DOCSLIB.ORG

CD FUNKIR Reeeemerierettor

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
CD FUNKIR Reeeemerierettor ESSP: pc LP Singles flurry continues ESSP DISTRIBUTION is releasing the world's first album produced LATEST BATCH of seasonal re- same label, country artist Ricky assist projects in Africa. entirely on a personal computer. leases includes the reissue by Epic Skaggs ¡oins forces with veteran On the albums front, The Swing - The Celtic Macintosh consists of of last year's number one Merry James Taylor in the duet New Star les — who last week released ther traditional and contemporary Christmas Everyone by Shakin' Shining. single IBelieve In Father Christmas music of the British Isles including Stevens. There's a 15,000 limited Following their recent smash hit — now offer their LP Swingles ¡igs, reels, hornpipes, airs and la- edition packed in an advent calen- with Brother Louie, Euro -group Christmas on the Polydor label. ments — produced by avariety of dar bag, displaying aspecially de- Modern Talking offer their con- And Crystal Gayle is in festive computer synthesiser instruments signed winter scene, with each tribution to the festive season, Give mood with her collection A Crystal and sound processors, program- window opening to reveal a pic- Me Peace On Earth on the RCA Christmas on Warner Bros. med by Paul D Lehrman. It is the ture of Shaky. label. And Radio 2's Derek Jame- Trojan Records enters the fray first in a series of "Next Age" Epic is also re-releasing, for the son looks for Christmas success with The Reggae Christmas Hits albums planned by the company, second year in succession, Last with his Polydor single Yes Virginia Album, o batch of past seasonal SHAKY: ANOTHER Christmas featuring many styles including Christmas by VVham! And on the (There Is A Santa Claus). chart hits covered by John Holt. number one? classical, rock, jazz and pop. Although not a seasonal song, And from EMI comes Kid's Stuff by the charity single Children Of The The King's Singers, comprising 27 World by Kids Aid is aimed at the children's songs and poems. MUSIC WEEK Christmas market. It was recorded Soul singer Al Green has his LP by children of St Benedict's School White Christmas issued in the UK in Colchester, with music by The for the first time on the Hi label Fixx, and is on the Twink label. (Demon/Edsel, via Pinnacle) in a Proceeds go to the Catholic Fund special limited edition, pressed on CD For Overseas Development to while vinyl and in a white sleeve. COUNTfRPOINT Mil DISTRIBUTION WHARF ROAD, STRATFORD, LONDON E15 A Spotlight Publications Ltd publicotion. now- Domingo double due 2SU. Tel No: 01-555 4321, Fax No. 01-519 perusing Remus! & Tope Relater ond Record Ehniness. STYLUS MUSIC follows the success being £6.99 and £14.99. 8909, Telex: 8951427 Greaser London Flame, Flornpsteod Rood, London of its album The Pavarotti Collec- The LP is backed by an initial NWT 7CIL Tel: 01-387 6611 Telex. 299485 tion, which reached the highest £250,000 TV advertising cam- MUSIC G. chart position ever achieved by an paign, starting in the HIV area on Editor: David Dolton. DepuN Editor (Music opera LP, by releasing the double December 15, prior to national Publishing, International): Nigel Hunter. News (ditor: Jeff Oork-Meods ATE Team: Danny album The Placido Domingo Col- coverage. There is also awindow/ Von Emden Mead). Jeff Oruk.Mecids, Dowd lection. It contains 24 of the Span- in-store campaign for dealers, with Doha. Duncon Holand, Nigel Hunter, Koren Feu, ChM WM.. Fe /Retailing: Chris ish tenor's most celebrated record- emphasis on specialist classical out- White. Music Video: Sue Sclitoe. Sub Editor: ings, and carries dealer prices of lets, plus extensive press advertis- Duncon Hollond. Special Projects Editor: Karen £4.86 (LP and cassette) and Faux. Contributors: James Harnihon and Sony ing. Domingo himself appears at toed (Disco 8 Donee). lefty Smith ISZngles), £10.43 (CD), the respective rrp Wembley Arena on December 17. Nicolas Somers (Costae. US C po d t. Ins Moyer. c/o Presentation Consultor*. Inn. 2 4„,0* 4eg«... e„. Wet 4511, St, Suite 1703, NYC. NY 10036 (Tel: 1 212-719 4822). Research: Tony Adler (9`...9.0. Lynn Facey (assistant manager), lonet Telstar back with £4m spend Yea Gone, Thompson. Advertisement 'IS BACK' Manager: Kathy Leopard. A.. ss ant TELSTAR RECORDS returns to the Aled Jones' An Album Of Hymns, Advertisement Manager: Tony Evonx Ad TV-merchandising forefront, after plus Bonnie Tyler's Greatest Hits, Executives: Rudi BIo,5en, David WITH Classified: Civil Murphy (manogerl. Ad a lengthy hiatus, with 16 new The Very Best Of Barbara Dickson Production Manager: Koren Denham. album releases and atotal TV rate and Harry Secombe's The High- Monoging Director lock Henn. Publishing Director: Mike Stionnon. Publisher, card spend of £4m between now way Of Life. Andrew Broon. and Christmas. Among Telstar's other TV- Musk Week O sold on condition Mot the pogne Among the album releases are promoted product are two various conioining (ham will not be dispkrred in such o three "Best Of" compilations artist double-albums, Rock way os to roman' oye pan of such popes ond featuring Barbara Dickson, Elkie amay not be resold ...M ON the some condition Legends and Sixties Mania, plus being imposed on ony subsequent purchaser Brooks and Bonnie Tyler, and two Black Lace's Party Crazy, The Very Printed for the publishers by Pensord Press Ud, Christmas-flavoured albums from Best Of The Temptations (licensed Gwent. Registered at Me Post ors. as a newspaper Member of Me Pennell.' Publishers Aled Jones and Chas & Dave. from Motown), The Very Best Of Assmi.ohon and the Audit Bureau of Grerlotions. TV advertising on the Brooks The Drifters and EastEnders actress moteriol e copyright 1986 Music Week Ltd. album — which features material Anita Dobson's On My Own. Subscription rotes• UK f.55. Eire flrish62. licensed from her former label, Europe 5132. Middle East, North Africa $174. US, SAmerico, Caned°, Indio, Pokinon $205. A&M Records — starts in several • FIRST NIGHT Records, part of Australia, For Eau, Ripon $230. areas including London, Central the Safari group, is releasing the FEATURING JONATHAN RICHMAN Subscription/Directory enquitim: Sylvia (ever, and Granada from this week (6) Torvill and Dean Fire And Ice Other original albums on Beserkley available through Counterpoint Include: Royal Sovereign Home, 40 fleresford Street, and will continue through to and album, the soundtrack to the LWT Jonathan Richman and the Modern Lovers BZ 0048 London 5E18 680. Tel: 01 ,854 2200. after Christmas. Boxing Day special which has The Modern Lovers (includes 'I'm straight') BZ 0050 Next Must Week Director, free to siAncriptions There will be similar TV advertis- music composed and conducted by Rock 're Roll with the Modern Lovers BZ 0053 rumor, in January 1987. ing spots for Chas & Dave and The Carl Davis, and played by the Lon- Modern Lovers live BZ 0055 Salvation Army Band's Carols, and don Philharmonic Orchestra. Jonathan Richman and the Modern Lovers Back in Your Life EZ 0060 FEATURED ON RADIO] I1 RADIO LONDON FUNKIR (THE TONY BLACKBURN SHOW) reeeemerierettor- AND RADIO LUXEMBOURG 7"KREW 1 3TRACK 12" 12 KREW I ORDERS TO PRECISION RECORDS &TAPES LJMITED 105 BOND ROAD, SOPHISTICATED Nic:bisE MITCHAM, SURREY CR4 301 TELEPHONE: 01-640 3344 WorldRadioHistory MUSIC WEEK 6DECEMBER, 1986 PAGE 3 .
Load more

Recommended publications
  • The Velvet Underground New York Art
    300 Park Avenue South Tel. (212) 387-3400 New York, NY 10010 Telefax (212) 387-3535 Rizzoli International Publications, Inc. FOR IMMEDIATE RELEASE CONTACT: Joshua Machat 212.387.3410 / [email protected] THE VELVET UNDERGROUND NEW YORK ART Edited by Johan Kugelberg Introduction by Lou Reed and Maureen Tucker Preface by Vaclav Havel with text contributions by Doug Yule, Sterling Morrison, John Wilcock, and Jon Savage Timeline by Salvatore Mercuri THE VELVET UNDERGROUND: NEW YORK ART (November 2009) is the first monograph devoted to a Rock and Roll band. The Velvet Underground were among the New York avant-garde who closed the gap between the popular arts and the fine art movement of the 20th century. With Andy Warhol at the helm, the band contextualized the hi-art/low-art medium of the dysphoric Sixties with a unique mixture of sound experimentation, performance art, and pop sensibility. With an astonishing assembly of rare objects and artworks and the first book of its scale to document the formative years of the band, The Velvet Underground: New York Art, is not only a testament to one of the greatest New York City bands, but also a visual document of how music can influence the history of fine art and vice versa. From never-before-seen photographs of the band’s first live show in New York to Andy Warhol’s cover and poster designs, Lou Reed’s and John Cale’s handwritten music and lyrics, underground press clippings and controversial reviews, flyers, handbills, and posters, the materials comprise a uniquely comprehensive survey of the first rock group ever to transcend the genre and embrace underground popular culture.
    [Show full text]
  • Jonathan Richman En Cinco Claves VÍCTOR LENORE
    MINERVA_52-56.qxd 24/1/07 00:47 Página 52 52 MINERVA 4.07 El pasado 27 de octubre, dentro del ciclo Cabaret Círculo, actuó en el CBA Jonathan Richman, el cantautor más simpático de la historia. Richman comenzó su ya larga andadura en el mundo del espectáculo a principios de los años setenta, con el grupo The Modern Lovers, considerados precursores del punk rock. Con el tiempo, Richman se ha ido desplazando hacia un sonido más sosegado, que recoge influencias de muy diversos ámbitos y las combina en un estilo profundamente personal. El periodista musical Víctor Lenore nos ayuda a descifrar su enigmático perfil en cinco claves. Jonathan Richman en cinco claves VÍCTOR LENORE FOTOGRAFÍA LUIS ASÍN Arranque con The Modern Lovers Su primer grupo nació a comienzos de los setenta en Massachusetts (Estados Unidos). Se les considera pioneros de casi todo: desde el punk a la nueva ola, pasando por el indie. Canciones básicas y sus- tanciosas sobre la vida cotidiana de adolescentes revoltosos. Su único álbum propiamente dicho, The Modern Lovers (1976), es una colección de maquetas producidas por John Cale (miembro de la Velvet Underground, grupo preferido de Richman). La «Enciclo- pedia Spin del rock alternativo» define este disco como «uno de los mejores momentos del punk estadounidense: el grupo de Bos- ton conducía la agresión guitarrera de los Stones y Stooges a nue- vas perspectivas emocionales. Capturaron la energía ambivalen- te de unos chicos dulces de barrio residencial en pleno proceso de enamorarse del sonido del centro de la ciudad». Muchas veces se le echa en cara a Richman el olvido de estas pri- meras canciones en sus conciertos.
    [Show full text]
  • Modern Lovers Free Ebook
    FREEMODERN LOVERS EBOOK Emma Straub | 368 pages | 01 Jun 2016 | Penguin Books Ltd | 9781405921572 | English | London, United Kingdom The Modern Lovers - Wikipedia While the sound is in debt to the primal three-chord pounding of early Velvet Undergroundthe attitude of Jonathan Richman and the Modern Lovers is a million miles away from Lou Reed 's jaded urban nightmares. He's still a teenager at heart, which means he's not only in love with girls he can't have, but also radios, suburbs, and fast food, and it also means he'll crack jokes like "Pablo Picasso was never called an asshole But beneath his adolescent posturing, Richman Modern Lovers also nakedly emotional, pleading for a lover on "Someone I Care About" and "Girl Friend," or romanticizing the future on "Dignified and Old. More importantly, the music is just as raw and exciting now as when it was recorded inor when it was belatedly released in AllMusic relies heavily on JavaScript. Please enable JavaScript in your browser to Modern Lovers the site fully. Blues Classical Country. Electronic Folk International. Jazz Latin New Age. Aggressive Bittersweet Druggy. Energetic Happy Hypnotic. Romantic Sad Sentimental. Sexy Trippy All Moods. Drinking Hanging Out In Love. Introspection Modern Lovers Night Partying. Rainy Day Relaxation Road Trip. Romantic Evening Sex All Modern Lovers. Features Interviews Lists. Streams Videos All Posts. Track Listing. Modern Lovers Richman. The Modern Lovers. Astral Plane. Old World. Pablo Picasso. I'm Straight. Dignified and Old. She Cracked. Someone I Care Modern Lovers. Girl Friend. Modern World. Government Center. Modern Lovers Jonathan Richman.
    [Show full text]
  • Casco Bay Weekly : 12 October 1989
    Portland Public Library Portland Public Library Digital Commons Casco Bay Weekly (1989) Casco Bay Weekly 10-12-1989 Casco Bay Weekly : 12 October 1989 Follow this and additional works at: http://digitalcommons.portlandlibrary.com/cbw_1989 Recommended Citation "Casco Bay Weekly : 12 October 1989" (1989). Casco Bay Weekly (1989). 41. http://digitalcommons.portlandlibrary.com/cbw_1989/41 This Newspaper is brought to you for free and open access by the Casco Bay Weekly at Portland Public Library Digital Commons. It has been accepted for inclusion in Casco Bay Weekly (1989) by an authorized administrator of Portland Public Library Digital Commons. For more information, please contact [email protected]. _1"~ ("f.M:!,!~.~A~~! a ' . COVEl STOIY galnst the buildin " clubsZ that have che f PHOTOS I." ']: by Kelly Ne/scm curb _ and' , ,g, sIttIng on th ootz and th m- ree nights' V:1 onee Harbert ImItating th e s e Bounty K' ' are watching th e adults who outh from Bath ,Ids come frontKids of Zoot spill on to sidewalk in 'd em ch~setts and w ' north from Massa­ t~e , KI S have be " , smoking, talk~~~a!:,ng some air, sInce they were i en I,mltating adults shIre to d ance. atest th from New Ham p- and the t-shirt so ut motorcycles teens of the 198 n cnbs, But the ~~e scene, to have :se clubs, to make class , meone wore In' gym adults in nightcl~~;et to imitate ey come to he scene to make chern-free n' h as well thanks do th e dance ofbar new,USIC m' and to' Dressed-up d' Ig ts wh ' to ecomlng adults the Madd Apple ~:~rs step out of served at the ba;s en no alcohol is somewhat wa 'I e.
    [Show full text]
  • Jonathan Richman En Cinco Claves VÍCTOR LENORE
    MINERVA_52-56.qxd 24/1/07 00:47 Página 52 52 MINERVA 4.07 El pasado 27 de octubre, dentro del ciclo Cabaret Círculo, actuó en el CBA Jonathan Richman, el cantautor más simpático de la historia. Richman comenzó su ya larga andadura en el mundo del espectáculo a principios de los años setenta, con el grupo The Modern Lovers, considerados precursores del punk rock. Con el tiempo, Richman se ha ido desplazando hacia un sonido más sosegado, que recoge influencias de muy diversos ámbitos y las combina en un estilo profundamente personal. El periodista musical Víctor Lenore nos ayuda a descifrar su enigmático perfil en cinco claves. Jonathan Richman en cinco claves VÍCTOR LENORE FOTOGRAFÍA LUIS ASÍN Arranque con The Modern Lovers Su primer grupo nació a comienzos de los setenta en Massachusetts (Estados Unidos). Se les considera pioneros de casi todo: desde el punk a la nueva ola, pasando por el indie. Canciones básicas y sus- tanciosas sobre la vida cotidiana de adolescentes revoltosos. Su único álbum propiamente dicho, The Modern Lovers (1976), es una colección de maquetas producidas por John Cale (miembro de la Velvet Underground, grupo preferido de Richman). La «Enciclo- pedia Spin del rock alternativo» define este disco como «uno de los mejores momentos del punk estadounidense: el grupo de Bos- ton conducía la agresión guitarrera de los Stones y Stooges a nue- vas perspectivas emocionales. Capturaron la energía ambivalen- te de unos chicos dulces de barrio residencial en pleno proceso de enamorarse del sonido del centro de la ciudad». Muchas veces se le echa en cara a Richman el olvido de estas pri- meras canciones en sus conciertos.
    [Show full text]
  • Order of Service First Religious Society Unitarian Universalist 26 Pleasant Street, Newburyport, MA
    Order of Service First Religious Society Unitarian Universalist 26 Pleasant Street, Newburyport, MA “In a time of destruction, create something: a poem, a parade, a community, a school, a vow, a moral principle; one peaceful moment.” — Maxine Hong Kingston Sunday, June 14, 2020 Order of Service June Ministry Theme: Celebration opening music Garrett Silveira with Alligator and Dog Rainbow Connection Williams/Ascher (1979) welcome to the service Stella Okaya chalice lighting We gather this hour as people of faith With joys and sorrows, gifts and needs. We light this beacon of hope, Sign of our quest For truth and meaning, In celebration of the life we share together. candles of peace all Peace, Salam, Shalom Paige Lichty *affirmation of faith Anna Brittan and Stella Okaya Love is the doctrine of this church, The quest of truth is its sacrament, And service is its prayer. To dwell together in peace, To seek knowledge in freedom, To serve humankind in fellowship, To the end that all souls shall grow into harmony with the Divine– Thus do we covenant with each other and with God. *doxology Stella Okaya, Ken Okaya and Becky Dill From all that dwell below the skies Let faith and hope with love arise; Let beauty, truth and good be sung Through every land, by every tongue. our first church vlog: A Quest for Iced Beverage Perfection Anna Fortier, Piper Hogg, Lucy Litwin, and Zoe Seese Order of Service reflecting on the past few months: Ben Stedman, Jackson Wauchope, Kelly Kane, and Stella Okaya while we were home: A Compilation of Hopeful Endeavors and Activities by Yoots Anna Brittan, Jenny Booth, Graham Billlington, Anna Fortier, Sadie Fountain, Lucy Litwin, Stella Okaya, Ian Rose, and Joseph Snow *unison benediction Anna Brittan May the Love which overcomes all differences, Which heals all wounds, Which puts to flight all fears, Which reconciles all who are separated, Be in us and among us now and always.
    [Show full text]
  • Songs About U.S. Cities
    Songs about U.S. Cities Here’s the 30-page list I compiled from Wikipedia: Abilene Abilene by George Hamilton IV Akron My City Was Gone by The Pretenders Downtown (Akron) by The Pretenders Albuquerque Albuquerque by Weird Al Yankovic Point Me in the Direction of Albuquerque by Tony Romeo Albuquerque by Neil Young Albuquerque by Sons of the Desert Bring Em Out by T.I. The Promised Land Chuck Berry Space Between Us Sister Hazel By the Time I Get to Phoenix Frank Sinatra, Dean Martin, Roger Miller Train Kept A Rollin' Stray Cats Wanted Man Johnny Cash, Bob Dylan, Nick Cave Blue Bedroom Toby Keith Get Your Kicks on Route 66 Perry Como Cowboy Movie David Crosby Make it Clap Busta Rhymes Allentown Allentown by Billy Joel Allentown Jail by Kingston Trio Amarillo Is This the Way to Amarillo by Neil Sedaka and Howard Greenfield Amarillo by Morning by George Strait If Hollywood Don't Need You (Honey I Still Do) by Don Williams Amarillo Sky by Jason Aldean Anchorage Anchorage by Michelle Shocked Atlanta ATL alt. rock song by Butch Walker, from Sycamore Meadows 2008 Atlanta Lady by Marty Balin (of Jefferson Airplane) Atlanta by Stone Temple Pilots, from No. 4 1999 Atlanta Burned Again Last Night by country group Atlanta, from Pictures 1983 Bad Education by Tilly and the Wall 2006 Badstreet U.S.A by Michael Hayes (wrestler) 1987 Communicating Doors by The Extra Lens (From Undercard, 2010) Hot 'Lanta (instrumental) by The Allman Brothers, from At Fillmore East 1971 F.I.L.A (Forever I Love Atlanta) by Lil Scrappy feat.
    [Show full text]
  • Brighton Ukulele Sundays 1St Songbook
    NEW Songbook # II for 2009! Brighton Ukulele Sundays Songbook II Ain’t She Sweet……………………… 10 I Wanna Be Like You..…………... 4 Build Me Up Buttercup……...………. 23 L-O-V-E …........…………………... 21 Dance Tonight………………….……. 7 Man Of Constant Sorrow………… 14 Everybody Move It………………….. 13 Mary Lou’s Pies…………………… 15 Eye Of The Tiger…………………….. 18 Mister Sandman…………………... 6 Fisherman’s Blues…………………… 11 Proud Mary………………………... 29 Folsom Prison Blues………………… 30 Psycho Killer………………………. 8 Freight Train………………………….. 27 Roadrunner…….………………….. 2-3 Here Comes The Sun……………….. 5 Sloop John B……………...………. 16 Heroes………………………………… 28 Sweet Georgia Brown……………. 12 Hey Good Lookin’……………………. 9 Trail Of The Lonesome Pine…….. 22 Hey Ya ………………................…… 24 Ukulele Lady…………...…………. 17 I Am The Resurrection……………… 20 Yes Sir, That’s My Baby………..... 1 Imagine………………………………... 26 You Ain’t Going Nowhere…...…… 19 Brighton Ukulele Sundays – Songbook Yes Sir, That’s My Baby by Walter Donaldson & Gus Khan, 1925 [C]Yes, Sir, That's my Baby, [G]No, Sir, Don't mean "Maybe" [G7]Yes, Sir, That's my Baby [C]now. [C7] [C]Yes ma'am, we've decided, [G]No ma'am, we won't hide it, [G7]Yes, ma'am, you're invited [C]now. By the [C7]way, By the [F]way, When we [D7]reach the preacher I'll [G7]say (with feeling) [C]Yes Sir, That's my Baby, [G]No, Sir, don't mean "maybe", [G7]Yes Sir, That's my Baby [C]now. [C7] [C] / / / / [G] / / / / [G7] / / / / [C] / / [C7] / / [C]Well well, "lookit" that baby, [G]Do tell, don't say "maybe", [G7]Hell's bells, won't she cause some [C] row? Pretty [C7]soon, Pretty [F]soon, We will [D7]hear that Lohengrin [G7]tune, (I'm sayin') [C]Who for should she be sir, [G]No one else but me sir, [G7]Yes sir, That's my Baby [C]now.
    [Show full text]
  • Indie Mixtape 20 Q&A Is with Samia, Who Has Her Grandmother's Handwriting Tattooed on Her Hip
    :: View email as a web page :: In a recent episode of Indiecast, we talked about how Arcade Fire’s 2010 landmark album The Suburbs helped to mark the end of the aughts. In our latest episode, we pick up this thread to talk about one of the most momentous years in recent indie history, 2013, which in many ways feels like the beginning of the 2010s. At the time, there was a long-running movement to make pop influences more acceptable in indie music. In 2013, however, there was a decisive shift beyond “acceptable” to making indie music rooted in the principles of pop THE standard for “innovative” or “forward-thinking” or simply “hip” indie music. The aesthetics of an album like The Monitor or Celebration Rock — rooted in more classic ideas about indie music being guitar-centric, aggressive, gritty, somewhat poorly recorded, and derived from punk — would be placed firmly outside the mainstream of what was praised in the press or put at the center of indie. Check out our conversation and subscribe to Indiecast here. -- Steven Hyden, Uproxx Cultural Critic and author of This Isn't Happening:Radiohead's "Kid A" And the Beginning Of The 21st Century In case you missed it... We just added a handful of new videos from Echo & The Bunnymen to our YouTube channel. The new episode of Indiecast talks The 1975, Lorde, Haim, and more 2013 debuts. Dave Grohl accepted a challenge to a drum battle from viral 10-year-old sensation Nandi Bushell and asked her to match his performance of a Them Crooked Vultures track.
    [Show full text]
  • The History of Rock Music: 1976-1989
    The History of Rock Music: 1976-1989 New Wave, Punk-rock, Hardcore History of Rock Music | 1955-66 | 1967-69 | 1970-75 | 1976-89 | The early 1990s | The late 1990s | The 2000s | Alpha index Musicians of 1955-66 | 1967-69 | 1970-76 | 1977-89 | 1990s in the US | 1990s outside the US | 2000s Back to the main Music page (Copyright © 2009 Piero Scaruffi) American Graffiti (These are excerpts from my book "A History of Rock and Dance Music") New York TM, ®, Copyright © 2005 Piero Scaruffi All rights reserved. American Graffiti is the title of George Lucas' film that in 1973 launched a phenomenon in the USA: a revival of the Fifties and the Sixties. There was something innocent and magic in those decades that went lost in the Vietnam War and the oil crisis of the Seventies. The rediscovery of those decades is also a rediscovery of the roots of rock and roll. After the fall of alternative rock, Seventies music had become largely corporate-driven. Genres that had been created as rebellion to the Establishment were rapidly becoming mainstream. The music of the Fifties and the early Sixties sounded more authentic. Broadway and Hollywood focused on the Billboard charts, on the one-hit wonders that went lost after the deluge of 1966-67. Thousands of kids playing in their garages and basements focused on the bands that were playing in garages and basements in the Sixties. The second half of the Seventies saw a revival of the whole spectrum: rockabilly, surf music, folk-rock, psychedelia, even horror soundtracks. It was as if an archeological frenzy was shaking the musical fabric of the nation.
    [Show full text]
  • The Modern Lovers Im Straight
    The modern lovers im straight click here to download I'm Straight Lyrics: I called this number three / Times already today / But I, I got scared, I put it back in place— / I put my phone back in place / I. The Modern Lovers - Girlfriend - Duration: buckbanzai , views · · Jonathan Richman & The. I called this number three / times already today / But I, I got scared, I put it back in place / I put my phone back in place / I still don't know if I / should have called. I, called this number three times already today. / But I got scared, I put it back in place. / (I put my phone back in place) / I sure don't know if I should have called. It is difficult to describe the feeling upon first hearing such Jonathan Richman & the Modern Lovers songs as "I'm Straight." Refreshing and offbeat, there is. But the only album ever released by the Modern Lovers – and it's not a live version of the anti-hippie ballad I'm Straight ("If these guys. The Modern Lovers is the eponymous debut studio album by American rock band the Modern The sessions with Fowley were aborted, although two tracks, "I'm Straight" and the original recording of "Government Center", and possibly others. I'm Straight This song is by The Modern Lovers and appears on the album The Modern Lovers (). Jonathan Richman - MODERN LOVERS “I´m Straight” (). 7 years ago More just tell me why don't ya if I'm. (Alright, all you Modern Lovers, What is it?) I'm Straight! (Tell the world now).
    [Show full text]
  • Rock & Roll Years History
    PART IX: 1960s Musiciansi The Hotel Albert became home to any number of rock musicians in the 1960s. This is the only part of the Albert‟s history that has been written about to any extent, chronicled in May 1968 an article in The Eye magazine by Lillian Roxon, author of Lillian Roxon’s Rock Encyclopedia. Roxon, a music journalist of the 1960s, has been called the “Mother of Rock.” Her article about the Hotel Albert called it the “New York home to rock‟s greatest.” It opens: It is the best of hotels, it is the worst of hotels; its prices are ridiculously high, its prices are astonishingly low; its corridors are filled to the brim with life, its corridors are perpetual reminders of death; staying there is the wildest, most exhilarating, dizzying, around-the-clock trip of all time; staying there is the most wretched, lonely terrifying, around-the-clock bummer of all eternity. So much for New York‟s Hotel Albert, whose distinction is not that it has housed some of the most influential rock personalities of our time (after all, so has Holiday Inn), but that it has affected them so deeply (in a way no impersonal Holiday Inn could ever hope to) that American popular music would probably never have been what it is today without it. Roxon lists dozens of musicians who stayed at the Albert: …the Paul Butterfield Blues Band got itself together under its roof;… Steve Gillette wrote his Sunshine Company hit there (“Back on the Street Again”), but was able to finish his other songs only after he moved out, which, in itself, is influence of a sort.
    [Show full text]