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The Iconography of Arthur Boyd Lecturer: Kendrah Morgan 29/30 August 2018
Art Appreciation Lecture Series 2018 The Hidden Language of Art: Symbol and Allusion. Lecture title: The Iconography of Arthur Boyd Lecturer: Kendrah Morgan 29/30 August 2018 Lecture summary: Acclaimed artist Arthur Boyd (1920–1999) was a master in a range of media but most widely recognised for the extraordinary allegorical paintings that he produced in series across the course of his long career. This lecture focuses on how Boyd developed his distinctive and deeply personal symbolic language, exploring the evolution and meaning of specific motifs and how he applied and extended these in key sequences of paintings to create images of universal and lasting relevance. While Boyd’s work is stylistically diverse, his iconography is remarkably consistent, allowing us to identify what inspired and drove him, and made him one of the most important Australian artists of the twentieth century. Slide list: Joshua Reynolds, 1. (Title image) Arthur Boyd, Wedding Group 1957-8, oil and tempera on composition board, 130 x 160 cm, private collection, Melbourne. 2. (Clockwise from left) Arthur Boyd, Self Portrait in Red Shirt 1937, oil on canvas on cardboard, 51.5 x 45.4 cm, National Gallery of Australia, Canberra, The Arthur Boyd Gift 1975; Merric Boyd with Arthur and Lucy at Open Country, Murrumbeena (detail) c.1922, photographer unknown, Bundanon Trust Archive, NSW; Doris Boyd with her children 1929, photographer unknown, Bundanon Trust Archive, NSW. 3. (Left) Arthur Boyd, Untitled Landscape c.1934, 75.5 x 65.5 cm, Heide Museum of Modern Art, Melbourne, gift of Dr John Green 2017; (Right)Albert Tucker, Arthur Boyd in his studio c.1945, gelatin silver photograph, 40.6 x 30.6 cm, Heide Museum of Modern Art, Melbourne, gift of Barbara Tucker 2001. -
Goanna 8/8/06
17 of Nolan’s provincialism: ‘This need for solution, the optimistic belief that man can understand and master the confusion of life, is surely at variance with our 20th century despair of finding a cohesive pattern.’ He asked why all the faces in Nolan’s paintings based on Shakespeare’s Sonnets were so ‘enigmatically, unpredictably Australian.’ Agreeing that his Shakespeare ‘looked like a swagman,’ Nolan wondered whether it wasn’t part of the ungovernable egoism of creativity that Shakespeare, indeed the world, would be seen in terms of one’s own experience? — ‘In saying something powerful about yourself poetically, you become reconciled to it.’32 To Spencer, Nolan’s ‘outsidedness is really the equation of his Australianness.’ To Nolan, on the other hand, ‘outsidedness’ was a condition of creativity.33 **** Arthur Boyd, the second creative fellow represented in this exhibition, spent the five months of his fellowship (21 September 1971 – 29 February 1972) in Canberra.1 His home base since 1959 had been London, where Australian artists and writers had been having the effect of an ‘antipodean’ new wave. Their art was raw and uncompromising, and it expressed Australian realities that were exotic to international audiences yet touched on universal human myths. When Boyd was approached by the Australian National University in early May 1970 he was fifty. Events during the past two or three years had put him in the position of considering the tenor of his art and life. In 1967 a first monograph, written by Franz Philipp, had pointed to the meaningful recurrence of motifs and stories in his work. -
National Portrait Gallery of Australia Annual Report 18/19
National Portrait Gallery of Australia Annual Report 18/19 Study of Louis Nowra 2018 by Imants Tillers commissioned with funds provided by Tim Bednall, Jillian Broadbent ao, John Kaldor ao and Naomi Milgrom ao, Anna Meares 2018 by Narelle Autio commissioned with funds provided by King & Wood Mallesons and Li Cunxin 2017–18 by Jun Chen commissioned with funds provided by Tim Fairfax ac. On display as part of the 20/20: Celebrating twenty years with twenty new portrait commissions exhibition. b National Portrait Gallery of Australia Annual Report 18/19 © National Portrait Gallery The National Portrait Gallery is located on of Australia 2019 King Edward Terrace in the Parliamentary Zone of Canberra. issn 2204-0811 Location and opening hours All rights reserved. No part of this publication The National Portrait Gallery is situated in front may be reproduced or transmitted in any form of the High Court and alongside the National or by any means, electronic or mechanical Gallery of Australia. The Gallery is open daily (including photocopying, recording or any from 10.00am to 5.00pm, except for Christmas information storage and retrieval system), Day 25, December. For more information visit without permission from the publisher. portrait.gov.au All photographs unless otherwise stated Parking by Mark Mohell. The underground public car park can be accessed from Parkes Place. The car park is open seven This report is also accessible on the days per week and closes at 5.30pm. Parking National Portrait Gallery’s website spaces for people with mobility difficulties are portrait.gov.au provided in the car park close to the public access lifts. -
Exceptional Works of Art 2017 PUSHKIN ANTIQUES – MAYFAIR –
Exceptional works of art 2017 PUSHKIN ANTIQUES – MAYFAIR – At Pushkin Antiques we specialise in unique statement Each item is professionally selected and inspected pieces of antique silver as well as branded luxury items, to ensure we can give our customers a guarantee of stylish interior articles and objects d’art. authenticity and the required peace of mind when buying from us. Since the inception of our company, we’ve been at the forefront of online sales for high end, quality antiques. Our retail gallery is located on the lower floor of the world Our presence on most major platforms has allowed us famous Grays Antiques Centre in the heart of Mayfair. to consistently connect exquisite pieces with the most discerning collectors and interior decorators from all over the world with particular focus on the demands of the markets from the Far East, the Americas, Europe & Russia. www.pushkinantiques.com [email protected] We aim to provide the highest quality in every department: rare hand crafted articles, accurate item descriptions (+44) 02085 544 300 to include the history and provenance of each item, an (+44) 07595 595 079 extensive photography report, as well as a smooth buying process thus facilitating an efficient and pleasant online Shop 111, Lower Ground Floor, Grays Antiques Market. experience. 58 Davies St, London. W1K 5AB, UK. ALEX PUSHKIN OLGA PUSHKINA DUMITRU TIRA Founder & Director Managing Director Photographer Contents 6 ENGLISH SILVER 42 CHINESE SILVER 56 JAPANESE SILVER 66 INDIAN SILVER 78 BURMESE SILVER 86 CONTINENTAL SILVER 100 FRENCH SILVER 108 GERMAN SILVER 118 RUSSIAN SILVER 132 OBJECTS OF VERTU English Silver The style and technique in manufacturing silver during Hester Bateman (1708-1794) was one of the greatest this era (over 100 years) changed radically, reflecting silversmiths operating in this style, she is the most the variations in taste, society, costumes, economic and renowned and appreciated female silversmith of all time. -
Lessons in Leadership the Life of Sir John Monash GCMG, KCB, VD
Lessons in Leadership The Life of Sir John Monash GCMG, KCB, VD By Rolfe Hartley FIEAust CPEng EngExec FIPENZ Engineers Australia Sydney Division CELM Presentation March 2013 Page 1 Introduction The man that I would like to talk about today was often referred to in his lifetime as ‘the greatest living Australian’. But today he is known to many Australians only as the man on the back of the $100 note. I am going to stick my neck out here and say that John Monash was arguably the greatest ever Australian. Engineer, lawyer, soldier and even pianist of concert standard, Monash was a true leader. As an engineer, he revolutionised construction in Australia by the introduction of reinforced concrete technology. He also revolutionised the generation of electricity. As a soldier, he is considered by many to have been the greatest commander of WWI, whose innovative tactics and careful planning shortened the war and saved thousands of lives. Monash was a complex man; a man from humble beginnings who overcame prejudice and opposition to achieve great things. In many ways, he was an outsider. He had failures, both in battle and in engineering, and he had weaknesses as a human being which almost put paid to his career. I believe that we can learn much about leadership by looking at John Monash and considering both the strengths and weaknesses that contributed to his greatness. Early Days John Monash was born in West Melbourne in 1865, the eldest of three children and only son of Louis and Bertha. His parents were Jews from Krotoshin in Prussia, an area that is in modern day Poland. -
Powerhouse Museum Exhibitions 1988-2018
"1 The Powerhouse Museum: an exhibition archive 1988-2018 Exhibitions developed by and/or displayed at the Powerhouse Museum, the Observatory, the Mint, the Hyde Park Barracks, the Powerhouse (now Museum) Discovery Centre and online from 1988, when the Powerhouse opened its doors in its new Ultimo location, to 2018. Abbreviations: PHM Powerhouse Museum MNT The Mint Museum HPB The Hyde Park Barracks HB Harwood Building (previously Stage One) OBS The Sydney Observatory PDC Powerhouse (now Museum) Discovery Centre WP Web-based Project AMOL Australian Museums and Galleries Online TR Travelling exhibition PP Powerhouse publication EP External publication Preface From its original establishment in the 1880s to the present day, the Museum of Applied Arts and Sciences, previously under different names and now known as MAAS, has proudly and diligently exhibited different aspects of its outstanding collection. The following list seeks to provide a record of exhibitions from the opening of the new Powerhouse Museum venue in Ultimo in March 1988 through the 30 subsequent fruitful years. The list also documents exhibitions in associated venues including the Sydney Observatory, for some years the Hyde Park Barracks and the Mint Museum, as well as touring exhibitions. Many years of rigorous planning preceded the 1988 opening of the Powerhouse Museum, which was heralded as the most important cultural development in Sydney since the opening of the Opera House, and a major event in Australia’s bicentennial year. A museum for us all, a museum of creativity, curiosity and community, the Powerhouse Museum set out to explore the interrelationship of science, art and people in an Australian context. -
The Old Hume Highway History Begins with a Road
The Old Hume Highway History begins with a road Routes, towns and turnoffs on the Old Hume Highway RMS8104_HumeHighwayGuide_SecondEdition_2018_v3.indd 1 26/6/18 8:24 am Foreword It is part of the modern dynamic that, with They were propelled not by engineers and staggering frequency, that which was forged by bulldozers, but by a combination of the the pioneers long ago, now bears little or no needs of different communities, and the paths resemblance to what it has evolved into ... of least resistance. A case in point is the rough route established Some of these towns, like Liverpool, were by Hamilton Hume and Captain William Hovell, established in the very early colonial period, the first white explorers to travel overland from part of the initial push by the white settlers Sydney to the Victorian coast in 1824. They could into Aboriginal land. In 1830, Surveyor-General not even have conceived how that route would Major Thomas Mitchell set the line of the Great look today. Likewise for the NSW and Victorian Southern Road which was intended to tie the governments which in 1928 named a straggling rapidly expanding pastoral frontier back to collection of roads and tracks, rather optimistically, central authority. Towns along the way had mixed the “Hume Highway”. And even people living fortunes – Goulburn flourished, Berrima did in towns along the way where trucks thundered well until the railway came, and who has ever through, up until just a couple of decades ago, heard of Murrimba? Mitchell’s road was built by could only dream that the Hume could be convicts, and remains of their presence are most something entirely different. -
PDF Download Pozieres: the Anzac Story
POZIERES: THE ANZAC STORY PDF, EPUB, EBOOK Scott Bennett | 416 pages | 01 Jan 2013 | Scribe Publications | 9781921844836 | English | Carlton North, Australia Pozieres: The Anzac Story : Scott Bennett : Howard predicts "a bloody holocaust". Elliott urges him to go back to Field Marshal Haig and inform him that Haking's strategy is flawed. Whether or not Howard was able to do so, remains unclear, but by the morning of the 19th the only result has been a delay in the operation. German defences on the Aubers Ridge and at Fromelles are substantial and continue to cause immense tactical difficulties for the British and Australians. By July , the 6th Bavarian Reserve Division holds more than 7 kilometres of the German front line. Each of the Division's regiments has been allocated a sector, each in turn manned by individual infantry companies. The trenches never run in a completely straight line, but are zig zagged to limit the damage from artillery, machine gun fire and bombing attacks. At their strongest, the German trenches are protected by sandbagged breastworks over two metres high and six metres deep, which makes them resistant to all but direct hits by artillery. This line is further protected by thick bands of barbed wire entanglements. There are two salients in the German line where the opposing forward trenches are at their closest. One is called the Sugarloaf and the other, Wick. Both are heavily fortified and from where machine gunners overlook no man's land and the Allied lines beyond. Along the German line, there are about 75 solid concrete shelters. -
Jack Castle-Burns
THE Simpson PRIZE A COMPETITION FOR YEAR 9 AND 10 STUDENTS 2013 Winner Australian Capital Territory Jack Castle-Burns Marist College Canberra What does an investigation of primary sources reveal about the Gallipoli experience and to what extent does this explain the origins of the ANZAC Legend? Jack Castle-Burns Maris College Canberra 13 Battles can be defining points in a nation’s history. The Battle of Gallipoli is no exception to this and is celebrated as a fundamental aspect of Australia’s foundation. The ANZAC Legend is often considered to have originated at Gallipoli where soldiers acted valiantly, never gave up and supported their mates. Many of these aspects that we define as the ANZAC Legend were evinced in World War One and have endured for decades in all of Australia’s conflicts. Sources from Gallipoli, especially those of soldiers, narrate a story of a disorganised and horrific campaign with dramatic and often wasteful loss of life. Sources relate the hardships our ANZACs experienced while official reports and newspapers tell of an overwhelming victory. In all this, through the emotional struggles of soldiers and their amazing feats, the ANZAC Legend was born. Primary sources inform historians that the preparation for the landing of the ANZACs was inadequate and inaccurate. In planning the invasion military staff used a map based on surveys from 18541 that was essentially useless due to its age. From this map further maps were drawn on a smaller scale, which also included intelligence gained through aerial reconnaissance. However, in practice, the maps were highly inaccurate with soldiers reporting numerous geographical faults that led to misdirection upon invasion at Gallipoli2. -
The PDF Is 3Mb in Size
GUNDAGAI VISITOR GUIDE NSW, AUSTRALIA Photo: Heidi Luff Take the time to unwind... GETTING TO GUNDAGAI ABOUT GUNDAGAI To Sydney COOTAMUNDRA YASS JUNEE HUME HIGHWAY WAGGA RIVER To WAGGA GUNDAGAI MURRUMBIDGEE Narrandera CANBERRA & Griffith STURT HIGHWAY TUMBLONG SNOWY TUMUT RIVER TUMUT MOUNTAINS KOSCIUSZKO HENTY NATIONAL ADELONG HWY PARK CULCAIRN HUME HIGHWAY HOLBROOK To Cabramurra TUMBARUMBA Mt. Selwyn To “The Great Rescue of 1852” Sculpture on Sheridan street celebrates flood heroes Yarri and Jacky. Albury-Wodonga Melbourne Having been a rich hunting field and We invite you to take in the tranquillity RIVERINA ceremonial meeting place for the of the Murrumbidgee River and the Wiradjuri people for thousands of impressive timber bridges spanning the Gundagai is a classic Australian country town situated on the Murrumbidgee River years, the first known white settlers in flats on our River Walk. between Sydney and Melbourne, in one of the most picturesque rural areas of the Gundagai were Henry and Peter Stuckey Stroll around the town and admire the Riverina, in southern New South Wales (NSW). in 1828. Gold mining and agriculture historic architecture on the Gundagai made Gundagai both prosperous and a Gundagai is centrally located to all south eastern capital cities and on the Hume Architectural Heritage Walk, or explore centre for bushranging, giving the town Highway making it easy to get to. We are a one and a half hour drive from Canberra, the Gundagai Museum, Railway Museum a romantic bush appeal that resulted in it four hours from Sydney and five hours from Melbourne. and Gabriel Gallery collections. becoming iconic in Australian folklore. -
Francis Barrallier, Explorer, Surveyor, Engineer, Artillery Officer, Aide-De-Camp, Architect and Ship Designer: Three Years in New South Wales (1800-1803)
FRANCIS BARRALLIER, EXPLORER, SURVEYOR, ENGINEER, ARTILLERY OFFICER, AIDE-DE-CAMP, ARCHITECT AND SHIP DESIGNER: THREE YEARS IN NEW SOUTH WALES (1800-1803) VALERIE LHUEDE' Ensign Barrallier [... discharged] the duties of Military Engineer and Artillery Officer, superintending the Military Defences, Batteries and Cannon of this Settlement, in addition to which he has most arduously and voluntarily executed the duties of Civil Engineer and Surveyor to the advancement of the Geography and the Natural History of the Territory.2 I have informed you [Sir Joseph Banks] in my several letters of the great use Ensign Barrallier, of the NSW Corps, was of to me and the public, first in going to the southward and surveying the coast from Wilson's Promontory to Western Port; next in surveying Hun ter's River, where he went twice; and since then in making journey to the mountains, which was introductory to his undertaking the journey he afterwards performed. [...] As Col. Paterson has thought proper [...] to write me officially that Mr. Barrallier's excursions were contrary to the Duke of York's instructions, I found myself obliged to give him up, and relinquish this highly desirable object for the present. I [was] concerned at it, as the young man has such ardour and perseverance that I judged much public benefit would have resulted to his credit and my satisfaction. [...] In conse quence, I [...] claimed him as my aide-de-camp, and mat the object of discovery should not be totally relinquished, I sent him on an embassy to the King of the Mountains. Governor Philip Gidley King3 Chris Cunningham, in his book Blue Mountains Rediscovered* quotes Mark Twain in Following the Equator (1831) as saying, "Australian history is full of surprises, and adventures, and incongruities, and contradictions and incredibilities, but they are all true, they all happened". -
Ecology of Pyrmont Peninsula 1788 - 2008
Transformations: Ecology of Pyrmont peninsula 1788 - 2008 John Broadbent Transformations: Ecology of Pyrmont peninsula 1788 - 2008 John Broadbent Sydney, 2010. Ecology of Pyrmont peninsula iii Executive summary City Council’s ‘Sustainable Sydney 2030’ initiative ‘is a vision for the sustainable development of the City for the next 20 years and beyond’. It has a largely anthropocentric basis, that is ‘viewing and interpreting everything in terms of human experience and values’(Macquarie Dictionary, 2005). The perspective taken here is that Council’s initiative, vital though it is, should be underpinned by an ecocentric ethic to succeed. This latter was defined by Aldo Leopold in 1949, 60 years ago, as ‘a philosophy that recognizes[sic] that the ecosphere, rather than any individual organism[notably humans] is the source and support of all life and as such advises a holistic and eco-centric approach to government, industry, and individual’(http://dictionary.babylon.com). Some relevant considerations are set out in Part 1: General Introduction. In this report, Pyrmont peninsula - that is the communities of Pyrmont and Ultimo – is considered as a microcosm of the City of Sydney, indeed of urban areas globally. An extensive series of early views of the peninsula are presented to help the reader better visualise this place as it was early in European settlement (Part 2: Early views of Pyrmont peninsula). The physical geography of Pyrmont peninsula has been transformed since European settlement, and Part 3: Physical geography of Pyrmont peninsula describes the geology, soils, topography, shoreline and drainage as they would most likely have appeared to the first Europeans to set foot there.