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February 9, 2007 the Free-Content News Source That You Can Write! Page 1
February 9, 2007 The free-content news source that you can write! Page 1 Top Stories Wikipedia Current Events Animation). Annie Awards for animation the spokesman for al-Ghurabaa, Cars, Happy Feet, and Monster Sunday; Wikinews will be an organization the British House are all nominated in the there government has designated as Academy Awards for the same This Sunday, the Annie Awards will terrorist, on charges of inciting category, perhaps signifying an be handed out in Glendale, terrorism. edge up in the competition. California. Professional •Seven alleged members of the photographer John Mueller will Islamic Movement of Uzbekistan, Direct-to-DVD releases are eligible attend the ceremony on behalf of an organization affiliated with Al- for the "Best Home Entertainment Wikinews, taking photos of Qaeda, are on trial in Tajikistan. If Production". Included are Bambi II nominees and the rest of convicted of terrorism they could (DisneyToon Studios), The America's animation elite. be sentenced to up to twenty Adventures of Brer Rabbit years in prison. (Universal Animation Studios), and Snow causes disruption in UK Winnie the Pooh: Shapes & Sizes Heavy snow has caused disruption (DisneyToon Studios). in the United Kingdom with Annie Awards for animation Sunday; Wikinews will be there airports and schools closed and Charlie and Lola, Foster's Home for delays on the road network. This Sunday, the International Animated Film Association Imaginary Friends, King of the Hill, Snowfall was highest near The Fairly OddParents, and Wow! Worcester with 9cms of snow (Association International du Film d'Animation) or ASIFA will hand out Wow! Wubbzy! are all up for "Best falling. -
February 2019 NASFA Shuttle
Te Shutle February 2019 The Next NASFA Meeting is Saturday 16 February 2018 at Willowbrook Madison normal 3rd Saturday, except: d Oyez, Oyez d • 23 March—a week late (4th Saturday) to avoid MidSouthCon All meetings are currently scheduled to be at the church, with The next NASFA Meeting will be 16 February 2019, at the the Business Meeting starting at 6P. However, as programs for regular meeting location and the regular time (6P). See the map the year develop, changes may be made to the place, the start below, at right for directions to Willowbrook Baptist Church time, or both. Stay tuned. (Madison campus; 446 Jeff Road). See the map on page 2 for a SHUTTLE DEADLINES closeup of parking at the church as well as how to find the In general, the monthly Shuttle production schedule (though meeting room (“The Huddle”), which is close to one of the a bit squishy) is to put each issue to bed about 6–8 days before back doors toward the north side of the church. Please do not the corresponding monthly meeting. Submissions are needed as try to come in the (locked) front door. far in advance of that as possible. FEBRUARY PROGRAM Please check the deadline below the Table of Contents each The February Program will be a talk by Glenn Taylor, man- month to submit news, reviews, LoCs, or other material. ager of the Huntsville Regional Traffic Management Center of JOINING THE NASFA EMAIL LIST the Alabama Department of Transportation. The topic is AL- All NASFAns who have email are urged to join our email DOT’s Intelligent Transportation System, the goal of which is list, which you can do online at <tinyurl.com/NASFAEmail>. -
Cartooning America: the Fleischer Brothers Story
NEH Application Cover Sheet (TR-261087) Media Projects Production PROJECT DIRECTOR Ms. Kathryn Pierce Dietz E-mail: [email protected] Executive Producer and Project Director Phone: 781-956-2212 338 Rosemary Street Fax: Needham, MA 02494-3257 USA Field of expertise: Philosophy, General INSTITUTION Filmmakers Collaborative, Inc. Melrose, MA 02176-3933 APPLICATION INFORMATION Title: Cartooning America: The Fleischer Brothers Story Grant period: From 2018-09-03 to 2019-04-19 Project field(s): U.S. History; Film History and Criticism; Media Studies Description of project: Cartooning America: The Fleischer Brothers Story is a 60-minute film about a family of artists and inventors who revolutionized animation and created some of the funniest and most irreverent cartoon characters of all time. They began working in the early 1900s, at the same time as Walt Disney, but while Disney went on to become a household name, the Fleischers are barely remembered. Our film will change this, introducing a wide national audience to a family of brothers – Max, Dave, Lou, Joe, and Charlie – who created Fleischer Studios and a roster of animated characters who reflected the rough and tumble sensibilities of their own Jewish immigrant neighborhood in Brooklyn, New York. “The Fleischer story involves the glory of American Jazz culture, union brawls on Broadway, gangsters, sex, and southern segregation,” says advisor Tom Sito. Advisor Jerry Beck adds, “It is a story of rags to riches – and then back to rags – leaving a legacy of iconic cinema and evergreen entertainment.” BUDGET Outright Request 600,000.00 Cost Sharing 90,000.00 Matching Request 0.00 Total Budget 690,000.00 Total NEH 600,000.00 GRANT ADMINISTRATOR Ms. -
MONSTERS INC 3D Press Kit
©2012 Disney/Pixar. All Rights Reserved. CAST Sullivan . JOHN GOODMAN Mike . BILLY CRYSTAL Boo . MARY GIBBS Randall . STEVE BUSCEMI DISNEY Waternoose . JAMES COBURN Presents Celia . JENNIFER TILLY Roz . BOB PETERSON A Yeti . JOHN RATZENBERGER PIXAR ANIMATION STUDIOS Fungus . FRANK OZ Film Needleman & Smitty . DANIEL GERSON Floor Manager . STEVE SUSSKIND Flint . BONNIE HUNT Bile . JEFF PIDGEON George . SAM BLACK Additional Story Material by . .. BOB PETERSON DAVID SILVERMAN JOE RANFT STORY Story Manager . MARCIA GWENDOLYN JONES Directed by . PETE DOCTER Development Story Supervisor . JILL CULTON Co-Directed by . LEE UNKRICH Story Artists DAVID SILVERMAN MAX BRACE JIM CAPOBIANCO Produced by . DARLA K . ANDERSON DAVID FULP ROB GIBBS Executive Producers . JOHN LASSETER JASON KATZ BUD LUCKEY ANDREW STANTON MATTHEW LUHN TED MATHOT Associate Producer . .. KORI RAE KEN MITCHRONEY SANJAY PATEL Original Story by . PETE DOCTER JEFF PIDGEON JOE RANFT JILL CULTON BOB SCOTT DAVID SKELLY JEFF PIDGEON NATHAN STANTON RALPH EGGLESTON Additional Storyboarding Screenplay by . ANDREW STANTON GEEFWEE BOEDOE JOSEPH “ROCKET” EKERS DANIEL GERSON JORGEN KLUBIEN ANGUS MACLANE Music by . RANDY NEWMAN RICKY VEGA NIERVA FLOYD NORMAN Story Supervisor . BOB PETERSON JAN PINKAVA Film Editor . JIM STEWART Additional Screenplay Material by . ROBERT BAIRD Supervising Technical Director . THOMAS PORTER RHETT REESE Production Designers . HARLEY JESSUP JONATHAN ROBERTS BOB PAULEY Story Consultant . WILL CSAKLOS Art Directors . TIA W . KRATTER Script Coordinators . ESTHER PEARL DOMINIQUE LOUIS SHANNON WOOD Supervising Animators . GLENN MCQUEEN Story Coordinator . ESTHER PEARL RICH QUADE Story Production Assistants . ADRIAN OCHOA Lighting Supervisor . JEAN-CLAUDE J . KALACHE SABINE MAGDELENA KOCH Layout Supervisor . EWAN JOHNSON TOMOKO FERGUSON Shading Supervisor . RICK SAYRE Modeling Supervisor . EBEN OSTBY ART Set Dressing Supervisor . -
Newsletter. Issue 35 September 2004
Newsletter. Issue 35 September 2004 Inside The Newsletter Welcome to Issue 35 of the club newsletter. th Saturday 25 September 7:30pm Latest Australian Disney News Meeting Join us at this meeting as we look at the many aspects of the World of Disney from Animation, Theme Parks, and The Wonderful World of Disney now on Saturday collectibles. A special look at Disneyland and much more. evenings on Channel 7 at 7.30pm. Come and join us for this exciting meeting. Disney’s Home on the Range – the next Animated feature opens in cinemas on September 23rd. Location: St. Marks Anglican Church Hall. Disney’s The Three Musketeers – Starring Mickey, Cnr. Auburn Rd and Hume Hwy Yagoona. (Near Donald and Goofy is being released on DVD in this month. Bankstown.) Just 150m from the Yagoona Railway Station. Upcoming Club Events The Down Under Disneyana Newsletter is a publication of the Down Under Disneyana Club. th The newsletter is published quarterly and distributed Saturday 25 September 7.30pm to members. Contributions to our newsletter are Join us at this meeting as we look at the wonderful worlds welcome. of Disney. Bring your favourite Disney memory to share. The club address is: Down Under Disneyana Club. PO Box 502 St Marks Anglican Church hall Regents Park, NSW 2143. Cnr Auburn Rd and Hume Hwy Yagoona only 1km along Australia. Auburn Rd from our old meeting location. Down Under Disneyana Club is the Australian Chapter of the National Fantasy Fan Club of the USA, In this newsletter read about the upcoming 50th birthday of and our club is not associated with The Walt Disney Disneyland celebrations. -
Historical Marker - S714 - Winsor Mccay/Winsor Mccay (Marker ID#:S714)
Historical Marker - S714 - Winsor McCay/Winsor McCay (Marker ID#:S714) Front - Title/Description Winsor McCay Winsor McCay (c.1867-1934), A pioneer in cartoon animations, first received acclaim for his artwork as a pupil in Spring Lake´s Union School. His blackboard sketch of the 1880 wreck of the SS Alpena inspired a photographer to take a picture of the drawing and sell the prints. As a youth McCay worked at the local Clinker boat works and at a sawmill. Around 1886 he enrolled at Cleary College in Ypsilanti. Instead of attending classes, however, he sketched patrons for money in a Significant Date: Detroit dime museum. Stints in Chicago and Civil War and After (1860-1875) Cincinnati preceded the artist´s move to New York Registry Year: 2009 Erected Date: 2009 to work for the Herald newspaper. In 1911 publishing mogul William Randolph Hearst hired Marker Location McCay as a cartoonist. Hearst´s New York Address: 123 East Exchange Street American promoted McCay as "the Most Brilliant Cartoon Pen on the whole American Scene." City: Spring Lake State: MI ZipCode: 49456 Back - Title/Description County: Ottawa Winsor McCay Township: Originally from Spring Lake, Winsor McCay (c.1867- 1934), was likely the most popular cartoonist of Lat: 43.07558870 / Long: -86.19508266 the early twentieth century. In addition to drawing Web URL: newspaper comic strips such as Little Nemo in Slumberland, McCay had a vaudeville act, for which he drew pictures on a blackboard at lightning speed. In 1911 he introduced a moving Little Nemo cartoon into his act, thuss taking his place among animation pioneers. -
The Neverhood Doug Tennapel and Mike Dietz Take Us on a Full Tour of the Neverhood, a Cutting-Edge Studio Which Uses Claymation to Create Interactive Games
Vol.Vol. 22 IssueIssue 99 December 1997 Gaming!Gaming! JetJet PilotPilot ReviewsReviews FlightFlight SimsSims GamesGames onon thethe WebWeb ToolsTools 101101 Multimedia Down Under InsideInside TheThe Plus: A Conversation NeverhoodNeverhood with Jerzy Kucia and Piotr Dumala Table of Contents December 1997 Vol. 2, . No. 9 4 Editor’s Notebook It’s getting to be time to pay attention... 5 Letters: [email protected] GAMING! 7 Welcome To The Neverhood Doug TenNapel and Mike Dietz take us on a full tour of The Neverhood, a cutting-edge studio which uses claymation to create interactive games. 11 Plus: Mike Dietz explains The Neverhood’s unique stop-motion animation process in detail. 13 Multimedia Down Under Mark Morrison gives us the lowdown on the Australian multimedia world. Despite government support and eager talent, distance and distribution remain two challenges. 18 PlayStation:An Unassuming Jack Why is the Sony PlayStation becoming the most popular home gaming console? Joseph Szadkowski sheds light on their shrewd, and simple, business plan. 22 Tools of the Trade:What Do I Need to Create Interactive Games? Interactive producer Tim Samoff describes his favorite tools for making interactive games. 25 Online Gaming: From Avatars to Wizards Christopher Harz explains how to get started in the new world of cyberspace. 29 MIPCOM Meets MILIA MIPCOM consultant Frederique Doumic answers her most frequently asked questions regarding the merging of the gaming and animation industries. 34 Russia: Gaming for Everybody Natalya Loukinykh gives us an inside look at the potential of Russia’s digital future. 37 1997 Gaming Report:The Best of the Bunch Animation World Magazine’s picks for the top animated games of 1997. -
A Celebrity in Our Midst – DON LUSK
A Celebrity in our Midst – DON LUSK Resident Don Lusk is a veteran animator and director with one of the most wide-ranging resumes in the animation industry. He began his ca- reer at the Walt Disney studios in 1933 as an “in-betweener”, but soon rose to the position of Assistant Animator, working with some veteran an- imators. By 1938 he had become a full animator, lending his artistry to such classics as “Pinocchio,” “Fantasia,” “The Wind and the Willows,” “Alice in Wonderland,” Peter Pan,” “Lady and the Tramp,” “Sleeping Beauty” and “101 Dalmatians”. Too bad we’ve never heard of any of those films, right? Frank Thomas and Ollie Johnson, authors of the book, “The Illusion of Life: Disney Animation” said of Don: “The scenes of the glow- ing white fish in the Arabian Dance section of ‘Nutcracker Suite’ (Fanta- sia) amazed the whole Studio. No one had ever seen such a gossamer effect, and very few knew how it had been achieved.” Don Lusk, holding his After leaving Disney, Don went to work for Winsor McCay Award Trophy Walter Lantz (most notable for Woody Woodpecker). Don also animated for Chuck Jones on the 1962 feature “Gay Purr-ee”. Don then moved to Hanna-Barbera (most notable perhaps for The Flinstones and Yogi Bear). Don spent the next three decades there working as an animator, animation director and director be- fore retiring in 1993. Don is now 101 and received this Winsor McCay Award as recognition for career contributions to the art of animation. Don is in impressive company, as the 2014 recipient of the award was Stephen Spielberg! Don remains one of the most accomplished and respected elder statesmen of animation. -
VIEW Press Release September 2012
VIEW 2012 ITALY’S PREMIERE DIGITAL TECHNOLOGY CONFERENCE CONVENES OCTOBER 16 TO 19 • Directors Genndy Tartakovsky - Hotel Transylvania, Sony Pictures Animation • Eric Darnell - Madagascar 3, Dreamworks Animation • Director Mark Walsh - Partysaurus Rex, Disney •Pixar • Directors Guild of America Winner Daniel Attias (The Wire, Sopranos, Deadwood, Lost) • Seven-time Academy Award winning sound designer and Oscar-nominated short film director Gary Rydstrom And Introducing: The Creative Bootcamp , a lively, interactive, multi-day workshop that propels participants into new worlds of the future. Turin, Italy (September 10) – Dedicated to bringing together experts from around the world to inspire, engage, teach, and astound, VIEW, Italy’s leading computer graphics symposium, proudly announces highlights from its upcoming 13th annual confab. “This is shaping up to be one of the most exciting VIEW conferences ever,” says conference director Maria Elena Gutierrez. “We are privileged to bring two feature film directors to Torino this year, Genndy Tartakovsky and Eric Darnell. Also, the European premiere of the Pixar Animation Studios latest short, Partysaurus Rex presented by its director Mark Walsh and also the amazing Gary Rydstrom from Skywalker Sound, and director Dan Attias who shares his award-winning expertise in broadcast television. Plus, we have highly-honored speakers from the top visual effects and game development studios. And, we are offering our first Creative Bootcamp. I couldn’t be more thrilled with the program this year.” Presenting the Italian premier of footage from Sony Pictures Animation’s feature film Hotel Transylvania, Genndy Tartakovsky shares his experience directing this CG feature, his first. Tartakovsky has received 12 Emmy nominations and won three Emmys for his work in broadcast television, and in 2007, he received the Annie Awards’ Winsor McCay Award. -
Teachers Guide
© Disney “All your dreams can come true if you have the courage to pursue them.” —Walt Disney “Every child is an artist. The problem is how to remain an artist once we grow up.” —Pablo Picasso “Painting is poetry that is seen rather than felt, and poetry is painting that is felt rather than seen.” —Leonardo da Vinci “Great art picks up where nature ends.” —Marc Chagall “Everything in creation has its appointed painter or poet and remains in bondage like the princess in the fairy tale ’til its appropriate liberator comes to set it free.” —Ralph Waldo Emerson “I have no special talents. I am only passionately curious.” —Albert Einstein www.DisneyEducation.com page 2 © Disney Dear Educator: Just like sculpting and painting, teaching is an art—in this case, one refined over the course of a teacher’s career. Now you can enhance the classroom experience with some magical help from Snow White and Cinderella as well as the beautiful Tiana from the new Disney animated film The Princess and the Frog . This custom-created Educator’s Guide is designed to support the New Orleans Museum of Art (NOMA’s) exclusive exhibition, Dreams Come True: Art of the Classic Fairy Tales from the Walt Disney Studio. From storytelling and music to performing arts and the power of imagination, the exhibition was created to inspire students to explore, discover, and create in impressive new ways. Dreams Come True showcases original artwork from legendary Disney animated films, including Snow White and the Seven Dwarfs, Cinderella, Sleeping Beauty, The Little Mermaid, and Beauty and the Beast . -
Feature Films and Licensing & Merchandising
Vol.Vol. 33 IssueIssue 88 NovemberNovember 1998 1998 Feature Films and Licensing & Merchandising A Bug’s Life John Lasseter’s Animated Life Iron Giant Innovations The Fox and the Hound Italy’s Lanterna Magica Pro-Social Programming Plus: MIPCOM, Ottawa and Cartoon Forum TABLE OF CONTENTS NOVEMBER 1998 VOL.3 NO.8 Table of Contents November 1998 Vol. 3, No. 8 4 Editor’s Notebook Disney, Disney, Disney... 5 Letters: [email protected] 7 Dig This! Millions of Disney Videos! Feature Films 9 Toon Story: John Lasseter’s Animated Life Just how does one become an animation pioneer? Mike Lyons profiles the man of the hour, John Las- seter, on the eve of Pixar’s Toy Story follow-up, A Bug’s Life. 12 Disney’s The Fox and The Hound:The Coming of the Next Generation Tom Sito discusses the turmoil at Disney Feature Animation around the time The Fox and the Hound was made, marking the transition between the Old Men of the Classic Era and the newcomers of today’s ani- 1998 mation industry. 16 Lanterna Magica:The Story of a Seagull and a Studio Who Learnt To Fly Helming the Italian animation Renaissance, Lanterna Magica and director Enzo D’Alò are putting the fin- ishing touches on their next feature film, Lucky and Zorba. Chiara Magri takes us there. 20 Director and After Effects: Storyboarding Innovations on The Iron Giant Brad Bird, director of Warner Bros. Feature Animation’s The Iron Giant, discusses the latest in storyboard- ing techniques and how he applied them to the film. -
Performative Animation and the Virtual Body
SOMA3410 Performative Animation and the Virtual Body SOMA3410 Performative Animation and the Virtual Body Term T2, 2020 Course Information Units of Credit: 6 Course Overview Course Description Fully Online Delivery Term 2 2020 Some adjustments have been made to this course to allow for fully online delivery during the COVID-19 situation. Please refer to the Resources section at the back of this document for more information about materials and resources required to complete this course outline. *** Performative Animation and the Virtual Body will help you to bring your animated characters to life. In this course you will learn how identity is communicated through the animated body and how animators engage with performance as an animation process. Assessment involves the creation and evaluation of a character performance that aims to show 'embodied agency' through animated movement; including body, voice, and facial expressions. You will explore how animated agency is generated by analysing a combination of performance and acting skills, which can then be applied in your creative work using advanced 3D CGI character animation techniques. In particular, you will focus on developing emotive strategies for your character, based on physiological and psychological devices, included in physical performance processes. You will investigate nuances of physical expression through observation of performances in character animation, undertaking experimental body animation, and participating in live-performances that integrate digital technologies. Course Learning Outcomes On completion of this course, the student should be able to: 1. Analyse the staging and posing of an animated character to convey emotion through body language based on physical performance 2.