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Christie's to Offer Dolly Parton's Swarovski Crystal-Studded Dulcimer
PRESS RELEASE | NEW YORK | FOR IMMEDIATE RELEASE : 15 SEPTEMBER CHRISTIE’S TO OFFER DOLLY PARTON’S SWAROVSKI CRYSTAL-STUDDED DULCIMER LEADING A SALE TO BENEFIT ACM LIFTING LIVES® COVID-19 RESPONSE FUND Dolly Parton performing with the dulcimer at her 50th Anniversary concert at the Grand Ole Opry / © Grand Ole Opry | Photo by Chris Hollo NEW YORK – Christie’s announces an exciting online-only charity auction entitled “NASHVILLE: An Auction to benefit ACM Lifting Lives® COVID-19 Response Fund” led by a Swarovski-crystal bedazzled four-string dulcimer owned by Dolly Parton for 30 years accompanied by its original stand and used by the artist as she celebrated her 50th Anniversary performing at the Grand Ole Opry in 2019. The dulcimer is estimated at $50,000 - 100,000, and leads a sale featuring items generously donated by country music’s biggest names, including Reba McEntire, Tim McGraw, Marty Stuart, Bernie Taupin, and Trisha Yearwood. The auction will receive a special mention during the live broadcast of the 55TH ACADEMY OF COUNTRY MUSIC AWARDS™ hosted by Keith Urban on Wednesday, September 16 (live 8:00 ET/delayed PT) on CBS. ACM Lifting Lives® is the philanthropic arm of the Academy of Country Music® dedicated to improving lives through the power of music™. Christie’s auction dates and additional lots will be announced at a later date. Dolly Parton comments: “Seeing my country music community suffer due to the pandemic has broken my heart. It was important to donate the dulcimer that was designed for my 50th Opry Anniversary so we can raise awareness and much needed funds to keep these folks on their feet before we can open the doors to our stages once again.” Lyndsay Cruz, Executive Director, ACM Lifting Lives, comments: “We are immensely grateful to the artists in the Nashville community and beyond who have generously donated items for this auction in collaboration with Christie’s. -
Chalet Valletta
YOUR ALPINE RETREAT Personal copy for Andermatt fascinated me from the beginning. The rich On the sunny and tranquil banks of the River Reuss, over- history of this mountain village in the heart of Switzerland looking the impressive Urseren valley and only a few min- coupled with the charm and tranquillity of the region cre- utes’ walk from the village centre of Andermatt, your be- ated a very special appeal for me. spoke home will come to life. With the full exemption from the Lex Koller law, the opportunity as a non-Swiss The untouched natural beauty of this Alpine area is ex- citizen to purchase your chalet without any restrictions on tremely diverse. Not only the fantastic views, extensive buying or further reselling before 2030 becomes extreme- walking trails, numerous lakes and streams with pure ly attractive. Andermatt Swiss Alps will exceed all expecta- water quality, but also the beautiful flora and fauna give tions ensuring your very own “home away from home” the region an unparalleled attraction. With the expansion dream comes true. and modernization of the ski area, the new 18-hole golf course and many more leisure and entertainment options, Allow the following pages to inspire you as you envisage the picturesque mountain village is being transformed your personal chalet retreat in the Alps. Take time to im- into an attractive year-round destination. It’s the perfect merse yourself in a world that possibly lies much closer place to realise the chalet of your dreams. than you think. Samih Sawiris 1 2 primary source GERMANY Too good to be true? On the contrary: Andermatt’s post- Thanks to the exceptional location in the heart of Switzer- In the direcon of Munich card panorama is absolutely genuine. -
Lacy J. Dalton (Born Jill Lynne Byrem) on October 13, 1946 in Bloomsburg, Pennsylvania, Is an American Country Singer and Songwriter
BIO Lacy J. Dalton (born Jill Lynne Byrem) on October 13, 1946 in Bloomsburg, Pennsylvania, is an American country singer and songwriter. A career that has spanned many decades and touched the hearts of millions of music fans. In March 2017 Lacy J Dalton was inducted into the North American Country Music Association International Hall of Fame. She’s one of the most instantly recognizable voices in music – the woman People Magazine called “Country’s Bonnie Raitt”. From the first time Lacy J Dalton caught the public’s ear, that soulful delivery, full of texture and grit, has been a mainstay of Country Music. When you sit to listen to a Lacy J Dalton album, you find yourself pulled in by the very power and heart of this vocalist, because she’s not merely performing a ten-song set, she’s bringing each and every tune to life. It’s as if they were all written especially for her. Prior to signing with Harbor Records in 1978 as Jill Croston, she like many before her, held many jobs to survive and support her family. As a truck stop waitress and singer, she would wait tables and then jump on stage to sing a few songs. Her hard work and dedication paid off in 1979 when she was awarded the Academy of Country Music “Top New Female Vocalist of the Year”. Then in 1980 Lacy J Dalton was signed by Columbia Records and quickly rose to national prominence with "Crazy Blue Eyes", written together with her longest friend, Mary McFadden, a song that raced to #7 on the Billboard Country Charts. -
Downloaded from Brill.Com09/24/2021 05:28:38AM Via Free Access
Chapter 9 Reading Myself and Worlds: Coping Strategies in the Face of Cumulative Trauma Danielle Schaub 1 Introduction When starting in the years during which the self takes shape, childhood trau- ma leaves its scars on the sites of formation in the child’s developmental trajec- tory. In my case, the continuous geographical and linguistic disruptions caused by my father’s peripatetic working life foregrounded language as a site of traumatisation and insecurity in early years. Such insecurity only signals one trauma this body experienced repeatedly. The various traumatic experiences that inform me include cumulative trauma resulting from parental symbiosis underplaying a child’s existence; unprepared-for displacement and translation of identity; abandonment in a convent at the age of three; untimely death of a parent believed healthy without post-factum psychological or emotional sup- port; death of an underage sibling. I thought I had managed to bounce back after the debilitating experiences, proving capable of resilience. To some ex- tent I had; otherwise I would not have functioned, but since the experiences haunted me with a nagging, unsettling feeling for years, I found myself pon- dering over my reactions, behaviours, responses to specific stressful situations. With time and much ink, as Boris Cyrulnik notes, I have come to terms with the past and perceive what once felt life threatening as less devastating.1 With creative pieces involving the textual and the visual in combination or on their own, the chapter illustrates and theorises the process undertaken to cope with traumas as well as the understanding of patterns adopted to disconnect from the traumatic sources. -
Hrill of Love, The
By:AAMiller of Comal H.R.ANo.A634 RESOLUTION 1 WHEREAS, For nearly half a century, the music of Merle 2 Haggard has championed those familiar with the hardships of life, 3 and the evocative songs of this country music legend have made a 4 lasting mark on American music and earned him recognition as the 5 poet of the common man; and 6 WHEREAS, Merle Haggard was born in Oildale, California, in 7 1937, the son of Dust Bowl migrants from Oklahoma; the loss he felt 8 at the death of his father set him on a troubled path during his 9 youth, and he spent time in a number of juvenile detention centers 10 before ultimately being sentenced to a term in San Quentin State 11 Prison in 1957; there, he resolved to turn his life around and was 12 inspired to join the prison band after seeing Johnny Cash perform 13 for the inmates; and 14 WHEREAS, Following his release in 1960, he began performing 15 in California clubs with his band, the Strangers, helping to 16 popularize the rousing, guitar-driven "Bakersfield sound"; in 17 1966, he had his first number one hit with "I 'm a Lonesome 18 Fugitive," and in the years that followed, he began using his 19 songwriting skills to acknowledge his turbulent past and to reflect 20 on the experiences of those close to him; and 21 WHEREAS, Mr. Haggard went on to record nearly 40 22 chart-topping songs, including the self-penned classics "Hungry 23 Eyes," about the despair of Great Depression labor camps, "Mama 24 Tried," describing a son 's guilt for being sent to prison, and "Okie 83R11893 JWI-D 1 H.R.ANo.A634 1 from Muskogee," channeling his father 's Oklahoma roots for what 2 would become a patriotic anthem; and 3 WHEREAS, Whether he 's singing of the thrill of love, the 4 bitterness of loss, or the day-to-day grind of the "Workin ' Man 5 Blues," Mr. -
Songs by Title Karaoke Night with the Patman
Songs By Title Karaoke Night with the Patman Title Versions Title Versions 10 Years 3 Libras Wasteland SC Perfect Circle SI 10,000 Maniacs 3 Of Hearts Because The Night SC Love Is Enough SC Candy Everybody Wants DK 30 Seconds To Mars More Than This SC Kill SC These Are The Days SC 311 Trouble Me SC All Mixed Up SC 100 Proof Aged In Soul Don't Tread On Me SC Somebody's Been Sleeping SC Down SC 10CC Love Song SC I'm Not In Love DK You Wouldn't Believe SC Things We Do For Love SC 38 Special 112 Back Where You Belong SI Come See Me SC Caught Up In You SC Dance With Me SC Hold On Loosely AH It's Over Now SC If I'd Been The One SC Only You SC Rockin' Onto The Night SC Peaches And Cream SC Second Chance SC U Already Know SC Teacher, Teacher SC 12 Gauge Wild Eyed Southern Boys SC Dunkie Butt SC 3LW 1910 Fruitgum Co. No More (Baby I'm A Do Right) SC 1, 2, 3 Redlight SC 3T Simon Says DK Anything SC 1975 Tease Me SC The Sound SI 4 Non Blondes 2 Live Crew What's Up DK Doo Wah Diddy SC 4 P.M. Me So Horny SC Lay Down Your Love SC We Want Some Pussy SC Sukiyaki DK 2 Pac 4 Runner California Love (Original Version) SC Ripples SC Changes SC That Was Him SC Thugz Mansion SC 42nd Street 20 Fingers 42nd Street Song SC Short Dick Man SC We're In The Money SC 3 Doors Down 5 Seconds Of Summer Away From The Sun SC Amnesia SI Be Like That SC She Looks So Perfect SI Behind Those Eyes SC 5 Stairsteps Duck & Run SC Ooh Child SC Here By Me CB 50 Cent Here Without You CB Disco Inferno SC Kryptonite SC If I Can't SC Let Me Go SC In Da Club HT Live For Today SC P.I.M.P. -
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Artist Song 2 Unlimited Maximum Overdrive 2 Unlimited Twilight Zone 2Pac All Eyez On Me 3 Doors Down When I'm Gone 3 Doors Down Away From The Sun 3 Doors Down Let Me Go 3 Doors Down Behind Those Eyes 3 Doors Down Here By Me 3 Doors Down Live For Today 3 Doors Down Citizen Soldier 3 Doors Down Train 3 Doors Down Let Me Be Myself 3 Doors Down Here Without You 3 Doors Down Be Like That 3 Doors Down The Road I'm On 3 Doors Down It's Not My Time (I Won't Go) 3 Doors Down Featuring Bob Seger Landing In London 38 Special If I'd Been The One 4him The Basics Of Life 98 Degrees Because Of You 98 Degrees This Gift 98 Degrees I Do (Cherish You) 98 Degrees Feat. Stevie Wonder True To Your Heart A Flock Of Seagulls The More You Live The More You Love A Flock Of Seagulls Wishing (If I Had A Photograph Of You) A Flock Of Seagulls I Ran (So Far Away) A Great Big World Say Something A Great Big World ft Chritina Aguilara Say Something A Great Big World ftg. Christina Aguilera Say Something A Taste Of Honey Boogie Oogie Oogie A.R. Rahman And The Pussycat Dolls Jai Ho Aaliyah Age Ain't Nothing But A Number Aaliyah I Can Be Aaliyah I Refuse Aaliyah Never No More Aaliyah Read Between The Lines Aaliyah What If Aaron Carter Oh Aaron Aaron Carter Aaron's Party (Come And Get It) Aaron Carter How I Beat Shaq Aaron Lines Love Changes Everything Aaron Neville Don't Take Away My Heaven Aaron Neville Everybody Plays The Fool Aaron Tippin Her Aaron Watson Outta Style ABC All Of My Heart ABC Poison Arrow Ad Libs The Boy From New York City Afroman Because I Got High Air -
Country Update
Country Update BILLBOARD.COM/NEWSLETTERS NOVEMBER 23, 2020 | PAGE 1 OF 18 INSIDE BILLBOARD COUNTRY UPDATE [email protected] Stapleton, Wallen Country By The Glass: The Genre’s Songwriters Reign Page 4 Grapple With Alcohol’s Abundance Bluegrass Turns 75 Country fans might not see all the world through “Whis- so long. Ironically, drinking is one of them.” Page 10 key Glasses,” but they’re definitely hearing it through Getting drunk is such a stereotypical activity in the genre that alcoholic earbuds. it was listed among the elements of the “perfect country and The 2019 Morgan Wallen hit “Whiskey Glasses” brought western song” in David Allan Coe’s “You Never Even Called Me songwriter Ben Burgess the BMI country song of the year title by My Name,” but alcohol has not always been prominent. When Rhett, Underwood on Nov. 9, and the Country Airplay chart dated Nov. 24 reveals Randy Travis reenergized traditional country in the mid-1980s Make Xmas Special a format that remains whiskey bent, if not hellbound. Seven of while mostly avoiding adult beverages as a topic, the thirst for Page 11 the songs on that list liquor dwindled. The — including HAR- trend turned around DY’s “One Beer” so strongly that three (No. 5), Lady A’s hits in the late-1990s FGL’s Next Album Is “Champagne Night” — Collin Raye’s ‘Wrapped’ (No. 12) and Kelsea “Little Rock,” Dia- Page 11 Ballerini’s “Hole in mond Rio’s “You’re the Bottle” (No. 14) Gone” and Kenny — posit an alcohol Chesney’s “That’s Makin’ Tracks: reference boldly in Why I’m Here” — took ‘Hung Up’ On the title. -
“Jackie” Ramos Conducted August 6, 2010 by Ann Marie Lopes
Jacquelyn “Jackie” Ramos Interview with Jacquelyn “Jackie” Ramos August 6, 2010 Conducted August 6, 2010 By Ann Marie Lopes Beginning of File ANN MARIE LOPES - Today is Friday, August 6th. This Ann Marie Lopes conducting an interview with... JACQUELYN RAMOS - Jackie Ramos. Jacquelyn Marie Ramos. ANN MARIE LOPES - At Sunshine Place. JACQUELYN RAMOS - At Sunshine's Place... ANN MARIE LOPES - A place of business. JACQUELYN RAMOS - An early education center named for my grandfather. ANN MARIE LOPES - Sunshine! JACQUELYN RAMOS - Sunshine. ANN MARIE LOPES - The man who used to raise the flag all the time. Ramos JACQUELYN RAMOS - The man who used to raise the flag all the time, and the man who actually was a whaler. Came to this country as a child, and we'll get to that, but yeah. ANN MARIE LOPES - Let me just get your age. Just so they can put it into context. JACQUELYN RAMOS - I was born on September 5th, 1950, so do the math (laughs). ANN MARIE LOPES - Yeah, I think they can handle that. So basically, we could start with your father. JACQUELYN RAMOS - Grandfather. ANN MARIE LOPES - Grandfather. Excuse me. I'll get into the swing of this in a minute. JACQUELYN RAMOS - Not to worry, not to worry; it's a fun thing. ANN MARIE LOPES - Please; I know Sunshine. Or at least I knew him. JACQUELYN RAMOS - Yep. Do you remember him at all? ANN MARIE LOPES - Yes. JACQUELYN RAMOS - Well, let me just say this because it's fitting that we do this here because it really is named for him. -
A Different Soul Getting to Know Tom Wurth
a different style, a different sound A Different Soul Getting to Know Tom Wurth There are words that resonate with Tom Wurth. You will hear him talk about “staying constant,” being “real” and “natural.” They resonate in the songs he writes, those he chooses to record and in every aspect of his career. It isn’t that Tom Wurth does not embrace change and growth. He has experienced a lot of that musically as he met milestone after milestone in his career. At the same time though, he believes that music can be a “constant” for most people and they crave consistency from an artist. Whether you sit down to talk about his career, where he has been, where he is going; or listen to the lyrics of each song, you will know his commitment to that real and natural music. It is music you can count on with every song and at every show. The new album A Different Soul shows that commitment. There are deep roots that brace this album. Roots from his small town up-bringing to his musical roots that are evident with the collaborations found on this new project which includes Vince Gill, T. Graham Brown and John Ford Coley. Out of the gate, at only twenty years of age, Tom Wurth was nominated for a Grammy. That particular milestone built a foundation for his career. The Grammy experience fresh in his mind, Wurth pushed forward with his songwriting aspirations. Wurth initially signed as a staff writer with Belden; later signing with one of the largest publishers in the world, BMG Music Publishing. -
West Central Technical College‟S Creative Arts Magazine 2008 Volume V
West Central Technical College‟s Creative Arts Magazine 2008 Volume V Editors: Angie Ingle Jennifer Jiles Carol Pearson Pam Sanders Lauren Willard Kyle Taylor Andy Jewett, Student Editor Nicole Taylor, FWS Assistant West Central Technical College annually publishes its magazine, VOICES. While the college encourages submissions from students, staff, faculty, and others specified in the submission guidelines, submission does not guaran- tee publication. While the editors make every effort to represent the diver- sity of the college, not all submissions are published due to content and space considerations. VOICES retains copyrights to all materials and non- exclusive rights to publish all works in any format. All material is copy- righted to protect WCTC and to exclude others from republishing con- tributors‟ works without their permissions. However, all contributors re- tain the rights to their own works and the rights to publish their submis- sions elsewhere. All opinions expressed represent the opinions of the indi- vidual contributors, not the opinions of VOICES, the editors, or WCTC. The editors wish to extend their appreciation to President Skip Sullivan and the administration of WCTC. Our thanks also go to the students, staff, and faculty of WCTC for their support. Specific thanks and appreciation go to Mary Aderhold, Brian Barkley, Carla Bradley, Diane Corso, Angela Foster and the WC Update, Wanda Foster and the Murphy Conference Center Staff, Pat Hannon, Brian Henderson, Elise Johnson, Sandy Kel- shaw, the Murphy Campus Maintenance -
Willie Nelson
LESSON GUIDE • GRADES 3-6 TABLE OF CONTENTS 3 Introduction 4 About the Guide 5 Pre and Post-Lesson: Anticipation Guide 6 Lesson 1: Introduction to Outlaws 7 Lesson 1: Worksheet 8 Lyric Sheet: Me and Paul 9 Lesson 2: Who Were The Outlaws? 10 Lesson 3: Worksheet 12 Activities: Jigsaw Texts 14 Lyric Sheet: Are You Sure Hank Done It This Way 15 Lesson 4: T for Texas, T for Tennessee 16 Lesson 5: Literary Lyrics 17 Lyric Sheet: Daddy What If? 18 Lyric Sheet: Act Naturally 19 Complete Tennessee Standards 21 Complete Texas Standards 23 Biographies 3-6 Table of Contents 2 Outlaws and Armadillos: Country’s Roaring ‘70s examines how the Outlaw movement greatly enlarged country music’s audience during the 1970s. Led by pacesetters such as Willie Nelson, Waylon Jennings, Kris Kristofferson, and Bobby Bare, artists in Nashville and Austin demanded the creative freedom to make their own country music, different from the pop-oriented sound that prevailed at the time. This exhibition also examines the cultures of Nashville and fiercely independent Austin, and the complicated, surprising relationships between the two. Artwork by Sam Yeates, Rising from the Ashes, Willie Takes Flight for Austin (2017) 3-6 Introduction 3 This interdisciplinary lesson guide allows classrooms to explore the exhibition Outlaws and Armadillos: Country’s Roaring ‘70s on view at the Country Music Hall of Fame and Museum® from May 25, 2018 – February 14, 2021. Students will examine the causes and effects of the Outlaw movement through analysis of art, music, video, and nonfiction texts. In doing so, students will gain an understanding of the culture of this movement; who and what influenced it; and how these changes diversified country music’s audience during this time.