rd 7 D- 3 3 C 3 3 G- r œ œ œ #œ œ œ #œ œ œ œ œ œ ‰ œ œ ? œ J J J nœ b œ œ www.jazzcapacitor.com 4 Stablemates Charles Mingus from "Folk Forms, No.1" Charles Mingus Presents Charles Mingus (1960) 4 7 1 4 F 0 œ bœ 0 œ œ ? b œ œ œ bœ œ bœ œ Charlie Haden from "Motive For Its Use" with Ornette Coleman To Whom Keeps A Record (1960) Sequence 1 (Melodic Shape) 1 ? œ œ œ œ #œ œ œ œ Sequence 2 (Melodic Shape) bœ bœ 2 ? œ #œ œ bœ bœ œ œ œ bœ œ œ œ œ œ Charlie Haden from "The Blessing" with John Coltrane and Don Cherry The Avant-Garde (1960) Focused on Interval (Descending Minor 3rd) 1 œ œ œ œ œ ? œ œ œ #œ Focused on Interval (Ascending Perfect 4th) 2 ? bœ bœ bœ nœ nœ nœ nœ bœ bœ nœ bœ nœ nœ Ray Brown from "Bye Bye Blackbird" Ben Webster Meets Oscar Peterson (1959) Melodic Sequence - 7 7 Bb Eb A- D bœ bœ œ ? # œ bœ œ œ œ 112 Doug Watkins from "Red's Head" with Sonny Red (1957) Melodic Shape 7 E B 7 B 7 b b b œ œ bœ œ œ nœ œ bœ nœ ? œ œ œ bb œ www.jazzcapacitor.com.
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