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Crossmedia Adaptation and the Development of Continuity in the Dc Animated Universe
“INFINITE EARTHS”: CROSSMEDIA ADAPTATION AND THE DEVELOPMENT OF CONTINUITY IN THE DC ANIMATED UNIVERSE Alex Nader A Thesis Submitted to the Graduate College of Bowling Green State University in partial fulfillment of the requirements for the degree of MASTER OF ARTS May 2015 Committee: Jeff Brown, Advisor Becca Cragin © 2015 Alexander Nader All Rights Reserved iii ABSTRACT Jeff Brown, Advisor This thesis examines the process of adapting comic book properties into other visual media. I focus on the DC Animated Universe, the popular adaptation of DC Comics characters and concepts into all-ages programming. This adapted universe started with Batman: The Animated Series and comprised several shows on multiple networks, all of which fit into a shared universe based on their comic book counterparts. The adaptation of these properties is heavily reliant to intertextuality across DC Comics media. The shared universe developed within the television medium acted as an early example of comic book media adapting the idea of shared universes, a process that has been replicated with extreme financial success by DC and Marvel (in various stages of fruition). I address the process of adapting DC Comics properties in television, dividing it into “strict” or “loose” adaptations, as well as derivative adaptations that add new material to the comic book canon. This process was initially slow, exploding after the first series (Batman: The Animated Series) changed networks and Saturday morning cartoons flourished, allowing for more opportunities for producers to create content. References, crossover episodes, and the later series Justice League Unlimited allowed producers to utilize this shared universe to develop otherwise impossible adaptations that often became lasting additions to DC Comics publishing. -
30Th ANNIVERSARY 30Th ANNIVERSARY
July 2019 No.113 COMICS’ BRONZE AGE AND BEYOND! $8.95 ™ Movie 30th ANNIVERSARY ISSUE 7 with special guests MICHAEL USLAN • 7 7 3 SAM HAMM • BILLY DEE WILLIAMS 0 0 8 5 6 1989: DC Comics’ Year of the Bat • DENNY O’NEIL & JERRY ORDWAY’s Batman Adaptation • 2 8 MINDY NEWELL’s Catwoman • GRANT MORRISON & DAVE McKEAN’s Arkham Asylum • 1 Batman TM & © DC Comics. All Rights Reserved. JOEY CAVALIERI & JOE STATON’S Huntress • MAX ALLAN COLLINS’ Batman Newspaper Strip Volume 1, Number 113 July 2019 EDITOR-IN-CHIEF Comics’ Bronze Age and Beyond! Michael Eury TM PUBLISHER John Morrow DESIGNER Rich Fowlks COVER ARTIST José Luis García-López COVER COLORIST Glenn Whitmore COVER DESIGNER Michael Kronenberg PROOFREADER Rob Smentek IN MEMORIAM: Norm Breyfogle . 2 SPECIAL THANKS BACK SEAT DRIVER: Editorial by Michael Eury . 3 Karen Berger Arthur Nowrot Keith Birdsong Dennis O’Neil OFF MY CHEST: Guest column by Michael Uslan . 4 Brian Bolland Jerry Ordway It’s the 40th anniversary of the Batman movie that’s turning 30?? Dr. Uslan explains Marc Buxton Jon Pinto Greg Carpenter Janina Scarlet INTERVIEW: Michael Uslan, The Boy Who Loved Batman . 6 Dewey Cassell Jim Starlin A look back at Batman’s path to a multiplex near you Michał Chudolinski Joe Staton Max Allan Collins Joe Stuber INTERVIEW: Sam Hamm, The Man Who Made Bruce Wayne Sane . 11 DC Comics John Trumbull A candid conversation with the Batman screenwriter-turned-comic scribe Kevin Dooley Michael Uslan Mike Gold Warner Bros. INTERVIEW: Billy Dee Williams, The Man Who Would be Two-Face . -
Myth and Carnival in Robert Coover's the Public Burning
ROBERTO MARIA DAINOTTO Myth and Carnival in Robert Coover's The Public Burning Certain situations in Coover's fictions seem to conspire with a sense of impending disaster, which we have visited upon us from day to day. We have had, in that sense, an unending sequence of apocalypses, long before Christianity began and up to the present... in a lot of contemporary fiction there's a sense of foreboding disaster which is part of the times, just like self reflexive fictions. (Coover 1983, 78) As allegory, the trope of the apocalypse—a postmodern version of the Aristotelian tragic catastrophe—stands at the center of Coover's choice of content, his method of treating his materials, and his view of writing. In his fictions, one observes desperate people caught in religious nightmares leading to terrible catastrophes, a middle-aged man whose life is sacrificed at the altar of an imaginary baseball game, beautiful women repeatedly killed in the Gothic intrigues of Gerald's Party, and other hints and omens of death and annihilation. And what about the Rosenbergs, whom the powers that be "determined to burn... in New York City's Times Square on the night of their fourteenth wedding anniversary, Thursday, June 18, 1953"(PB 3)?1 In The Public Burning, apocalypse becomes holocaust—quite literally, the Greek holokauston, a "sacrifice consumed by fire." What proves interesting from a narrative point of view is that Coover makes disaster, apocalypse and holocaust part of the materials of the fictions" of the times"—which he calls" self-reflexive fictions." But what is the relation between genocide, human annihilation, and self-reflexive fictions? How do fictions" of the times" reflect holocaust? Larry McCaffery suggests: 6 Dainotto in most of Coover's fiction there exists a tension between the process of man creating his fictions and his desire to assert that his systems have an independent existence of their own. -
Comment on the Commentary of the Day by Donald J. Boudreaux Chairman, Department of Economics George Mason University [email protected]
Comment on the Commentary of the Day by Donald J. Boudreaux Chairman, Department of Economics George Mason University [email protected] http://www.cafehayek.com Disclaimer: The following “Letters to the Editor” were sent to the respective publications on the dates indicated. Some were printed but many were not. The original articles that are being commented on may or may not be available on the internet and may require registration or subscription to access if they are. Some of the original articles are syndicated and therefore may have appeared in other publications also. 29 August 2010 should do almost the suburbs so that more opposite of what he people can enjoy Editor, Washington advocates. McMansions situated on Examiner large grassy lots. We For example, it's beneficial should quit protecting Dear Editor: to help others. So I argue endangered species that that we are morally obliged humans don't consume as David Sirota identifies a to do more to help others, food, as protecting such benefit - namely, reduced regardless of the costs species hurts people by human impact on the (including any resulting reducing economic output. environment – and argues impacts on the And we should certainly that, therefore, people are environment). avoid Mr. Sirota's practice morally obliged to take of bicycling to work: steps to achieve that We should spend more because travel by bike benefit ("A week of living time working in factories takes far more time than with low impact on the producing furniture, cars, does travel by car, bicycle environment," Aug. 29). cell phones, and the commuters thoughtlessly – But because he ignores countless other products nay, irresponsibly! - reduce competing benefits, Mr. -
Cavalier Football Weekly Week 8
Never Forget Week 8 - 2019 Never Give In Cavalier Football Weekly By: Chris Cron Final Scores Anna Game Summary Coldwater 08 1st 2nd 3rd 4th Final Anna 49 Coldwater (7-1) 00 00 00 08 08 Ft. Recovery 24 Anna (7-1) 21 21 07 00 49 St. Henry 21 Qtr Scoring Play Coldwater Anna Minster 27 Marion Local 26 1 Bart Bixler 23 yd run - Zach Ambos kick good - 8 Plays, 66 Yards 00 07 1 Bart Bixler 26 yd run - Zach Ambos kick good - 7 Plays, 45 Yards 00 14 Parkway 49 1 Bart Bixler 12 yd run - Zach Ambos kick good - 6 Plays, 57 Yards 00 21 St. Johns 35 2 Jeffrey Richards 33 yd pass from Bart Bixler - Zach Ambos kick good - 1 Plays, 33 Yards 00 28 Versailles 07 2 Riley Huelskamp 9 yd run - Zach Ambos kick good - 2 Plays, 16 Yards 00 35 New Bremen 23 2 Hayden Huelskamp 3 yd pass from Bart Bixler - Zach Ambos kick good - 11 Plays, 55 Yards 00 42 Shawnee 00 3 Riley Huelskamp 32 yd run - Zach Ambos kick good - 5 Plays, 73 Yards 00 49 Kenton 28 4 Alex Knapke 61 yd run - Pass Completed - 2 Plays, 61 Yards 08 49 Mt. Healthy 54 Northwest 20 Statistical Leaders (Season to Date) Rushing At-Yd-TD Passing At - Cp - Yd - TD-Int Tackles (TOP 12) Total-Sacks Next Week… Jake Hemmelgarn 84-696-12 Jake Hemmelgarn 173-110-1497-17-3 Russell Klosterman 64-0 Nathan Grieshop 41-261-4 Nathan Grieshop 60-1 Anna at Parkway Marion Local at Ft. -
Resistant Vulnerability in the Marvel Cinematic Universe's Captain America
Western University Scholarship@Western Electronic Thesis and Dissertation Repository 2-15-2019 1:00 PM Resistant Vulnerability in The Marvel Cinematic Universe's Captain America Kristen Allison The University of Western Ontario Supervisor Dr. Susan Knabe The University of Western Ontario Graduate Program in Media Studies A thesis submitted in partial fulfillment of the equirr ements for the degree in Master of Arts © Kristen Allison 2019 Follow this and additional works at: https://ir.lib.uwo.ca/etd Part of the Other Feminist, Gender, and Sexuality Studies Commons, Other Film and Media Studies Commons, and the Women's Studies Commons Recommended Citation Allison, Kristen, "Resistant Vulnerability in The Marvel Cinematic Universe's Captain America" (2019). Electronic Thesis and Dissertation Repository. 6086. https://ir.lib.uwo.ca/etd/6086 This Dissertation/Thesis is brought to you for free and open access by Scholarship@Western. It has been accepted for inclusion in Electronic Thesis and Dissertation Repository by an authorized administrator of Scholarship@Western. For more information, please contact [email protected]. Abstract Established in 2008 with the release of Iron Man, the Marvel Cinematic Universe has become a ubiquitous transmedia sensation. Its uniquely interwoven narrative provides auspicious grounds for scholarly consideration. The franchise conscientiously presents larger-than-life superheroes as complex and incredibly emotional individuals who form profound interpersonal relationships with one another. This thesis explores Sarah Hagelin’s concept of resistant vulnerability, which she defines as a “shared human experience,” as it manifests in the substantial relationships that Steve Rogers (Captain America) cultivates throughout the Captain America narrative (11). This project focuses on Steve’s relationships with the following characters: Agent Peggy Carter, Natasha Romanoff (Black Widow), and Bucky Barnes (The Winter Soldier). -
Released 25Th September 2019 BOOM! STUDIOS JUL198679
Released 25th September 2019 BOOM! STUDIOS JUL198679 ANGEL #4 (2ND PTG) JUL198681 ANGEL #5 15 COPY FOC SLINEY INCV JUL191315 ANGEL #5 CVR A MAIN PANOSIAN JUL191316 ANGEL #5 CVR B MATTHEWS CONNECTING VAR JUL191317 ANGEL #5 CVR C PREORDER BUONCRISTIANO JUL198680 ANGEL #5 FOC SLINEY INCV JUL191320 ANGEL TP VOL 01 JUN191301 AVANT-GUARDS #8 (OF 8) CVR A MAIN HAYES JUN191302 AVANT-GUARDS #8 (OF 8) CVR B PREORDER MCGEE VAR JUL191339 FAITHLESS #6 (OF 6) CVR A POPE JUL191340 FAITHLESS #6 (OF 6) CVR B EROTICA LOTAY VAR JUL198682 FAITHLESS #6 (OF 6) FOC LEE VAR JUL198685 JIM HENSON DARK CRYSTAL AGE RESISTANCE #1 25 COPY TONG VAR JUL198684 JIM HENSON DARK CRYSTAL AGE RESISTANCE #1 BLANK SKETCH VAR JUL191302 JIM HENSON DARK CRYSTAL AGE RESISTANCE #1 CVR A JUL191303 JIM HENSON DARK CRYSTAL AGE RESISTANCE #1 CVR B CONNECTING VAR JUL198683 JIM HENSON DARK CRYSTAL AGE RESISTANCE #1 FOC WARD VAR MAY191240 JIM HENSON DARK CRYSTAL CREATION MYTHS COMPLETE HC JUL191344 LUMBERJANES #66 CVR A LEYH JUL191345 LUMBERJANES #66 CVR B PREORDER MILLEDGE VAR JUL191331 MIGHTY MORPHIN POWER RANGERS #43 CVR A CAMPBELL JUL198687 MIGHTY MORPHIN POWER RANGERS #43 FOC MORA VAR JUL191333 MIGHTY MORPHIN POWER RANGERS #43 FOIL MONTES VAR DARK HORSE COMICS MAY190279 ALIENS RESCUE #3 (OF 4) CVR A DE LA TORRE MAY190280 ALIENS RESCUE #3 (OF 4) CVR B CHATER MAY190278 ART OF RAGE 2 HC MAY190290 BERSERK TP VOL 40 MAY190263 DISNEY CHRISTMAS CAROL STARRING SCROOGE MCDUCK TP JUN190366 DISNEY FROZEN HERO WITHIN #3 (OF 3) KAWAII CREATIVE STUDIO MAY190295 ELFEN LIED OMNIBUS TP VOL 02 JUL190364 -
O SILENCER Please Continue on Back If Needed!) O TERRIFICS 1/1/18
DARK HORSE IMAGE MARVEL CONT. o AMERICAN GODS Neil Gaiman o ANGELIC o MS MARVEL o ANGEL o BEAUTY o OLD MAN HAWKEYE o BPRD o BLACK SCIENCE o OLD MAN LOGAN o BUFFY o CURSE WORDS o PETER PARKER Spectacular Spider o HARROW COUNTY o DEADLY CLASS o PUNISHER o HELLBOY o DESCENDER o RUNAWAYS DC / VERTIGO COMICS o EAST OF WEST o SHE HULK o ACTION o EXTREMITY o SPIDER-GWEN o AQUAMAN o FIX o SPIDER-MAN o ASTRO CITY o GOD COMPLEX o SPIDER-MAN / DEADPOOL o BANE CONQUEST o HIT GIRL o STAR WARS o BATGIRL o I HATE FAIRYLAND o STAR WARS DARTH VADER o BATGIRL & BIRDS OF PREY o KICK ASS o STAR WARS DOCTOR APHRA o BATMAN o KILL OR BE KILLED o STAR WARS POE DAMERON o BATMAN BEYOND o MONSTRESS o TALES OF SUSPENSE o BATWOMAN o MOONSHINE o THANOS o BOMBSHELLS UNITED o MOTOR CRUSH o UNBEATABLE SQUIRREL GIRL o DAMAGE o OBLIVION SONG o VENOM o DEATHSTROKE o OUTCAST o WEAPON H o DETECTIVE COMICS o PAPER GIRLS o WEAPON X o DOOMSDAY CLOCK o PORT OF EARTH o X-MEN BLUE o FLASH o RAT QUEENS o X-MEN GOLD o FUTURE QUEST PRESENTS o REDLANDS o X-MEN RED o GOTHAM CITY GARAGE o REDNECK VALIANT o GREEN ARROW o ROSE o SHADOWMAN o GREEN LANTERNS o ROYAL CITY o ARMSTRONG o HAL JORDAN GREEN LANTERN CORP o RUMBLE o BLOODSHOT o HARLEY QUINN o SAGA o NINJAK o HELLBLAZER o SNOTGIRL o QUANTUM & WOODY o INJUSTICE 2 o SPAWN o X-O MANOWAR o JUSTICE LEAGUE o VS OTHER o JUSTICE LEAGUE OF AMERICA o WALKING DEAD o ADVENTURE TIME o MISTER MIRACLE o WICKED & THE DIVINE o ARCHIE o NEW SUPERMAN & Justice League China o WITCHBLADE o DOCTOR WHO o NIGHTWING o YOUNGBLOOD o GO GO POWER RANGERS o RAGMAN -
EVAN HUNTER / ED Mcbain
MICKEY SPILLANE, 1918-2006 On March 9, 1918, in Brooklyn, New York, Frank Morrison Spillane was born on March 9, 1918, in Brooklyn, to parents Anne and John Spillane. Although he would be known as Morrison by his teachers, it was his father's nickname for him which would endure: Mickey. As a youth, he excelled at football and swimming. It was during his high school years that he began his writing career, with his first piece published shortly after graduation. Early in his career, he would often have his work published under pseudonyms, Frank Morrison being one of them. After high school, he briefly attended Kansas State Teachers College, spending most of his time there playing football. After college, he returned to New York. He worked at Gimbel's then joined the staff of writers at Marvel Comic Books, penning detective and supehero stories. When WW II broke out, Mickey enlisted in the Air Force but remained stateside and out of the action. Stationed in Mississippi, he met Mary Ann Pearce, who, in 1945, became his first wife. They later had four children, Kathy, Ward, Michael and Caroline. After the war, he returned to New York. He bought a plot of land and decided to build a new home on it. To do so required a thousand dollars, a thousand dollars more than he had. So, in order to raise the money, he decided to write a book. He based it on a comic book character called Mike Danger he had created early in his career. That book was I, The Jury. -
SUPERGIRLS and WONDER WOMEN: FEMALE REPRESENTATION in WARTIME COMIC BOOKS By
SUPERGIRLS AND WONDER WOMEN: FEMALE REPRESENTATION IN WARTIME COMIC BOOKS by Skyler E. Marker A Master's paper submitted to the faculty of the School of Information and Library Science of the University of North Carolina at Chapel Hill in partial fulfillment of the requirements for the degree of Master of Science in Library Science. Chapel Hill, North Carolina May, 2017 Approved by: ________________________ Rebecca Vargha Skyler E. Marker. Supergirls and Wonder Women: Female Representation in Wartime Comics. A Master's paper for the M.S. in L.S. degree. May, 2017. 70 pages. Advisor: Rebecca Vargha This paper analyzes the representation of women in wartime era comics during World War Two (1941-1945) and Operation Iraqi Freedom (2001-2010). The questions addressed are: In what ways are women represented in WWII era comic books? What ways are they represented in Post 9/11 comic books? How are the representations similar or different? In what ways did the outside war environment influence the depiction of women in these comic books? In what ways did the comic books influence the women in the war outside the comic pages? This research will closely examine two vital periods in the publications of comic books. The World War II era includes the genesis and development to the first war-themed comics. In addition many classic comic characters were introduced during this time period. In the post-9/11 and Operation Iraqi Freedom time period war-themed comics reemerged as the dominant format of comics. Headings: women in popular culture-- United States-- History-- 20th Century Superhero comic books, strips, etc.-- History and criticism World War, 1939-1945-- Women-- United States Iraq war (2003-2011)-- Women-- United States 1 I. -
"Why Do You Look for the Living Among the Dead?" 1
TEXT: LUKE 24:4-8 #2885 EASTER THEME: "WHY DO YOU LOOK FOR THE LIVING AMONG THE DEAD?" 1. WE HA VE A RISEN LORD. II. WE HAVE ms RELIABLE WORD. III. WE HAVE A RESPONSffiILITY IN THE WORLD. Phoenix - 3127116 My dear fellow redeemed, Here's a strange story from the Associated Press. A judge over in Yugoslavia was electrocuted when he reach up to change a light bulb while standing in the bathtub, and his wife found his body sprawled on the bathroom floor. He was pronounced dead and, as was the custom in that town, he was placed in a room under a crypt in the town cemetery for 24 hours before his burial. In the middle of the night, however, this judge suddenly revived, realized where he was, and rushed over to alert the night watchman .... who promptly ran away, terrified. Fortunately, the night watchman returned with a friend, and they released the newly-revived judge. The judge's first thought was to phone his wife and her and let hr know what had happened, but he got no farther than, "Darling, it's me .... when she screamed and fainted. He then went to the houses of several friends, but them slammed the door in his face, thinking he was a ghost. In one last desperate measure, he called a relative in France who hadn't heard yet about his death, and this relative interceded for him with his family and friends. Almost unbelievable, isn't it? But at the same time, it sounds an awful lot like what happened on the first Easter Sunday morning. -
Say "Cheese." Uncle Sam Wants Your Photograph and Fingerprints Or
View metadata, citation and similar papers at core.ac.uk brought to you by CORE provided by NSU Works Nova Law Review Volume 30, Issue 2 2006 Article 3 Say “Cheese.” Uncle Sam Wants Your Photograph and Fingerprints or You Are Out of Here. Does America Have a Peace Time Constitution in Danger of Being Lost Mark D. Friedman∗ ∗ Copyright c 2006 by the authors. Nova Law Review is produced by The Berkeley Electronic Press (bepress). https://nsuworks.nova.edu/nlr Friedman: Say "Cheese." Uncle Sam Wants Your Photograph and Fingerprints or SAY "CHEESE." UNCLE SAM WANTS YOUR PHOTOGRAPH AND FINGERPRINTS OR YOU ARE OUT OF HERE. Does America Have a Peace Time Constitution in Danger of Being Lost? MARK D. FRIEDMAN* I. INTRODUCTION ............................................................................... 224 II. CONSTITUTIONAL LIBERTIES IN TIMES OF NATIONAL CRISES, A HISTORICAL PERSPECTIVE ............................................................. 227 A. "King Lincoln" and "Conquering Peace"........................ 227 1. A General and the Power to Decide Who Deserved the W rit ................................................................ 230 2. A Peace Time Constitution ................................... 231 B. Roosevelt, the 1940s, and the Alien Enemies .................... 235 1. M oods and Attitudes ............................................. 236 2. M ilitary Authority ................................................. 239 3. From Hirabayashi to Endo, the Court Comes Full C ircle ...................................................................