DOCSLIB.ORG

Tfs 2.4 2016

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
Tfs 2.4 2016 VOL.2 No .4, 2016 The Future of INSIDE THIS ISSUE The Life of Mrs Gooch**** Chawton House Library What women writers wouldn’t say Chawton at Washington Our account of the Jane Austen Society of North America AGM FTER MORE THAN 20 YEARS AS Sandy has generously pledged to cover the costs of running the Library until the end of 2017, and to gift THE CHAIR OF THE BOARD OF a final lump sum to contribute towards the annual Seduction and Celebrity TRUSTEES, DR SANDY LERNER HAS A running costs thereafter. Her intention is that we What Mary Robinson is doing ANNOUNCED THAT SHE IS STEPPING DOWN should use her generous support as a ‘challenge’ in Greenwich FROM THE BOARD, AND TAKING ON THE gift to raise matched funding to secure the future HONORARY POSITION OF FOUNDING PATRON. of the Library. Sandy Lerner is a highly successful, innovative, Dr Linda Bree, of Cambridge University Press, our and original entrepreneur. Her career highlights interim Chair, writes: include co-founding Cisco Systems and starting the cosmetics company, Urban Decay, as well as ‘What Sandy Lerner has done in establishing Chawton more recent involvement in ethical and sustainable House Library is a magnificent thing, and what she farming, in accordance with her strong interest in animal welfare. Sandy has been honoured by many proposes – as she turns her attention, after all this time, universities and organisations around the world for to her other interests – is typically generous. We will now her extraordinary philanthropy. In May 2015, she need to work towards a sustainable future for the Library was presented with an honorary OBE for services which will pay tribute to her vision, and the years of to UK culture. time, energy and expertise she put into establishing it.’ A ‘Novel’ Holiday Gift Adopt a Book, or subscribe to The Journal of We are all immensely grateful to Sandy for With Sandy’s departure from the Board, we Louisa Lushington providing the original vision – and the core face challenges that will demand creativity and collection of rare books – for Chawton House commitment from our dedicated supporters. Building Library. Her drive to establish this unique on the foundations of the last 20 years, we will continue charity to promote early women’s writing in the to develop our international academic research profile, village where Jane Austen spent the last years of and the range of what we offer visitors to the house her life has been inspirational. Sandy’s financial and the gardens. We must protect and preserve this commitment, and her unswerving dedication in significant literary heritage for years to come, but with terms of her own time, have given Chawton House the support of our Patrons, Friends and the wider Library a tremendous amount of support for over public, we know we can secure our future. • two decades. Saying just what she **** tarnished reputation and rewrite her life story attention to it, but implicates the reader in doing as a tale of transgression and suffering. On the so: the reader has to fill in the gaps. other hand, however, there are jarring shifts in tone (from the aspiring actress relishing Richardson, similarly, uses graphic markers her finery, to the long-suffering heroine of to interrupt the letters of Pamela and sensibility, and back again), conspicuous gaps in Clarissa, heroines for whom the non-verbal the narration of events (some episodes of her life, symbol represents a range of emotions that such as her 16-year relationship with Banastre are unexpressed, often because they are Tarleton, get only a footnote), and structural unacceptable. Again, the visual marker inconsistencies (the first-person narration that physically takes the place of what is not begins in Volume 1 breaks off midway through articulated by the character, requiring the reader Volume 2, only to be continued ‘By a Friend’, to imagine the emotions felt, and therefore and then to be interrupted yet again by a letter encouraging him/her to participate in them. to an unnamed acquaintance ‘found’ by the Unfortunately, such typographical features are editor). These irregularities, omissions, and often omitted in modern editions of Clarissa and disruptions have long perplexed readers, fuelling Pamela, so that we lose sight of the meanings debates about Robinson’s level of involvement in they imply and overlook the ways that authors producing the published version of the Memoirs, such as Richardson were anticipating and Portrait of Mary Robinson. Frontispiece to Poems (1791). Taken from an its veracity, and Robinson’s motivations in attempting to control readers’ reactions to the engraving by Joshua Reynolds writing it. novels. r Susan Civale, a former The most salient of these anomalies arrives However, little attention has been paid to the when Robinson decides to leave her husband ways in which women’s writing of the period Visiting Fellow, explores for the Prince of Wales: her ‘fall’ from chastity. incorporates similar effects. It is often assumed In an emotionally and sexually charged, not to that women did not engage in this kind of the way that astute D mention highly overdetermined, moment— typographical play because, unlike their male women writers Mary Robinson and the one that the reader has been waiting counterparts, they often used intermediaries, for—Robinson’s narration ceases entirely, and and did not have the same direct access to the and Elizabeth Gooch use asterisks language is replaced by a series of 23 asterisks, printing house or contact with the booksellers. in their memoirs to say more than spread over 3 lines, followed by a note that ‘The And yet the life writing of Mary Robinson, and Narrative of Mrs Robinson closes here’. On that of her contemporary, Elizabeth Gooch, might appear. the next page begins the ‘CONTINUATION may indicate otherwise. By a Friend’, a third-person narrator-editor who transitions into a more general reflection on Actress and writer Elizabeth Gooch’s memoir, Mary Darby Robinson (1758-1800) came to Robinson’s ‘little known’ virtues before alluding The Life of Mrs. Gooch (1792), is a self-vindication prominence first as a beautiful London stage to the ‘conflicts’ and ‘passions’ she experienced protesting against injustices perpetrated against actress, and then as a national celebrity when at this pivotal time of her life. her (she says her husband falsely accused her of she embarked on an adulterous love affair with adultery), and defending her conduct. Gooch the teenaged Prince of Wales, later King George The abrupt termination of the narrative and the constructs herself as a heroine with a virtuous IV. When he broke off the affair, she turned to circumlocutions of the ‘Friend’ who continues heart who became a victim of circumstance. her pen for a living, and spent the remainder of it are not so much hidden as highlighted by the She emphasises her sensibility by reflecting her days transforming her public image from insertion of the asterisks. Though often ignored on the process of writing, and bemoaning the sex object to writing subject, publishing poetry, entirely, or simply dismissed as ‘accidental’, the torrent of painful emotions it precipitates: ‘Why fiction and non-fiction up to her death in 1800. use of this typographical feature is most likely cannot I write this page with composure? […] She also wrote an autobiography, Memoirs of the not an accident, but a graphic innovation why, at this long, distant period, do my eyes Late Mrs Robinson, Written by Herself (1801), borrowed from eighteenth-century fiction. swim in tears, and blot what I am writing— which was edited by her daughter Maria Writers such as Jonathan Swift, Laurence But I must not, I dare not revert to my own Elizabeth Robinson, and published the year Sterne, and Samuel Richardson are known to feelings—would that they were buried in a long, after she died. The Memoirs was popular at have experimented with ‘printer’s ornaments’, long oblivion!----’. Directly after this outburst the time of its publication and afterward (it was visual markers such as flowers, dots, dashes, follow three small asterisks, and then on the reprinted 10 times by the end of the Victorian and asterisks, all of which can stand in for next page 40 further asterisks replace the first period), though it received mixed critical reviews or supplement verbal text. The asterisk, in four lines of text. The asterisks enact not only and there were doubts as to its reliability. particular, is used by Sterne in Tristram Shandy a visual interruption in the writing, the effect (1759-67) to replace lewd content. At the same of the overwhelming emotion described in On the one hand, the Memoirs seems to be an time that Sterne appears to censor out the the previous paragraph, but also symbolise the ‘Apology’, a final attempt to rescue Robinson’s immodest, however, he in fact not only draws disintegration of her mental ‘composure’. The 2 | VOL.2 NO.4, 2016 THE FEMALE SPECTATOR FROM CHAWTON HOUSE LIBRARY asterisks here signal psychological authenticity and heightened emotion and work to evoke the reader’s sympathy. Like Gooch, Robinson also uses asterisks at a key moment in her story to underline the depth of her feelings. The asterisks convey her genteel sensibility (she modestly throws a veil over her past shame), and thus elicit compassion. Yet they also have a titillating effect. Robinson’s unwillingness to speak her emotions or to detail her transgressions fully leaves the reader to infer the thoughts, sensations, and actions that are concealed by the 23 asterisks. The asterisks highlight the illicit and erotic aspects of Robinson’s story, which, in refusing to name, she invites us to imagine all the more.
Load more

Recommended publications
  • World War One: the Deaths of Those Associated with Battle and District
    WORLD WAR ONE: THE DEATHS OF THOSE ASSOCIATED WITH BATTLE AND DISTRICT This article cannot be more than a simple series of statements, and sometimes speculations, about each member of the forces listed. The Society would very much appreciate having more information, including photographs, particularly from their families. CONTENTS Page Introduction 1 The western front 3 1914 3 1915 8 1916 15 1917 38 1918 59 Post-Armistice 82 Gallipoli and Greece 83 Mesopotamia and the Middle East 85 India 88 Africa 88 At sea 89 In the air 94 Home or unknown theatre 95 Unknown as to identity and place 100 Sources and methodology 101 Appendix: numbers by month and theatre 102 Index 104 INTRODUCTION This article gives as much relevant information as can be found on each man (and one woman) who died in service in the First World War. To go into detail on the various campaigns that led to the deaths would extend an article into a history of the war, and this is avoided here. Here we attempt to identify and to locate the 407 people who died, who are known to have been associated in some way with Battle and its nearby parishes: Ashburnham, Bodiam, Brede, Brightling, Catsfield, Dallington, Ewhurst, Mountfield, Netherfield, Ninfield, Penhurst, Robertsbridge and Salehurst, Sedlescombe, Westfield and Whatlington. Those who died are listed by date of death within each theatre of war. Due note should be taken of the dates of death particularly in the last ten days of March 1918, where several are notional. Home dates may be based on registration data, which means that the year in 1 question may be earlier than that given.
    [Show full text]
  • Chawton Chronicles: a Letter from the Ceo
    The Female Spectator CHAWTON HOUSE LIBRARY VOL.18 No.1, Winter 2014 ISSN1746-8604 CHAWTON CHRONICLES: A LETTER FROM THE CEO A very warm welcome to the latest edition of The of the publication of Mansfield Park. Amongst Female Spectator other things we have scheduled a Mansfield Park Symposium (information on page 5), education 2013 has been a busy and exciting year for all of days related to the novel for schools and colleges, us at CHL as we celebrated our tenth anniversary. and a number of lectures including the intriguingly- A great deal has been achieved in the decade since titled ‘Death at Mansfield Park’! the Library first opened its doors to readers and visitors. Indeed, as I mentioned in my CEO letter We have also recently announced plans for the Jane back in the summer, I am firmly of the belief that Austen Short Story Award 2014. The award, which CHL has already ‘made a significant contribution was inaugurated in 2009, is for short fiction inspired to the discovery, rediscovery, positioning and by Austen’s novels and has attracted entries from repositioning of women writers and has helped all over the world. The two previous competitions foster a better understanding of their contribution were judged by celebrity novelists Sarah Waters and to our literary heritage’. However, I also emphasised Michèle Roberts and resulted in the publication of that we should not rest on our laurels – the world anthologies entitled Dancing with Mr Darcy and is changing fast and we, of course, need to change Wooing Mr Wickham. CHL is offering cash prizes, with it.
    [Show full text]
  • 12.2 Spring 2008
    The Female Spectator CHAWTON HOUSE LIBRARY VOL .12 No.2, SPRING 2008 ISSN1746−8604 ‘LEARNING HOW TO SEE: MARIA ELIZABETH JACSON’S BOTANICAL DIALOGUES (1797) AND THE TRADITION OF WOMEN’S BOTANICAL WRITING’ udith W. Page was a visiting fellow at Chawton House An excellent example of the mother−mentor of botanical Library from January to March 2008. Here, she writes of texts, and one that I had the pleasure of reading at Chawton, her work on the women’s botanical writing in the collection . is Maria Elizabeth Jacson’s Botanical Dialogues (1797). J Jacson’s Hortensia articulates the roles that her children will I arrived in Chawton last winter to a play, both in botanical studies and in surprisingly lush landscape, including life. 2 The orderly domestic world is evergreen shrubs, velvety lawns, and a training ground for the future. the most beautiful colonies of Hortensia’s older son Charles learns snowdrops I have ever seen. Even that he will be able to devote himself coming from northern Florida where to ‘useful and elegant studies’ (53−54) the winters are mild, if not balmy, I because he will not need a profession. was delighted to become part of such a Hortensia, with the Proper Lady green world. I could not have asked looming over her shoulder, urges her for a better backdrop for my research daughters not to lose sight of their on botanical texts by women in the domestic mission even as they become late eighteenth and early nineteenth more educated: ‘a woman rarely does centuries, part of a larger project that herself credit by coming forward as a Elise L.
    [Show full text]
  • Mary Robinson's Poetry from Newspaper Verse to <I>Lyrical
    University of South Carolina Scholar Commons Theses and Dissertations 12-15-2014 Revising for Genre: Mary Robinson's Poetry from Newspaper Verse to Lyrical Tales Shelley AJ Jones University of South Carolina - Columbia Follow this and additional works at: https://scholarcommons.sc.edu/etd Part of the English Language and Literature Commons Recommended Citation Jones, S. A.(2014). Revising for Genre: Mary Robinson's Poetry from Newspaper Verse to Lyrical Tales. (Doctoral dissertation). Retrieved from https://scholarcommons.sc.edu/etd/3008 This Open Access Dissertation is brought to you by Scholar Commons. It has been accepted for inclusion in Theses and Dissertations by an authorized administrator of Scholar Commons. For more information, please contact [email protected]. REVISING FOR GENRE: MARY ROBINSON’S POETRY FROM NEWSPAPER VERSE TO LYRICAL TALES by Shelley AJ Jones Bachelor of Arts University of South Carolina, 2002 Master of Arts University of South Carolina, 2004 Submitted in Partial Fulfillment of the Requirements For the Degree of Doctor of Philosophy in English College of Arts and Sciences University of South Carolina 2014 Accepted by: Anthony Jarrells, Major Professor William Rivers, Committee Member Christy Friend, Committee Member Amy Lehman, Committee Member Lacy Ford, Vice Provost and Dean of Graduate Studies © Copyright by Shelley AJ Jones, 2014 All Rights Reserved. ii DEDICATION For my boys. iii ACKNOWLEDGEMENTS This project, like Robinson’s poetry, has benefited from the many versions it has taken. While many friends and colleagues, and my dissertation committee in its current composition, have been kind enough to offer guidance on my work over the years, I would like to acknowledge specifically Paula Feldman’s contribution as the former director of the dissertation committee.
    [Show full text]
  • Books Owned by Jane Austen's Niece, Caroline, Donated to Chawton House Library
    VOL.1 No .4, 2015 Inside this issUE Books owned by Jane Austen’s House of Lords Tea niece, Caroline, donated to Chawton House Library N APRIL THIS YEAR, a North American Friend of Chawton House Library, Sandra Visiting Fellow Alexis Pogorelskin enjoys IClark, came to visit us all the way from afternoon tea with Baroness Williams of Crosby. Texas, bearing gifts. And what special gifts they are! They include a first edition of Frances Burney’s Camilla (1796), and a great many Improved Visitor Experience books to enhance our secondary collection, and our holdings on the Gothic novel. They also included a small collection of books once belonging to Caroline Mary Craven Austen (1805-80). Here, Executive Director Gillian The reference to Jane Austen’s acting skills came Numbers Dow discusses the importance of just one of back to me when I examined the donation from triple as the volumes in this collection, and looks at Sandra Clark. Because one of the books is a book new display what it can tell us about women’s reading, of French plays, an 1813 edition of Stéphanie- cases arrive education for girls, and women’s lives in the Félicité de Genlis’s Théatre à l’usage des jeunes early nineteenth century. personnes. All of Caroline’s books now forming part of the Chawton House Library collection When Sandra Clark came with her generous are delightful material objects. And in the case donation, I was thrilled to see the volumes once of this one, it is of particular interest, since it belonging to Caroline Austen.
    [Show full text]
  • Sarah Siddons and Mary Robinson
    Please do not remove this page Working Mothers on the Romantic Stage: Sarah Siddons and Mary Robinson Ledoux, Ellen Malenas https://scholarship.libraries.rutgers.edu/discovery/delivery/01RUT_INST:ResearchRepository/12643459340004646?l#13643538220004646 Ledoux, E. M. (2014). Working Mothers on the Romantic Stage: Sarah Siddons and Mary Robinson. In Stage Mothers: Women, Work, and the Theater, 1660-1830 (pp. 79–101). Rowman & Littlefield. https://doi.org/10.7282/T38G8PKB This work is protected by copyright. You are free to use this resource, with proper attribution, for research and educational purposes. Other uses, such as reproduction or publication, may require the permission of the copyright holder. Downloaded On 2021/09/28 21:58:31 -0400 Working Mothers on the Romantic Stage Sarah Siddons and Mary Robinson Ellen Malenas Ledoux 1 March 2013 A smooth black band drawn over an impossibly white neck, a luminous bust barely concealed under fashionable dishabillé, powdered locks set off by a black hat profuse with feathers--these focal points, and many others, are common to two of the Romantic-era’s most famous celebrity portraits: Sir Joshua Reynolds’s “Mrs. Mary Robinson” (1782) and Thomas Gainsborough’s “Sarah Siddons” (1785). (See figure 1.) Despite both drawing on modish iconography in their choice of composition, pose, and costume, Reynolds and Gainsborough manage to create disparate tones. Siddons awes as a noble matron, whereas Robinson oozes sexuality with a “come hither” stare. The paintings’ contrasting tones reflect and promulgate the popular perceptions of these two Romantic-era actresses from the playhouse and the media. In the early 1780s Siddons was routinely referred to as a “queen” or a “goddess,” whereas Robinson was unceremoniously maligned by her detractors as a “whore.”1 Current scholarship on Siddons and Robinson devotes considerable attention to how these women’s semi-private sexual lives had major influence over their respective characterizations.
    [Show full text]
  • 12.1 Winter 2008
    The Female Spectator CHAWTON HOUSE LIBRARY VOL .12 No.1, WINTER 2008 ISSN1746−8604 CHAWTON HOUSE LIBRARY VISITING FELLOWSHIPS Chawton House Stables − Home to our visiting fellows ince October 2007, Chawton House Library has been host offered accommodation in the Elizabethan Stable Block at to four visiting scholars, all of whom have been using the Chawton House Library (pictured here) and office space in library collections to further their research on women’s the main Library building. Swriting of the long eighteenth century. Two articles by two of these scholars, Holly Luhning and Michael Genovese, can be A typed letter of application including the preferred dates of found in this issue of The Female Spectator . In the first of these study and a brief research proposal (not to exceed three articles, Luhning discusses the Chawton House Library copy of pages), should be sent for the attention of the Chawton Haywood’s The Rash Resolve in relation to other early editions Research Fellow, Gillian Dow. The proposal should be of Haywood’s work. Genovese’s article focuses on Sarah Fielding’s accompanied by a curriculum vitae. The applicant should also The Adventures of David Simple , a work he consulted while in arrange to have two confidential letters of recommendation residence here at the library. sent direct to the Library. For informal enquiries about the holdings in the collection, please contact the librarian Jacqui It is clear from the first few months of the scheme that Grainger ([email protected]) or Gillian Dow the our visiting fellowships are a very successful way of ([email protected]).
    [Show full text]
  • Among the Janeites: a Journey Through the World of Jane Austen Fandom Ebook Free Download
    AMONG THE JANEITES: A JOURNEY THROUGH THE WORLD OF JANE AUSTEN FANDOM PDF, EPUB, EBOOK Deborah Yaffe | 245 pages | 06 Aug 2013 | Mariner Books | 9780547757735 | English | Boston, MA, United States Among the Janeites: A Journey Through the World of Jane Austen Fandom PDF Book Knightley from smart phones. For the benefit of the un-indoctrinated, a Janeite is a fan of English author Jane Austen who wrote six novels before her untimely death at age Or both? I'm reading Neurotribes which I got from NetGalley - it's very good, although I found the section on eugenics hard to read as it should be and as I should do, obviously. Amy has agreed to join us for the meeting, which is so wonderful! Her words in her last chapter sum this up nicely. The deck says something meaningful in return. Along the way, Yaffe meets a Florida lawyer with a byzantine theory about hidden subtexts in the novels, a writer of Austen fan fiction who found her own Mr. If you follow or post on any of those, you may be interested in reading about their founders and the history of those sites. And the 'fandom' not sure if that is the right word , meaning people who are more interested in repetitions: rehashing the stories over and over and appreciating what stays the same. It's in the unknown pile at the moment on the disambig page. Yaffe tries, but even she knows that is an impossible task. People who have only seen the movies and series but never read the books now consider themselves Janeites.
    [Show full text]
  • CHAWTON HOUSE LIBRARY FELLOWSHIPS 2015-16 Named
    CHAWTON HOUSE LIBRARY FELLOWSHIPS 2015-16 Named Fellowships Jeni Buckley Hester Davenport/Burney Society Fellowship Independent Scholar October 2015 The theme of debt in Frances Burney’s Camilla (1796) as Burney’s contribution to the topical discourse of political economy during the mid-1790s Emma Butcher The Yablon Fellowship for Brontë Studies University of Hull November 2015 The Brontës’ representations of Napoleonic bodies and landscapes in their juvenile war writings Alexis Pogorelskin Vera Brittain/Society of Women Writers and Journalists Fellowship University of Minnesota Duluth October 2015 America's Mortal Storm: Hollywood and the Nazis on the Eve of War. Hatsuyo Shimazaki Jane Austen Society of Japan Fellowship University of Southampton October 2015 The Emergence of Free Indirect Discourse in the Presentation of Speech and the Standardization of Quotation Marks in Eighteenth-Century Fiction Suzanne Taylor Marilyn Butler Fellowship University of Chicago May 2016 How the idea of cruelty—'mankind's first limitless concept'--shaped the way Madame de Staël and Edgeworth thought about and wrote fiction in the wake of the French Revolution. Clara Tuite British Association for Romantic Studies Fellowship University of Melbourne November/December 2015 British Romanticism à la Werther General Fellowships October 2015 Thomas Tyrrell Cardiff University How the sublime scale of John Milton’s Paradise Lost influenced the production of space in eighteenth-century women’s poetry November 2015 Roxanne Eberle University of Georgia Amelia Opie's sociable worlds: a cultural biography Elizabeth Goldsmith Boston University Viola’s Daughters: Women’s Tales of Adventure and Survival in the Age of Shipwrecks and Castaways Anadir dos Reis Miranda Universidade Federal do Parana Proto-feminists in England in the eighteenth century: Mary Wollstonecraft, Mary Hays and Mary Robinson.
    [Show full text]
  • Copyright Author & Chawton House Library
    1 Fiction – Titles (excluding titles from magazines for which there is no record) A The Abbot, Sir Walter Scott Abelard and Heloise, Petrus Abaelardus The Accusing Spirit, or De Courcy and Eglantine, Mary Pilkington Adamina, Anon Adelaide de Narbonne, Helen Craik Adele de Senange, Marquise de Souza-Botelho Adeline Mowbray, or the Mother and Daughter, Amelia Alderson Opie The Adventures of Captain Gulliver in a voyage to Lilliput, Jonathan Swift The Adventures of Christopher Curious, Anon, (no trace) Adventures of David Simple, Sarah Fielding The Adventures of Gil Blas, Alain Le Sage, trans. Percival Proctor Adventures of a Guinea, Charles Johnstone The Adventures of Peregrine Pickle, Tobias Smollett Adventures of Robinson Crusoe, Daniel Defoe The Adventures of Roderick Random, Tobias Smollett The Adventures of Telemachus, the Son of Ulysses. Abridged from the French of Archbishop Cambray. Trans. Percival Proctor The Advertisement, or Twenty Years Ago, Elizabeth Clark The Affectionate Brothers, Barbara Hofland Agatha, Anon The Age of Chivalry, Madame de Genlis Agnes, Anon Agnes de Lilien, Caroline von Volzogen Albany, Anon Albert, or the Wilds of Strathnavern, Elizabeth Helme Alice Allan; and the County Town; and other Tales, Alexander Wilson Alicia de Lacy, Jane West Almoran and Hamet, Dr. Hawksworth An Alpine Tale, Anne Yosy Always Happy; or, Anecdotes of Felix and his sister Serena, Maria Elizabeth Budden Ancient Records; or, The Abbey of Saint Oswythe, T. Horsley Curteis Andrew Stuart, Mrs. Hanway Anecdotes of the Altamont Family, Mary Meeke Angelo, Edward Henry Iliff The Anglo-Saxons, or the Court of Ethelwulph, Leslie Armstrong Ankerwick Castle, Mrs. Croffts Anna, or Memoirs of a Welsh Heiress, Agnes Maria Bennett Annaline, or Motive Hunter, Laetitia Matilda Hawkins Anti-Delphine, Mrs.
    [Show full text]
  • Open Showalter Sensational Lives Thesis.Pdf
    THE PENNSYLVANIA STATE UNIVERSITY SCHREYER HONORS COLLEGE DIVISION OF ENGLISH SENSATIONAL LIVES: BYRON AND ROBINSON‘S LIVES MIRRORED IN LITERATURE ADRIENNE SHOWALTER Fall 2009 A thesis submitted in partial fulfillment of the requirements for a baccalaureate degree in English with honors in English Reviewed and approved* by the following: Arnold A. Markley Professor of English Thesis Supervisor Adam J. Sorkin Distinguished Professor of English Honors Advisor *Signatures are on file in the Schreyer Honors College i ABSTRACT Sensational Lives: Byron and Robinson‘s Lives Mirrored in Literature This paper analyzes the lives and selected works of two controversial British Romantic writers: Mary Darby Robinson and Lord Byron. Both writers‘ lives and work were in the public eye in a manner more reminiscent of modern celebrity culture. Due to their celebrity, both authors‘ made use of their personal lives to enhance their written works. In some cases, they used their poems or novels as a way to manipulate or otherwise control their public persona. This thesis attempts to ascertain the level of personal experience apparent in the author‘s works through research of biographies and memoirs, critical texts, and explications of the subjects‘ literary material. The works examined include Mary Darby Robinson‘s ―The Linnet‘s Petition‖ and The Natural Daughter and Lord Byron‘s Don Juan and The Bride of Abydos. Keywords: Byron, Robinson, celebrity, persona, feminism, sexuality ii TABLE OF CONTENTS ABSTRACT........................................................................................................................i
    [Show full text]
  • CHAWTON HOUSE LIBRARY VISITING FELLOWSHIPS in Partnership with the Faculty of Humanities at the University of Southampton
    The Female Spectator CHAWTON HOUSE LIBRARY VOL.15 No.1, Winter 2011 ISSN1746-8604 CHAWTON HOUSE LIBRARY VISITING FELLOWSHIPS in partnership with the Faculty of HUManities at the University of SouthaMpton In October 2007, our first Visiting Fellows arrived We are now inviting applications for the forthcom- at Chawton House Library to take up their fellow- ing academic year. This year, we have taken the ships. We can now count over sixty ‘alumni’ from decision to offer fellowships of no more than one Europe, North America, Japan, Australia and, month. This seems to be the best way of dealing soon, India: our first Visiting Fellow from the coun- with an increasing volume of applications, as the try takes up her position later this year. Readers programme goes from strength to strength. To of The Female Spectator will have read many ac- help us with the administration of the scheme, we counts of the varied and innovative research our are inviting hard copy applications only, and they Fellows have undertaken in recent years. This is- must reach me at the University of Southampton sue is no exception: Meghan Parker, a Visiting Fel- (along with a confidential letter of reference, to be low in 2010, demonstrates the importance of the sent separately) by 9 May 2011. Chawton House Library collection in her article As ever, the aim of our Fellowships is to enable in- about a ‘mysterious note-writer’ in the edition of dividuals to undertake significant research in the Aphra Behn’s Love Letters Between a Nobleman long eighteenth century. In keeping with the mis- and His Sister she consulted whilst in residence sion of the CHL and the special qualities of the Li- here.
    [Show full text]