Extensions of Remarks E1740 HON. STEPHEN F. LYNCH HON
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2021 PBS TV Schedule Anchorage, AK Juneau, AK Huntington Beach
2021 PBS TV Schedule Anchorage, AK Friday, January 29, 2021 - 9:00 PM AKS An Evening with Denyce Graves - KAKMDT3.3 (Alaska Public Television 360 North) Saturday, January 30, 2021 - 5:00 PM AKS An Evening with Denyce Graves - KAKMDT3.3 (Alaska Public Television 360 North) Juneau, AK Friday, January 29, 2021 - 9:00 PM AKS An Evening with Denyce Graves - KTOODT3.3 (360 North) Saturday, January 30, 2021 - 5:00 PM AKS An Evening with Denyce Graves - KTOODT3.3 (360 North) Huntington Beach, CA Thursday, January 28, 2021 - 11:00 PM PT An Evening With Valerie Simpson in Memory of Nick Ashford - KOCEDT.1 (PBS SoCal 1) San Bernardino, CA Friday, January 29, 2021 - 10:00 PM PT An Evening With Smokey Robinson - KVCRDT3.3 (KVCRDT3 Desert Cities) Saturday, January 30, 2021 - 3:00 AM PT An Evening With Smokey Robinson - KVCRDT3.3 (KVCRDT3 Desert Cities) Wednesday, February 3, 2021 - 9:00 PM PT An Evening With Eartha Kitt - KVCRDT.1 (KVCR HDTV) An Evening With Quincy Jones - KVCRDT.1 (KVCR HDTV) Thursday, February 4, 2021 - 9:00 PM PT An Evening With Eartha Kitt - KVCRDT3.3 (KVCRDT3 Desert Cities) An Evening With Quincy Jones - KVCRDT3.3 (KVCRDT3 Desert Cities) An Evening With Smokey Robinson - KVCRDT3.3 (KVCRDT3 Desert Cities) Friday, February 5, 2021 - 2:00 AM PT An Evening With Eartha Kitt - KVCRDT3.3 (KVCRDT3 Desert Cities) An Evening with Ossie Davis and Ruby Dee - KVCRDT3.3 (KVCRDT3 Desert Cities) An Evening With Quincy Jones - KVCRDT3.3 (KVCRDT3 Desert Cities) 2021 PBS TV Schedule Saturday, February 6, 2021 - 3:00 AM PT An Evening with Ossie Davis and Ruby Dee - KVCRDT3.3 (KVCRDT3 Desert Cities) San Francisco, CA Monday, January 25, 2021 - 5:00 AM PT A Conversation With Henry Louis Gates Jr. -
CCR AR 2014.Pdf
The Center for Constitutional Rights is dedicated to advancing and protecting the rights guaranteed by the United States Constitution and the Universal Declaration of Human Rights. Founded in 1966 by attorneys who represented civil rights move- ments in the South, CCR is a non-profit legal and educational organization commit- ted to the creative use of law as a positive force for social change. Design: Nicholas Coster, [email protected]. Photo credits: p 2: Yanick Salazar • p 4: Pam Bradshaw • p 6: Pam Bradshaw • p 7: Juan Manuel, Herrera/OAS • p 11: Qa’id Jacobs • p 12: Qa’id Jacobs • p 14: Alexis Agathocleous • p.15: Snowden: Laura Poitras/Praxis Films. Assange: Cancillería del Ecuador. Manning: courtesy of www.bradleymanning.org • p16: © RON- ALD KABUUBI/epa/Corbis • p.19: Courtesy of Iraq Veterans Against the War/Civil Soldier Alliance • p.20-21: Picture 2: Laura Raymond. Picture 5: Organization of Women’s Freedom in Iraq. Pictures 6, 11, 15: Pam Bradshaw. Picture 10: Courtesy of Iraq Veterans Against the War/Civil Soldier Alliance. Picture 12: Aliya Hana Hussain • p 22-23: Pictures 2, 6: Pam Brad- shaw. Pictures 4, 5: Sameer A. Khan • p 23: Pictures 4, 5 by Sameer Khan • p 27: Pam Bradshaw • p 29: David Hicks: Adam Thomas (devdsp@flickr) • p 30: Top left: Shayana Kadidal • p.32: Chelsea Manning by Alicia Neal, in cooperation with Chelsea herself, commissioned by the Chelsea Manning Support Network • p 33: Top: Pam Bradshaw. Bottom: Kevin Gay • p 34: Bot- tom left: Alexis Agathocleous • p 36: Bram Cymet (bcymet@flickr) • p 41: Bottom: Courtesy of Iraq Veterans Against the War/Civil Soldier Alliance • p 46: Douglas Gorenstein • p 62: Ruby Dee: Courtesy of MDCarchives The Center for Constitutional Rights is a 501(c)3 nonprofit organization. -
The Benevolence Post
PENUMBRA THEATRE COMPANY PRODUCTION Est. 1976 February 12 to March 10 Price 15¢ THE BENEVOLENCE POST Skeptics By IFA BEYZA I was a child of the civil rights movement…integrated when I was nine years old, but I didn't encounter Emmett Till's story until I was a teenager. The Till Trilogy [The Ballad of Emmett Till, benevolence, That Summer in Sumner] is inspired by the story of a 14-year-old youth from Chicago who journeys to Mississippi in August of 1955. This trip to visit family in Mississippi certainly changes his fate. He's murdered in that week, and his life-death-journey changes the course of the nation ... I wanted to look at this story from an advantage point of view. The Till saga was a highly documented case. It was like a national soap opera on race. It was played out in the newspapers in the North, in the South, the black press and the white press. There was a tremendous amount of information available to the public. You would think that, because there was so much information, the truth or facts of the actual story would be readily available. What I found was, even as I researched the archive of primary documentation, was a host of confusing and inaccurate information. There were a lot of holes in the accounting of details, that didn't quite seem to make sense to me. So, that was the first lesson which I will share with you: “even if it's in print, even if it's documented, even if it's supposed to be from an expert, you must approach that information with skepticism.” Because the only truth that you have is that it's printed and that it's representing the tone as truth, but that's not necessarily the case. -
Harry Belafonte G a Committed Life
Harry Belafonte g A Committed Life Charles Cobb Jr. For many in the African American community, support for African libera- or Harry Belafonte, artistic achievement does not and should not tion has been closely linked to the civil mean political disengagement. “My social and cultural interests are rights struggle in the United States. part of my career. I can’t separate them,” says Belafonte. Paul Robeson One of the clearest examples of this was a major influence on Belafonte and other African American connection is the life of singer-activist Fartists in the late 1940s and 1950s. Many of these artists, like Ossie Davis, Harry Belafonte, whose advocacy Ruby Dee, and Sidney Poitier, were involved with the American Negro for Africa spans decades. This profile Theater in New York. So was Belafonte. “When I first met [Robeson], I was draws on published and broadcast quite young. And he embraced those of us in our little group of cultural interviews with Belafonte in 2002 and 2004 and on speeches he delivered in activists in New York. And he came to see a play that we were in, and at the 2000 and 2004. end of the play, he stayed behind to talk to these young people, of which I was one. And he said to us, ‘You know, the purpose of art is not just to show life as it is, but to show life as it should be’” (2004a). Belafonte’s political commitment started even earlier, during his years growing up in Harlem and Jamaica. His Jamaican-born mother, says Bela- fonte, “embraced Marcus Garvey and the struggles against oppression of Africans” (2002). -
Emmy Award Winners
CATEGORY 2035 2034 2033 2032 Outstanding Drama Title Title Title Title Lead Actor Drama Name, Title Name, Title Name, Title Name, Title Lead Actress—Drama Name, Title Name, Title Name, Title Name, Title Supp. Actor—Drama Name, Title Name, Title Name, Title Name, Title Supp. Actress—Drama Name, Title Name, Title Name, Title Name, Title Outstanding Comedy Title Title Title Title Lead Actor—Comedy Name, Title Name, Title Name, Title Name, Title Lead Actress—Comedy Name, Title Name, Title Name, Title Name, Title Supp. Actor—Comedy Name, Title Name, Title Name, Title Name, Title Supp. Actress—Comedy Name, Title Name, Title Name, Title Name, Title Outstanding Limited Series Title Title Title Title Outstanding TV Movie Name, Title Name, Title Name, Title Name, Title Lead Actor—L.Ser./Movie Name, Title Name, Title Name, Title Name, Title Lead Actress—L.Ser./Movie Name, Title Name, Title Name, Title Name, Title Supp. Actor—L.Ser./Movie Name, Title Name, Title Name, Title Name, Title Supp. Actress—L.Ser./Movie Name, Title Name, Title Name, Title Name, Title CATEGORY 2031 2030 2029 2028 Outstanding Drama Title Title Title Title Lead Actor—Drama Name, Title Name, Title Name, Title Name, Title Lead Actress—Drama Name, Title Name, Title Name, Title Name, Title Supp. Actor—Drama Name, Title Name, Title Name, Title Name, Title Supp. Actress—Drama Name, Title Name, Title Name, Title Name, Title Outstanding Comedy Title Title Title Title Lead Actor—Comedy Name, Title Name, Title Name, Title Name, Title Lead Actress—Comedy Name, Title Name, Title Name, Title Name, Title Supp. Actor—Comedy Name, Title Name, Title Name, Title Name, Title Supp. -
James Baldwin
University of North Florida UNF Digital Commons Rodney Lawrence Hurst, Sr. Stamp Collection Rodney Lawrence Hurst, Sr. Papers 7-23-2004 American Commemorative Panels: James Baldwin United States Postal Service. Stamp Division Follow this and additional works at: https://digitalcommons.unf.edu/hurst_stamps Part of the African American Studies Commons, and the United States History Commons Recommended Citation American Commemorative Panels: James Baldwin. 2004. Rodney Lawrence Hurst, Sr. Papers. University of North Florida. Thomas G. Carpenter Library. Special Collections and Archives. UNF Digital Commons. https://digitalcommons.unf.edu/hurst_stamps/71/ This Article is brought to you for free and open access by the Rodney Lawrence Hurst, Sr. Papers at UNF Digital Commons. It has been accepted for inclusion in Rodney Lawrence Hurst, Sr. Stamp Collection by an authorized administrator of UNF Digital Commons. For more information, please contact Digital Projects. © 7-23-2004 All Rights Reserved AMERICAN COMMEMORATIVE PANELS James Baldwin Baldwin's first novel, Go Tell It on the Mountain, was published in 1953. Partly autobiographical, this account of a young boy's struggle with personal and spiritual issues elicited praise for Baldwin's exceptional talent. His first essay collection, Notes of a Native Son, was published in 1955, enhanci ng his repu tation as a master of Ameri ca n prose. Baldwin's work eloquently articulated the complexities of race relations during the years when the civil rights movement was at its height. The Fire Next Time, published in 1963, solidified Baldwin's status; that same year, his success landed him on the cover of Time. Baldwin's second and third novels, Giovanni's Room and Another Country, surprised readers JAMES BALDWIN wasbornonAugust2,1924, with their matter-of-fact portrayals of in New York City. -
AVAILABLE Fromnational Women's History Week Project, Women's Support Network, Inc., P.O
DOCUMENT RESUME ED 233 918 SO 014 593 TITLE Women's History Lesson Plan Sets. INSTITUTION Women's Support Network, Inc., Santa Rosa, CA. SPONS AGENCY Women's Educational Equity Act Program (ED), Washington, DC. PUB DATE 83 NOTE 52p.; Prepared by the National Women's History Week Project. Marginally legible becalr,:e of colored pages and small print type. AVAILABLE FROMNational Women's History Week Project, Women's Support Network, Inc., P.O. Box 3716, Santa Rosa, CA 95402 ($8.00). PUB TYPE Guides Classroom Use - Guides (For Teachers) (052) EDRS PRICE MF01 Plus Postage. PC Not Available from EDRS. DESCRIPTORS Annotated Bibliographies; *Art Educatien; Audiovisual Aids; Books; Elementary Secondary Education; *English Instruction; *Females; *Interdisciplinary Approach; Learning Activities; Lesson Plans; Models; Resource Materials; Sex Role; *United States History; *Womens Studies IDENTIFIERS Chronology; National Womens History Week Project ABSTRACT The materials offer concrete examples of how women contributed to U.S. history during three time periods: 1763-1786; 1835-1860; and 1907-1930. They can be used as the basis for an interdisciplinary K-12 program in social studies, English, and art. There are three major sections to the guide. The first section suggests lesson plans for each of the time periods under study. Lesson plans contain many varied learning activities. For example, students read and discuss books, view films, do library research, sing songs, study the art of quilt making, write journal entries of an imaginary trip west as young women, write speeches, and research the art of North American women. The second section contains a chronology outlining women's contributions to various events. -
Contemporary Black Arts Program Presents an Evening with Actress Rudy Dee
Contemporary Black Arts Program presents an evening with actress Rudy Dee February 5, 1987 Media Contacts: Bonnie Ward, Contemporary Black Arts Program, 534-0670 or Alixandra Williams, Public Information Office, 534-3120 THE UCSD CONTEMPORARY BLACK ARTS PROGRAM ON FEB. 20 PRESENTS AN EVENING WITH RUBY DEE Actress Ruby Dee will appear for one evening at 8 p.m. Friday, Feb. 20, in the Mandeville Center Auditorium, at the University of California, San Diego. Ruby Dee is an author, a civil rights activist, director, and former newspaper columnist for the New York City Amsterdam News. She started her acting career in the early forties as an apprentice for the American Negro Theater. For three decades she has performed in some of the most acclaimed Hollywood and Broadway productions, as well as having made numerous television appearances. Dee's one-woman presentation, "An Evening With Ruby Dee," will dramatize the writings of Edna St. Vincent Millay, Judith Viorst, Carolyn M. Rogers, Rosa Guy, Gwendolyn Brooks, Nikki Giovanni, La Verne Davis, and herself, among others. Dee and her husband, actor and director Ossie Davis, currently host a National Public Broadcasting Network series called "Ossie & Ruby." Dee and Davis introduce and discuss a series of 12 teleplays, which includes episodes of comedy, drama, and ghost tales. On stage, Dee has appeared in "Raisin in the Sun," "Purlie Victorious," "The Imaginary Invalid," "Wedding Band," "Boseman and Lena," "Anna Lucasta," and "Taming of the Shrew." Her motion picture credits include, "Gone are the -
April 4, 2008 Aging Baby Boomers Changing Face of Ohio's Workforce
April 4, 2008 The Ohio Department of Job and Family Services (ODJFS) develops and oversees a wide variety of programs and services that affect millions of Ohioans and billions of dollars. Often, when reporters call about a particular story, they ask, “What else is happening at ODJFS?” The goal of this update is to answer that question. Along with news about current happenings in the department, you’ll find helpful Web links and contact names, along with phone numbers and email addresses. In each issue, we’ll also suggest at least one site to bookmark, for up-to-date information on especially timely or frequently requested topics. For more information about any of the items below, feel free to call our office at (614) 466-6650. We look forward to hearing from you. Aging Baby Boomers Changing Face of Ohio’s Workforce Those 55 and older will comprise 22.4 percent of Ohio’s labor force by 2016, according to a new report issued by the ODJFS Bureau of Labor Market Information. “Ohio’s Graying Labor Force: Aging through 2016” explains population and labor force trends and their implication for workforce development. The report examines how age demographics differ among occupations and looks ahead to the future, with predictions about labor force participation rates, replacement rates, and worker migration patterns. The report can be found at lmi.state.oh.us/research/Graying2016.pdf. Ohio Women’s Hall of Fame Seeking Nominations The Ohio Women's Hall of Fame is accepting nominations for its Class of 2008 through May 15. Administered jointly by the Ohioana Library and ODJFS, the hall of fame was established in 1978 to honor women who have made outstanding contributions to our state, nation and world. -
KELVIN R. TRAHAN Hair Stylist IATSE 706 & 798
KELVIN R. TRAHAN Hair Stylist IATSE 706 & 798 FILM KNIVES OUT Department Head FilmNation Entertainment Director: Rian Johnson GEMENI MAN Department Head Jerry Bruckheimer Director: Ang Lee Cast: Mary Elizabeth Winstead, Clive Owen BUMBLEBEE Department Head Allspark Pictures Director: Travis Knight Cast: Hailee Steinfeld OPHELIA Department Head/ Covert Media Personal Hairstylist to Naomi Watts and Clive Owen Director: Claire McCarthy SUBURBICON Personal Hair Stylist to Matt Damon Black Bear Pictures Director: George Clooney THE KILLING OF A SACRED DEER Department Head/ Element Pictures Personal Hair Stylist to Nicole Kidman and Colin Farrell Director: Yorgos Lanthimos Cast: Nicole Kidman, Colin Farrell BABY DRIVER Department Head TriStar Pictures Director: Edgar Wright Cast: Ansel Elgort, Lily James, Jon Hamm BILLY LYNN’S LONG HALFTIME WALK Department Head Bona Film Group Director: Ang Lee Cast: Kristen Stewart, Garrett Hedlund, Joe Alwyn, Makenzie Leigh, Mason Lee TRUMBO Department Head Bleecker Street Films Director: Jay Roach Cast: Bryan Cranston, Helen Mirren, Diane Lane TRIPLE NINE Department Head Worldview Entertainment Director: John Hillcoat Cast: Chiwetel Ejiofor, Casey Affleck, Woody Harrelsen, Aaron Paul Gal Gadot, Clifton Collins ENDLESS LOVE Department Head Bluegrass Films Director: Shana Feste Cast: Alex Pettyfer, Gabriella Wilde, Bruce Greenwood, Rhys Wakefield THE MILTON AGENCY Kelvin R. Trahan 6715 Hollywood Blvd #206, Los Angeles, CA 90028 Hair Stylist Telephone: 323.466.4441 Facsimile: 323.460.4442 IATSE 706 & 798 [email protected] www.miltonagency.com Page 1 of 6 SABOTAGE Department Head Open Road Films (II) Director: David Ayer Cast: Arnold Schwarzenegger, Sam Worthington, Mireille Enos, Terrance Howard, Joe Manganiello 42 Department Head Open Road Films (II) Director: Brian Helgeland Cast: Christopher Meloni, Chadwick Boseman, Nicole Beharie ARGO Department Head Warner Bros. -
Belknap Collection for the Performing Arts - the AFRICAN-AMERICAN CINEMA COLLECTION
AFRICAN-AMERICAN CINEMA CINEMA AFRICAN-AMERICAN CINEMA The history of the African-American Cinema is a harsh timeline of racism, repression and struggle contrasted with film scenes of boundless joy, hope and artistic spirit. Until recently, the study of the "separate cinema" (a phrase used by historians John Kisch and Edward Mapp to describe the segregation of the mainstream, Hollywood film community) was limited, if not totally ignored, by writers and researchers. The uphill battle by black filmmakers and performers, to achieve acceptance and respect, was an ugly blot on the pages of film history. Upon winning his Best Actor Oscar for LILLIES OF THE FIELD (1963), Sidney Poitier accepted, on behalf of the countless unsung African-American artists, by acknowledging the "long journey to this moment." This emotional, heartbreaking and inspiring journey is vividly illustrated by the latest acquisition to the Belknap Collection for the Performing Arts - THE AFRICAN-AMERICAN CINEMA COLLECTION. The valuable research material, housed in this collection, includes over 300 pressbooks (illustrated campaign and advertising catalogs sent to theatre owners), press kits (media packages including biographies, promotional essays and illustrations), programs and over 1000 photographs and slides. The journey begins with the blatant racism of D.W. Griffith's THE BIRTH OF A NATION (1915), a film respected as an epic milestone, but reviled as the blueprint for black film stereotypes that would appear throughout the 20th century. Researchers will follow African-American films through an extended period of stereotypical casting (SONG OF THE SOUTH, 1946) and will be dazzled by the glorious "All-Negro" musicals such as STORMY WEATHER (1943), ST.LOUIS BLUES (1958) and PORGY AND BESS (1959). -
H. Res. 69 in the House of Representatives, U.S
H. Res. 69 In the House of Representatives, U.S., February 9, 2005. Whereas the late Ossie Davis, actor and civil rights leader, was born Raiford Chatman Davis, the oldest of five chil- dren born to Laura Cooper and Kince Davis, on Decem- ber 18, 1917, in Cogdell, Georgia; Whereas Ossie Davis graduated in the top 5 percent of his high school class, received a National Youth Administra- tion scholarship, and walked from Waycross, Georgia, to Washington, D.C., to attend Howard University, where he studied with Alain Leroy Locke, the first black Rhodes Scholar; Whereas Ossie Davis began his career as a writer and an actor with the Rose McClendon Players in Harlem in 1939; Whereas during World War II Ossie Davis served in the Army in an African-American medical unit, including service as an Army surgical technician in Libya, where he worked on stabilizing some of the 700,000 soldiers wounded in that war for transport back to State-side hos- pitals; Whereas Ossie Davis made his Broadway debut in 1946 in Jeb, where he met his wife, actress Ruby Dee, who he married in 1948; 2 Whereas Ossie Davis went on to perform in many Broadway productions, including Anna Lucasta, The Wisteria Trees, Green Pastures, Jamaica, Ballad for Bimshire, A Raisin in the Sun, The Zulu and the Zayda, and I’m Not Rappaport. Whereas in 1961, he wrote and starred in the critically ac- claimed Purlie Victorious; Whereas Ossie Davis’ first movie role was in No Way Out in 1950, followed by appearances in The Cardinal in 1963, The Hill in 1965, and The Scalphunters in 1968; Whereas Ossie Davis made his feature debut as a writer/di- rector with Cotton Comes to Harlem in 1970 and later di- rected Kongi’s Harvest in 1971, Black Girl in 1972, Gor- don’s War in 1973, and Countdown at Kusini in 1976; Whereas Ossie Davis held numerous leading and supporting television and motion picture roles throughout his distin- guished career; Whereas Ossie Davis was a leading activist in the civil rights era of the 1960s when he joined Dr.