DOCSLIB.ORG

Read Ebook {PDF EPUB} 20 30 40 by Jaqueline Brahms Jacqueline

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
Read Ebook {PDF EPUB} 20 30 40 by Jaqueline Brahms Jacqueline Read Ebook {PDF EPUB} 20 30 40 by Jaqueline Brahms Jacqueline. Inflicts damage equal to 100% of ATK to a target and two adjacent enemies. 100% chance to inflict 20% additional damage if the target is affected by an Abnormal Status. Inflicts damage equal to 110% of ATK to a target and two adjacent enemies. 100% chance to inflict 30% additional damage if the target is affected by an Abnormal Status. Inflicts damage equal to 120% of ATK to a target and two adjacent enemies. 100% chance to inflict 40% additional damage if the target is affected by an Abnormal Status. Inflicts damage equal to 130% of ATK to a target and two adjacent enemies. 100% chance to inflict 50% additional damage if the target is affected by an Abnormal Status. Inflicts damage equal to 1404% of ATK to a target and two adjacent enemies. 100% chance to inflict 60% additional damage if the target is affected by an Abnormal Status. Inflicts damage equal to 160% of ATK to a target and two adjacent enemies. 100% chance to inflict 70% additional damage if the target is affected by an Abnormal Status. Inflicts damage equal to 110% of ATK to 3 enemies. 50% chance to put targets to Sleep for 1 turn . 70% chance to put targets to Sleep for 2 turns if they have any debuffs. Inflicts damage equal to 121% of ATK to 3 enemies. 55% chance to put targets to Sleep for 1 turn . 75% chance to put targets to Sleep for 2 turns if they have any debuffs. Inflicts damage equal to 132% of ATK to 3 enemies. 60% chance to put targets to Sleep for 1 turn . 80% chance to put targets to Sleep for 2 turns if they have any debuffs. Inflicts damage equal to 143% of ATK to 3 enemies. 65% chance to put targets to Sleep for 1 turn . 85% chance to put targets to Sleep for 2 turns if they have any debuffs. Inflicts damage equal to 154% of ATK to 3 enemies. 70% chance to put targets to Sleep for 1 turn . 90% chance to put targets to Sleep for 2 turns if they have any debuffs. Inflicts damage equal to 176% of ATK to 3 enemies. 80% chance to put targets to Sleep for 2 turns . 100% chance to put targets to Sleep for 3 turns if they have any debuffs. Inflicts damage equal to 165% of ATK to 3 enemies. 40% chance to Stun them for 1 turn . Inflicts 10% additional damage for each debuff on the target. Inflicts damage equal to 182% of ATK to 3 enemies. 45% chance to Stun them for 1 turn . Inflicts 15% additional damage for each debuff on the target. Inflicts damage equal to 199% of ATK to 3 enemies. 50% chance to Stun them for 1 turn . Inflicts 20% additional damage for each debuff on the target. Inflicts damage equal to 216% of ATK to 3 enemies. 55% chance to Stun them for 1 turn . Inflicts 25% additional damage for each debuff on the target. Inflicts damage equal to 233% of ATK to 3 enemies. 60% chance to Stun them for 1 turn . Inflicts 30% additional damage for each debuff on the target. Inflicts damage equal to 264% of ATK to 3 enemies. 70% chance to Stun them for 1 turn . Inflicts 40% additional damage for each debuff on the target. Browse: Jacqueline du Pré (cello) This page lists all recordings performed by Jacqueline du Pré. Showing 10 results per page. 10 20 30 40. Showing long format results grid. New , Elgar: Cello Concerto; Sibelius: Violin Concerto. BBC SO, Halle Orchestra, Sir John Barbirolli, Jacqueline Du Pre, Alfredo Campoli. Release Date: 14th May 2021 Catalogue No: SJB110203 Label: Barbirolli Society. CD + DVD. Usually despatched in 3 - 4 working days. View full details Read reviews Listen to samples. Jacqueline du Pré. Jacqueline du Pré (cello) BBC Symphony Orchestra, Sir John Barbirolli. Release Date: 1st Nov 2005 Catalogue No: SBT1388 Label: Testament. Awards: Usually despatched within 1 working day. View full details Listen to samples. The Very Best of Jacqueline Du Pré. Jacqueline du Pré (cello), Gerald Moore, Roy Jesson, Osian Ellis, John Williams, Pinchas Zukerman & Daniel Barenboim, Daniel Barenboim. London Symphony Orchestra, Chicago Symphony Orchestra, English Chamber Orchestra, Sir John Barbirolli. Release Date: 9th May 2005 Catalogue No: 5865972 Label: Warner Classics Series: The Very Best of. Length: 3 hours 45 minutes. 3 CDs. Usually despatched in 4 - 5 working days. Downloads. View full details Listen to samples. Beethoven: Piano Trios Nos. 1-3, 7, 9 & 10. Pinchas Zukerman (violin) & Daniel Barenboim (piano) & Jacqueline du Pré (cello) Release Date: 3rd Apr 2006 Catalogue No: 3507982 Label: Warner Classics Series: Gemini. Awards: 2 CDs. Usually despatched within 1 working day. View full details Listen to samples. Elgar: Cello Concerto; Sea Pictures. Jacqueline du Pré (cello), Dame Janet Baker (mezzo-soprano) London Symphony Orchestra, Philharmonia Orchestra, Sir John Barbirolli. Release Date: 21st Aug 2015 Catalogue No: 2564607600 Label: Warner Classics Series: Original Jacket Reissues Length: 68 minutes. Usually despatched within 1 working day. 50 Best Cello. Pablo Casals (cello), Lynn Harrell (cello), Wouter Moller (cello), Steven Isserlis (cello), Mstislav Rostropovich (cello), Jacqueline du Pre (cello), Truls Mork (cello), Robert Cohen (cello), Natalie Clein (cello), Paul Tortelier (cello), Han-Na Chang (cello), Julian Lloyd Webber (cello) Release Date: 6th Sep 2010 Catalogue No: 6316592 Label: Warner Classics Series: 50 Best Length: 3 hours 48 minutes. 3 CDs. Usually despatched within 1 working day. View full details Listen to samples. Elgar: Cello Concerto, Op. 85 & Sea Pictures, Op. 37. Jacqueline du Pré (cello), Dame Janet Baker (mezzo-soprano) London Symphony Orchestra, Sir John Barbirolli. Release Date: 1st Jan 1965 Catalogue No: 9029508157 Label: Warner Classics Length: 53 minutes. Downloads. Jacqueline du Pré and the Elgar Cello Concerto and The Ghost. Jacqueline du Pré (cello), with Daniel Barenboim (piano) & Pinchas Zukerman (violin) New Philharmonia Orchestra, Sir John Barbirolli & William Pleeth, Daniel Barenboim. Die größten Hörerlebnisse nur bei Audible. Erlebe Audible auf dem Smartphone, Tablet, am Computer oder deinem Amazon Echo. Auch offline. Die größten Hörerlebnisse. Entdecke genau das, was du hören willst: Wähle aus 200.000 Titeln und inspirierenden Audible Original Podcasts. Natürlich werbefrei. Genieße dein Hörerlebnis ohne Unterbrechung. Einfach ausprobieren. Teste Audible 30 Tage kostenlos. Du kannst jederzeit kündigen. Hör die Welt mit anderen Augen. Mit Audible Originals und exklusiven Geschichten. Wir können dich kaum erwarten! Entdecke Audible einen Monat lang völlig kostenlos. Genieße jeden Monat ein Hörerlebnis deiner Wahl - und so viele exklusive Audible Original Podcasts, wie du willst. Keine Bindung, keine Frist – du kannst dein Abo jederzeit pausieren oder kündigen. Die größten Hörerlebnisse nur bei Audible. Erlebe Audible auf dem Smartphone, Tablet, am Computer oder deinem Amazon Echo. Auch offline. Die größten Hörerlebnisse. Entdecke genau das, was du hören willst: Wähle aus 200.000 Titeln und inspirierenden Audible Original Podcasts. Natürlich werbefrei. Genieße dein Hörerlebnis ohne Unterbrechung. Einfach ausprobieren. Teste Audible 30 Tage kostenlos. Du kannst jederzeit kündigen. Hör die Welt mit anderen Augen. Mit Audible Originals und exklusiven Geschichten. Wir können dich kaum erwarten! Entdecke Audible einen Monat lang völlig kostenlos. Genieße jeden Monat ein Hörerlebnis deiner Wahl - und so viele exklusive Audible Original Podcasts, wie du willst. Keine Bindung, keine Frist – du kannst dein Abo jederzeit pausieren oder kündigen. Browse: Jacqueline du Pré (cello) This page lists all recordings performed by Jacqueline du Pré. Showing 10 results per page. 10 20 30 40. Showing long format results grid. Jacqueline du Pré: The Complete EMI Recordings. Jacqueline du Pré (cello) Release Date: 7th May 2012 Catalogue No: 0919342 Label: EMI. Awards: 17 CDs. Usually despatched within 1 working day. Offer , Jacqueline du Pré: 5 Legendary Recordings. Jacqueline du Pré (cello) Release Date: 17th Nov 2017 Catalogue No: 9029575474 Label: Warner Classics. 5 Vinyl Records. Usually despatched within 1 working day. Offer , Elgar: Cello Concerto & Sea Pictures - Vinyl Edition. Jacqueline du Pré (cello), Janet Baker (mezzo-soprano) London Symphony Orchestra, Sir John Barbirolli. Release Date: 19th May 2017 Catalogue No: 9029587188 Label: Warner Classics. Vinyl Record. Usually despatched in 4 - 5 working days. View full details Listen to samples. Elgar: Cello Concerto & Enigma Variations. Jacqueline Du Pré (cello) Philadelphia Orchestra, London Philharmonic Orchestra, Daniel Barenboim. Release Date: 3rd Jul 1995 Catalogue No: SK76529 Label: Sony Length: 61 minutes. Downloads. View full details Listen to samples. Mendelssohn: A Midsummer Night's Dream. Lynne Dawson (soprano), Susanne Mentzer (mezzo-soprano), Ladies of The Philharmonisch Koor Toonskunt, Rotterdam, Robert Tear (tenor) Rotterdam Philharmonic Orchestra, English Chamber Orchestra, Jeffrey Tate. Release Date: 1st Jul 1997 Catalogue No: 2435698645 Label: Warner Classics Length: 69 minutes. Downloads. View full details Listen to samples. Jacqueline du Pré: A Portrait. Jacqueline du Pré/English Chamber Orchestra/Daniel Barenboim, Jacqueline Du Pre (cello), Jacqueline du Pré/Stephen Kovacevich, Stephen Kovacevich (piano), Jacqueline Du Pré (violoncello), Stephen Bishop-Kovacevich (piano), Jacqueline du Pré/New Philharmonia Orchestra/Daniel Barenboim..
Load more

Recommended publications
  • A Collection of Stan Ruttenberg's Reviews of Mahler Recordings From
    A collection of Stan Ruttenberg’s Reviews of Mahler Recordings from the Archives Of the Colorado MahlerFest (Symphonies 3 through 7 and Kindertotenlieder) Colorado MahlerFest XIII Recordings of the Mahler Third Symphony Of the fifty recordings listed in Peter Fülöp’s monumental discography (up to 1955, and many more have been added since then), I review here fifteen at my disposal, leaving out two by Boulez and one by Scherchen as not as worthy as the others. All of these fifteen are recommendable, all with fine points, all with some or more weaknesses. I cannot rank them in any numerical order, but I can say that there are four which I would rather hear more than the others — my desert island choices. I am glad to have the others for their own particular merits. Getting ready for MFest XIII we discovered that the matter of score versions and parts is complex. I use the Dover score, no date but attributed to Universal Edition; my guess this is an early version. The Kalmus edition is copied from who knows which published version. Then there is the “Critical Edition,” prepared by the Mahler Gesellschaft, Vienna. I can find two major discrepancies between the Dover/Universal and the Critical (I) the lack of horns at RN25-5, doubling the string riff and (ii) only two harp glissandi at the middle of RN28, whereas the Critical has three. Our first horn found another. Both the Dover and Critical have the horn doublings, written ff at RN 67, but only a few conductors observe them.
    [Show full text]
  • Boston Symphony Orchestra Concert Programs, Season 60,1940-1941, Subscription
    GREATEST MUSIC OFFER IN RECORD HISTORY! COLUMBIA RECORDS Reduces Prices as Much as Half in Revolutionary Move to Bring World's Finest Music Within Reach of Everyone! ALL "MASTERWORKS" (Blue Label) RECORDS NOW ONLY *1<*> kS 75c J£SS Lowest Prices in History for Finest Recordings SCHEHERAZADE ( Rimsky-Korsa- ven). Walter Gieseking (Pianist). Set kov). The Cleveland Orchestra, M-AM-MM 365. Three 12-inch Records Artur . Rodzinski, Conductor. Set M- in Album. Was- $5.00 NOW $3.50 AM-MM 398. Five 12-inch Records in Album. Was $10.00 NOW $5.50 Three Exciting Releases NUTCRACKER SUITE (Tchaikov- for the Coming Month sky). Chicago Symphony Orchestra, THE PHILHARMONIC-SYMPHONY OR- Frederick Stock, Conductor. Set M- CHESTRA OF NEW YORK. JOHN AM-MM 395. Three 12-inch Records BARBIROLLI, CONDUCTOR in Album. Was $5.00 NOW $3.50 SYMPHONY NO. 2 IN D MAJOR (Brahms). Set M-AM-MM 412. Five 12-inch SYMPHONY NO. 5 IN E MINOR records in Album. $5.50 (Tchaikovsky). The Cleveland Or- SYMPHONY NO. 5 IN E MINOR ("From chestra, Artur Rodzinski, Conductor. the New World") (Dvorak). Set M-AM- Set M-AM-MM 406. Five 12-inch MM 416. Six 12-inch records in Album. Records in Album. Was $10.00 $6.25 now $5.50 VIOLIN CONCERTO IN D MAJOR (Tchaikovsky). Nathan Milstein (Violin- symphony no. 6 in f major ist) and The Chicago Symphony Orchestra, ('Tastorale") (Beethoven). Minne- Frederick Stock, Conductor. Set M-AM- 413. Four 12-inch records in Album. Orchestra, Dimitri MM apolis Symphony $4.50 Mitropoulos, Conductor.
    [Show full text]
  • The Houston Symphony
    UNIVERSITY MUSICAL SOCIETY THE HOUSTON SYMPHONY Christoph Eschenbach Conductor and Pianist Thursday Evening, March 7, 1991, at 8:00 Hill Auditorium, Ann Arbor, Michigan PROGRAM Carnival Overture, Op. 92 Dvorak Concerto for Piano and Orchestra No. 23 in A major, K. Mozart Allegro Adagio Allegro assai Christoph Eschenbach INTERMISSION Symphony No. 1 in C minor, Op. 68 ........ Brahms Un poco sostenuto, allegro Andante sostenuto Un poco allegretto e grazioso Adagio, piu andante; allegro non troppo, ma con brio Christoph Eschenbach plays the Steinway piano available through Hammell Music, Inc., Livonia. The Houston Symphony's 1991 Northeast Tour is sponsored by Enron Corporation. The Houston Symphony records exclusively for Virgin Classics. The Houston Symphony is represented by Columbia Artists Management Inc., New York City. The box office in the outer lobby is open during intermission for tickets to upcoming concerts. Copies of this title page are available in larger print; please contact an usher. Twenty-ninth Concert of the 112th Season 112th Annual Choral Union Series Program Notes Carnival Overture, Op. 92 Carnival was dedicated to the Czech ANTONIN DVORAK (1849-1904) University in Prague and was conducted by the composer at the premiere in April 1892 as part of a farewell concert prior to his ature, Life, and Love" that American tour. All three overtures figured is the title Dvorak initially prominently in the concerts that Dvorak planned for a series of three conducted during that visit, but Carnival concert overtures he com­ established its preeminence then and has held posed in 1891 and 1892. Per­ it steadfastly. hapsN because Simrock published them with Dvorak's score calls for piccolo, flutes, separate opus numbers, In Nature's Realm, oboes, English horn, clarinets, bassoons, four Op.
    [Show full text]
  • Cello Concerto Jacqueline Du Pré: the Concerto's Consummate Interpreter?
    Cello Concerto Jacqueline du Pré: The concerto's consummate interpreter? Section 1 - Introduction The release of the film, Hilary & Jackie, has created a fresh wave of interest in the genius of Jacqueline du Pré. "Jackie", as she was called, was the greatest cellist of her generation, and many people consider her the finest interpreter of Elgar's Cello Concerto. The film is based on the book A Genius in the Family by du Pré's sister Hilary and her brother Piers (Chatto & Windus, 1997). In the book's preface, the du Prés explain that it is not a biography: "These are our memories. This book is not a biography, nor an account of Jackie's career. It is simply what happened. We offer the reader the story of our family, from within." Jacqueline du Pré Both book and film have caused a storm of controversy, with some critics complaining about its "lack of objectivity". But the du Prés' intent was to describe the Jackie they knew, not the world-famous musician. The public Jackie is well-documented in another new book, Jacqueline du Pré (Weidenfield & Nicolson, 1998), written byElizabeth Wilson with the assistance of du Pré's husband, Daniel Barenboim. A cellist herself, Wilson includes insightful comments about du Pré's recorded performances. Another excellent biography is Carol Easton's Jacqueline du Pré(Hodder & Stoughton, 1989), currently out-of-print but well worth looking for. This biographical sketch draws on all three sources. Section 2 - Starting at Oxford Jacqueline du Pré's parents met through the sheerest of circumstances. Her father,Derek du Pré was a thirty-year-old London editor in 1938 London when he won a trip to Poland.
    [Show full text]
  • CSO Program Oct 78 Arnold Jacobs, Who Has Been the Chicago
    CSO Program Oct 78 Arnold Jacobs, who has been the Chicago Symphony's tuba player since 1944 plays bugle, trumpet and trombone and considered becoming a singer before he decided to become a tuba player. He entered Curtis Institute of Music in his native city of Philadelphia as a fifteen-year-old scholarship student and graduated in 1937. He was engaged as the Indianapolis Symphony's tuba player under Fabien Sevitsky for two seasons and then took the same post with the Pittsburgh Symphony while Fritz Reiner was conductor. From Pittsburgh he came to Chicago. He toured the country in 1941 with Leopold Stokowski and the AII- American Youth Orchestra and was loaned to the Philadelphia Symphony Orchestra in the spring of 1949 for their England-Scotland tour. In June, 1962 he had the honor of being the first tuba player to be invited to play the Festival Casals under Pablo Casals in San Juan. Puerto Rico. Mr. Jacobs is a member of the Chicago Symphony Brass Quintet. and teaches tuba at Northwestern University School of Music and for the Civic Orchestra. His former tuba students in other orchestras include Tony Hanks, Minneapolis; Harold McDonald, Pittsburgh; Dan Corrigan, Indianapolis; Charles Guse. Lyric Opera; Don Heeren, Denver; Ron Bishop, San Francisco; John Taylor, Buffalo; John Kalnins, Birmingham; and Richard Schneider, Israel Symphony. Mr. Jacobs maintains an interest in the biological sciences, especially as they apply to tone production in wind instruments. He is a widely-known lecturer and clinician in the field of wind instruments and has appeared throughout the country.
    [Show full text]
  • History of the Houston Symphony
    HISTORY OF THE HOUSTON SYMPHONY Founded in 1913 by the guiding hand of Miss Ima Hogg, the Grammy Award—winning Houston Symphony has played a central role in Houston’s cultural and civic life for more than 100 years. It is now one of America's oldest performing arts organizations with a distinguished musical history. The orchestra has grown and matured under the direction of leaders such as Ernst Hoffmann (1936-47), Efrem Kurtz (1948-54), Ferenc Fricsay (1954), Leopold Stokowski (1955-61), Sir John Barbirolli (1961-67), André Previn (1967-69), Lawrence Foster (1971-78), Sergiu Comissiona (1979-88), Christoph Eschenbach (1988-99) and Hans Graf (2001-13). Andrés Orozco-Estrada began his role as the 15th music director of the Houston Symphony in September 2014. Steven Reineke serves as Principal POPS Conductor, Robert Franz is Associate Conductor, and Dr. Betsy Cook Weber directs the Houston Symphony Chorus. The orchestra’s inaugural performance was held at The Majestic Theater in downtown Houston June 21, 1913. Two decades later, the Palace Theatre served as the location for six concerts in 1931-32. City Auditorium and the Houston Music Hall showcased Symphony performances from the late 1930s through the early 1960s. The orchestra’s current home, Jones Hall for the Performing Arts, was dedicated Oct. 2, 1966, with a special performance by the Houston Symphony under the baton of Sir John Barbirolli. In October 2016, a concert featuring the Houston Symphony, esteemed violinist Itzhak Perlman and Music Director Andrés Orozco-Estrada celebrated the 50th anniversary of Jones Hall. In 1937, the Houston Symphony began a series of special student matinee concerts coordinated with Houston Independent School District.
    [Show full text]
  • Justin Solomon 1 Deconstructing the Definitive Recording: Elgar's Cello Concerto and the Influence of Jacqueline Du Pré Accou
    Justin Solomon 1 Deconstructing the Definitive Recording: Elgar’s Cello Concerto and the Influence of Jacqueline du Pré Accounts of Jacqueline du Pré’s 1965 recording session for the Elgar Cello Concerto with Sir John Barbirolli border on mythical. Only twenty years old at the time, du Pré impressed the audio engineers and symphony members so much that word of a historic performance quickly spread to an audience of local music enthusiasts, who arrived after a break to witness the remainder of the session.1 Reviewers of the recording uniformly praised the passion and depth of du Pré’s interpretation; one reviewer went so far as to dub the disc “the standard version of the concerto, with or without critical acclaim.”2 Even du Pré seemed to sense that the recording session would become legendary. Despite the fact that the final recording was produced from thirty-seven takes spanning the entirety of the Concerto, du Pré hinted to her friends that “she had played the concerto straight through,” as if the recording were the result of a single inspired performance rather than a less glamorous day of false starts and retakes.3 Without doubt, du Pré’s recording is one of the most respected interpretations of the Concerto. Presumably because of the effectiveness of the recording and the attention it received, the famous cellist Mstislav Rostropovich “erased the concerto from his repertory” after the recording was released.4 For this reason, it comes as no surprise that in the wake of such a respected and widely distributed rendition, amateur and professional cellists alike would be conscious of du Pré’s stylistic choices and perhaps imitate their most attractive features.
    [Show full text]
  • Musicweb International February 2020 Second Thoughts and Short Reviews
    Second Thoughts and Short Reviews - Winter 2019-20/3 By Brian Wilson, Dan Morgan, Simon Thompson and Johan van Veen. Winter #1 is here and Winter #2 is here. Earlier editions are archived here. Reviews are by Brian Wilson unless otherwise stated. Concurrently with this edition I have embarked on a summary, due soon, of some of the new releases and reissues for the Beethoven 2020 celebration of his 250th birthday. I mentioned some of these in Winter #2, but the trickle has since become a flood. My task has been made much easier by Mark Zimmer’s very detailed survey of the three bumper box sets from DG, Warner and Naxos, which allows me to concentrate on single albums and some of the individual releases associated with those box sets, especially the smaller download selections from the DG box. I’ve dealt with some of these in my article and hope to include the rest in forthcoming editions of these regular Second Thoughts and Short Reviews. Index [page numbers in brackets] BARBER Violin Concerto – Dalene/Blendulf_BIS (with TCHAIKOVSKY) [10] BEETHOVEN String Quartet No.14 in c-sharp minor, Op.131 – Allegri Quartet_Naim (with BRITTEN) [9] BRAHMS Piano Concerto No.1 – Arrau; Philharmonia/Giulini_Beulah (with BOCCHERINI, HAYDN) [6] BRITTEN String Quartet No.3 – Allegri Quartet_Naim (with BEETHOVEN) [9] BRUCKNER Symphony No.6 – Rattle_LSO Live [10] DEBUSSY Nocturnes, etc. – Elder_Hallé [12] DVOŘÁK Quartet No.9; MESSIAEN Quatuor_Vermeer Quartet_NAIM [19] ELGAR; VAUGHAN WILLIAMS Symphony No.5 – Philharmonia/Barbirolli_Beulah [11] EŠENVALDS There Will Come Soft Rains and other works – Pacific Lutheran Choir_Signum [17] HAYDN String Quartet Op.50/5 – Allegri Quartet (see SCHUBERT) [7] LOSY Note d’Oro (Lute Music) – Jakob Lindberg_BIS [6] MACMILLAN Tuireadh – Allegri Quartet (see SCHUBERT) [7] MOZART Haffner Serenade, Musical Joke – Kölner Akademie/Willens_BIS [8] - Piano Concertos 5-6, 8-9, Overtures – Jean-Efflam Bavouzet; Manchester Camerata/ Gábor Takács-Nagy_Chandos [8] PALESTRINA Lamentations Bk.
    [Show full text]
  • Sir Andrew Davis Conductor Vladimir Feltsman Piano Turnage Texan
    Program ONe HuNdRed TweNTieTH SeASON Chicago Symphony orchestra riccardo muti Music director Pierre Boulez Helen Regenstein Conductor emeritus Yo-Yo ma Judson and Joyce Green Creative Consultant Global Sponsor of the CSO Thursday, November 18, 2010, at 8:00 Saturday, November 20, 2010, at 8:00 Sunday, November 21, 2010, at 3:00 Tuesday, November 23, 2010, at 7:30 Sir andrew Davis Conductor Vladimir Feltsman Piano Turnage Texan Tenebrae Commissioned by the Canary Islands Music Festival for the London Philharmonic Orchestra, the Royal Concertgebouw Orchestra, and the Chicago Symphony Orchestra United States premiere Beethoven Piano Concerto No. 4 in G Major, Op. 58 Allegro moderato Andante con moto— Rondo: Vivace VlAdiMiR FelTSMAN InTermISSIon Vaughan Williams Symphony No. 9 in e Minor Moderato maestoso Andante sostenuto Scherzo: Allegro pesante Andante tranquillo First Chicago Symphony Orchestra performances CSO Tuesday series concerts are sponsored by United Airlines. Steinway is the official piano of the Chicago Symphony Orchestra. This program is partially supported by grants from the Illinois Arts Council, a state agency, and the National Endowment for the Arts. CommenTS by PHilliP HuSCHeR mark-anthony Turnage Born June 10, 1960, Grays, Essex, England. Texan Tenebrae ark-Anthony Turnage, who death of Anna Nicole Smith a good Mis no stranger to controversy, subject for an opera?” 78.2 percent surprised even some of the people of the respondents said yes. who know his music best when he It was Turnage’s first opera, announced that he
    [Show full text]
  • Delius (1862-1934)
    BRITISH ORCHESTRAL MUSIC (Including Orchestral Poems, Suites, Serenades, Variations, Rhapsodies, Concerto Overtures etc) A Discography of CDs & LPs Prepared by Michael Herman Frederick Delius (1862-1934) Born in Bradford to German parents. His family had not destined him for a musical career but due to the persuasion of Edvard Grieg his father allowed him to attend the Leipzig Conservatory where he was a pupil of Hans Sitt and Carl Reinecke. His true musical education, however, came from his exposure to the music of African-American workers in Florida as well as the influences of Grieg, Wagner and the French impressionists. His Concertos and other pieces in classical forms are not his typical works and he is best known for his nature-inspired short orchestral works. He also wrote operas that have yielded orchestral preludes and intermezzos in his most characteristic style. Sir Thomas Beecham was his great champion both during Delius’ lifetime and after his death. Air and Dance for String Orchestra (1915) Norman Del Mar/Bournemouth Symphony Orchestra ( + Elgar: Serenade for Strings, Vaughan Williams: Concerto Grosso and Warlock: Serenade) EMI CDM 565130-2 (1994) (original LP release: HMV ASD 2351) (1968) Vernon Handley/London Philharmonic Orchestra ( + Summer Evening, On Hearing the First Cuckoo in Spring, Summer Night on the River, Vaughan Williams: The Wasps Overture and Serenade to Music) CHANDOS CHAN 10174 (2004) (original CD release: CHANDOS CHAN 8330) (1985) Richard Hickox/Northern Sinfonia ( + Summer Evening, Winter Night, On Hearing the First Cuckoo in Spring, Summer Night on the River, A Song Before Sunrise, La Calinda, Hassan – Intermezzo and Serenade, Fennimore and Gerda – Intermezzo and Irmelin – Prelude) EMI BRITISH COMPOSERS CDM 5 65067 2 (1994) (original CD release: EMI CDC 7 47610 2) (1986) David Lloyd-Jones/English Northern Philharmonia ( + Bridge: Cherry Ripe, Sally in our Alley, Sir Roger de Coverley), Haydn Wood: Fantasy-Concerto, Ireland: The Holy Boy, Vaughan Williams: Charterhouse Suite, Elgar: Sospiri, Warlock: Serenade, G.
    [Show full text]
  • ARSC New York Chapter NOVEMBER 2018 Meeting 7:00 P
    ARSC New York Chapter NOVEMBER 2018 Meeting 7:00 P. M. Thursday, 11/15/18 ®New York Philharmonic Archives ¬ Rose Building, Lincoln Center, New York NOTE DIFFERENT LOCATION NEWLY RESTORED TREASURES FROM THE N. Y. PHILHARMONIC ARCHIVES With Seth B. Winner N. B. RESERVATIONS STRICTLY REQUIRED DUE TO LIMITED SEATING (maximum of 30 places) Send reservations before November 12 to [email protected] or telephone (516) 771-0028 DIRECTIONS Located on the fourth floor of the Rose Building at Lincoln Center. From Broadway, walk west on the north side of 65th street, past the main entrance to Juilliard, then find a stairway going up marked “ROSE”. An elevator to that level is available farther down 65th Street. Those attending must meet in the lobby to be escorted to the archives. Recommended arrival time is between 6:30 PM to slightly before 7:00 PM. To be admitted, your name must be on the attendance list. Thanks to Barbara Haws, former Archivist and Gabryel Smith, Archives Manager of the New York Philharmonic for making this project possible, as well as hosting ARSC for this special meeting. Join us for to learn about the second recently completed GRAMMY Foundation Grant project to digitize and preserve 52 hours from fragile glass-based and aluminum-based lacquer coated discs documenting 36 unique live radio broadcasts from 1937 to 1951. We will discuss the project challenges and successes, talk about the significance of these broadcasts, and listen to excerpts from this newly accessible cache of recordings not heard since their original broadcast over the CBS network six to eight decades ago.
    [Show full text]
  • Spring/Summer 2017
    News for Friends of Leonard Bernstein Spring/Summer 2017 Special Edition © ALFRED EISENSTAEDT 2 Let the Celebrations Begin 6 Musician for the World 14 In the News Inside... 4 A Multifarious Career 8 Passing the Baton 16 Looking Ahead 5 Artful Learning 12 LeonardBernstein.com 17 Some Performances SS2017_PFR_art(20RE)_draft2.indd 1 3/31/17 4:24 PM Let the Celebrations Begin! eonard Bernstein at 100! What a by Jamie Bernstein and Age of Anxiety, explored the trou- Lpriceless and unrepeatable oppor- Craig Urquhart bling times of the 1940s. His musical tunity to share his legacy with those Candide was devised as a protest who experienced him in his lifetime, ugust 25, 2018 will against the evils of McCarthyism as well as to introduce him to the next be the 100th Birthday of in the 1950s. West Side Story con- fronted head-on the ramifications of generation. People and organizations Leonard Bernstein. Yes, 100 — though it seems like bigotry and prejudice. His prophetic all over the world are cooking up a A only yesterday that he was among us, MASS from 1971, which examines myriad exciting presentations for sharing his prodigious gifts. a war-torn nation’s crisis of faith, the celebration — as this special issue Leonard Bernstein’s range of brings together musical styles as clearly indicates. accomplishments was uniquely diverse as America itself. For those of you who had the good broad; as a composer, educator, con- Bernstein’s legacy as a conduc- fortune of experiencing Leonard ductor, political activist and more, tor is unequaled. Its very beginning Bernstein firsthand, we have a very he was a significant contributor to is now legend: on November 14, special request for you: the cultural life of the 20th century.
    [Show full text]