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Chapter 9 Reading Myself and Worlds: Coping Strategies in the Face of Cumulative Trauma Danielle Schaub 1 Introduction When starting in the years during which the self takes shape, childhood trau- ma leaves its scars on the sites of formation in the child’s developmental trajec- tory. In my case, the continuous geographical and linguistic disruptions caused by my father’s peripatetic working life foregrounded language as a site of traumatisation and insecurity in early years. Such insecurity only signals one trauma this body experienced repeatedly. The various traumatic experiences that inform me include cumulative trauma resulting from parental symbiosis underplaying a child’s existence; unprepared-for displacement and translation of identity; abandonment in a convent at the age of three; untimely death of a parent believed healthy without post-factum psychological or emotional sup- port; death of an underage sibling. I thought I had managed to bounce back after the debilitating experiences, proving capable of resilience. To some ex- tent I had; otherwise I would not have functioned, but since the experiences haunted me with a nagging, unsettling feeling for years, I found myself pon- dering over my reactions, behaviours, responses to specific stressful situations. With time and much ink, as Boris Cyrulnik notes, I have come to terms with the past and perceive what once felt life threatening as less devastating.1 With creative pieces involving the textual and the visual in combination or on their own, the chapter illustrates and theorises the process undertaken to cope with traumas as well as the understanding of patterns adopted to disconnect from the traumatic sources. -
Jeezy All There Mp3 Download
Jeezy all there mp3 download Continue :Gaana Albums English Albums Source:2,source_id:1781965.object_type:2,id:1781965,status:0,title:All there,trackcount:1,track_ids:20634275 Objtype:2,share_url:/album/all-there,album: artist: artist_id:12643, name:Jizi,ar_click_url:/artist/jizi, ArtistAll اﻟﻘﺎﺋﻤﺔ اﻟﺼﻔﺤﺔ اﻟﺮﺋﻴﺴﻴﺔ أﻏﺎﻧﻲ ﺟﺪﻳﺪة اﺗﺼﺎل artist_id:12643,name:Jizi,ar_click_url:/artist/jizi,artist_id:696808, title:Bankroll Fresh, ar_click_url:/artist/bankroll-fresh,premium_content:0.release_date:Oct 08, 2016, 03:18,Language:English - Album Is Inactive All That Is An English Album, released in October 2016. All There Album has one song performed by Jeezy, Bankroll Fresh. Listen to all the songs there in high quality and download all there song on Gaana.com Related Tags - All There, All There Songs Download, Download All There Songs, Listen to All There Songs, All There MP3 Songs, Jeezy Songs Bankroll Fresh All There Free mp3 download and stream. The songs we share are not taken from websites or other media, we don't store mp3 files of new songs on our server, but we take them from YouTube to do so. Jeezy All There Ft Bankroll Fresh mp3 high quality download on MusicEels. Choose from multiple sources of music. A commentary in the genre of hip-hop from Kevin a a A Jerichos Revenge Fight to pull up make sure that yall there comment Simon AKERMAN LIT. Comment by Charles Sanchez 12 R.I.P. MIGUEL VARGAS Comment by Elijah Kramer Automatic I don't need a clue in this Comment Bloody Bird all there ̧x8F ̄ Michael Rainford's comment is all there all ̄ Comment by Curtis Madden and Comment by Chris Smither hot cheeto that I snack on.. -
“Jackie” Ramos Conducted August 6, 2010 by Ann Marie Lopes
Jacquelyn “Jackie” Ramos Interview with Jacquelyn “Jackie” Ramos August 6, 2010 Conducted August 6, 2010 By Ann Marie Lopes Beginning of File ANN MARIE LOPES - Today is Friday, August 6th. This Ann Marie Lopes conducting an interview with... JACQUELYN RAMOS - Jackie Ramos. Jacquelyn Marie Ramos. ANN MARIE LOPES - At Sunshine Place. JACQUELYN RAMOS - At Sunshine's Place... ANN MARIE LOPES - A place of business. JACQUELYN RAMOS - An early education center named for my grandfather. ANN MARIE LOPES - Sunshine! JACQUELYN RAMOS - Sunshine. ANN MARIE LOPES - The man who used to raise the flag all the time. Ramos JACQUELYN RAMOS - The man who used to raise the flag all the time, and the man who actually was a whaler. Came to this country as a child, and we'll get to that, but yeah. ANN MARIE LOPES - Let me just get your age. Just so they can put it into context. JACQUELYN RAMOS - I was born on September 5th, 1950, so do the math (laughs). ANN MARIE LOPES - Yeah, I think they can handle that. So basically, we could start with your father. JACQUELYN RAMOS - Grandfather. ANN MARIE LOPES - Grandfather. Excuse me. I'll get into the swing of this in a minute. JACQUELYN RAMOS - Not to worry, not to worry; it's a fun thing. ANN MARIE LOPES - Please; I know Sunshine. Or at least I knew him. JACQUELYN RAMOS - Yep. Do you remember him at all? ANN MARIE LOPES - Yes. JACQUELYN RAMOS - Well, let me just say this because it's fitting that we do this here because it really is named for him. -
West Central Technical College‟S Creative Arts Magazine 2008 Volume V
West Central Technical College‟s Creative Arts Magazine 2008 Volume V Editors: Angie Ingle Jennifer Jiles Carol Pearson Pam Sanders Lauren Willard Kyle Taylor Andy Jewett, Student Editor Nicole Taylor, FWS Assistant West Central Technical College annually publishes its magazine, VOICES. While the college encourages submissions from students, staff, faculty, and others specified in the submission guidelines, submission does not guaran- tee publication. While the editors make every effort to represent the diver- sity of the college, not all submissions are published due to content and space considerations. VOICES retains copyrights to all materials and non- exclusive rights to publish all works in any format. All material is copy- righted to protect WCTC and to exclude others from republishing con- tributors‟ works without their permissions. However, all contributors re- tain the rights to their own works and the rights to publish their submis- sions elsewhere. All opinions expressed represent the opinions of the indi- vidual contributors, not the opinions of VOICES, the editors, or WCTC. The editors wish to extend their appreciation to President Skip Sullivan and the administration of WCTC. Our thanks also go to the students, staff, and faculty of WCTC for their support. Specific thanks and appreciation go to Mary Aderhold, Brian Barkley, Carla Bradley, Diane Corso, Angela Foster and the WC Update, Wanda Foster and the Murphy Conference Center Staff, Pat Hannon, Brian Henderson, Elise Johnson, Sandy Kel- shaw, the Murphy Campus Maintenance -
UNDERSTANDING PORTRAYALS of LAW ENFORCEMENT OFFICERS in HIP-HOP LYRICS SINCE 2009 By
ON THE BEAT: UNDERSTANDING PORTRAYALS OF LAW ENFORCEMENT OFFICERS IN HIP-HOP LYRICS SINCE 2009 by Francesca A. Keesee A Thesis Submitted to the Graduate Faculty of George Mason University in Partial Fulfillment of The Requirements for the Degrees of Master of Science Conflict Analysis and Resolution Master of Arts Conflict Resolution and Mediterranean Security Committee: ___________________________________________ Chair of Committee ___________________________________________ ___________________________________________ ___________________________________________ Graduate Program Director ___________________________________________ Dean, School for Conflict Analysis and Resolution Date: _____________________________________ Fall Semester 2017 George Mason University Fairfax, VA University of Malta Valletta, Malta On the Beat: Understanding Portrayals of Law Enforcement Officers in Hip-hop Lyrics Since 2009 A Thesis submitted in partial fulfillment of the requirements for the degrees of Master of Science at George Mason University and Master of Arts at the University of Malta by Francesca A. Keesee Bachelor of Arts University of Virginia, 2015 Director: Juliette Shedd, Professor School for Conflict Analysis and Resolution Fall Semester 2017 George Mason University Fairfax, Virginia University of Malta Valletta, Malta Copyright 2016 Francesca A. Keesee All Rights Reserved ii DEDICATION This is dedicated to all victims of police brutality. iii ACKNOWLEDGEMENTS I am forever grateful to my best friend, partner in crime, and husband, Patrick. -
Countrybreakout Chart Covering Secondary Radio Since 2002
COUNTRYBREAKOUT CHART COVERING SECONDARY RADIO SINCE 2002 Thursday, March 1, 2018 NEWS CHART ACTION Music City Singer-Songwriter Jessica Mack To New On The Chart —Debuting This Week song/artist/label—Chart Position Release Album In March Break Up In The End/Cole Swindell/Warner Bros. — 71 California Dreamin/Denny Strickland/Red Star Productions — 74 Tattoos/Shane Runion/Lick Records — 77 Dallas Until I Die/Remington/Amy Jack Music — 78 Carolina Moon/James Meadows/Tower Music Nashville/Tower Music Group — 79 Nothin' About Love/Ashla Taylor/West End Music Group/Rebel Intelligence — 80 Greatest Spin Increase song/artist/label—Spin Increase You Make It Easy/Jason Aldean/Broken Bow — 415 I Lived It/Blake Shelton/Warner Bros. — 305 Meant To Be/BeBe Rexha feat. Florida Georgia Line/BMLG — 301 Break Up In The End/Cole Swindell/Warner Bros. — 249 Mercy/Brett Young/BMLG — 245 Singles You Up/Jordan Davis/MCA Nashville — 244 Woman, Amen/Dierks Bentley/Capitol Nashville — 233 Singer-songwriter Jessica Mack has a lot to celebrate this week with the Most Added March 1 premiere of CMT’s music-themed docu-series, Music City, in song/artist/label—No. of Adds which Mack has a featured role, and the March 2 release of her full-length Break Up In The End/Cole Swindell/Warner Bros. — 21 project, One Love. Click here to read the full article. Mercy/Brett Young/BMLG — 18 California Dreamin’/Denny Strickland/Red Star Productions — 16 ACM Awards Announce Nominations Run Wild Horses/Aaron Watson/Big Label Records — 12 Rich/Maren Morris/Columbia — 11 Fish/John Schneider/Maven Music — 11 Nowhere With You/Dave McElroy/Free Flow Records — 11 On Deck—Soon To Be Charting song/artist/label—No. -
The 4 Steps That Led 6 of Our Clients to Achieve 9-Figure Exits
The 4 Steps That Led 6 of Our Clients to Achieve 9-Figure Exits Steve Sanduski: Hi, everybody. Thanks for joining us today. I'm your host, Steve Sanduski, and our guest today is Mark Moses. Mark is the founding partner and CEO at CEO Coaching International, and he has successfully built and sold two companies. He's been the president of EO and YPO Orange County chapters. He's the author of the great book Make Big Happen. In his spare time, he's completed 12 full- distance IRONMAN triathlons, including the Hawaii IRONMAN World Championship five times. On today's show, we talk about what it takes to build a business and then exit with a nine-figure valuation. We're not talking theory here. CEO Coaching International already has six client firms complete these nine-figure exits, and there are even more in the pipeline. On the conversation, Mark and I pull back the curtain and we talk about what you, as the founder, the CEO, need to think and do to be able to make this big exit happen. We talk about the mindset you need, the blind spots you must avoid, the people you need to surround yourself with, and the courage you're going to need to make the tough decisions and overcome the challenges that you will, no doubt, face. Be sure to listen to the end, as Mark shares the type of exits these companies had and the key attribute the buyers were looking for in the companies they bought. I got to tell you, I was really surprised by this key attribute. -
Joint Discovery of Object States and Manipulation Actions: Additional Example of SVM Results
Joint Discovery of Object States and Manipulation Actions: Additional example of SVM results Jean-Baptiste Alayrac∗ Josef Sivic∗ Ivan Laptev∗ Simon Lacoste-Julieny This file contains additional examples of visualization of our text based clip retrieval. For each action we give the visu- alization for the top 5 scoring clips. Recall that these figures should be “read” as follows. We display the narration of the video that is obtained from Automatic Speech Recognition (ASR). The text is highlighted with different colors. These colors correspond to the score of the SVM that has been trained to detect sentences which refer to the action of interest. More precisely, for each word, we compute the average score over all the windows that contain it. Red indicates high score, blue indicates low score. Note also that the coloring range is normalized for the range of scores within each video. The shown frames correspond to the top scoring part of the narration. Contents A.Action: “put wheel on the car” 2 B. Action: “remove the wheel from the car”6 C.Action: “pour coffee inside a cup” 11 D.Action: “open an oyster” 15 E. Action: “place a plant inside a pot” 16 ∗WILLOW-SIERRA project-teams, Departement´ d’Informatique de l’Ecole Normale Superieure,´ ENS/INRIA/CNRS UMR 8548, Paris, France. yDepartment of CS & OR (DIRO), Universite´ de Montreal,´ Montreal.´ 1 A. Action: “put wheel on the car” 2013 toyota corolla the first thing you want to do is to make sure the cars in part to make sure the emergency brake is applied we do n’t want the car rolling away -
“THEY WASN't MAKIN' MY KINDA MUSIC”: HIP-HOP, SCHOOLING, and MUSIC EDUCATION by Adam J. Kruse a DISSERTATION Submitted T
“THEY WASN’T MAKIN’ MY KINDA MUSIC”: HIP-HOP, SCHOOLING, AND MUSIC EDUCATION By Adam J. Kruse A DISSERTATION Submitted to Michigan State University in partial fulfillment of the requirements for the degree of Music Education—Doctor of Philosophy 2014 ABSTRACT “THEY WASN’T MAKIN’ MY KINDA MUSIC”: HIP-HOP, SCHOOLING, AND MUSIC EDUCATION By Adam J. Kruse With the ambition of informing place consciousness in music education by better understanding the social contexts of hip-hop music education and illuminating potential applications of hip-hop to school music settings, the purpose of this research is to explore the sociocultural aspects of hip-hop musicians’ experiences in music education and music schooling. In particular, this study is informed by the following questions: 1. How do sociocultural contexts (particularly issues of race, space, place, and class) impact hip-hop musicians and their music? 2. What are hip-hop musicians’ perceptions of school and schooling? 3. Where, when, how, and with whom do hip-hop musicians develop and explore their musical skills and understandings? The use of an emergent design in this work allowed for the application of ethnographic techniques within the framework of a multiple case study. One case is an amateur hip-hop musician named Terrence (pseudonym), and the other is myself (previously inexperienced as a hip-hop musician) acting as participant observer. By placing Terrence and myself within our various contexts and exploring these contexts’ influences on our roles as hip-hop musicians, it is possible to understand better who we are, where and when our musical experiences exist(ed), and the complex relationships between our contexts, our experiences, and our perceptions. -
8123 Songs, 21 Days, 63.83 GB
Page 1 of 247 Music 8123 songs, 21 days, 63.83 GB Name Artist The A Team Ed Sheeran A-List (Radio Edit) XMIXR Sisqo feat. Waka Flocka Flame A.D.I.D.A.S. (Clean Edit) Killer Mike ft Big Boi Aaroma (Bonus Version) Pru About A Girl The Academy Is... About The Money (Radio Edit) XMIXR T.I. feat. Young Thug About The Money (Remix) (Radio Edit) XMIXR T.I. feat. Young Thug, Lil Wayne & Jeezy About Us [Pop Edit] Brooke Hogan ft. Paul Wall Absolute Zero (Radio Edit) XMIXR Stone Sour Absolutely (Story Of A Girl) Ninedays Absolution Calling (Radio Edit) XMIXR Incubus Acapella Karmin Acapella Kelis Acapella (Radio Edit) XMIXR Karmin Accidentally in Love Counting Crows According To You (Top 40 Edit) Orianthi Act Right (Promo Only Clean Edit) Yo Gotti Feat. Young Jeezy & YG Act Right (Radio Edit) XMIXR Yo Gotti ft Jeezy & YG Actin Crazy (Radio Edit) XMIXR Action Bronson Actin' Up (Clean) Wale & Meek Mill f./French Montana Actin' Up (Radio Edit) XMIXR Wale & Meek Mill ft French Montana Action Man Hafdís Huld Addicted Ace Young Addicted Enrique Iglsias Addicted Saving abel Addicted Simple Plan Addicted To Bass Puretone Addicted To Pain (Radio Edit) XMIXR Alter Bridge Addicted To You (Radio Edit) XMIXR Avicii Addiction Ryan Leslie Feat. Cassie & Fabolous Music Page 2 of 247 Name Artist Addresses (Radio Edit) XMIXR T.I. Adore You (Radio Edit) XMIXR Miley Cyrus Adorn Miguel Adorn Miguel Adorn (Radio Edit) XMIXR Miguel Adorn (Remix) Miguel f./Wiz Khalifa Adorn (Remix) (Radio Edit) XMIXR Miguel ft Wiz Khalifa Adrenaline (Radio Edit) XMIXR Shinedown Adrienne Calling, The Adult Swim (Radio Edit) XMIXR DJ Spinking feat. -
Firsthand Guide to Bled Slovenia
Whether you spend an afternoon or a week in Bled, this book aims to help you find the best, the hidden and the most exciting aspects of the town whether that be food, drinks, activities, entertainment or sights. Davy Sims For more information FIRSTHAND GUIDE visit http://bit.ly/2NWkJTi TO BLED SLOVENIA 2018 Special Edition BLED SLOVENIA 2018 Special Edition A Firsthand Guide Davy Sims 手 Copyright © 2018 by Firsthand Guides Ltd ISBN: 9781977024985 www.firsthandguides.co.uk In association with Lake Bled News www. LakeBledNews.com @LakeBledNews 1 手 Firsthand Guides This is the May 2018 edition of Firsthand Guide’s Bled, Slovenia and supersedes and replaces the March edition which has now been withdrawn. At the time of publication, the information is correct. However, additional updates will be added as the year progresses when deemed necessary. 2 With thanks to Eva Štravs Podlogar for trusting me with the Bled Twitter account at the start this adventure. 3 Contents INTRODUCTION ........................................................................... 7 INTRODUCTION to 2018 Edition ................................................ 9 PART 1 – THE HARD FACTS ...................................................... 13 What’s new for 2018? .................................................................... 13 A quick word about language .................................................... 14 Arriving in Bled ......................................................................... 14 You are here! ............................................................................ -
Play Your Part: Girl Talk's Indefinite Role in the Digital Sampling Saga
PLAY YOUR PART : GIRL TALK ’S INDEFINITE ROLE IN THE DIGITAL SAMPLING SAGA Shervin Rezaie * INTRODUCTION In 2006, Greg Gillis was a twenty-four year old leading a double-life. During the day he was a biomedical engineer, 1 but by night he was slowly becoming an infamous mash-up artist. His al- bums mixed “Top 40” radio hits into a unique postmodern audio pas- tiche. 2 Under the moniker Girl Talk, Greg made his entrance into the limelight with the release of Night Ripper , his third album. 3 Night Ripper began gaining attention as audiences became intrigued and excited by Greg’s ability to blend numerous artists, old and new, into one seamless track. To illustrate, the first track on Night Ripper, “Once Again,” digitally samples nearly twenty songs, ranging from classic artists such as Boston and Genesis to contemporary rap and pop artists like Ludacris and Oasis. 4 Each digital sample is usually * J.D. 2009 Touro College, Jacob D. Fuchsberg Law Center. 1 Ryan Dombal, Interviews: Girl Talk , PITCHFORK , Aug. 30, 2006, http://pitchfork.com/ features/interviews/6415-girl-talk/. 2 Id. 3 Stewart Mason , Biography: Girl Talk , ALLMUSIC , http://allmusic.com/cg/amg.dll?p= amg&sql=11:0xftxql0ld0e ~T1. 4 Michael D. Ayers, White Noise: Girl Talk Has Built a Thriving Indie Following for His Sample-Centric Music in a Copyright Grey Area. Will His Next Album Push the Legal En- velope Even Further? , BILLBOARD , June 14, 2008, at 27, 30. The identifiable digital samples include: * 0:00 Ciara featuring Petey Pablo - “Goodies” * 0:09 Boston - “Foreplay/Long Time” * 0:10 Ludacris featuring Bobby Valentino - “Pimpin’ All Over the World” * 0:32 Fabolous - “Breathe” * 1:21 Ying Yang Twins - “Wait (The Whisper Song)” * 1:21 The Verve - “Bittersweet Symphony” * 1:44 Outkast - “Intro” from Speakerboxxx 175 176 TOURO LAW REVIEW [Vol.