Cybernetic Camouflage on Human Recipient - Visual Illusion INTERFACE

Total Page:16

File Type:pdf, Size:1020Kb

Cybernetic Camouflage on Human Recipient - Visual Illusion INTERFACE Recent Researches in Circuits, Systems, Electronics, Control & Signal Processing Cybernetic Camouflage on Human Recipient - Visual Illusion INTERFACE JIŘÍ F. URBÁNEK, JIŘÍ BARTA, JOZEF HERETÍK, JOSEF NAVRÁTIL and JAROSLAV PRŮCHA* Department of Civil Protection, Dpt of External Relations*, University of Defence, Kounicova 65, 662 10 Brno, CZECH REPUBLIC [email protected]; http://www.unob.cz Abstract: - Perceptive interface between a human recipient (observer) and visible object can be created by complicated components, domains, actors, agents and mediators. A permeability of this interfece is necessary in an environment of colaborative actors at both sides of the interface. Worse permeability or even impermeability of the interface can be asked between antagonistic enemies. Generally, a lot of various interfaces have “smash / fuzzy/ defocusing” contours but their exact definition is helpful for active and passive protection of living objects in the nature. But, the interfaces between potential enemies ask a merge of camouflage systems & processes implementing on special created interface. So, this interface needs a nature / human made camouflage mediator. This mediator must operationally mediate virtual image in real time/ space/ environment. Cybernetic camouflage implementing virtual image operating in visible range of electromagnetic vave spectrum uses data projectors for projection of image on screen interface. From above fundamental principles are created platforms of cybernetic camouflage of Czech University of Defence R&D Grant solution of National Defence Research. It deals grant Project with acronym ADAPTIV - Draft and assertion new adaptive technology for simulation and camouflage in operational environment armed forces of Czech Republic and for infrastructure protection. The resources and “how to” of this Grant asks a finding of new approaches of problems solution, especially in military environment. The architecture and Use Cases of necessary systems and their technologies, represent the milestones of the ADAPTIV solution. ADAPTIV project tends to Active CyberCamouflage by Computerized Aided Mimicry (CAM) implementations as autonomic outdoor computerized aided Interoper-mobile WiMAX CAM Workshop. Key-Words: - Cybernetic Active Camouflage, Computerised Aided Mimicry Implementation. 1 Camouflage human-made. Camouflage is not limited to the commonly Albert Einstein, 1920: encountered visual way, but encompasses other senses as The significant problems we face can not be solved at well. First, the camouflage must be tailored to the the same level of thinking we were at when we observer. Second, the camouflage must deceive the created them! observer into making a false judgment about the camouflaged object. The Camouflage is concealment [1] by means of Camouflage is an attempt to avoid observation, and as disguise. The likely root of the word camouflage is such, it is tailored to the vision of the expected observer. camoufler, a French term meaning smoke blown in The use of camouflage, no matter what the specific someone's face as a practical joke. Word origin is in application, has certain basic requirements that must be Italian camuffare. The Camouflage is a method of met. First, the camouflage must be tailored to the avoidance of observation that allows an otherwise visible observer. Second, the camouflage must deceive the object (organism or structure to remain indiscernible from observer into making a false judgment about the the surrounding environment through deception. The camouflaged object. The strategies of camouflage can be theory of camouflage covers the various strategies which broken down into up to four categories, which are are used to achieve this effect. The definition of cryptic, disruptive, counter-shading and mimicry. Each camouflage involves the both the concealment and the of these deals with a different method of deceiving the obscurity, whether applied to the natural coloration of observer, and often strategies are combined increase their animals, or used in military environment. The methods effectiveness. These may be applied individually, or in by which concealment or obscurity are attained share a combination with one another providing overall common set of strategies intended to deceive the observer. camouflage strategy. The blending of disruptive and The underlying methodology used in, whether natural or cryptic coloration can be called coincident disruption. ISBN: 978-960-474-262-2 22 Recent Researches in Circuits, Systems, Electronics, Control & Signal Processing Cryptic (or blending) camouflage is an attempt to blend intraspecific mimicry occurs within a single species, one into the environment and become effectively case being where one part of an organism's body imperceptible. To do this, the camouflaged object must resembles another part.. The signal-receiver is typically minimize observable differences between itself and the another intermediate organism like the common predator background with respect to the senses of the target of two species, but may actually be the model itself, such observer. The definitive example of camouflage is a as a moth resembling its spider predator. As an cryptic camouflage designed to match the visual interaction, mimicry is in most cases advantageous to the appearance of the expected background, generally using a mimic and harmful to the receiver, but may increase, mottled pattern of greens and browns to match ground and reduce or have no effect on the fitness of the model foliage colour and break up the outline of the depending on the situation. Models themselves are camouflaged object. Cryptic camouflage must match the difficult to define in some cases, for example eye spots colors and spatial frequencies of the background to be may not bear resemblance to any specific organism's eyes, effective, and may have to suppress non-visual cues. and camouflage often cannot be attributed to a particular Disruptive (or dazzle, US) camouflage is not intended model. In some cases this can be quite a complex process, to blend into the environment, and in fact often involves such as in the case of the Mimic Octopus, which are bright, eye-catching colours that would be the antithesis extremely flexible. Although all octopuses can change of cryptic camouflage. Disruptive camouflage seeks to colour and texture, and many can blend with the sea floor, confuse the observer, by providing visual cues that appearing as rocks, the Mimic Octopus is the first octopus override the camouflaged object's features. This prevents species ever observed to impersonate other creatures – it the observer from accurately identifying characteristics of can change shape to resemble lionfish or other poisonous the camouflaged object(s), such as shape, size, fish in its habitat. Octopus ink cloud also provides orientation, and number of objects in a group combination disruption of the sense of smell e.g. Mimicry is perhaps of counter-shading and cryptic colours and patterns to the broadest example of adaptive camouflage (though blend into its environment. the most obvious form to humans is visual mimicry). Counter-shading is the process of using lighter colours Adaptive camouflage means a capability of an adapting on normally dark areas, and darker colors on normally object appearance to match its environment and/or light areas. This removes some of the visual cues used for impersonate other object. Adaptive camouflage (or active depth perception causing the counter-shaded object to camouflage) is a group of camouflage technologies which appear flat, rather than as an object with depth. This is the would allow an object (usually military in nature) to blend same effect used in the hollow-face illusion where a into its surroundings by using of panels or coatings concave object is shaded in such a way as to appear capable of changing color or luminosity. Active convex. Military doctrine also applies this technique to camouflage can be seen as having the potential to become camouflage paint. The standard method for applying the perfection of the art of camouflaging things from camouflage paint to exposed skin is to use dark paint for visual detection. bright areas of the face, light paint for shadowed areas, and combining this with a disruptive pattern over large areas of skin. 2 CyberCamouflage Processes Modelling The Mimicry is the attempt by the camouflaged object Perceptive processes between human Recipient (see PrS to be observed as some other type of object. Mimicry is 1 in Table 1/ Fig.1) and visible Object of the camouflage the similarity of one object to another which protects one are created by several complicated components, domains, or both. This similarity can be in the appearance, actors, agents and mediators. behaviour, sound, scent and even location, with the Very important agent of these processes, mimics found in similar places to their models. Mimicry intermediating light physical processes perception, is an occurs when a group of organisms, the mimics, evolve to Observer (see PrS 2) always. The function of Observer´s share common perceived characteristics with another Eye (see PrS 3) is relative heavy deceivable, while group, the models. The evolution is driven by the selective Observer with Brian = Observer in Recipient role is action of a signal-receiver, or dupe. For example, birds here the most inclinable to a mystification as regulative, that use sight to identify palatable insects (the mimics), control and evaluative Actor of camouflage process scene whilst
Recommended publications
  • Security &Defence European
    a sniper rifle 4/ 7.90 18 D 14974 E D European NO TIME? NO LAB? NO PROBLEM. & CZ TSR Security .308 WIN. EASILY IDENTIFY CHEMICAL HAZARDS WITH ES THE FLIR GRIFFIN™ G510 PORTABLE GC-MS. 2018 June/July · Defence & Security European WE KNOW THE SECRET OF ACCURATE & Defence 4/2018 LONG DISTANCE SHOOTING. The FLIR Griffin G510 is a completely self-contained GC-MS, including batteries, carrier gas, vacuum system, injector, touchscreen, and heated International Security and Defence Journal sample probe. It analyzes all phases of matter and confirms vapor-based threats in seconds, so that responders can take immediate action. ISSN 1617-7983 See FLIR in action at Eurosatory: Hall 5a Stand #A267 • OPTION TO FIT THE FOLDING HEIGHT MECHANISM ON ADJUSTABLE EITHER THE RIGHT CHEEKPIECE OR LEFT SIDE HEIGHT AND LENGTH www.euro-sd.com ADJUSTABLE • BUTTPLATE June/July 2018 HIGHLy RESISTANT TO CONTAMINATION DUE TO THE FLUTED BOLT 10-ROUND REMOVABLE METAL MAGAZINE FOR CARTRIDGES UP TO 73 MM TWO STAGE TRIGGER MECHANISM WITH THE OPTION TO SET THE TRIGGER PULL BOLT HANDLE ADAPTED FOR RELIABLE AND RAPID PISTOL GRIP WITH RELOADING WITH STORAGE SPACE AND A RIFLESCOPE ATTACHED INTERCHANGEABLE BACKSTRAPS MaxiMuM MiniMuM Barrel length Width of Weapon (MM) height of Weapon Weight Without With stoCk With stoCk With CheekpieCe With eMpty operating CaliBre Magazine CapaCity fraMe overall length (MM)* overal length (MM)** CoMpensator (MM) folded unfolded retraCted Magazine (g) teMperature range rate of tWist aCCuraCy .308 Win. 10 ALUMINIUM 1237 ± 5mm 920 ± 5mm 660 ± 1 95 ± 2 70± 2 192 ± 2 mm max. 6 300 from -50°C to + 50° 1:11“ Sub MOA FLIR Griffin™ G510 Portable GC-MS #CZGUNS www.FLIR.eu/G510 Chemical Identifier eurosatory2018 WWW.CZUB.CZ [email protected] FACEBOOK.COM/CESKAZBROJOVKA.CZ WWW.INSTAGRAM.COM/CZGUNS/ eurosatory2018 a sniper rifle 4/ 7.90 18 D 14974 E D European NO TIME? NO LAB? NO PROBLEM.
    [Show full text]
  • Body Painting Type Analysis Based on Biomimicry Camouflage
    International Journal of Architecture, Arts and Applications 2020; 6(1): 1-11 http://www.sciencepublishinggroup.com/j/ijaaa doi: 10.11648/j.ijaaa.20200601.11 ISSN: 2472-1107 (Print); ISSN: 2472-1131 (Online) Review Article Body Painting Type Analysis Based on Biomimicry Camouflage Eun-Young Park Department of Bioengineering, Graduate School of Konkuk University, Seoul, South Korea Email address: To cite this article: Eun-Young Park. Body Painting Type Analysis Based on Biomimicry Camouflage. International Journal of Architecture, Arts and Applications. Vol. 6, No. 1, 2020, pp. 1-11. doi: 10.11648/j.ijaaa.20200601.11 Received: November 26, 2019; Accepted: December 20, 2019; Published: January 7, 2020 Abstract: The purpose of this study is to establish a method and find a possible way of applying biomimicry camouflage in body painting. This study seeks a direction for the future of the beauty and art industry through biomimicry. For this study, we analyzed the works by classifying camouflage body painting into passive and active camouflage sections based on the application of biomimicry to the artificial camouflage system. In terms of detailed types, passive camouflage was classified into general resemblance and special resemblance, and active camouflage into adventitious resemblance and variable protective resemblance, and expression characteristics and type were derived. Passive camouflage is the work of the pictorial expressive technique using aqueous and oily body painting products. The general resemblance was expressed as a body painting of crypsis and camouflage strategies. The special resemblance is a mimicry in which the human body camouflages the whole figure of living organisms or inanimate objects.
    [Show full text]
  • Computerised Aided Camouflage
    NEW ASPECTS of APPLIED INFORMATICS, BIOMEDICAL ELECTRONICS & INFORMATICS and COMMUNICATIONS Computerised Aided Camouflage JIŘÍ F. URBÁNEK, JIŘÍ BARTA, JOSEF HERETÍK and JAROSLAV PRŮCHA* Department of Civil Protection, Dpt of External Relations*, University of Defence, Kounicova 65,662 10 Brno, CZECH REPUBLIC [email protected]; http://www.unob.cz Abstract: - Interface´s impermeability is important to create among antagonist´s objects in turbulent world. A lot of various interfaces have “smash” contours but their exact definition is helpful for active and passive protection of living objects in nature. The interfaces between human enemies ask camouflage systems and processes implementing military environment. Fundamental principles of nature / human made camouflage are introduced in this paper. Computer aided camouflage by means of contemporary digital cybernetics instruments is an aim of Czech University of Defence R&D Grant solution of National Defence Research Project with acronym ADAPTIV - Draft and assertion new adaptive technology for simulation and camouflage in operational environment armed forces of Czech Republic and for infrastructure protection. The resources and “how to” of this Grant asks a finding of new approaches of problems solution in military environment. The architecture of necessary systems and their technologies, representing first milestone of Grant solution, is outlined here. ADAPTIV Project tends to Active Camouflage by Computerised Aided Mimicry (CAM) implementations as autonomic outdoor computerised aided Interoper-mobile WiMAX CAM Workshop. Key-Words: - Active Camouflage by Computerised Aided Mimicry (CAM) Implementation. 1 Introduction the camouflage must be tailored to the observer. Second, Human society survival requires the most effective the camouflage must deceive the observer into making a behaviour aiming to the co-operation, collaboration, false judgment about the camouflaged object.
    [Show full text]
  • Emerging Technology and America's National Security.Indd
    1 GOVERNANCE IN AN EMERGING NEW WORLD Convened by George P. Shultz with James Cunningham, David Fedor, and James Timbie 3 Table of Contents WINTER SERIES, ISSUE 319 Introduction ..........................................................................................................................................................................5 Emerging Technologies and National Security: Russia, NATO, & the European Theater Philip Breedlove and Margaret E. Kosal .................................................................................................................................................8 Technology Converges; Non-State Actors Benefi t T.X. Hammes ...............................................................................................................................................................................................40 Information: The New Pacifi c Coin of the Realm Gary Roughead, Emelia Spencer Probasco, and Ralph Semmel ................................................................................................ 50 Observations from the Roundtable James O. Ellis, Jr. and George P. Shultz ............................................................................................................................................. 62 GOVERNANCE IN AN EMERGING NEW WORLD Emerging Technology and America’s National Security A Letter from the Conveners Sharp changes are afoot throughout the globe. Demographics are shifting, technology is advancing at unprecedented rates, and these changes are being
    [Show full text]
  • Charity Ndlovu in 2013 and Completed It in 2015
    Camouflage an Impressive Animal Certain types of octopuses can change the colour and pattern of their skin by controlling the size Survival Skill of their cells. Some animals change their colours with the seasons which helps them blend in with By Violah Makuvaza the environment at different times throughout the As one walks around the bush one may unsuspectingly year. This is a type of active camouflage known as stumble on a snake or fail to notice a butterfly on a concealing colouration. The Arctic hare and Arctic flower, a lizard on a rock or a mantid on a twig. This fox grow different coloured fur depending on the is because these animals camouflage themselves so season. In the Arctic hare the fur is brown or grey that they remain undetected in their environment. in summer to match the surrounding foliage and the Camouflage is a type of colouration or pattern that fur is white in winter to blend in with the snow. The helps an animal blend in with its surroundings and mammals “moult” is merely a replacement of fur not is a useful survival strategy that animals use to stay a change of skin as in amphibians and reptiles and can alive and safe. Both predator and prey animals use take weeks or months to grow and replace. camouflage to their advantage. Many animals are The flatfish and the stonefish can alter their colouration cleverly camouflaged or can move very quickly to blend in with the surrounding sand and rock to escape from their enemies. Predators blend in formation.
    [Show full text]
  • Le Camouflage Militaire Réinventé Par Les Artistes
    LES SOLDATS CRÉATEURS LE CAMOUFLAGE MILITAIRE RÉINVENTÉ PAR LES ARTISTES MARGAUX DE PENFENTENYO // ÉCOLE CAMONDO // DIPLÔME 2014 LES SOLDATS CRÉATEURS LE CAMOUFLAGE MILITAIRE RÉINVENTÉ PAR LES ARTISTES LES SOLDATS CRÉATEURS LE CAMOUFLAGE MILITAIRE RÉINVENTÉ PAR LES ARTISTES Merci à Thierry de Beaumont pour sa passion partagée et sa bonne humeur à toutes épreuves, Merci à Antoine Loron pour ses relectures et ses fines corrections, Et enfin, merci à Ségolène de Pen- fentenyo pour son regard critique et toujours bienveillant. SommaIre I. Le camouflage : une arme qui ne tue pas 1. Un concept qui existe depuis toujours p.13 a. Les subterfuges visuels du monde animal b. Les chasseurs premiers camouflés 2. Le camouflage naît dans un contexte historique sans précédent a. Le bouleversement de la perception du monde : Einstein b. Apparition de la vitesse : le ciel, nouvel angle d’observation, nouvelle menace 3. L’art de tromper a. Dissimuler ce qui est b. Exhiber ce qui n’est pas : développement de la science des leurres 4. Le camouflage se répand à tous les horizons a. Le camouflage de l’aviation et de la marine b. Le camouflage des bâtiments c. Le camouflage se répand à l’international d. Le motif camouflage est pris d’assaut par la mode II. Les cubistes créateurs du motif camouflage III. Vers un camouflage High Tech, voire virtuel 1. Paternité du camouflage 1. Deuxième Guerre mondiale : nouvelle guerre, nou- a. Guirand de Scévola ou Eugène Corbin et Louis Guingot ? veau camouflage b. Picasso et Braque : pères du cubisme a. La guerre de la vitesse rejette les artistes b.
    [Show full text]
  • Merilaita, S., Scott-Samuel, N., & Cuthill, I. (2017). How Camouflage
    Merilaita, S. , Scott-Samuel, N., & Cuthill, I. (2017). How camouflage works. Philosophical Transactions B: Biological Sciences, 372, 20160341. [20160341]. https://doi.org/10.1098/rstb.2016.0341 Peer reviewed version Link to published version (if available): 10.1098/rstb.2016.0341 Link to publication record in Explore Bristol Research PDF-document This is the final published version of the article (version of record). It first appeared online via The Royal Society Philpspphical Transactions at http://rstb.royalsocietypublishing.org/content/372/1724/20160341#sec-14 . Please refer to any applicable terms of use of the publisher. University of Bristol - Explore Bristol Research General rights This document is made available in accordance with publisher policies. Please cite only the published version using the reference above. Full terms of use are available: http://www.bristol.ac.uk/red/research-policy/pure/user-guides/ebr-terms/ Phil. Trans. R. Soc. B. article template Phil. Trans. R. Soc. B. doi:10.1098/not yet assigned How camouflage works Sami Merilaita1, Nicholas E. Scott-Samuel2, Innes C. Cuthill3 1 Department of Biosciences, Åbo Akademi University, Tykistökatu 6, FI-20520 Turku, Finland 2 Department of Experimental Psychology, University of Bristol, 12A Priory Road, Bristol BS8 1TN, UK 3 School of Biological Sciences, University of Bristol, 24 Tyndall Avenue, Bristol BS8 1TQ, UK Keywords: defensive coloration, signal-to-noise ratio, crypsis, visual search, animal coloration *Author for correspondence ([email protected]). †Present address: Department of Biosciences, Åbo Akademi University, Tykistökatu 6, FI-20520 Turku, Finland Summary For camouflage to succeed, an individual has to pass undetected, unrecognized or untargeted, and so it is the processing of visual information that needs to be deceived.
    [Show full text]
  • Blacklack Ddogog ““NAVAIRNAVAIR Rising”Rising” © Keith Ferris 2011 @fl Ynavy “Like” - “US Naval Air Forces”
    SSummerummer 20112011 VVol.ol. 33,, IIssuessue 3 CEN110000 YYearseaTrs ooff PProgressErogresNs andand AchievementAcNhievemIent AL of Naval Aviation ““FlexFlex DeckDeck Follies”Follies” Th e Navy’sNavy’s P-51P-51 MustangsMustangs BBlacklack DDogog ““NAVAIRNAVAIR Rising”Rising” © Keith Ferris 2011 @fl ynavy “Like” - “US Naval Air Forces” Visit us at http://www.navy.mil/fl ynavy Departments Naval Air Forces A Word from the ‘Air Boss’ .......................3 Offi cial Publication 2011 Blue Angels Schedule .......................7 Summer 2011 Glance at the Past .......................................8-9 Contact Us News and Notes .........................................10 Commander, Naval Air Forces Highlights Centennial of Naval Aviation (N00CoNA) Navy Mustangs ..........................................4 P.O. Box 357051 Jack the Lionhearted ..................................5 San Diego, CA 92135-7051 Scramble One! ...........................................6 Director Black Dog ..................................................10 Rear Adm. Pat McGrath Tier 1 Events List .......................................11 It’s a Wrap! .................................................12 Service Centennial Offi ces Flex Deck Follies .......................................13 U.S. Navy The FJ Fury ................................................14 CAPT Tim Wilson, 619-545-5939 [email protected] Yehudi ........................................................15 U.S. Marine Corps Col Doug Hardison, 703-614-1556 [email protected] U.S. Coast Guard CAPT
    [Show full text]
  • Second World War British Military Camouflage Designing Deception 1St Edition Download Free
    SECOND WORLD WAR BRITISH MILITARY CAMOUFLAGE DESIGNING DECEPTION 1ST EDITION DOWNLOAD FREE Isla Forsyth | 9781474222600 | | | | | Second World War British Military Camouflage: Designing Deception Military camouflage is part of the art of military deception. Cabela's Wikimedia Commons has media related to Military camouflage. Prinz Eugen. Retrieved 26 September Research Summary I am keen to supervise the following topics: Military technologies and their impacts on the geographies of war Cultures of warfare and embodied experiences of conflict Covert geographies of war Animal and more-than-human geographies Historical geographies of the desert Recent Publications FORSYTH, I. Certain Subjects? Jersey Evening Post. Dazzling and Disrupting Conflict 2. Further information: British Army uniform. Journal of the Society for Army Historical Research. In both world wars, artists were recruited as camouflage officers. Tate July Apart from concealment, uniforms are also the primary means for soldiers to tell friends and enemies apart. This website uses cookies to improve user experience. Coastal patrol boats such as those of the NorwegianSwedish and Indonesian navies continue to use terrestrial style disruptively patterned camouflage. Adams, Henry March Retrieved 26 January Archived from the original on 29 June Late in the Second World War, the USAAF abandoned camouflage paint for some aircraft to lure enemy fighters to attack, while in the Cold War, some aircraft similarly flew with polished metal skins, to reduce drag and weight, or to reduce vulnerability to radiation from nuclear weapons. Journal or Publication Title. Stealth warplanes. O'Neill suggested that patterns consisting of square blocks of colour would provide effective camouflage. While camouflage tricks are in principle limitless, Second World War British Military Camouflage Designing Deception 1st edition cost and practical considerations limit the choice of methods and the time and effort devoted to camouflage.
    [Show full text]
  • Drivers of Polymorphism Dynamics in Pygmy Grasshoppers
    Drivers of polymorphism dynamics in Pygmy grasshoppers Linnaeus University Dissertations No 95/2012 DRIVERS OF POLYMORPHISM DYNAMICS IN PYGMY GRASSHOPPERS JENNY JOHANSSON LINNAEUS UNIVERSITY PRESS DRIVERS OF POLYMORPHISM DYNAMICS IN PYGMY GRASSHOPPERS Doctoral dissertation, School of Natural Sciences, Linnaeus University 2012 Cover pictures by Einat Karpestam och Jenny Johansson ISBN: 978-91-86983-70-3 Printed by: Ineko AB, Kållered Abstract Johansson, Jenny (2012). Drivers of polymorphism dynamics in Pygmy grasshoppers. Linnaeus University Dissertation No 95/2012. ISBN: 978-91-86983-70-3. Written in English with a summary in Swedish. In this thesis, I used colour polymorphism in pygmy grasshoppers as a model system to study the influence of selection, developmental plasticity, mating behaviour and gene flow on patterns of phenotypic and genetic diversity within and among populations in changing environments. Data for more than 5,000 individuals collected from natural populations showed that the incidence of black (melanic) pygmy grasshoppers was higher in burnt than in non-burnt areas, and rapidly declined over time within populations in post-fire environments. A common garden experiment confirmed that differences among populations were genetically determined. A split brood experiment further uncovered no developmental plasticity in response to rearing substrate, but a high resemblance between mothers and their offspring thus indicating that colour morphs are under strong genetic control. To investigate the role of polyandry, I experimentally mated virgin females to multiple males; genotyped families using microsatellite markers developed for this purpose, and demonstrated that polyandrous females can produce offspring sired by different males. Analysis of families produced by females collected from a natural population confirmed that multiple paternities can increase colour morph diversity among half-siblings in the wild.
    [Show full text]
  • Sculpture As Artifice: Mimetic Form in the Environment
    Sculpture as Artifice: Mimetic Form in the Environment Mark Booth A thesis in fulfilment of requirements for the degree of Master of Fine Arts (Research) The University of New South Wales Faculty of Arts, Design and Architecture May 2021 SCULPTURE AS ARTIFICE: MIMETIC FORM IN THE ENVIRONMENT ii Table of Contents Page Acknowledgements vi List of Figures vii Chapter One. Introduction 1.1 Sculpture and Site 1 1.2 Conundrum 2 1.3 List of components 2 1.4 Camouflage 3 1.5 Theory 4 1.6 Artists 5 1.7 Site/Non-site 5 Chapter Two. Camouflage: A brief history 2.1 Natural camouflage 8 2.2 Charles Darwin 8 2.3 Abbott Thayer 9 2.4 Biomimetics 11 2.5 Artificial camouflage 12 2.6 Camouflage in the military 12 2.7 Dazzle 13 2.8 Jellybean 15 2.9 United States Army field manuals 15 2.10 Ames Room 17 2.11 Ganzfeld effect 18 SCULPTURE AS ARTIFICE: MIMETIC FORM IN THE ENVIRONMENT iii 2.12 Voronoi diagrams 19 2.13 Military biotechnology 20 Chapter Three. Unorthodox art practices 3.1 Monochromatic colour 22 3.2 Optics 24 3.3 Algorithms 25 3.4 Displacement 26 3.5 Photosynthesis 30 Chapter Four. Retrospective art practice 4.1 Pixelation 33 4.2 UCP 34 4.3 Tessellation 36 4.4 Background blending 36 4.5 Illusion and Scale 38 4.6 Assimilation 40 4.7 Conundrum 41 4.8 Parasitism 42 Chapter Five. Site/Non-site 5.1 Site 43 5.2 Site centricity 43 5.3 Situationism 45 5.4 Nature’s materials 47 5.5 Gwion Gwion 48 5.6 Non-site 49 SCULPTURE AS ARTIFICE: MIMETIC FORM IN THE ENVIRONMENT iv 5.7 Wasteland 51 Chapter Six.
    [Show full text]
  • Decloaking Invisibility to Be Seen Or Not Be Seen, That Is the Question! by Guy Cramer, President/CEO of Hyperstealth Biotechnology Corp
    Decloaking Invisibility To be seen or not be seen, that is the question! By Guy Cramer, President/CEO of Hyperstealth Biotechnology Corp. January 11, 2019 “With great power comes great responsibility.” This popular quote which is often associated with Uncle Ben in Spider Man has actually been around for centuries. Ask yourself what would you do if you discovered the power of invisibility and that power could be made available to anyone? In 2010 I was conducting experiments and accidentally discovered a material that could render a six-inch object completely invisible. It didn’t take me long before I was able to scale up the experiment to determine that the material could hide a person, a vehicle or a large building. As a successful developer of camouflage patterns for structures and buildings on U.S. federal government land, the highly successful Optifade® hunting line and over 5,000,000 military issued uniforms since 2003, this was a breakthrough I had never anticipated. Camouflage is used to hide prey from predators’ vision and conversely to hide the predators from the prey. There are biological limitations of natural camouflage such as spots or stripes that can only be overcome by a few species such as the octopus or cuttlefish which belong in the same class known as cephalopods. These masters of camouflage can change their colors and patterns to some extent to match that of their background. This mechanism can also utilized attract attention to create a high contrast display to communicate aggression, draw in an unsuspecting prey or impress potential mates.
    [Show full text]