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MONSTERS INC 3D Press Kit
©2012 Disney/Pixar. All Rights Reserved. CAST Sullivan . JOHN GOODMAN Mike . BILLY CRYSTAL Boo . MARY GIBBS Randall . STEVE BUSCEMI DISNEY Waternoose . JAMES COBURN Presents Celia . JENNIFER TILLY Roz . BOB PETERSON A Yeti . JOHN RATZENBERGER PIXAR ANIMATION STUDIOS Fungus . FRANK OZ Film Needleman & Smitty . DANIEL GERSON Floor Manager . STEVE SUSSKIND Flint . BONNIE HUNT Bile . JEFF PIDGEON George . SAM BLACK Additional Story Material by . .. BOB PETERSON DAVID SILVERMAN JOE RANFT STORY Story Manager . MARCIA GWENDOLYN JONES Directed by . PETE DOCTER Development Story Supervisor . JILL CULTON Co-Directed by . LEE UNKRICH Story Artists DAVID SILVERMAN MAX BRACE JIM CAPOBIANCO Produced by . DARLA K . ANDERSON DAVID FULP ROB GIBBS Executive Producers . JOHN LASSETER JASON KATZ BUD LUCKEY ANDREW STANTON MATTHEW LUHN TED MATHOT Associate Producer . .. KORI RAE KEN MITCHRONEY SANJAY PATEL Original Story by . PETE DOCTER JEFF PIDGEON JOE RANFT JILL CULTON BOB SCOTT DAVID SKELLY JEFF PIDGEON NATHAN STANTON RALPH EGGLESTON Additional Storyboarding Screenplay by . ANDREW STANTON GEEFWEE BOEDOE JOSEPH “ROCKET” EKERS DANIEL GERSON JORGEN KLUBIEN ANGUS MACLANE Music by . RANDY NEWMAN RICKY VEGA NIERVA FLOYD NORMAN Story Supervisor . BOB PETERSON JAN PINKAVA Film Editor . JIM STEWART Additional Screenplay Material by . ROBERT BAIRD Supervising Technical Director . THOMAS PORTER RHETT REESE Production Designers . HARLEY JESSUP JONATHAN ROBERTS BOB PAULEY Story Consultant . WILL CSAKLOS Art Directors . TIA W . KRATTER Script Coordinators . ESTHER PEARL DOMINIQUE LOUIS SHANNON WOOD Supervising Animators . GLENN MCQUEEN Story Coordinator . ESTHER PEARL RICH QUADE Story Production Assistants . ADRIAN OCHOA Lighting Supervisor . JEAN-CLAUDE J . KALACHE SABINE MAGDELENA KOCH Layout Supervisor . EWAN JOHNSON TOMOKO FERGUSON Shading Supervisor . RICK SAYRE Modeling Supervisor . EBEN OSTBY ART Set Dressing Supervisor . -
OCF Disney BG 7375.Indd
DISNEYLAND RESORT EXPANSION questions for Disneyland President George A. Kalogridis 10We caught up with Disneyland Resort President George A. Kalogridis to get some insight into the thought behind this enormous expansion project, as well as some challenges and surprises over the last fi ve years. Here’s what he had to share. 1. Why did Disney make such a large investment to 6. You previously said that one of change Disney California Adventure? the things that had been missing from Disney Since opening in 2001, Disney California Adventure has California Adventure was nighttime entertainment? been the second most-visited theme park in the Western True. The park didn’t have a nighttime spectacular and United States, behind only Disneyland. Though many of World of Color has provided that one last memory as guests the highest-rated attractions are in California Adventure, leave our park. World of Color has entertained more than our guests told us they didn’t have the same emotional 5.5 million guests in just two years, and it has resulted in connection that they had to Disneyland. They wanted more increased park operating hours each evening… along with heart, more fantasy and more immersive experiences. sparking the addition of our nightly family dance parties. 2. How will you connect guests emotionally to Disney 7. What’s the concept behind the family dance parties? California Adventure? We created GlowFest to keep our guests engaged before As guests enter, they will be transported to the 1920s Los and after World of Color shows. We used the concept to Angeles that greeted Walt Disney when he arrived as a create ElecTRONica, a tribute to the movie TRON. -
The History of Carthay Circle
CARTHAY CTRCI,B HISTORY The Carthay Circle has often been eonsidered cireular but about the only thingr that was round in the eircle was the dome of the grand o1d Carthay Circle Theatre which bore the name of the subdivision. The boundaries of the eirele are Fairfax Avenue to the East; ta Cieneqa Boulevard to the !{est; Olyrnpic Boulevard to the South; Wilshire Boulevard to the North with San Vicente Boulevard (formerly Eulalia Boulevard, named for a mid-wife) cutting a diagonal path througrhout her domain. Geographically on a grid, Carthay Circle resembles more of a jigsaw piece j-n seareh of a puzzle than the Puzzle she is. Planned and developed in the glamourous era of the excit-ing '20's, it was ,r. Harvey McCarthy's hope that this sub-division would be in of a "high class" cal.j.ber. In 1.924 he hired and direeted his architects, Curlett and Beelman to follow his instruetions in the planning of this eommunity. The streets were laid on a diaqonal. Land cost at that time was at a premium and fifty (50) foot Lots sold f or S7,500.00 ! ! ! The sub-divj.sion vras the f irst to have underground utilities, makinq the area free of unsightly telephone poles and electric wires. The zoning for the land was primarily fo:: single fami.ly structrr::es one story in height. West of McCarthy Vista on Warner the houses should be one story while to the East the homes should be 2 stories. On Det Valle single family and a one story height was the Iimit. -
Chapter Template
Copyright by Colleen Leigh Montgomery 2017 THE DISSERTATION COMMITTEE FOR COLLEEN LEIGH MONTGOMERY CERTIFIES THAT THIS IS THE APPROVED VERSION OF THE FOLLOWING DISSERTATION: ANIMATING THE VOICE: AN INDUSTRIAL ANALYSIS OF VOCAL PERFORMANCE IN DISNEY AND PIXAR FEATURE ANIMATION Committee: Thomas Schatz, Supervisor James Buhler, Co-Supervisor Caroline Frick Daniel Goldmark Jeff Smith Janet Staiger ANIMATING THE VOICE: AN INDUSTRIAL ANALYSIS OF VOCAL PERFORMANCE IN DISNEY AND PIXAR FEATURE ANIMATION by COLLEEN LEIGH MONTGOMERY DISSERTATION Presented to the Faculty of the Graduate School of The University of Texas at Austin in Partial Fulfillment of the Requirements for the Degree of DOCTOR OF PHILOSOPHY THE UNIVERSITY OF TEXAS AT AUSTIN AUGUST 2017 Dedication To Dash and Magnus, who animate my life with so much joy. Acknowledgements This project would not have been possible without the invaluable support, patience, and guidance of my co-supervisors, Thomas Schatz and James Buhler, and my committee members, Caroline Frick, Daniel Goldmark, Jeff Smith, and Janet Staiger, who went above and beyond to see this project through to completion. I am humbled to have to had the opportunity to work with such an incredible group of academics whom I respect and admire. Thank you for so generously lending your time and expertise to this project—your whose scholarship, mentorship, and insights have immeasurably benefitted my work. I am also greatly indebted to Lisa Coulthard, who not only introduced me to the field of film sound studies and inspired me to pursue my intellectual interests but has also been an unwavering champion of my research for the past decade. -
Newsletter. Issue 35 September 2004
Newsletter. Issue 35 September 2004 Inside The Newsletter Welcome to Issue 35 of the club newsletter. th Saturday 25 September 7:30pm Latest Australian Disney News Meeting Join us at this meeting as we look at the many aspects of the World of Disney from Animation, Theme Parks, and The Wonderful World of Disney now on Saturday collectibles. A special look at Disneyland and much more. evenings on Channel 7 at 7.30pm. Come and join us for this exciting meeting. Disney’s Home on the Range – the next Animated feature opens in cinemas on September 23rd. Location: St. Marks Anglican Church Hall. Disney’s The Three Musketeers – Starring Mickey, Cnr. Auburn Rd and Hume Hwy Yagoona. (Near Donald and Goofy is being released on DVD in this month. Bankstown.) Just 150m from the Yagoona Railway Station. Upcoming Club Events The Down Under Disneyana Newsletter is a publication of the Down Under Disneyana Club. th The newsletter is published quarterly and distributed Saturday 25 September 7.30pm to members. Contributions to our newsletter are Join us at this meeting as we look at the wonderful worlds welcome. of Disney. Bring your favourite Disney memory to share. The club address is: Down Under Disneyana Club. PO Box 502 St Marks Anglican Church hall Regents Park, NSW 2143. Cnr Auburn Rd and Hume Hwy Yagoona only 1km along Australia. Auburn Rd from our old meeting location. Down Under Disneyana Club is the Australian Chapter of the National Fantasy Fan Club of the USA, In this newsletter read about the upcoming 50th birthday of and our club is not associated with The Walt Disney Disneyland celebrations. -
Historical Marker - S714 - Winsor Mccay/Winsor Mccay (Marker ID#:S714)
Historical Marker - S714 - Winsor McCay/Winsor McCay (Marker ID#:S714) Front - Title/Description Winsor McCay Winsor McCay (c.1867-1934), A pioneer in cartoon animations, first received acclaim for his artwork as a pupil in Spring Lake´s Union School. His blackboard sketch of the 1880 wreck of the SS Alpena inspired a photographer to take a picture of the drawing and sell the prints. As a youth McCay worked at the local Clinker boat works and at a sawmill. Around 1886 he enrolled at Cleary College in Ypsilanti. Instead of attending classes, however, he sketched patrons for money in a Significant Date: Detroit dime museum. Stints in Chicago and Civil War and After (1860-1875) Cincinnati preceded the artist´s move to New York Registry Year: 2009 Erected Date: 2009 to work for the Herald newspaper. In 1911 publishing mogul William Randolph Hearst hired Marker Location McCay as a cartoonist. Hearst´s New York Address: 123 East Exchange Street American promoted McCay as "the Most Brilliant Cartoon Pen on the whole American Scene." City: Spring Lake State: MI ZipCode: 49456 Back - Title/Description County: Ottawa Winsor McCay Township: Originally from Spring Lake, Winsor McCay (c.1867- 1934), was likely the most popular cartoonist of Lat: 43.07558870 / Long: -86.19508266 the early twentieth century. In addition to drawing Web URL: newspaper comic strips such as Little Nemo in Slumberland, McCay had a vaudeville act, for which he drew pictures on a blackboard at lightning speed. In 1911 he introduced a moving Little Nemo cartoon into his act, thuss taking his place among animation pioneers. -
Board of Directors, Advisory Committee Update
PRESS RELEASE The Walt Disney Family Museum Leadership Updates: Board of Directors, Advisory Committee Update San Francisco, June 26, 2018—The Walt Disney Family Museum is proud to announce the addition of two new members to the museum’s Board of Directors and two new members of the Advisory Committee. President of the Sharon D. Lund Foundation and granddaughter of Walt Disney Michelle Lund and San Francisco management consultant Pat Gallagher join the Board of Directors while veteran Muppets puppeteer Dave Goelz and Disney Legend Glen Keane join the Advisory Committee. Lund and Gallagher join President of the Board Ron Miller and board members Christopher Miller, Joanna Miller, Tamara Diane Miller, Jennifer Miller Goff, Danielle Durham, Sam Goff, and Executive Director of The Walt Disney Family Museum, Kirsten Komoroske. The museum’s Advisory Committee is made up of extraordinary individuals, each with uniquely impressive professional and personal achievements. Their combined insight, experience, and vision provide important strategic guidance for the museum in carrying out its mission and expanding its outreach and impact. Originally constituted in April 2015 to complement the museum’s Board of Directors, Goelz and Keane join fellow Committee members Nancy Hellman Bechtle, Andreas Deja, Don Hahn, Chris Kelly, John Lasseter, Michelle Lund, Leonard Maltin, Cynthia Rowland, Tom Sebastian, and Bob Weis. The museum is also happy to announce the appointment of Kirsten Komoroske, Executive Director of The Walt Disney Family Museum, to the Board of Directors of San Francisco Travel, a private, not-for-profit, 501(c)6 membership organization. Kirsten joins a panel of 39 business leaders from various Bay Area companies, elected by the membership, to SF Travel’s Board of Directors. -
A Celebrity in Our Midst – DON LUSK
A Celebrity in our Midst – DON LUSK Resident Don Lusk is a veteran animator and director with one of the most wide-ranging resumes in the animation industry. He began his ca- reer at the Walt Disney studios in 1933 as an “in-betweener”, but soon rose to the position of Assistant Animator, working with some veteran an- imators. By 1938 he had become a full animator, lending his artistry to such classics as “Pinocchio,” “Fantasia,” “The Wind and the Willows,” “Alice in Wonderland,” Peter Pan,” “Lady and the Tramp,” “Sleeping Beauty” and “101 Dalmatians”. Too bad we’ve never heard of any of those films, right? Frank Thomas and Ollie Johnson, authors of the book, “The Illusion of Life: Disney Animation” said of Don: “The scenes of the glow- ing white fish in the Arabian Dance section of ‘Nutcracker Suite’ (Fanta- sia) amazed the whole Studio. No one had ever seen such a gossamer effect, and very few knew how it had been achieved.” Don Lusk, holding his After leaving Disney, Don went to work for Winsor McCay Award Trophy Walter Lantz (most notable for Woody Woodpecker). Don also animated for Chuck Jones on the 1962 feature “Gay Purr-ee”. Don then moved to Hanna-Barbera (most notable perhaps for The Flinstones and Yogi Bear). Don spent the next three decades there working as an animator, animation director and director be- fore retiring in 1993. Don is now 101 and received this Winsor McCay Award as recognition for career contributions to the art of animation. Don is in impressive company, as the 2014 recipient of the award was Stephen Spielberg! Don remains one of the most accomplished and respected elder statesmen of animation. -
February 13, 2007 the Free-Content News Source That You Can Write! Page 1
February 13, 2007 The free-content news source that you can write! Page 1 Top Stories Wikipedia Current Events Dixie Chicks, Blige, Underwood big Grammy winners US claims Iraqi militants •A suspicious white substance is The Dixie Chicks finally overcame armed with Iranian weapons found in envelope at the Virginia controversy to dominate the 2007 United States military and Supreme Court building in Grammy Awards on Sunday night, intelligence officials have Richmond, Virginia, United States, winning five statuettes including presented material they say link on the same day that Senator the two coveted awards for Record weapons used by Iraqi fighters to John McCain (R-AZ) speaks at the and Song of the Year (for "Not Iran. Jefferson Hotel. Ready To Make Nice"). The •Iranian President Mahmoud country/rock trio, led by Martie Australian Prime Minister Ahmadinejad states in an Maguire, often criticized for their targets Obama on Iraq interview that Iran does not fear political views, also won for their Australian Prime Minister John the U.S. and that any foreign album Taking the Long Way. Howard has attacked US attack would be "severely presidential candidate Barack punished". Mary J. Blige, who went into the Obama on his pledge to introduce Grammies with the most a bill that would withdraw •United States Assistant Secretary nominations, ended up winning American troops from Iraq by of State for East Asian and Pacific three, while American Idol winner March 2008. Affairs, Christopher R. Hill, Carrie Underwood won two, announces that tentative including Best New Artist and for agreement has been reached over Featured story her song "Jesus Take The Wheel". -
VIEW Press Release September 2012
VIEW 2012 ITALY’S PREMIERE DIGITAL TECHNOLOGY CONFERENCE CONVENES OCTOBER 16 TO 19 • Directors Genndy Tartakovsky - Hotel Transylvania, Sony Pictures Animation • Eric Darnell - Madagascar 3, Dreamworks Animation • Director Mark Walsh - Partysaurus Rex, Disney •Pixar • Directors Guild of America Winner Daniel Attias (The Wire, Sopranos, Deadwood, Lost) • Seven-time Academy Award winning sound designer and Oscar-nominated short film director Gary Rydstrom And Introducing: The Creative Bootcamp , a lively, interactive, multi-day workshop that propels participants into new worlds of the future. Turin, Italy (September 10) – Dedicated to bringing together experts from around the world to inspire, engage, teach, and astound, VIEW, Italy’s leading computer graphics symposium, proudly announces highlights from its upcoming 13th annual confab. “This is shaping up to be one of the most exciting VIEW conferences ever,” says conference director Maria Elena Gutierrez. “We are privileged to bring two feature film directors to Torino this year, Genndy Tartakovsky and Eric Darnell. Also, the European premiere of the Pixar Animation Studios latest short, Partysaurus Rex presented by its director Mark Walsh and also the amazing Gary Rydstrom from Skywalker Sound, and director Dan Attias who shares his award-winning expertise in broadcast television. Plus, we have highly-honored speakers from the top visual effects and game development studios. And, we are offering our first Creative Bootcamp. I couldn’t be more thrilled with the program this year.” Presenting the Italian premier of footage from Sony Pictures Animation’s feature film Hotel Transylvania, Genndy Tartakovsky shares his experience directing this CG feature, his first. Tartakovsky has received 12 Emmy nominations and won three Emmys for his work in broadcast television, and in 2007, he received the Annie Awards’ Winsor McCay Award. -
Enjoy the Magic of Walt Disney World All Year Long with Celebrations Magazine! Receive 6 Issues for $29.99* (Save More Than 15% Off the Cover Price!) *U.S
Enjoy the magic of Walt Disney World all year long with Celebrations magazine! Receive 6 issues for $29.99* (save more than 15% off the cover price!) *U.S. residents only. To order outside the United States, please visit www.celebrationspress.com. To subscribe to Celebrations magazine, clip or copy the coupon below. Send check or money order for $29.99 to: YES! Celebrations Press Please send me 6 issues of PO Box 584 Celebrations magazine Uwchland, PA 19480 Name Confirmation email address Address City State Zip You can also subscribe online at www.celebrationspress.com. On the Cover: “I’ve Got a Bad Feeling About This...”, photo by Tim Devine Issue 22 Star Tours: 42 Contents New Destinations, Letters ..........................................................................................6 New Worlds Calendar of Events ............................................................ 8 Disney News & Updates................................................10 MOUSE VIEWS ......................................................... 15 Guide to the Magic by Tim Foster............................................................................16 20,000 Leagues Explorer Emporium by Lou Mongello .....................................................................18 Under the Sea 48 Hidden Mickeys by Steve Barrett .....................................................................20 Photography Tips & Tricks by Tim Devine .........................................................................22 Pin Trading & Collecting by John Rick .............................................................................24 -
The Studio Years of Ehatjneey HAINES As Told to Stu Green
The Studio Years of eHAtJNeEY HAINES As told to Stu Green. Photos are from the Haines Collection. PART II In Part I, we traced the Haines Chauncey enjoyed one final the career from childhood through the atre "blast" in that year of the Olym silent movie era. Then came "talk ics in Los Angeles. The prestigious ies." Carthay Circle Theatre decided to By 1930, even the most optimistic go "all out" with a SO-pieceorchestra observer had to admit that live mu conducted by famed Carli Elinor and sic in movie theatres was a thing of Chauncey at the Wurlitzer. That was the past. For three years theatres had the era of gigantic stage prologues to been installing hastily-developed films, with elaborate scenery and sound equipment and studios were scores of dancers. The movie was an already discontinuing the prepara earlier version of the all-time tear tion of separate "silent versions" of jerker, Backstreet. Chauncey recalls films whose only plus factor was the that one of the featured dancers in "sound version's" singing and talk the stage prologue was Rita Cansino. ing by heretofore silent stars. This She was later known as Rita Hay they did for a time to accommodate worth. It was wonderful while it still "unwired" houses. By 1930, lasted, but the run was short. Here sound equipment had become more and there Chauncey picked up a few reliable. Gradually, sound-on-film organ jobs before the theatres be (movietone's "variable density" and came "all talkie" ghost houses. Photophone's "variable area") sys This is the picture Chauncey tems had largely replaced Vita Haines faced, and it was further phone's "sound on disc" which all darkened by the depression which too often got "out of sync" when the continued to get worse during the needle jumped a groove.