15 Magic Years
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Bio Information: JOEL HARRISON, LORENZO FELICIATI, CUONG VU, ROY POWELL, DAN WEISS Title: HOLY ABYSS (Cuneiform Rune 334)
Bio information: JOEL HARRISON, LORENZO FELICIATI, CUONG VU, ROY POWELL, DAN WEISS Title: HOLY ABYSS (Cuneiform Rune 334) Cuneiform publicity/promotion dept.: 301-589-8894 / fax 301-589-1819 email: joyce [-at-] cuneiformrecords.com (Press & world radio); radio [-at-] cuneiformrecords.com (North American radio) www.cuneiformrecords.com FILE UNDER: JAZZ “When you stare into the abyss the abyss stares back at you.” – Friedrich Nietzsche Full of foreboding and existential terror, the abyss resides in the darkest corners of the human imagination. Holy Abyss, a collaborative project between New York guitarist Joel Harrison and Italian bassist Lorenzo Feliciati, is an antidote to angst. Flowing from a deep communion between the artists, the album turns dread on its head, offering a series of expansive soundscapes full of lustrous harmonies, searching melodies and knowing interplay. Featuring trumpeter Cuong Vu, drummer Dan Weiss and Roy Powell on piano and Hammond B3 organ, the quintet reflects jazz’s increasingly international reach. Harrison and Weiss, musical comrades for many years, are New Yorkers, while longtime collaborators Feliciati and Powell hail from Rome and Oslo via the UK, respectively. Vu, who has toured and recorded with Feliciati and Powell, was born in Vietnam and is now based in Seattle, near where he grew up. The musicians are united by a passion for modern jazz unbounded by stylistic conventions. Open to sounds from around the world, they have all created music infused with electronics, odd meters, and uncommon timbres and tonal palettes. Holy Abyss opens with Harrison’s anguished ballad “Requiem for an Unknown Soldier,” which establishes the album’s elemental sensibility with its ethereal trumpet fanfare and slow burning guitar solo. -
Pioneer Valley Jazz Shares Presents: Joel Harrison's Multiplicity
FOR IMMEDIATE RELEASE Contact: Glenn Siegel, 413-320-1089 [email protected] Pioneer Valley Jazz Shares presents: Joel Harrison’s Multiplicity Pioneer Valley Jazz Shares continues its 4th season with a performance by Joel Harrison’s Multiplicity , on Sunday, Novemeber 29 , at 7:30pm at the Arts Block Cafe , 289 Main St., Greenfield, MA. Multiplicity includes: Harrison , guitar; Anupam Shobhakar , sarod, Satoshi Takeishi , percussion. Single tickets ($15) available at www.jazzshares.org and at the door. Named a Guggenheim Fellow in 2010, Washington D.C. native Joel Harrison has long been recognized as a highly gifted guitarist, composer, arranger, vocalist and songwriter. A survey of Harrison’s body of work would be a bit like spinning a globe and stumbling on regions with names like Duke Ellington, Hendrix, The Beatles, John Mclaughlin, and Charles Ives. Wielding a focused lens and an ever-increasing courage to take risks with his art, Harrison has quickly blossomed from mentorships with Joan Tower, Ali Akbar Khan and Charlie Banacos into one of the most respected artists of his generation. On Mother Stump (Cuneiform), Harrison puts himself out front as a guitarist, leading a trio that catalyzes numerous American guitar styles, in a stunning display of raw sound and emotion that both soothes and rocks. His 2013 release, Infinite Possibility , new music for a 19 piece jazz orchestra, received a four and a half star review from Downbeat. AllMusic called it “a stellar exercise in ambition and vision.” Past works include Harrison on Harrison (Highnote, 2005), exploring the music of George Harrison, (Dave Liebman, Uri Caine and David Binney), Free Country (Norah Jones, Binney, Gary Versace), and the septet Search, which utilizes the techniques of contemporary classical composers like John Adams, Charles Ives, and Olivier Messiaen in compositions for a septet of modern jazz’s finest instrumentalists. -
UNEARTHED GEM Behind As Rich a Legacy As a Composer As She Did As a with Supporting Minimalist Touches
contrasts of instrumentation and style with dramatic stand-out, although its soul-jazz vibe sounds a bit results. strained. With the chromatic line pushed along by The prelude “Hope” boasts the Toomai String Weiss’ rolls and pops, the piece gains in intensity as it Quartet introducing recurring melodic motifs, careens forward, goosed by sustained triplets from Vu, including one spurred by insistent but spare percussion. until Harrison’s steady blues progression calms things A clipped guitar phrase opens “Providence”, as bass down to eventual diminuendo. and percussion pulse sweeping string movements and With artful composing and playing evident at short call-and-responses for Manzo to sing against. points, Holy Abyss isn’t in a complete void. But next Her almost liturgical delivery on “Dawn to Dark” time out more variety in the writing and liveliness in Dear Abbey: The Music of Abbey Lincoln matches the strings’ emotively soaring highs and its execution could move the band closer to producing Teri Roiger (Inner Circle) rumbling lows, suggesting both spiritual and physical something (w)holy satisfying. by Joel Roberts longing. “If You Can’t”, an uncomplicated song interestingly introduced by plucked strings, gains For more information, visit cuneiformrecords.com. Harrison Abbey Lincoln is nearly alone among the late great momentum as the voice mirrors the string cadence and is at ShapeShifter Lab Sep. 6th. See Calendar. divas of jazz singing - the ones instantly identifiable by percussion punctuates the phrases. first name alone, like Ella, Sarah, Billie, Carmen, Betty Halvorson provides textural relief after classical - in that she wrote much of her own material and left strings open “Plutonium”, as bass and cello pulsate UNEARTHED GEM behind as rich a legacy as a composer as she did as a with supporting minimalist touches. -
Berklee Oral History Project BCA-011 Finding Aid Prepared by Audrey Abrams, Simmons GSLIS Intern
Berklee Oral History Project BCA-011 Finding aid prepared by Audrey Abrams, Simmons GSLIS intern This finding aid was produced using the Archivists' Toolkit July 31, 2014 Describing Archives: A Content Standard Berklee College Archives 2014/02/11 1140 Boylston St Boston, MA, 02215 617-747-8001 Berklee Oral History Project BCA-011 Table of Contents Summary Information ................................................................................................................................. 3 Historical note................................................................................................................................................4 Scope and contents........................................................................................................................................ 4 Arrangement...................................................................................................................................................4 Administrative Information .........................................................................................................................4 Controlled Access Headings..........................................................................................................................5 Collection Inventory...................................................................................................................................... 8 - Page 2 - Berklee Oral History Project BCA-011 Summary Information Repository Berklee College Archives Creator Berklee College -
Billy Drummond U
Ravi Coltrane I EXCLUSIVE Marian McPartland Book Excerpt DOWNBEAT JACK DEJOHNETTE JACK // RAVI RAVI C OLT R ANE // Jack MA R IAN MCPA IAN DeJohnette’s R TLAN D BIG SOUND // JOEL JOEL Joel Harrison H A rr Endless Guitar ISON // BILLY D BILLY Drum School » Billy Drummond R U mm BLINDFOLD TEST ON D » Bill Stewart TRANSCRIPTION » Tommy Igoe MASTER CLASS » Dan Weiss PRO SESSION NOVEMBER 2012 U.K. £3.50 NOVE M B E R 2012 DOWNBEAT.COM NOVEMBER 2012 VOLUME 79 – NuMBER 11 President Kevin Maher Publisher Frank Alkyer Managing Editor Bobby Reed News Editor Hilary Brown Reviews Editor Aaron Cohen Contributing Editors Ed Enright Zach Phillips Art Director Ara Tirado Production Associate Andy Williams Bookkeeper Margaret Stevens Circulation Manager Sue Mahal Circulation Assistant Evelyn Oakes ADVERTISING SALES Record Companies & Schools Jennifer Ruban-Gentile 630-941-2030 [email protected] Musical Instruments & East Coast Schools Ritche Deraney 201-445-6260 [email protected] OFFICES 102 N. Haven Road Elmhurst, IL 60126–2970 630-941-2030 / Fax: 630-941-3210 http://downbeat.com [email protected] CUSTOMER SERVICE 877-904-5299 [email protected] CONTRIBUTORS Senior Contributors: Michael Bourne, John McDonough Atlanta: Jon Ross; Austin: Michael Point, Kevin Whitehead; Boston: Fred Bouchard, Frank-John Hadley; Chicago: John Corbett, Alain Drouot, Michael Jackson, Peter Margasak, Bill Meyer, Mitch Myers, Paul Natkin, Howard Reich; Denver: Norman Provizer; Indiana: Mark Sheldon; Iowa: Will Smith; Los Angeles: Earl Gibson, Todd Jenkins, Kirk Silsbee, Chris Walker, Joe Woodard; Michigan: John Ephland; Minneapolis: Robin James; Nashville: Bob Doerschuk; New Or- leans: Erika Goldring, David Kunian, Jennifer Odell; New York: Alan Bergman, Herb Boyd, Bill Douthart, Ira Gitler, Eugene Gologursky, Norm Harris, D.D. -
We Offer Thanks to the Artists Who've Played the Nighttown Stage
www.nighttowncleveland.com Brendan Ring, Proprietor Jim Wadsworth, JWP Productions, Music Director We offer thanks to the artists who’ve played the Nighttown stage. Aaron Diehl Alex Ligertwood Amina Figarova Anne E. DeChant Aaron Goldberg Alex Skolnick Anat Cohen Annie Raines Aaron Kleinstub Alexis Cole Andrea Beaton Annie Sellick Aaron Weinstein Ali Ryerson Andrea Capozzoli Anthony Molinaro Abalone Dots Alisdair Fraser Andreas Kapsalis Antoine Dunn Abe LaMarca Ahmad Jamal ! Basia ! Benny Golson ! Bob James ! Brooker T. Jones Archie McElrath Brian Auger ! Count Basie Orchestra ! Dick Cavett ! Dick Gregory Adam Makowicz Arnold Lee Esperanza Spaulding ! Hugh Masekela ! Jane Monheit ! J.D. Souther Adam Niewood Jean Luc Ponty ! Jimmy Smith ! Joe Sample ! Joao Donato Arnold McCuller Manhattan TransFer ! Maynard Ferguson ! McCoy Tyner Adrian Legg Mort Sahl ! Peter Yarrow ! Stanley Clarke ! Stevie Wonder Arto Jarvela/Kaivama Toots Thielemans Adrienne Hindmarsh Arturo O’Farrill YellowJackets ! Tommy Tune ! Wynton Marsalis ! Afro Rican Ensemble Allan Harris The Manhattan TransFerAndy Brown Astral Project Ahmad Jamal Allan Vache Andy Frasco Audrey Ryan Airto Moreira Almeda Trio Andy Hunter Avashai Cohen Alash Ensemble Alon Yavnai Andy Narell Avery Sharpe Albare Altan Ann Hampton Callaway Bad Plus Alex Bevan Alvin Frazier Ann Rabson Baldwin Wallace Musical Theater Department Alex Bugnon Amanda Martinez Anne Cochran Balkan Strings Banu Gibson Bob James Buzz Cronquist Christian Howes Barb Jungr Bob Reynolds BW Beatles Christian Scott Barbara Barrett Bobby Broom CaliFornia Guitar Trio Christine Lavin Barbara Knight Bobby Caldwell Carl Cafagna Chuchito Valdes Barbara Rosene Bobby Few Carmen Castaldi Chucho Valdes Baron Browne Bobby Floyd Carol Sudhalter Chuck Loeb Basia Bobby Sanabria Carol Welsman Chuck Redd Battlefield Band Circa 1939 Benny Golson Claudia Acuna Benny Green Claudia Hommel Benny Sharoni Clay Ross Beppe Gambetta Cleveland Hts. -
At the W Ardrobe Info 0113 269 4077
Brad Shepik was born in Walla Walla,Washington 1966 and raised in Seattle. He played Wednesday November 10 The Wardrobe £10/8 guitar and saxophone in school bands and attended Cornish College of the Arts where he Brad Shepik Trio studied with Jerry Granelli, Julian Priester, Dave Peck, James Knapp, Dave Petersen and Brad Shepik – guitar, saxaphone Ralph Towner. Tom Rainey – drums In 1990 Brad moved to New York and dived head first into the music scene. He quickly Matt Penman – bass became involved in the formation of a loose collective of improvising musicians who were into experimenting and playing each other’s music, as well as different folk musics including Balkan and Eastern European musics. Out of this environment was born many groups that Shepik continues to perform with today including the Tiny Bell Trio 1992, Paradox Trio 1992, Pachora 1993, and BABKAS 1992–8. In 1991 Bill Frisell recommended Shepik to Paul Motion for his Electric Be Bop Band which Shepik toured and recorded with for five years. “Shepik’s got the mind of a pioneer.The rhythmic complexity of his compositions has few parallels in jazz – or any other genre,for that matter.With all his exotic influences, and all his different axes,he makes us rethink what it means to be a guitarist and a musician.There’s no telling where he’ll go next.” allaboutjazz.com Iconoclastic and prolific jazz-rock guitarist David ‘Fuze’ Fiuczynski, a jazz player who “doesn’t want to Thursday November 18 The Wardrobe £12/10 play just jazz”, has been hailed by the world press as an incredibly inventive guitar hero, who continues Screaming Headless Torsos to deliver with music that is unclassifiable, challenging and invigorating. -
Downbeat.Com June 2014 U.K. £3.50
JUNE 2014 U.K. £3.50 DOWNBEAT.COM JUNE 2014 VOLUME 81 / NUMBER 6 President Kevin Maher Publisher Frank Alkyer Editor Bobby Reed Associate Editor Davis Inman Contributing Editors Ed Enright Kathleen Costanza Art Director LoriAnne Nelson Contributing Designer Ara Tirado Bookkeeper Margaret Stevens Circulation Manager Sue Mahal Circulation Assistant Evelyn Oakes ADVERTISING SALES Record Companies & Schools Jennifer Ruban-Gentile 630-941-2030 [email protected] Musical Instruments & East Coast Schools Ritche Deraney 201-445-6260 [email protected] Advertising Sales Associate Pete Fenech 630-941-2030 [email protected] OFFICES 102 N. Haven Road, Elmhurst, IL 60126–2970 630-941-2030 / Fax: 630-941-3210 http://downbeat.com [email protected] CUSTOMER SERVICE 877-904-5299 / [email protected] CONTRIBUTORS Senior Contributors: Michael Bourne, Aaron Cohen, John McDonough Atlanta: Jon Ross; Austin: Kevin Whitehead; Boston: Fred Bouchard, Frank- John Hadley; Chicago: John Corbett, Alain Drouot, Michael Jackson, Peter Margasak, Bill Meyer, Mitch Myers, Paul Natkin, Howard Reich; Denver: Norman Provizer; Indiana: Mark Sheldon; Iowa: Will Smith; Los Angeles: Earl Gibson, Todd Jenkins, Kirk Silsbee, Chris Walker, Joe Woodard; Michigan: John Ephland; Minneapolis: Robin James; Nashville: Bob Doerschuk; New Orleans: Erika Goldring, David Kunian, Jennifer Odell; New York: Alan Bergman, Herb Boyd, Bill Douthart, Ira Gitler, Eugene Gologursky, Norm Harris, D.D. Jackson, Jimmy Katz, Jim Macnie, Ken Micallef, Dan Ouellette, Ted Panken, Richard Seidel, Tom -
Cohens Avishai, Anat Anat Avishai, Il Fam
DOWNBEAT Best CDs of 2011 John Scofield Peter Brötzmann 3 COHENS // JOHN JOHN Sc OFIEL D // PETER BRÖTZMANN PETER // BEST CDS OF 2011 Eric Reed BLINDFOLDED // SPECIAL SECTION JAZZ JAZZ JAZZ SCHOOL Sc HOOL » Charles Mingus TRANSCRIBED » Dr. Lonnie Smith MASTER CLASS » Jazz Camp Italian Style » Jim Snidero COHENS3 Avishai, Anat & Yuval JANUARY 2012 U.K. £3.50 FamILY CONQUERS ALL J ANUARY 2012 ANUARY DOWNBEAT.COM JANUARY 2012 VOLUme 79 – NUMBER 1 President Kevin Maher Publisher Frank Alkyer Managing Editor Bobby Reed News Editor Hilary Brown Reviews Editor Aaron Cohen Contributing Editor Ed Enright Art Director Ara Tirado Production Associate Andy Williams Bookkeeper Margaret Stevens Circulation Manager Sue Mahal Circulation Assistant Evelyn Oakes ADVERTISING SALES Record Companies & Schools Jennifer Ruban-Gentile 630-941-2030 [email protected] Musical Instruments & East Coast Schools Ritche Deraney 201-445-6260 [email protected] Advertising Sales Assistant Theresa Hill 630-941-2030 [email protected] OFFICES 102 N. Haven Road Elmhurst, IL 60126–2970 630-941-2030 / Fax: 630-941-3210 http://downbeat.com [email protected] CUSTOMER SERVICE 877-904-5299 [email protected] CONTRIBUTORS Senior Contributors: Michael Bourne, John McDonough Atlanta: Jon Ross; Austin: Michael Point, Kevin Whitehead; Boston: Fred Bouchard, Frank-John Hadley; Chicago: John Corbett, Alain Drouot, Michael Jackson, Peter Margasak, Bill Meyer, Mitch Myers, Paul Natkin, Howard Reich; Denver: Norman Provizer; Indiana: Mark Sheldon; Iowa: Will Smith; Los Angeles: Earl Gibson, Todd Jenkins, Kirk Silsbee, Chris Walker, Joe Woodard; Michigan: John Ephland; Minneapolis: Robin James; Nashville: Bob Doerschuk; New Or- leans: Erika Goldring, David Kunian, Jennifer Odell; New York: Alan Bergman, Herb Boyd, Bill Douthart, Ira Gitler, Eugene Gologursky, Norm Harris, D.D. -
Joel Harrison
JOEL HARRISON SO LONG 2ND STREET feat. David Binney ACT 9431-2 Release date: 27. September 2004 For his ACT debut CD "Free Country" (ACT 9419-2), Joel Harrison received a euphoric critical reaction. Joel, who was born in the Washington D.C. and has been living in New York since 1999, brought to classics such as Johnny Cash's "I Walk The Line" a fresh and surprising reworking which moves between country, rock and jazz, making you forget all those Western-sounding clip-clopping cliches. Whereas in "Free Country" Harrison used a number of guest vocalists such as the multi-Grammy feted Norah Jones, this time, on the new album "So Long 2nd Street", he takes the lead vocal role himself. He combines songs and instrumentals in a unique way, for which there are no stylistic comparisons. "A strong personal, intimate statement" is the way in which Harrison describes this CD: a "close-up" rather than a broad sweep, where a telescope is used to assess the horizon. He consolidates the concept of the previous release, by taking influences from all American musical styles from Miles Davis to Johnny Cash, where timeless, simple (vocal) melodies contrast with explosive instrumental interludes. A decision to concentrate on originals between traditional songs and borrowed pieces, as well as a focus on the unique voices of the original singers, songwriters and guitarists, makes "So Long 2nd Street" an even more radical, more intense album than "Free Country". Harrison doesn't have to hide his voice behind his technical ability as a guitarist. From the first bars of the first track one realizes that we are listening to a strong, raw voice full of character and soul. -
Jean-Luc Ponty Tomeka Reid Reuben Wilson Paul Motian
JUNE 2017—ISSUE 182 YOUR FREE GUIDE TO THE NYC JAZZ SCENE NYCJAZZRECORD.COM CHRIS POTTER LIVING THE DREAM JEAN-LUC TOMEKA REUBEN PAUL PONTY REID WILSON MOTIAN Managing Editor: Laurence Donohue-Greene Editorial Director & Production Manager: Andrey Henkin To Contact: The New York City Jazz Record 66 Mt. Airy Road East JUNE 2017—ISSUE 182 Croton-on-Hudson, NY 10520 United States Phone/Fax: 212-568-9628 New York@Night 4 Laurence Donohue-Greene: Interview : JEAN-LUC PONTY 6 by ken dryden [email protected] Andrey Henkin: [email protected] Artist Feature : tomeka reid 7 by clifford allen General Inquiries: [email protected] ON The COver : chris potter 8 by marilyn lester Advertising: [email protected] Encore : reuben wilson by alex henderson Calendar: 10 [email protected] VOXNews: Lest WE Forget : paul motian 10 by john pietaro [email protected] LAbel Spotlight : ROPEADOPE by mark keresman US Subscription rates: 12 issues, $40 11 Canada Subscription rates: 12 issues, $45 International Subscription rates: 12 issues, $50 For subscription assistance, send check, cash or vOXNEWS 11 by suzanne lorge money order to the address above or email [email protected] IN Memoriam Staff Writers 12 David R. Adler, Clifford Allen, Duck Baker, Fred Bouchard, Festival Report Stuart Broomer, Thomas Conrad, 13 Ken Dryden, Donald Elfman, Philip Freeman, Kurt Gottschalk, Tom Greenland, Anders Griffen, CD REviews 14 Alex Henderson, Marcia Hillman, Terrell Holmes, Robert Iannapollo, Suzanne Lorge, Mark Keresman, Miscellany 39 Marc Medwin, Ken Micallef, Russ Musto, John Pietaro, Joel Roberts, John Sharpe, Event Calendar 40 Elliott Simon, Andrew Vélez, Ken Waxman, Scott Yanow Contributing Writers Robert Bush, George Kanzler, Matthew Kassel, Marilyn Lester We have referenced poet John Donne’s 17th Century work “No Man Is an Island” in this space before but it seems like a particularly good time to revisit the concept. -
We Are Proud to Present the Results of the 67Th Annual Downbeat
We are proud to present the results of the 67th Annual DownBeat International Critics Poll, which includes Jazz Album of the Year (page 40) and Historical Album of the Year (page 44). Nina Simone ........................... 122 Anthony Braxton ...................... 88 Pharoah Sanders ..................... 71 Charles Lloyd ........................... 69 Kenny Barron ........................... 64 Tomasz Stanko......................... 58 Paul Bley .................................. 57 Jack DeJohnette ...................... 56 Jimmy Giuffre ........................... 54 Jimmy Heath ............................ 50 John McLaughlin ..................... 47 Shirley Horn ............................. 46 Jaki Byard ................................ 41 Oliver Nelson ............................38 Yusef Lateef ............................. 37 Bobby Hutcherson ...................36 Hank Mobley ............................ 34 Grant Green.............................. 32 Carmen McRae ........................ 32 Gunther Schuller ...................... 31 Kenny Burrell ............................30 Miguel Zenón, winner of the Alto Saxophone category Kenny Barron ........................... 30 Fred Hersch Trio, Sullivan Fortner, Scott LaFaro ..........................67% JD Allen .................................... 28 Live In Europe (Palmetto) ......... 44 Moments Preserved (Impulse!) .. 22 Joe Williams ...........................67% Julian Lage ............................... 28 Charles Lloyd & The Marvels + Lionel Loueke, (Note: Artists must receive