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DANIEL MARMION AEA • SAG-AFTRA danielmarmion.com Encompass Arts 212-439-8055 HAIR: Salt & Pepper HEIGHT: 5’8” EYES: Blue WEIGHT: 185 lbs. TV, FILM, and WEB Tommy Co-Star CBS 2016 Tony Awards Broadcast Performer (Spring Awakening) CBS Unusual Suspects Guest Star ID Network Deadly Wives Guest Star BIO Zom-B Team Series Regular HTK Prods. No Vacancy Lead NYFA Grad. Thesis, LA Peanuts Lead Chapman Univ. Grad. Thesis Dystopia Lead SBDW Prods. BROADWAY King Lear Ensemble Joey Parnes Productions / Dir: Sam Gold Spring Awakening Adult Man U/S (performed) Davenport Theatricals / Dir: Michael Arden THEATER (Partial List) Spring Awakening Adult Man / Lead Wallis Annenberg Center / Dir: Michael Arden The Merchant of Venice Lorenzo / Supporting Oregon Shakespeare Festival / Dir: Bill Rauch Throne of Blood Yoshiteru / Supporting Oregon Shakespeare Festival / Dir: Ping Chong Throne of Blood Yoshiteru / Supporting Brooklyn Academy of Music / Dir: Ping Chong Paradise Lost Julie Gordon / Supporting Oregon Shakespeare Festival / Dir: Libby Appel Henry IV Part 1 Prince John / Supporting Oregon Shakespeare Festival / Dir: Penny Metropulos The Lieutenant of Inishmore Christy / Supporting Artist’s Repertory Theatre / Dir: Jon Kretzu Stones in His Pockets Jake / Lead Winnipesaukee Playhouse / Dir: Neil Pankhurst Hamlet Laertes / Supporting Aquila Theatre Company / Dir: Robert Richmond Death and the King’s Horseman Aide-de-Camp Oregon Shakespeare Festival / Dir: Chuck Smith Julius Caesar Casca / Supporting Aquila Theatre Company / Dir: Peter Meineck Three Days of Rain Walker & Ned / Lead Ailanthus Theatre Co TRAINING BFA Acting, NYU Tisch School of the Arts at Stella Adler Acting: Lisa Robertson, Lisa Benavides, Jimmy Tripp, Betsy Parrish, Angela Vitale, Mark Hammer, Milton Justice Voice & Speech: Jason Little, Kate Wilson Shakespeare: Jimmy Tripp, Angela Vitale Stage Combat: Steven White, Jon Toppo, Christopher DuVal Voiceover: Ed Lewis Improv: Noel Wilson Masterclasses: Philip Seymour Hoffman, Benicio Del Toro SKILLS Some ASL. Improv. Dialects: British RP, London, Dublin, Belfast, New York, New Jersey, Southern US, Western US, General Australian, General New Zealand, Boston. Sports: Bicycle-Riding, Canoeing. Expert Card Shuffling and Poker Knowledge. New Jersey Drivers License. US & UK Passports. .

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PRIDE PRE&JUDICE About Theatreworks Silicon Valley December 2019 | Volume 51, No
DECEMBER 2019 PRIDE PRE&JUDICE About TheatreWorks Silicon Valley December 2019 | Volume 51, No. 4 Welcome to TheatreWorks Silicon Valley and our 50th season of award-winning theatre! Led by Founding Artistic Director Robert Kelley and Executive Director Phil Santora, TheatreWorks Silicon Valley presents a wide range of productions and programming throughout the region. Tim Bond will become TheatreWorks’ second-ever Artistic Director following Robert Kelley’s retirement in June 2020. Founded in 1970, we continue to celebrate the human spirit and the diversity of our community, presenting contemporary plays and musicals, revitalizing great works of the past, championing arts education, and nurturing new works for the American theatre. TheatreWorks has produced 70 world premieres and over 160 US and regional premieres. In June 2019, TheatreWorks received the highest honor for a theatre not on Broadway— the American Theatre Wing’s 2019 Regional Theatre Tony Award®. TheatreWorks’ 2018/19 season included the world premiere of Hershey Felder: A Paris Love Story, the West Coast premiere of Marie and Rosetta, and regional premieres of Hold These Truths, Native Gardens, Tuck Everlasting, and Archduke. Our 2017 world premiere, The Prince of Egypt, is slated to open on London’s West End in February 2020. With an annual operating budget of $11 million, TheatreWorks produces eight mainstage productions at the Lucie Stern Theatre in Palo Alto and the Mountain View Center for the Performing Arts. Eighteen years ago, we launched the New Works Initiative,
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Pink Unicorn Program
M T H A E Y E OUT OF THE BOX 9 P I - S 2 C 5 THEATRICS O , P 2 A 0 L 1 A presents 9 C T O R A L I C E R I P L E Y in S ' G U I L D MUSIC & LYRICS BY STEPHEN SONDHEIM BOOK BY JAMES LAPINE BOOK E L I S E F O R I E R E D I E DIRECTION A M Y E . J O N E S @ootbtheatrics Opening Night: May 15, 2019 The Episcopal Actors' Guild 1 East 29th Street Elizabeth Flemming Ethan Paulini Producing Artistic Director Associate Artistic Director present Alice Ripley* in Out of the Box Theatrics' production of By Elise Forier Edie Technical Design Dialect Coach Costume Design Frank Hartley Rena Cook Hunter Dowell Board Operator Wardrobe Supervisor Joshua Christensen Carrie Greenberg Graphic Design General Management Asst. General Management Gabriella Garcia Maggie Snyder Cara Feuer Press Representative Production Stage Management Ron Lasko Theresa S. Carroll* Directed by AMY E. JONES+ * Actors' Equity OOTB is proud to hire members of + Stage Directors and Association Choreographers Society AUTHOR'S NOTE ELISE FORIER EDIE People often ask me “how much of this play is true?” The answer is, “All of it.” Also, “None of it.” All the events in this play happened to somebody. High school students across the country have been forbidden to start Gay and Straight Alliance clubs. The school picture event mentioned in this play really did happen to a child in Florida. Families across the country are being shunned, harassed and threatened by neighbors, and they suffer for allowing their transgender children to freely express their identities.
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<BEST REVIVAL of a MUSICAL
M N 2018 TONY ➤BEST REVIVAL OF A MUSICAL AWARD WINNER “RAVISHING and GORGEOUS! WHAT A BIG, BOLD DELIGHT IT IS TO ENTER THE WORLD OF ONCE ON THIS ISLAND.” -- The New York Times Tony Award® winner Lea Salonga returns to Broadway in ONCE ON THIS ISLAND, the Broadway musical celebration from the Tony Award®-winning writers of Anastasia and Ragtime. ONCE ON THIS ISLAND is the tale of Ti Moune, a fearless peasant girl who falls in love with a wealthy boy from the other side of the island. When their divided cultures keep them apart, Ti Moune is guided by the powerful island gods, Erzulie (Ms. Salonga), Asaka (Alex Newell, “Glee”), Papa Ge (Merle Dandridge, “Greenleaf”), and Agwe (Quentin Earl Darrington, Cats), on a remarkable quest to reunite with the man who has captured her heart. Bursting with Caribbean colors, rhythms and dance, the story comes to vibrant life in a striking production by Tony Award®-nominated director Michael Arden (Spring Awakening revival) and acclaimed choreographer Camille A. Brown. This production transforms the reality of a tropical village devastated by a storm into a fantastical world alive with hope. Come and gather around for ONCE ON THIS ISLAND, a triumph of the timeless power of theatre to bring us together, move our hearts, and help us conquer life’s storms. You are why we tell the story. CIRCLE IN THE SQUARE THEATRE 235 West 50th Street (between Broadway & 8th Ave.) New York, NY 10019 Groups 10+ GreatWhiteWay.com Opened December 3, 2017 Running Time approx. 90 minutes, with no intermission (212) 757-9117 | (888) 517-0112.
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Sprawak Release 12-8-14 V1CLEAN.Docx.Docx
WALLIS ANNENBERG CENTER FOR THE PERFORMING ARTS, DEAF WEST THEATRE AND CODY LASSEN PRESENT Spring Awakening Book and Lyrics by STEVEN SATER Music by DUNCAN SHEIK Directed by MICHAEL ARDEN 22 Performances Only! May 21 to June 7, 2015 (Press Opening May 28, 2015) (Beverly Hills, CA – January 7, 2015) Wallis Annenberg Center for the Performing Arts (“The Wallis”), Deaf West Theatre and Cody Lassen present the Tony Award-winning musical Spring Awakening for a limited 22-performance engagement Thursday, May 21 to Sunday, June 7, 2015 (press opening May 28) in the Bram Goldsmith Theater. Tickets are now on sale. The innovative and acclaimed production, which enjoyed a sold-out engagement at downtown L.A.’s Rosenthal Theatre in fall 2014, is performed simultaneously in American Sign Language and spoken English by a cast of 25. The Los Angeles Times said that Spring Awakening is “an emotional triumph,” and that “Awakening awakens us to the dormant possibilities of this musical, with all the goose-bumps and teardrops to prove it.” Patricia Wolff, Interim Artistic Director of The Wallis says, “We are thrilled to welcome to The Wallis Los Angeles’ own Tony-winning Deaf West Theatre, and to share the creativity and joyousness of this brilliant and utterly original production with a broader audience. In Spring Awakening, American Sign Language is not just incorporated but actually choreographed into this emotionally charged musical, creating an organic and beautifully theatrical metaphor, ultimately expanding the theme of adolescent struggle to one that also celebrates the universal human need for communication and connection." James D’Asaro, Interim Producing Director of The Wallis noted, “Our role as lead producer for the transfer of Spring Awakening to our venue points to two of our presenting tenets – to not only partner with the best and most creative theaters in this country and abroad, but to support in the fullest sense visionary and innovative work created in our own Los Angeles theatre community.
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The 2017 Broadway Revival of Once on This Island
Miranda Revue pluridisciplinaire du monde anglophone / Multidisciplinary peer-reviewed journal on the English- speaking world 17 | 2018 Paysages et héritages de David Bowie “A Play That Provides:” the 2017 Broadway revival of Once on this Island Anouk Bottero Electronic version URL: http://journals.openedition.org/miranda/13878 DOI: 10.4000/miranda.13878 ISSN: 2108-6559 Publisher Université Toulouse - Jean Jaurès Electronic reference Anouk Bottero, ““A Play That Provides:” the 2017 Broadway revival of Once on this Island”, Miranda [Online], 17 | 2018, Online since 01 October 2018, connection on 16 February 2021. URL: http:// journals.openedition.org/miranda/13878 ; DOI: https://doi.org/10.4000/miranda.13878 This text was automatically generated on 16 February 2021. Miranda is licensed under a Creative Commons Attribution-NonCommercial-NoDerivatives 4.0 International License. “A Play That Provides:” the 2017 Broadway revival of Once on this Island 1 “A Play That Provides:” the 2017 Broadway revival of Once on this Island Anouk Bottero Factual information about the show 1 Play: Once on this Island (1990) - 1h30 (no intermission). 2 Venue: Circle in the Square Theatre 235 W 50th St, New York, NY 10019. 3 Opening: Circle in the Square Theatre, December 3rd, 2017. 4 Book & Lyrics: Lynn Ahrens 5 Music: Stephen Flaherty 6 Director: Michael Arden 7 Choreography: Camille A. Brown 8 Cast: Hailey Kilgore (Ti Moune), Lea Salonga (Erzulie), Aurelia Williams (Asaka), Quentin Earl Darrington (Agwe), Tamyra Gray (Papa Ge), Isaac Powell (Daniel), Kenita R. Miller (Mama Euralie), Phillip Boykin (Tonton Julian), Alysha Deslorieux (Andrea/ Storyteller), Darlesia Cearcy (“Beauxhommes” Narrator/Storyteller), Rodrick Covington (“Beauxhommes” Narrator/Storyteller), Tyler Hardwick (Storyteller), Cassondra James (Storyteller), David Jennings (Armand/Storyteller), Grasan Kingsberry (Beauxhomme/Storyteller), Loren Lott (Storytller), T.
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Saycon Sengbloh Theatrical Resume
Saycon Sengbloh AEA, SAG/AFTRA FILM Respect Supporting MGM Liesl Tommy Ask For Jane Supporting Independent Rachel Carey A Shot Through The Wall Supporting Independent Aimee Long Double Play Lead Feature Film Ernest Dickerson American Gangster Supporting Imagine Ent/Univ. Pics. Ridley Scott Across the Universe Sadie's Band Revolution Studios Julie Taymor New Best Friend Featured USA Pictures Zoe Clark-Williams TELEVISION The Wonder Years Series Regular ABC Various Delilah Recurring OWN Various In the Dark Recurring The CW Various Scandal Recurring ABC Various Controversy (Pilot) Series Regular FOX J. Requa, G. Ficarra The Passage Guest Star FOX Eduardo Sanchez Ten Days in the Valley Guest Star ABC Carl Franklin The Night Of Supporting HBO Steve Zallian The Good Wife Guest Star CBS Brooke Kennedy Songbyrd (Pilot) Guest Star E! Andrew McCarthy Law & Order Nurse Peltzer NBC Michael W. Watkins The Prince of Motor City (Pilot) Roz ABC Jack Bender Conviction Recurring NBC Elodie Keene Glory, Glory (pilot) Series Regular Spelling Television Bob Butler Dawson's Creek Guest Star WB James Whitmore Jr. The Rosa Parks Story Featured CBS MOW Julie Dash Funny Valentines Co-Star BET STARZ Julie Dash Mama Flora's Family Featured CBS Miniseries Peter Werner Ditchdigger's Daughter Co-Star Family Channel Johnny Jensen BROADWAY/NATIONAL TOUR Eclipsed Helena Golden Theatre Liesl Tommy *Drama Desk Award - Outstanding Featured Actress in a Play *Tony Award Nomination for Best Performance by an Actress in a Featured Role in a Play *Obie Award - Best Ensemble Cast *Outer Critics Circle Award Nomination - Outstanding Featured Actress in a Play Holler If Ya Hear Me Corrine Palace Theatre Kenny Leon Motown Martha Reeves Lunt-Fontanne Theatre Charles Randolph-Wright Fela! Sandra Isidore Eugene O'Neill Bill T.
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Picture As Pdf
1 Cultural Daily Independent Voices, New Perspectives Deaf West’s Rousing Spring Awakening Sylvie Drake · Wednesday, June 3rd, 2015 Arousing all senses. This may be the choice three-word assessment of the stunning Deaf West Theatre production of Spring Awakening that made the leap from a long run at Inner City Arts to the larger Wallis Annenberg Center in Beverly Hills. Whatever the terms of this arrangement, one can only celebrate the fact that it happened and that, in so doing, it imaginatively took advantage of the height and breadth of the Bram Goldsmith space at The Wallis. Simultaneously, one can only weep at the brevity of its presence there. Even with the just-announced extension, the show will close Sunday, June 14. First, some background. Theatre of the deaf is not a new phenomenon, but it is neither a common nor a particularly ancient one. The first American company to successfully combine deaf and hearing actors on stage was The National Theatre of the Deaf (NTD), established in New England in the late 1960s by David Hays, a Broadway set and lighting designer and avid sailor. Hays had never imagined he would be doing that sort of thing at all. Yet after the success of the Broadway production of The Miracle Worker, Anne Bancroft and Arthur Penn, who had seen from the inside out the effect of the Helen Keller story on general audiences, enticed Hays to get involved in an experiment to do just that. Once inducted, Hays became so enthralled with the concept that he described theatre of the deaf (correctly) as “a major dimensional form of poetry.” He went on to lead the NTD for the next 30 years.
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2018 Tony Award® for Best Revival of a Musical
WINNER! 2018 TONY AWARD® FOR BEST REVIVAL OF A MUSICAL OCTOBER 2019 • VOL. 1 Carson Center Box Office (270) 450-4444 “What a delight it is to enter the world of ONCE ON THIS ISLAND!” raves The New York Times. Winner of the 2018 TONY AWARD FOR BEST REVIVAL OF A MUSICAL, ONCE ON THIS ISLAND is the sweeping, universal tale of Ti Moune, a fearless peasant girl in search of her place in the world, and ready to risk it all for love. Guided by the mighty island gods, Ti Moune sets out on a remarkable journey to reunite with the man who has captured her heart. The groundbreaking vision of two-time Tony Award nominated director Michael Arden (Spring Awakening revival) and acclaimed choreographer Camille A. Brown (NBC’s Jesus Christ Superstar Live) conjures up “a place where magic is possible and beauty is apparent for all to see!” (The Hufﬁngton Post). With a score that bursts with life from Lynn Ahrens and Stephen Flaherty, the Tony Award-winning songwriters of Anastasia and Ragtime, ONCE ON THIS ISLAND is a timeless testament to theater’s unlimited possibilities. WELCOME HOME PADUCAH NATIVES McKynleigh Alden Abraham and Jamey Jennings Thank you to the LOCAL LIGHTWALKERS for Once on This Island! These Paducah Tilghman and McCracken County High School Students and Alumni deserve a round of applause for their assistance during the two-week technical and rehearsal period that took place at The Carson Center in preparation for the show’s national tour. John Dabu Andriah Hawthorne Ameri Thompson LeVion Decker Jlea Humphries Vic Tyler Elijah Garrett Brandon McFarland Kendrick Williams Jalen Harris Mark Taylor II Mikaya Woods 8 www.thecarsoncenter.org Carson Center Box Office (270) 450-4444 The Kentucky Arts Council, the state arts agency, supports The Carson Center with state tax dollars and federal funding from the National Endowment for the Arts.
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Merrily We Roll Along BRENT SCHINDELE*
CAST OF CHARACTERS AARON LAZAR*...................................................................FRANKLIN SHEPARD Paul Crewes Rachel Fine Artistic Director Managing Director DONNA VIVINO*.............................................................................MARY FLYNN AND WAYNE BRADY*.....................................................................CHARLEY KRINGAS Cody Lassen AMIR TALAI*............................................................................JOE JOSEPHSON in association with Robert Laurita, Aaron Sanko, Invisible Wall Productions/ Diego Kolankowsky, Kari Lynn Hearn WHITNEY BASHOR*.....................................................................BETH SPENCER PRODUCTION OF SAYCON SENGBLOH*................................................................GUSSIE CARNEGIE MAXIMUS BRANDON VERSO................................................................FRANK JR. KEVIN PATRICK DOHERTY*.........................................................................TYLER Merrily We Roll Along BRENT SCHINDELE*................................................................................TERRY ERIC B. ANTHONY*................................................................................SCOTTY MUSIC AND LYRICS BOOK BY LAURA DICKINSON*..................................................................................DORY Stephen Sondheim George Furth SANDY BAINUM*..........................................................................................RU JENNIFER FOSTER*........................................................................BARTENDER
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Once on This Island Friday, March 20, 2020; 7:30 Pm Saturday, March 21, 2020; 2 & 7:30 Pm Sunday, March 22, 2020; 1 & 6:30 Pm
Once on This Island Friday, March 20, 2020; 7:30 pm Saturday, March 21, 2020; 2 & 7:30 pm Sunday, March 22, 2020; 1 & 6:30 pm KEN DAVENPORT HUNTER ARNOLD NETWORKS PRESENTATIONS and CARL DAIKELER ROY PUTRINO BROADWAY STRATEGIC RETURN FUND H. RICHARD HOPPER BRIAN CROMWELL SMITH ROB KOLSON KEVIN LYLE MICHELLE RILEY/DR. MOJGAN FAJRAM INVISIBLE WALL PRODUCTIONS/ISLAND PRODUCTIONS present Book & Lyrics by Music by LYNN AHRENS STEPHEN FLAHERTY Based on the novel “My Love, My Love” by Rosa Guy featuring JAHMAUL BAKARE KYLE RAMAR FREEMAN TAMYRA GRAY CASSONDRA JAMES PHILLIP BOYKIN DANIELLE LEE GREAVES TYLER HARDWICK with MCKYNLEIGH ALDEN ABRAHAM BRIANA BROOKS GEORGE L. BROWN MICHAEL IVAN CARRIER MIMI CROSSLAND MARIAMA DIOP JAY DONNELL ALEX JOSEPH GRAYSON PHYRE HAWKINS SAVY JACKSON TATIANA LOFTON ROBERT ZELAYA and introducing COURTNEE CARTER Scenic Design Costume Design Lighting Design Sound Design Tour Sound Design DANE LAFFREY CLINT RAMOS JULES FISHER + PETER HYLENSKI SHANNON SLATON PEGGY EISENHAUER Orchestrations Original Vocal Arrangements Hair/Wig and Make-up Design “Found” Instrument Design ANNMARIE MILAZZO & MICHAEL STEPHEN FLAHERTY COOKIE JORDAN JOHN BERTLES & STAROBIN BASH THE TRASH Casting Associate Director Associate Choreographer Music Director TELSEY + COMPANY JUSTIN SCRIBNER RICKEY TRIPP STEVEN CUEVAS CRAIG BURNS, CSA Music Coordinator Tour Booking, Press & Marketing General Management Production Manager JOHN MILLER BOND THEATRICAL GROUP GENTRY & ASSOCIATES NETWORKS PRESENTATIONS GREGORY VANDER PLOEG Associate Producers Company Manager Production Stage Manager Executive Producer KAYLA GREENSPAN JAMEY JENNINGS KELSEY TIPPINS TRINITY WHEELER VALERIE NOVAKOFF Music Supervisor CHRIS FENWICK Choreographer CAMILLE A. BROWN Director MICHAEL ARDEN www.harriscenter.net FEB–MAR 2020 PROGRAM GUIDE 53 Once on This Island continued CAST McKynleigh Jahmaul Phillip Briana Alden Bakare Boykin Brooks Abraham George L.
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Rebecca Covington
Rebecca Covington AEA, SAG/AFTRA BROADWAY Beautiful Ensemble Sondheim Theatre Marc Bruni Motown: The Musical Ensemble Lunt Fontaine Theatre Charles Randolph-Wright NATIONAL TOURS Hamilton Ensemble/Female Swing Peggy Company (Puerto Rico & Thomas Kail San Francisco) Beautiful Ensemble National Tour Marc Bruni Motown: The Musical Ensemble National Tour Charles Randolph-Wright Ain't Misbehavin' Charlayne European Tour Richard Maltby Mamma Mia! Ali Nina Lannan Associates Phyllida Lloyd Thoroughly Modern Millie Muzzy Van Hossmere, u/s Troika Entertainment Joey McNeely Flannery REGIONAL THEATRE Crowns Jeanette McCarter Theatre Center/ Long Regina Taylor Wharf Annie Grace Farrell Alabama Shakespeare Festival Christopher Windom Ain't Misbehavin' Charlaine Arizona/Cleveland/San Jose Kent Gash Little Shop of Horrors Ronnette Casa Manana/North Carolina Casey Hushion Hair Ensemble The Barn Theatre Brendan Ragotzy Aida Nehebka Seaside Music Theatre Donna Drake WORKSHOPS AND READINGS The Preacher's Wife Karen Michael Arden Eliza Ensemble Charles Randolph-Wright Motown-The Musical Ensemble Charles Randolph-Wright Shrek Baby Bear Jason Moore UNIVERSITY THEATRE 42nd Street Dorothy Belmont University Smokey Joe's Café Featured Singer Belmont University Crazy For You Tess Belmont University Pippin Player Belmont University A Raisin in the Sun Ruth The Little Theatre The Wiz Dorothy SCAPA Theater West Side Story Anita SCAPA Theatre Singin in the Rain Ensemble Belmont University Oklahoma Ensemble Belmont University Bye Bye Birdie Ensemble Belmont University EDUCATION/TRAINING Belmont University, B.M., Musical Theatre Voice-Doug Oberhamer, Marjorie Halbert, Dr. Lawrence Bond, Angelique Clay (Musical Theatre, Classical, Gospel) Dance-Debbie Belue, Peggy Stamps, Andrea Polites (Jazz, Tap, African, Ballet, Modern, Musical Theatre Movement) Acting-Lynn Eastes, Laura Skaug, Alberta Labrillazo, Bill Feheely (Stanislavsky, Alexander, Meisner) *Governor's School for the Arts-Musical Theatre Emphasis SKILLS Violin, Sight reading Page 1 of 1 .
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Cripping Broadway: Neoliberal Performances of Disability in the American Musical
Cripping Broadway: Neoliberal Performances of Disability in the American Musical by Samuel R. Yates B.A. in Dramatic Arts and English, May 2011, Centre College M.Phil in Theatre and Performance Studies, June 2013, Trinity College Dublin A Dissertation submitted to The Faculty of The Columbian College of Arts and Sciences of The George Washington University in partial fulfillment of the requirements for the degree of Doctor of Philosophy May 19, 2019 Dissertation directed by David T. Mitchell Professor of English The Columbian College of Arts and Science of The George Washington University certifies that Samuel R. Yates has passed the Final Examination for the degree of Doctor of Philosophy as of 9 April, 2019. This is the final and approved form of the dissertation. Cripping Broadway: Neoliberal Performances of Disability in the American Musical Samuel R. Yates Dissertation Research Committee David T. Mitchell, Professor of English, Dissertation Director Robert McRuer, Professor of English, Committee Member Ann M. Fox, Professor of English, Committee Member ii © Copyright 2019 by Samuel R. Yates All Rights Reserved iii Chapters two and five of this dissertation contain reworked material previously published in the venues listed below. Additionally, Figure 5.1 is reprinted with permission from Springer Nature. I have permission from publishers to use the work listed below in my dissertation: Yates, Samuel. “Choreographing conjoinment: Side Show’s fleshly fixations and disability simulation.” Studies in Musical Theatre, vol. 13, no. 1, pp. 67–78, doi: 10.1386/smt.13.1.67_1 Yates, Samuel. “Spider-Man’s Designer Genes: Hyper-capacity and Transhumanism in a D.I.Y.
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