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National Register of Historic Places Continuation Sheet
NFS Form 10-900-a OMB Approval No. 1024-0018 (8-86) United States Department of the Interior National Park Service National Register of Historic Places Continuation Sheet Section number ——— Page ——— SUPPLEMENTARY LISTING RECORD NRIS Reference Number: 00000071 Date Listed: 2/28/00 Washington Park H.D. Fulton GEORGIA Property Name County State N/A______________________________________ Multiple Name This property is listed in the National Register of Historic Places in accordance with the attached nomination documentation subject to the following exceptions, exclusions, or amendments, notwithstanding the National Park Service certification included in the nomination documentation. _i————— ———;*i——=*————•——*\&s' tsl/———— ———&-*-———' ^^ SignaturetxSf the Keeper^ Date of Action Amended Items in Nomination: Section No. 8 This nomination is amended to delete 1906, when the first plat for the area was created, and 1910, when the Ashby School was built, as significant dates. The significance of the area as an African- American suburb begins in 1919, when the city designated the school and the park for use by African Americans. This amendment has been confirmed with the Georgia SHPO. DISTRIBUTION: National Register property file Nominating Authority (without nomination attachment) NPSForm10-900 ! y" i ^ 'O L-» ft V National Park Service ^\ \ \ 1 m\ 1 2DB— NATIONAL REGISTER OF HISTORIC PLACES RE SISTfeATlON F *PRM 1i This form is for use in nominating or requesting determinations of eligibility for individual properties or dil^^sP^^iiiwmOTfcwIines for Ccjmpleting National Register Forms" (National Register Bulletin 16). Complete each item by marking "x" in fhe appropriate bofeoEByJ£rf8rl&Nhe requested infomiation. If an Hem does not apply to the property being documented, enter "N/A" for "not applicable." Fonfunctions, s,|yie?£^ejT^i^odj8jiw®tsignfficancfe, enter only the categories and subcategories listed in the instructions. -
Music Video As Black Art
IN FOCUS: Modes of Black Liquidity: Music Video as Black Art The Unruly Archives of Black Music Videos by ALESSANDRA RAENGO and LAUREN MCLEOD CRAMER, editors idway through Kahlil Joseph’s short fi lm Music Is My Mis- tress (2017), the cellist and singer Kelsey Lu turns to Ishmael Butler, a rapper and member of the hip-hop duo Shabazz Palaces, to ask a question. The dialogue is inaudible, but an intertitle appears on screen: “HER: Who is your favorite fi lm- Mmaker?” “HIM: Miles Davis.” This moment of Black audiovisual appreciation anticipates a conversation between Black popular cul- ture scholars Uri McMillan and Mark Anthony Neal that inspires the subtitle for this In Focus dossier: “Music Video as Black Art.”1 McMillan and Neal interpret the complexity of contemporary Black music video production as a “return” to its status as “art”— and specifi cally as Black art—that self-consciously uses visual and sonic citations from various realms of Black expressive culture in- cluding the visual and performing arts, fashion, design, and, obvi- ously, the rich history of Black music and Black music production. McMillan and Neal implicitly refer to an earlier, more recogniz- able moment in Black music video history, the mid-1990s and early 2000s, when Hype Williams defi ned music video aesthetics as one of the single most important innovators of the form. Although it is rarely addressed in the literature on music videos, the glare of the prolifi c fi lmmaker’s infl uence extends beyond his signature lumi- nous visual style; Williams distinguished the Black music video as a creative laboratory for a new generation of artists such as Arthur Jafa, Kahlil Joseph, Bradford Young, and Jenn Nkiru. -
Williams, Hipness, Hybridity, and Neo-Bohemian Hip-Hop
HIPNESS, HYBRIDITY, AND “NEO-BOHEMIAN” HIP-HOP: RETHINKING EXISTENCE IN THE AFRICAN DIASPORA A Dissertation Presented to the Faculty of the Graduate School of Cornell University in Partial Fulfillment of the Requirements for the Degree of Doctor of Philosophy by Maxwell Lewis Williams August 2020 © 2020 Maxwell Lewis Williams HIPNESS, HYBRIDITY, AND “NEO-BOHEMIAN” HIP-HOP: RETHINKING EXISTENCE IN THE AFRICAN DIASPORA Maxwell Lewis Williams Cornell University 2020 This dissertation theorizes a contemporary hip-hop genre that I call “neo-bohemian,” typified by rapper Kendrick Lamar and his collective, Black Hippy. I argue that, by reclaiming the origins of hipness as a set of hybridizing Black cultural responses to the experience of modernity, neo- bohemian rappers imagine and live out liberating ways of being beyond the West’s objectification and dehumanization of Blackness. In turn, I situate neo-bohemian hip-hop within a history of Black musical expression in the United States, Senegal, Mali, and South Africa to locate an “aesthetics of existence” in the African diaspora. By centering this aesthetics as a unifying component of these musical practices, I challenge top-down models of essential diasporic interconnection. Instead, I present diaspora as emerging primarily through comparable responses to experiences of paradigmatic racial violence, through which to imagine radical alternatives to our anti-Black global society. Overall, by rethinking the heuristic value of hipness as a musical and lived Black aesthetic, the project develops an innovative method for connecting the aesthetic and the social in music studies and Black studies, while offering original historical and musicological insights into Black metaphysics and studies of the African diaspora. -
Liberian Girl from Wikipedia, the Free Encyclopedia
Liberian Girl From Wikipedia, the free encyclopedia "Liberian Girl" was the ninth single released from American recording artist Michael "Liberian Girl" Jackson's 1987 album Bad. The song was written as early as 1983 and was among those considered for The Jacksons' Victory album. It was reworked and rewritten for Bad. The song was released as a single in Europe and Australia. Contents 1 Critical reception 1.1 Reaction in Liberia Single by Michael Jackson 2 Chart performance from the album Bad 3 Music video 4 Track listing B-side "Girlfriend" 5 Covers and sampling Released July 4, 1989 6 Personnel 7 References Format CD single, 12" 8 External links Recorded 1987 Genre R&B Length 3:53 (album version) Critical reception 3:40 (edit) The New York Times editor Jon Pareles wrote Label Epic that a melody line from Billie Jean reappears in Writer(s) Michael Jackson [1] this song. Rolling Stone's Davitt Sigerson Producer(s) Quincy Jones praised the song: "'Liberian Girl' — is Michael's Michael Jackson (co- filler, which makes it richer, sexier, better than producer) Thriller's forgettables" and he also described that it "glistens with gratitude for the existence Michael Jackson singles chronology of a loved one."[2] In 2003, Q Magazine ranked "2300 "Liberian "Black or the song at number 1,001 in their list of the Jackson Girl" White" "1001 Best Songs Ever".[3] Street" (1989) (1991) (1989) Reaction in Liberia Bad track listing The song received a positive reception in "Speed "Liberian "Just Good Demon" Girl" Friends" [4] Liberia, with women from the country viewing (3) (4) (5) [4] the song as empowering. -
Shot to Death at the Loft
SATURDAY • JUNE 12, 2004 Including The Bensonhurst Paper Brooklyn’s REAL newspapers Published every Saturday — online all the time — by Brooklyn Paper Publications Inc, 55 Washington St, Suite 624, Brooklyn NY 11201. Phone 718-834-9350 • www.BrooklynPapers.com • © 2004 Brooklyn Paper Publications • 16 pages • Vol. 27, No. 24 BRZ • Saturday, June 19, 2004 • FREE Shot to death at The Loft By Jotham Sederstrom Police say the June 12 shooting happened in a basement bathroom The Brooklyn Papers about an hour before the bar was to close. Around 3 am, an unidentified man pumped at least four shots into A man was shot to death early Saturday morning in the bath- Valdes, who served five years in prison after an arrest for robbery in room of the Loft nightclub on Third Avenue in Bay Ridge. 1989, according to Kings County court records. The gunman, who has Mango / Greg Residents within earshot of the club at 91st Street expressed concern thus far eluded police, may have slipped out the front door after climb- but not surprise at the 3 am murder of Luis Valdes, a Sunset Park ex- ing the stairs from the basement, say police. convict. Following the murder, Councilman Vincent Gentile voiced renewed “That stinkin’ place on the corner,” said Ray Rodland, who has lived support for legislation that would allow off-duty police officers to moon- on 91st Street between Second and Third avenues for 20 years. “Even light as bouncers — in uniform — at bars and restaurants. The bill is Papers The Brooklyn if you’re farther away, at 4 in the morning that boom-boom music currently stalled in a City Council subcommittee for public housing. -
Hip-Hop's Diversity and Misperceptions
The University of Maine DigitalCommons@UMaine Honors College Summer 8-2020 Hip-Hop's Diversity and Misperceptions Andrew Cashman Follow this and additional works at: https://digitalcommons.library.umaine.edu/honors Part of the Music Commons, and the Social and Cultural Anthropology Commons This Honors Thesis is brought to you for free and open access by DigitalCommons@UMaine. It has been accepted for inclusion in Honors College by an authorized administrator of DigitalCommons@UMaine. For more information, please contact [email protected]. HIP-HOP’S DIVERSITY AND MISPERCEPTIONS by Andrew Cashman A Thesis Submitted in Partial Fulfillment of the Requirements for a Degree with Honors (Anthropology) The Honors College University of Maine August 2020 Advisory Committee: Joline Blais, Associate Professor of New Media, Advisor Kreg Ettenger, Associate Professor of Anthropology Christine Beitl, Associate Professor of Anthropology Sharon Tisher, Lecturer, School of Economics and Honors Stuart Marrs, Professor of Music 2020 Andrew Cashman All Rights Reserved ABSTRACT The misperception that hip-hop is a single entity that glorifies wealth and the selling of drugs, and promotes misogynistic attitudes towards women, as well as advocating gang violence is one that supports a mainstream perspective towards the marginalized.1 The prevalence of drug dealing and drug use is not a picture of inherent actions of members in the hip-hop community, but a reflection of economic opportunities that those in poverty see as a means towards living well. Some artists may glorify that, but other artists either decry it or offer it as a tragic reality. In hip-hop trends build off of music and music builds off of trends in a cyclical manner. -
Musical Explorers Is Made Available to a Nationwide Audience Through Carnegie Hall’S Weill Music Institute
Weill Music Institute Teacher Musical Guide Explorers My City, My Song A Program of the Weill Music Institute at Carnegie Hall for Students in Grades K–2 2016 | 2017 Weill Music Institute Teacher Musical Guide Explorers My City, My Song A Program of the Weill Music Institute at Carnegie Hall for Students in Grades K–2 2016 | 2017 WEILL MUSIC INSTITUTE Joanna Massey, Director, School Programs Amy Mereson, Assistant Director, Elementary School Programs Rigdzin Pema Collins, Coordinator, Elementary School Programs Tom Werring, Administrative Assistant, School Programs ADDITIONAL CONTRIBUTERS Michael Daves Qian Yi Alsarah Nahid Abunama-Elgadi Etienne Charles Teni Apelian Yeraz Markarian Anaïs Tekerian Reph Starr Patty Dukes Shanna Lesniak Savannah Music Festival PUBLISHING AND CREATIVE SERVICES Carol Ann Cheung, Senior Editor Eric Lubarsky, Senior Editor Raphael Davison, Senior Graphic Designer ILLUSTRATIONS Sophie Hogarth AUDIO PRODUCTION Jeff Cook Weill Music Institute at Carnegie Hall 881 Seventh Avenue | New York, NY 10019 Phone: 212-903-9670 | Fax: 212-903-0758 [email protected] carnegiehall.org/MusicalExplorers Musical Explorers is made available to a nationwide audience through Carnegie Hall’s Weill Music Institute. Lead funding for Musical Explorers has been provided by Ralph W. and Leona Kern. Major funding for Musical Explorers has been provided by the E.H.A. Foundation and The Walt Disney Company. © Additional support has been provided by the Ella Fitzgerald Charitable Foundation, The Lanie & Ethel Foundation, and -
Pro Free Mixtape
Pro free mixtape click here to download Home of MixTape, an OSX application for creating beat matched mixes with simple export to the web or iTunes. A new free album from Joey Bad. Features include Collie Buddz, Kirk Knight, Dirty Sanchez, Nyck Caution, Rokamouth, Dessy Hinds, T'nah Apex, Chuck. MixTape is a simple, beautiful and easy to learn application for making beat matched mixes. By simply drag dropping the music you already. MixTape Pro - Mix your music and share it online. Download the latest versions of the best Mac apps at MacUpdate. Download free MixTape Pro for Mac, free MixTape Pro download for Mac OS X. PRo – PSA Volume 2 | Mixtape. By. Nick Download the mixtape from Reach Records . I would've paid top dollar for this if it weren't free. FULL MIXTAPE DOWNLOAD NOW. Pro "My Name is Pro" mixed by DJ Wade-O Free Mixtape Download. Details: Created: 15 September. Pro Era Free Mixtapes. Pro Era · Nyck Caution - Disguise The Limit mixtape cover art Pro Era - PEEP: The Aprocalypse mixtape cover art · Pro Era - PEEP. Presenting the Jhoomti Shaam Official Mixtape! Jhoomti Shaam is in their 15TH YEAR and this is their first ever official mixtape so hope. listen to free mixtapes and download free mixtapes, hip hop music, videos, Pro Era. Rating: 5 Stars. Listens: , Mixtape Cover. Joey Bada$$. MixTape Pro will help you create, experiment, and publish the results onto the web. That means you shouldn't miss this opportunity to nab an iPhone 8 for free. Stream Mixtape Reggaeton Summer Evolution - Pro Harsh Tuz by HARSH TUZ from desktop or your mobile device. -
Hillary Cut from History
INSIDE: DOUBLE THE COUPONS TO SAVE YOU CASH Yo u r NeighborhoodYo u r Neighborhood — Yo u r — News Yo u r ® News® BrooklynPaper.com • (718) 260–2500 • Brooklyn, NY • ©2011 BROOKLYN HEIGHTS–DOWNTOWN EDITION AWP/14 pages • Vol. 34, No. 19 • May 13–19, 2011 • FREE INCLUDING DUMBO FRIGHT FLIGHT BORN Scare tactics, migration trim goose population FREE! By Natalie O’Neill oil to prevent their development, ducted by the U.S. Department The Brooklyn Paper brought in dogs to chase geese of Agriculture, which began kill- Nature fi nds Goose census takers are finish- GOOSEWATCH away, and enforced a strict “no ing geese in New York in 2009, ing up the federal government’s feeding” policy. though only within a five-mile a way in Park official count of waterfowl in 2011 Park officials hoped that no radius of both LaGuardia and Brooklyn — but the would-be goslings would be born this sea- JFK airports. That killing field By Natalie O’Neill bird exterminators aren’t likely to son, and many geese have moved was expanded last year to seven The Brooklyn Paper fire up their gas chambers again 24 on. miles — into Prospect Park — Four goslings that were never this year because the population of Of course, the goose popula- without public discussion. The supposed to develop past the em- local geese has plummeted. tion was greatly reduced by the result was the massacre of hun- bryo stage are now waddling This week, only 23 geese, down GEESE IN slaughter itself. dreds of geese last July . and squawking around Pros- from nearly 200, were spotted in Four goslings miraculously In the weeks before that slaugh- pect Park, baffling city biolo- Prospect Park — where more than PROSPECT PARK survived egg-addling efforts (see ter, feds took the same goose cen- gists who thought they’d suc- 300 Canada geese were slaugh- (As of Tuesday, May 10) sidebar), but it’s been nearly a si- sus that they are conducting now, cessfully prevented the eggs tered by the federal government lent spring in Prospect Park. -
Live Entertainment
CASE STUDY LIVE ENTERTAINMENT OPPORTUNITY BEAST COAST “ESCAPE FROM NEW YORK” TOUR, U.S. AND CANADA Beast Coast, a hip-hop supergroup from Beast Coast is a hip-hop supergroup from Brooklyn, New York formed in 2012 by Brooklyn, needed state-of-the-art lighting members of Pro Era, Flatbush Zombies and The Underachievers. After the release of fixtures to visually enhance performances their debut album, Escape From New York, in 2019, Beast Coast began a nationwide on their 2019 Escape From New York Tour. US tour including two dates in Canada. In order to compliment an elaborate stage design featuring a massive dome structure and a 30-foot Statue of Liberty head, Beast Coast SOLUTION hired lighting designer Tom Edwards of Mandylights, a premier lighting and visual design Lighting Designer Tom Edwards deployed firm, to design a cutting-edge lighting rig. Edwards selected Martin by HARMAN Sceptron Martin by HARMAN Sceptron and Axiom and Axiom lighting fixtures for their class-leading brightness, flexibility and reliability. lighting fixtures to illuminate the stage “I really needed something that was going to help outline the sprawling structure design and scenery with scintillating we created,” said Tom Edwards, Director, Mandylights UK. “The base of the structure lighting effects. is made out GT truss and each piece is fitted with Sceptrons, which line the whole structure. I chose Sceptron fixtures because I needed a fixture that had bright output and looked as if it was part of the structure. The inbuilt macros combined with the pixel control from the console gave us an array of effects to use throughout the show.” “We chose the Axiom fixtures Mandylights used 150 Martin VDO Sceptron 10 outdoor-rated LED video fixtures to outline the entire dome structure and illuminate its supportive truss with bright, colorful because we needed a small, pixel effects. -
OBJ (Application/Pdf)
ölver ine MORRIS BROWN COLLEGE “Dedicated to Educating the Leaders of Tomorrow” Herndon Stadium - A mnnument to self help by Herman “Skip” Mason, Jr. ‘84 College Historian/Archivist estled in the Vine City community behind the Morris Brown College campus was a huge rock pile surrounded by land virtually unfit for cultivation and building. The open field was adjacent to the home of many Vine City residents including the home of the President of the Morris Brown College and the palatial home of the Herndon family. It was in 1946 that work began to carve and sculpt this gigantic rock into a football stadium. Its namesakes Alonzo F and Norris B. Herndon, founder and son of Atlanta Life Insurance Company ironically were pillars in the Mayor Bill Campbell, Mayor of Atlanta gives Dr. Samuel D. Jolley Jr., President of Morris Brown College, a Proclamation during the dedication of the new Herndon Football Stadium. community. Why was there a need for a small liberal black arts SYMBOLISM college to have a stadium of its own? In the late 1890’s, Morris Brown became An Open Letter involved in athletic Let our children competition. In 1911, the school organized its first to the Morris football team. The team was coached by J.S. Jackson and decide later D.H. Sims and the first Brown Campus team consisted of Nathaniel by Charlton Pharris Flipper, S.W. Prioleux, Willie crosses and crucifixes to rasping for the Ed Grant, Allen Cooper, Fred logos, they tangify the Wiley, Milton Carnes, meaning of symbols in intangible. They cast Community Americus Lee, David Gour lives is an elusive reach.thoughts and values into Townsley, and John Corley. -
Extensions of Remarks
September 26, 1977 EXTENSIONS OF REMARKS 30991 EXTENSIONS OF REMARKS WILD AND SCENIC RIVER one classification, or is it possible to have a to accommodate the existing and permissible DESIGNATION combination of river classifications? levels of recreational use. Generally, fee ac A. It is possible to have portions of a river quisition would be confined to land needed classified as either wild, scenic or recreational to provide access and fac111t1es to the gen HON. MAX BAUCUS depending on the character of each river eral public and to protect the river and section. resource values which would otherwise be OF MONTANA 3. Q. Could less than the entire river be in Jeopardy from less-than-fee control. The IN THE HOUSE OF REPRESENTATIVES included? remainder of the land within the boundary Monday, September 26, 1977 A. Yes, but generally a river segment could be controlled by scenic easements and, would have to be at least 25 miles long. A when acceptable to the Secretary of the Mr. BAUCUS. Mr. Speaker, in his en shorter stretch that has outstanding quali Interior, by adequately enforced local zoning vironmental message of May 22, 1977, fications might, however, be included in the regulations. President Carter recommended the in national wild and scenic rivers system. 8. Q. How do scenic easements work? clusion of portions of the Madison and 4. Q. How may a river be included into the A. Scenic easements are essentially agree Yellowstone Rivers in Montana into the national wild and scenic rivers system? ments between the Federal Government and A. Two ways are possible.