The Virtual Simulation of Child Sexual Abuse: Online Gameworld Users’ Views, Understanding and Responses to Sexual Ageplay
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Bdsm) Communities
BOUND BY CONSENT: CONCEPTS OF CONSENT WITHIN THE LEATHER AND BONDAGE, DOMINATION, SADOMASOCHISM (BDSM) COMMUNITIES A Thesis by Anita Fulkerson Bachelor of General Studies, Wichita State University, 1993 Submitted to the Department of Liberal Studies and the faculty of the Graduate School of Wichita State University in partial fulfillment of the requirements for the degree of Master of Arts December 2010 © Copyright 2010 by Anita Fulkerson All Rights Reserved Note that thesis work is protected by copyright, with all rights reserved. Only the author has the legal right to publish, produce, sell, or distribute this work. Author permission is needed for others to directly quote significant amounts of information in their own work or to summarize substantial amounts of information in their own work. Limited amounts of information cited, paraphrased, or summarized from the work may be used with proper citation of where to find the original work. BOUND BY CONSENT: CONCEPTS OF CONSENT WITHIN THE LEATHER AND BONDAGE, DOMINATION, SADOMASOCHISM (BDSM) COMMUNITIES The following faculty members have examined the final copy of this thesis for form and content, and recommend that it be accepted in partial fulfillment of the requirement for the degree of Master of Arts with a major in Liberal Studies _______________________________________ Ron Matson, Committee Chair _______________________________________ Linnea Glen-Maye, Committee Member _______________________________________ Jodie Hertzog, Committee Member _______________________________________ Patricia Phillips, Committee Member iii DEDICATION To my Ma'am, my parents, and my Leather Family iv When you build consent, you build the Community. v ACKNOWLEDGMENTS I would like to thank my adviser, Ron Matson, for his unwavering belief in this topic and in my ability to do it justice and his unending enthusiasm for the project. -
Wignall, Liam (2018) Kinky Sexual Subcultures and Virtual Leisure Spaces. Doctoral Thesis, University of Sunderland
Wignall, Liam (2018) Kinky Sexual Subcultures and Virtual Leisure Spaces. Doctoral thesis, University of Sunderland. Downloaded from: http://sure.sunderland.ac.uk/id/eprint/8825/ Usage guidelines Please refer to the usage guidelines at http://sure.sunderland.ac.uk/policies.html or alternatively contact [email protected]. Kinky Sexual Subcultures and Virtual Leisure Spaces Liam Wignall A thesis submitted in partial fulfilment of the requirements of the University of Sunderland for the degree of Doctor of Philosophy February 2018 i | P a g e Abstract This study seeks to understand what kink is, exploring this question using narratives and experiences of gay and bisexual men who engage in kink in the UK. In doing so, contemporary understandings of the gay kinky subcultures in the UK are provided. It discusses the role of the internet for these subcultures, highlighting the use of socio-sexual networking sites. It also recognises the existence of kink dabblers who engage in kink activities, but do not immerse themselves in kink communities. A qualitative analysis is used consisting of semi-structured in-depth interviews with 15 individuals who identify as part of a kink subculture and 15 individuals who do not. Participants were recruited through a mixture of kinky and non-kinky socio-sexual networking sites across the UK. Complimenting this, the author attended kink events throughout the UK and conducted participant observations. The study draws on subcultural theory, the leisure perspective and social constructionism to conceptualise how kink is practiced and understood by the participants. It is one of the first to address the gap in the knowledge of individuals who practice kink activities but who do so as a form of casual leisure, akin to other hobbies, as well as giving due attention to the increasing presence and importance of socio-sexual networking sites and the Internet more broadly for kink subcultures. -
Fifty Shades of Kramer: an Analysis of Kramer’S Account of the Nature of Sadomasochism and Torture
University of Windsor Scholarship at UWindsor Essays of Significance & Critical Reflections Critical Reflections 2015 Mar 28th, 11:00 AM - 11:30 AM Fifty Shades Of Kramer: An Analysis of Kramer’s Account of The Nature of Sadomasochism and Torture Udoka Okafor McMaster University Follow this and additional works at: https://scholar.uwindsor.ca/essaysofsignificance Part of the Ethics and Political Philosophy Commons Okafor, Udoka, "Fifty Shades Of Kramer: An Analysis of Kramer’s Account of The Nature of Sadomasochism and Torture" (2015). Critical Reflections. 4. https://scholar.uwindsor.ca/essaysofsignificance/2014/cr2014/4 This Event is brought to you for free and open access by the Conferences and Conference Proceedings at Scholarship at UWindsor. It has been accepted for inclusion in Critical Reflections by an authorized administrator of Scholarship at UWindsor. For more information, please contact [email protected]. Udoka Okafor McMaster University, 1 Fifty Shades Of Kramer: An Analysis of Kramer’s Account of The Nature of Sadomasochism and Torture Introduction In his book, Torture and Moral Integrity , Kramer gives an account of sadomasochism, and an analysis of instances of sadomasochism that counts as either simulations of torture or torture itself. He also expounds an argument for why he thinks that acts of sadomasochism are always and everywhere morally wrong. This paper is going to examine the arguments put forth by Kramer with respect to the relationship between sadomasochism and torture. Ultimately, this paper will argue that Kramer has a very simplistic understanding of the nature of sadomasochistic relationships, and the psychopathy of sexual sadists, which is what leads him to his crude conclusions. -
Fantasy Depictions of Child Sexual Abuse: the Problem of Ageplay in Second Life
University of Huddersfield Repository Reeves, Carla Fantasy depictions of child sexual abuse: The problem of ageplay in Second Life Original Citation Reeves, Carla (2012) Fantasy depictions of child sexual abuse: The problem of ageplay in Second Life. Journal of Sexual Aggression. pp. 1-11. ISSN 1355-2600 This version is available at http://eprints.hud.ac.uk/id/eprint/13133/ The University Repository is a digital collection of the research output of the University, available on Open Access. Copyright and Moral Rights for the items on this site are retained by the individual author and/or other copyright owners. Users may access full items free of charge; copies of full text items generally can be reproduced, displayed or performed and given to third parties in any format or medium for personal research or study, educational or not-for-profit purposes without prior permission or charge, provided: • The authors, title and full bibliographic details is credited in any copy; • A hyperlink and/or URL is included for the original metadata page; and • The content is not changed in any way. For more information, including our policy and submission procedure, please contact the Repository Team at: [email protected]. http://eprints.hud.ac.uk/ Fantasy Depictions of Child Sexual Abuse: The Problem of Ageplay in Second Life Dr Carla Reeves Senior Lecturer in Criminology, University of Huddersfield R2/44 Ramsden Building Queensgate Campus University of Huddersfield Huddersfield HD1 3DH [email protected] 01484 47 2549 1 Fantasy Depictions of Child Sexual Abuse: The Problem of Ageplay in Second Life Abstract This paper explores the arguments put forward for prohibiting the possession of fantasy images of child sexual abuse within the Coroners and Justice Act 2009, and applies them to sexual ageplay in Second Life. -
Bdsm, Kink, and Consent: What the Law Can Learn from Consent-Driven Communities
BDSM, KINK, AND CONSENT: WHAT THE LAW CAN LEARN FROM CONSENT-DRIVEN COMMUNITIES Mika Galilee-Belfer* Millions of Americans participate in consensual, mutually agreed-upon activities such as bondage, dominance, and submission—collectively referred to as BDSM or kink—yet the relationship between individual consent to such participation and consent as legally understood and defined is imperfect at best. Because the law has not proven adept at adjudicating disputes that arise in BDSM situations, communities that practice BDSM have adopted self-policing mechanisms (formal and informal) aimed at replicating and even advancing the goals and protections of conventional law enforcement. This self-policing is particularly important because many jurisdictions hold there can be no consent to the kind of experiences often associated with BDSM; this is true in practice irrespective of the existence of statutory language regarding consent. In this Note, I compare legal communities and BDSM communities across three variables: how consent is defined, how violations are comparably adjudicated, and the types of remedies available by domain. In the process, I examine what norm-setting and rule adjudication look like when alternative communities choose to define, and then operate within, norms and controls that must be extra-legal by both necessity and design. TABLE OF CONTENTS INTRODUCTION ..................................................................................................... 508 I. CURRENT ISSUES AT THE INTERSECTION OF BDSM AND THE LAW .................. -
Dossie Easton ; Janet W Hardy the Ne� to © 2003 by Dossie Easton and Janet W
THE NEW Dossie Easton ; Janet W Hardy the ne� To © 2003 by Dossie Easton and Janet W. Hardy All rights reserved. Except for brief passages quoted in newspaper, magazine, radio, television or Internet reviews, no part of this book may be reproduced in any form or by any means, electronic or mechanical, including photocopying or recording or by information storage or retrieval system, without permission in writing from the Publisher. Cover design: DesignTribe Cover illustration: Fish Published in the United States by Greenery Press, 3403 Piedmont Ave. #301, Oakland,CA 94 611,www .greenerypress.com. ISBN 1-8901 59-36-0 Readers should be aware that BDSM, like all sexual activities, carries an inherent risk ofphysical and/oremot ional injury. While we believe that following the guidelines set forth in this book will minimize that potential, the writers and publisher encourage you to be aware that you are taking some risk when you decide to engage in these activities, and to accept personal responsibility forthat risk. In acting on the information in this book, you agree to accept thatinformation as is and with allfau lts. Neither the authors, the publisher, nor anyone else associated with the creation or sale of this book is responsible for any damage sustained. CONTENTS Foreword: Re-Visioning ............................................ i 1. Hello Again! ............ .............................. .. .... ... ....... 1 2. What Is It About Topping, Anyway? ....................... 9 3. What Do Tops Do? ................ ...................... ........ 21 interlude 1 ....... ... .......... ..... ... ... .. .... ........... ... 33 4. Rights and Responsibilities ... ....... ................ .... 37 5. How Do Yo u Learn To Do This Stuff?. .. ............... 49 interlude 2 .. ...... .. ... ......... .. ................ ....... 57 6. Soaring Higher ...................... ................... ... ...... .. 61 7. BDSM Ethics ................... -
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Why? are all that play games. Immature is the people, someone is going to commit same as youth. Young! Our young boys suicide.” Because it’s out there. We should talk are being exposed to age-inappropriate Hello fellow Escapists, I have some about it. If we don’t talk about it, it’s material! Indeed, The Escapist picks out this exciting news. Our clan just grew one more likely to go places that’s not observation as worthy of highlighting in larger. Russ Pitts, previously of Gamers healthy. If we try to sweep it under the Can you blame them? I sure can’t. What a larger font alongside the article. But with Jobs, has joined our editorial team bed, it will be hidden in the darkest, needs to happen, before games can did he really mean this? as Associate Editor for Acquisitions. dirtiest crevices of the internet that are comfortably be seen as accepted We’re all pretty excited to have him, and not always safe. So, let’s bring it out in entertainment for people over the age of It seems rather more likely that this is look forward to incorporating his ideas the open – we’re all adults here. 18, is not just that developers need to two observations combined. 20% is one into The Escapist. Everyone please make games appealing to adults (which “out of five people” in the country. And: welcome Russ! What? Adults play games? They’re not many are), but the media needs to with a sample that large “someone is just child’s toys? Yes, that is correct. -
Nonbinding Bondage
NONBINDING BONDAGE To the shock of critics, Fifty Shades of Grey has become a cultural phenomenon, sweeping from fan-fiction websites to bestseller lists and garnering a multimillion-dollar movie deal. In the narrative that has spawned over a hundred million copies,1 a naïve female coed sparks the interest of a handsome magnate who takes the heroine (and ideally the reader) on a journey of sexual awakening. The hero, a self- described “Dominant,” introduces the virginal heroine not only to sex but to the practice of BDSM, a compound acronym that connotes sex- ual interactions involving bondage/discipline, domination/submission, and sadism/masochism.2 From his “Red Room of Pain,” filled with “ropes, chains, and glinting shackles,”3 the hero shows the heroine how to be a “Submissive,” experiencing sexual pleasure by yielding to acts of domination and control within the bounds of a negotiated contract. More than sex with some handcuffs thrown in, BDSM takes part in a broader project4 that seeks to expose and investigate the ways in which sexual desire and experience reflect and construct systems of power. By performing sexual acts through scripts of subjugation, dis- cipline, and punishment, participants recognize and revel in sex as a practice replete with inequality, ambiguity, and shame, blurring the lines society purports to maintain between pleasure and pain, fulfill- ment and frustration. BDSM’s seeming rejection of equality as a pred- icate to good sex has made the practice a particularly provocative one, attracting heavy criticism from many who see in BDSM a haven for sexual victimization and exploitation. -
What Is Knife Play? Blade Play 101
What Is Knife Play? Blade Play 101 google.com/amp/s/boldpleasures.com/bdsm-toys-techniques/bdsm-techniques/what-is-knife-play-blade-play- 101/amp/ July 13, 2018 If You Cut it too Close, You Need to Cut it out The world of BDSM and kink is such a diverse place. It includes many forms of play. Techniques like spanking and bondage are well known. Knife play is thought of as a riskier sort of play. And through this risk, it is possibly one of the sexiest things to do with your other half. You are literally living on the edge if, and when you engage in knife play. Wikipedia defines blade play as Knife play is a form of consensual BDSM edgeplay involving knives, daggers, and swords as a source of physical and mental stimulation. Knives are typically used to cut away clothing, scratch the skin, remove wax after wax play, or simply provide sensual stimulation. I would like to thank the owner of twohandsmade.com for donating me the two awesome damascus steel blades shown in this article. 1/4 Risque or Risky? As any of my fellow educators will tell you, nothing is without risk. In fact, the act of brushing your teeth could possibly be lethal. But playing with knives brings with it a certain amount of risk. However, properly educating yourself about knives and knife play will ensure that you will be able to play safely, sanely and with limited risks. “You are the knife I turn inside myself; that is love. That my dear is love.” – Franz Kafka You do need to realize however that knife play is classified as edge play*, how edgy knife play is has been a discussion that has been going on for many years and you need to be aware of the risks involved as well as any scenarios you might encounter. -
Practice and Function of BDSM Among Sexual Vampires: a Qualitative Exploration
Carré et al. 12 Practice and Function of BDSM among Sexual Vampires: A Qualitative Exploration Suzanne Carré, Hobart, Australia [email protected] DJ Williams Center for Positive Sexuality and Idaho State University (USA) Hesperus Current and Longitudinal Analyses of the Vampire-Identifying Subculture (USA) Emily E. Prior Center for Positive Sexuality Introduction In recent years, a handful of researchers have turned their attention to understanding the practices and interpretations of people who secretly identify as “real vampires” (i.e., Benecke & Fischer, 2015; Browning, 2014, 2015c; Carré et al., 2016; Laycock, 2009a, 2009b, 2010; Williams, 2008, 2009, 2013). According to research, real vampires are rather ordinary people (Browning, 2015a, 2015b) who claim to require extra human energy in order to sustain their physical, psychological, and spiritual health (Laycock, 2009a, 2010). For such individuals, the term “vampire” refers to the process of taking energy (called “feeding”), which may occur through various means including ingesting small amounts of human or animal blood. Real vampires, in contrast to lifestyle vampires (Aaron, 2017), then, may or may not be interested in vampire myths or pop culture narratives (Browning, 2015a, 2015b). Some real vampires report feeding on energy via sexual behavior. Sexual vampires, sometimes called Eros or tantric vampires, may include any vampire who “actively requires some sort of sexual stimuli, either produced or evoked, in order to make the act of feeding of value” (Carré et al., 2016, p. 37). In a narrative study, Williams (2015) described an intense feeding session of a vampire who apparently enjoyed taking energy through sex and blood. Using survey and interview data, Carré and colleagues (2016) found that most sexual vampires in their sample were in committed relationships; practiced diverse forms of feeding methods; and were likely to engage in bondage and discipline, dominance and submission, and sadomasochistic (BDSM) practices. -
The Art of Impression Management in the Atlanta Lolita and Japanese Street Fashion Community
Georgia State University ScholarWorks @ Georgia State University Anthropology Theses Department of Anthropology 12-17-2014 The Fashion of Frill: The Art of Impression Management in the Atlanta Lolita and Japanese Street Fashion Community Chancy J. Gatlin [email protected] Follow this and additional works at: https://scholarworks.gsu.edu/anthro_theses Recommended Citation Gatlin, Chancy J., "The Fashion of Frill: The Art of Impression Management in the Atlanta Lolita and Japanese Street Fashion Community." Thesis, Georgia State University, 2014. https://scholarworks.gsu.edu/anthro_theses/87 This Thesis is brought to you for free and open access by the Department of Anthropology at ScholarWorks @ Georgia State University. It has been accepted for inclusion in Anthropology Theses by an authorized administrator of ScholarWorks @ Georgia State University. For more information, please contact [email protected]. THE FASHION OF FRILL: THE ART OF IMPRESSION MANAGEMENT IN THE ATLANTA LOLITA AND JAPANESE STREET FASHION COMMUNITY by CHANCY J. GATLIN Under the Direction of Emanuela Guano, PhD ABSTRACT The Atlanta Lolita and Japanese Street Fashion Community is a multifaceted fashion community that developed in the early 2000s. The majority of the members wear Lolita fashion which is a fusion of Victorian era dress, Rococo costume, and various Japanese street fashions. Lolita fashion developed on the streets of Tokyo Japan in the 1990s and has since spread across the world. The Atlanta Lolita and Japanese Street Fashion Community heavily relies on the building and maintenance of impressions by its members. In this thesis, I analyze face-to-face and virtual community organization, fashion, and photography to illustrate how members of the community build their impressions, how they are maintained, or how they are threatened. -
Sexual Ageplay in Virtual Reality: Practicing Free Speech Or Producing Child Pornography?
Esposito.40.4.8 (Do Not Delete) 5/17/2019 10:10 AM SEXUAL AGEPLAY IN VIRTUAL REALITY: PRACTICING FREE SPEECH OR PRODUCING CHILD PORNOGRAPHY? Lillian Esposito† A man’s thoughts are his own; he may sit in his armchair and think salacious thoughts, murderous thoughts, discriminatory thoughts, whatever thoughts he chooses, free from the “thought police.” It is only when the man gets out of his armchair and acts upon his thoughts that the law may intervene.1 In my ignorance, I have to accept the possibility that if we had to decide today just what the First Amendment should mean in cyberspace, we would get it fundamentally wrong.2 TABLE OF CONTENTS INTRODUCTION .............................................................................................................. 1914 I. BACKGROUND ......................................................................................................... 1917 A. Virtual Reality ............................................................................................ 1917 1. Virtual Reality Pornography ........................................................ 1921 B. Obscenity Law ............................................................................................ 1924 C. Mending the Gap Between Obscenity and Child Pornography ............ 1926 † Articles Editor, Cardozo Law Review. J.D. Candidate (May 2019), Benjamin N. Cardozo School of Law; B.A., CUNY, Hunter College, 2014. I would like to thank Professor Ekow Yankah, my Note Advisor, for his guidance and feedback; Jessica Goudreault, my Note Editor, for her edits and encouragement; the entire Cardozo Law Review staff for all of their hard work, dedication, and patience throughout this process; and especially my family, for all of their love and support. Lastly, thank you, Madeline and Stephen, for everything. 1 Ex parte Lo, 424 S.W.3d 10, 26 (Tex. Crim. App. 2013) (internal citations omitted). 2 JEREMY HARRIS LIPSCHULTZ, FREE EXPRESSION IN THE AGE OF THE INTERNET 1 (2000) (quote attributed to former U.S.