Foreign Rights Catalogue 2021
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Impegno in the Work of Silvia Ballestra: a Space of Political Engagement Between Realism and Postmodernism
IMPEGNO IN THE WORK OF SILVIA BALLESTRA: A SPACE OF POLITICAL ENGAGEMENT BETWEEN REALISM AND POSTMODERNISM CLAUDIA BERNARDI (Victoria University of Wellington) Sommario L’opera di Silvia Ballestra è emblematica della transizione dei cosiddetti scrittori ‘pulp’ dalla produzione giovanile dei primi anni Novanta, di taglio esplicitamente sperimentale, ironico ed auto-riflessivo, a generi e stili che si rifanno invece alla tradizione realista ed impegnata, quali il romanzo storico e familiare, il pamphlet politico e femminista, e il giornalismo, visti come strumenti più immediati e diretti da opporre alla reazione culturale di destra dell’era berlusconiana. La raccolta di racconti Gli orsi (1994), in particolare, mostra come per Ballestra il passaggio da un’estetica postmoderna ad una più realista sia frutto di una profonda riflessione poetica sulle possibilità degli intellettuali di intervenire sulla realtà in un momento di grande urgenza politica. Te lo facevano capire, il disprezzo che provavano per i ragazzi, lo leggevi su certi settimanali ch’erano stati di lotta e che ora, essendo capitolati loro per primi, non esitavano a pubblicare inchiestine superficiali e colorate da tagliuzzare e comprimere in cento righe. Sui paninari, sui postpunk, sugli yuppie, sui rockabilly e insomma sulle “tribù”. Le tribù, capirai! Le tribù. Che iddio li perdoni. Silvia Ballestra, I giorni della Rotonda 151 Introduction: Silvia Ballestra’s political engagement Silvia Ballestra (b. 1969) is one of the most prominent and prolific authors to have emerged from the so-called ‘pulp’ generation of the early 1990s, which included authors such as Niccolò Ammaniti, Enrico Brizzi, Rossana Campo, Aldo Nove, Isabella Santacroce, Tiziano Scarpa and Simona Vinci. -
CATALOGUE 11-13 October 2018 MONOPOLI PRESENTATION
11-13 October 2018 MONOPOLI CATALOGUE 11-13 October 2018 MONOPOLI PRESENTATION The Apulia Film Commission Foundation introduces the The Forum encourages one to one meetings and part- 9th edition of the Apulia Film Forum, taking place on nerships between professionals and the representatives 11th-12th-13th October 2018 in Monopoli, with the aim of the 22 selected projects, promoting coproduction pro- of supporting film projects (feature-length fiction or do- cesses and exchange of best practices, in order to im- cumentary), at a development stage, with at least 30% of prove operating methods of the professionals involved, the budget secured, to be shot either entirely or partially directing them towards the choice of the Apulia region as in Apulia. location for their films. The IX edition presents two sections: Italian and Foreign. With this event the Apulia Film Commission Foundation The Italian section is aimed at audiovisual projects by completes its building strategy of the audiovisual indu- national producers who are seeking out foreign copro- strial chain, allowing the exchange of good production ducers. methods, as well as financial resources, in order to boost The Foreign section is for audiovisual projects by produ- and ease film making in Apulia and Italy. cers from any country searching Italian coproducers or Italian executive producers. CREDITS with the Support of with the Patronage of Eurimages Pact for Puglia - Fund for Development and Cohesion in cooperation with (FSC) 2014-2020 City of Monopoli, City of Alberobello, City of Castellana European Union Grotte, Puglia Promozione, Aeroporti di Puglia Project co-financed by the E.U. -
Agorà 17 09 Gestione E Cura Valorizzare E Amministrare I Siti Dichiarati Patrimonio Dell’Umanità È
IDEE PER LA MOBILITÀ DEL FUTURO Patrimonio Italia. Dalla rendita allo sviluppo di qualità ottobre 2017 Versione A1 17 gruppo Patrimonio Italia. N° 17 Dalla rendita ottobre allo sviluppo 2017 di qualità IDEE PER LA MOBILITÀ DEL FUTURO Versione A1 gruppo Direttore Collaboratori Art direction Una rivista di Edita da Responsabile esterni e progetto grafico Autostrade per l’Italia Codice Edizioni Francesco Delzio Elisa Barberis Undesign via A. Bergamini 50 via San Francesco Luca Castelli 00159 Roma da Paola 37 Direttore Editoriale Andrea De Benedetti Banca immagini www.autostrade.it 10123 Torino Vittorio Bo Mariachiara Giacosa Getty Images t +39 011 19700579 Enrico Remmert www.codiceedizioni.it Coordinamento Maria Chiara Voci Immagine [email protected] Editoriale Samantha Zucchi di copertina Silvia Gambadoro Battistero Neoniano, Stefano Milano Ravenna © P. Cravino Traduzioni Leonie Smushkovich Laura Culver Isabella Spinella Joan Rundo Managing Editor Cecilia Toso Redazione Distribuzione Cristina Gallotti esclusiva per l’Italia Messaggerie Libri spa t 800 804 900 «Il nostro Paese è un museo diffuso, erede delle numerose civiltà che nei millenni sono fiorite sul nostro territorio. È un nostro carattere originale, pertanto nessun modello internazionale può trovare rispondenza in Italia. Siamo noi a creare e ad esportare modelli» Dario Franceschini contributors Franco Paola Dario Veronica Louis Roberto Dario Bernabè Dubini Franceschini Gentili Godart Pisoni Vergassola Amministratore Delegato dell’Eni Professore Associato Ministro dei Beni -
Thesis Rests with Its Author
University of Bath PHD The ‘Pulp’ generation between avant-garde and tradition(s): legacies, gender and youth culture in the narrative of Silvia Ballestra, Rossana Campo and Isabella Santacroce Bernardi, Claudia Award date: 2009 Awarding institution: University of Bath Link to publication Alternative formats If you require this document in an alternative format, please contact: [email protected] General rights Copyright and moral rights for the publications made accessible in the public portal are retained by the authors and/or other copyright owners and it is a condition of accessing publications that users recognise and abide by the legal requirements associated with these rights. • Users may download and print one copy of any publication from the public portal for the purpose of private study or research. • You may not further distribute the material or use it for any profit-making activity or commercial gain • You may freely distribute the URL identifying the publication in the public portal ? Take down policy If you believe that this document breaches copyright please contact us providing details, and we will remove access to the work immediately and investigate your claim. Download date: 04. Oct. 2021 THE ‘PULP’ GENERATION BETWEEN AVANT-GARDE AND TRADITION(S): LEGACIES, GENDER AND YOUTH CULTURE IN THE NARRATIVE OF SILVIA BALLESTRA, ROSSANA CAMPO AND ISABELLA SANTACROCE Submitted by CLAUDIA BERNARDI for the degree of PhD of the University of Bath January 2009 Copyright Attention is drawn to the fact that copyright of this thesis rests with its author. This copy of the thesis has been supplied on condition that anyone who consults it is understood to recognise that its copyright rests with its author and that no quotation from the thesis and no information derived from it may be published without the prior written consent of the author. -
Brochure 2021
BOOK ADAPTATION RIGHTS MARKET VENICE 3—5.09.2021 BOOK ADAPTATION RIGHTS MARKET 3—5.09.2021 LABIENNALE.ORG VENICEPRODUCTIONBRIDGE.ORG 78. Mostra Internazionale d’Arte Cinematografica La Biennale di Venezia La Biennale di Venezia Director General and its collaborators for Andrea Del Mercato Book Adaptation Rights Market Allegra Bell Artistic Director Erika Giorgianni of the Cinema Department Mariachiara Manci Alberto Barbera Chiara Marin Alessandro Mezzalira Venice Production Bridge Nikolas Montaldi Pascal Diot Savina Neirotti [email protected] labiennale.org veniceproductionbridge.org Main Broadcaster Thanks to Db Logic S.r.l. Festival Scope Book Adaptation Rights Market for 2021 has been edited using the information assembled by July 9th, 2021. The Venice Production Bridge may not be held responsible for possible errors. The 6th edition of the Book Adaptation Rights Market, which will take place within the context of the 78th Venice International Film Festival, confirms the increasing success of this initiative dedicated to publishers, as well as to producers. The Book Adaptation Rights Market will take place both on-site and online for the ones who cannot attend. We are thus welcoming for the first time the publishers and literary agents: Editis (France), Grandi e Associati (Italy) and Tunué (Italy) who will join our faithful publishers and agents from France, Germany, Italy, Norway, Spain, Switzerland, The Netherlands. The following famous films and TV series have been adapted from some of their most successful titles: Patria and Palm Trees in the Snow (Editorial Planeta), The Shape of Water, The Orphanage and Narcisuss and Goldmund (Suhrkamp Verlag), The Book Thief and The Girl on the Train (Sperling & Kupfer - Piemme - Mondadori Ragazzi), Romanzo Criminale and Siberian Education (Giulio Einaudi Editore), Wrinkles and The Lost Thing (Tunué), Mother’s Instinct and Time is a Killer (Editis), Gomorra and The Solitude of Prime Numbers (Mondadori Libri), The Shallows of Kabul and Papillon (Robert Laffont).