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Judging Panel for 2021 Royal Society Science Book Prize Announced
**For release Wednesday 21stJuly** JUDGING PANEL FOR 2021 ROYAL SOCIETY SCIENCE BOOK PRIZE ANNOUNCED “Science communication has always been very important, to entertain, inform and inspire. This has never been more relevant than this year.” – Professor Luke O’Neill #SciBooks The five-strong judging panel for this year’s Royal Society Science Book Prize, sponsored by Insight Investment, is revealed today, Wednesday 21st July 2021. The Prize – which celebrates the very best in popular science writing from around the world – will be chaired in 2021 by world-leading immunologist, presenter and writer, Professor Luke O’Neill FRS. He is joined on the panel by representatives from across the worlds of science and culture: television presenter, Ortis Deley; mathematician and Dorothy Hodgkin Royal Society Fellow, Dr Anastasia Kisil; author and creative writing lecturer, Christy Lefteri, and journalist, writer and film maker, Clive Myrie. For 33 years, the Prize has promoted the accessibility and joy of popular science writing. It has celebrated some truly game-changing reads: books that offer fresh insights on the things that affect the lives we lead and the decisions we make, from neurodiverse perspectives on everyday living (Explaining Humans by Dr Camilla Pang, 2020) to gender bias (Invisible Women by Caroline Criado Perez, 2019) and the harms humans are wreaking on the planet (Adventures in the Anthropocene by Gaia Vince, 2015, and Six Degrees by Mark Lynas, 2008). In 2021, the judges renew their search for the most compelling science writing of the last year, at a time when the power of effective science communication is valued more highly than ever before. -
Diverse on Screen Talent Directory
BBC Diverse Presenters The BBC is committed to finding and growing diverse onscreen talent across all channels and platforms. We realise that in order to continue making the BBC feel truly diverse, and improve on where we are at the moment, we need to let you know who’s out there. In this document you will find biographies for just some of the hugely talented people the BBC has already been working with and others who have made their mark elsewhere. It’s the responsibility of every person involved in BBC programme making to ask themselves whether what, and who, they are putting on screen reflects the world around them or just one section of society. If you are in production or development and would like other ideas for diverse presenters across all genres please feel free to get in touch with Mary Fitzpatrick Editorial Executive, Diversity via email: [email protected] Diverse On Screen Talent Directory Presenter Biographies Biographies Ace and Invisible Presenters, 1Xtra Category: 1Xtra Agent: Insanity Artists Agency Limited T: 020 7927 6222 W: www.insanityartists.co.uk 1Xtra's lunchtime DJs Ace and Invisible are on a high - the two 22-year-olds scooped the gold award for Daily Music Show of the Year at the 2004 Sony Radio Academy Awards. It's a just reward for Ace and Invisible, two young south Londoners with high hopes who met whilst studying media at the Brits Performing Arts School in 1996. The 'Lunchtime Trouble Makers' is what they are commonly known as, but for Ace and Invisible it's a story of friendship and determination. -
The East African Famine Did the Media Get It Right? Helen Magee Contents
THE EAST AFRICAN FAMINE DID THE MEDIA GET IT RIGHT? HELEN MAGEE CONTENTS FOREWORD 1 INTERVIEWEES 2 EXECUTIVE SUMMARY 3 FINDINGS 4 CONCLUSION 12 Acknowledgements We’d like to thank all the interviewees who took part in this research, DFID for funding IBT’s research and birdy for the design. Cover photo by Alun McDonald/Oxfam Published December 2011 International Broadcasting Trust, CAN Mezzanine, 32-6 Loman Street London SE1 0EH www.ibt.org.uk Registered charity number 326150 FOREWORD The East African famine generated a huge amount of media coverage and the DEC raised a significant sum of money. But how effective was the coverage? Did it simply replicate the way in which famines have been reported in the past or was there a marked improvement? In this report, based on interviews with a wide range of media and NGO representatives, we consider the lessons that have been learnt from coverage of the East African famine and make recommendations for the future. We also consider the important role of NGO messaging. Concern about the sustainability of support for the work of the development sector has led to a debate about changing the way in which aid agencies communicate with the public – away from the simplistic, negative images that successfully evoke a one-off emotional response, but do little to engage people on a more lasting basis. This research also considers media coverage in the light of this debate. We hope that this report stimulates a wider discussion about media coverage. IBT always welcomes feedback, so once you have read the report please let me know what you think. -
This Book Is Available from the British Library
The War Correspondent The War Correspondent Fully updated second edition Greg McLaughlin First published 2002 Fully updated second edition first published 2016 by Pluto Press 345 Archway Road, London N6 5AA www.plutobooks.com Copyright © Greg McLaughlin 2002, 2016 The right of Greg McLaughlin to be identified as the author of this work has been asserted by him in accordance with the Copyright, Designs and Patents Act 1988. British Library Cataloguing in Publication Data A catalogue record for this book is available from the British Library ISBN 978 0 7453 3319 9 Hardback ISBN 978 0 7453 3318 2 Paperback ISBN 978 1 7837 1758 3 PDF eBook ISBN 978 1 7837 1760 6 Kindle eBook ISBN 978 1 7837 1759 0 EPUB eBook This book is printed on paper suitable for recycling and made from fully managed and sustained forest sources. Logging, pulping and manufacturing processes are expected to conform to the environmental standards of the country of origin. Typeset by Stanford DTP Services, Northampton, England Simultaneously printed in the European Union and United States of America To Sue with love Contents Acknowledgements ix Abbreviations x 1 Introduction 1 PART I: THE WAR CORRESPONDENT IN HISTORICAL PERSPECTIVE 2 The War Correspondent: Risk, Motivation and Tradition 9 3 Journalism, Objectivity and War 33 4 From Luckless Tribe to Wireless Tribe: The Impact of Media Technologies on War Reporting 63 PART II: THE WAR CORRESPONDENT AND THE MILITARY 5 Getting to Know Each Other: From Crimea to Vietnam 93 6 Learning and Forgetting: From the Falklands to the -
Asylum Seekers’, ‘Refugees’ and ‘Evacuees’: Three Case Studies on the Discursive Framework in Broadcast News
Broadcast News Coverage of Asylum April to October 2006: Caught Between Human Rights and Public Safety By Bernhard Gross, Kerry Moore & Terry Threadgold Cardiff School of Journalism, Media and Cultural Studies Cardiff University Acknowledgements The research team would like to thank their colleagues at the Cardiff School of Journalism, Media and Cultural Studies at Cardiff University for their input and support. Sadie Clifford conducted an analysis of the newspaper coverage of asylum and refugee issues, which served as an interesting point of comparison to the coverage on broadcast news. Nick Mosdell advised on the early stages of this project and helped with the quantitative analysis. The school also provided technical support and provided the research team with the opportunity to make extensive use of the school’s facilities, in particular its media monitoring room. The participation of journalists was essential to this project. We would like to thank the editors and correspondents who took the time to answer and discuss our extensive list of questions. This project was funded by a grant from the Oxfam UK Poverty Programme. Oxfam also assisted in the dissemination of the findings by organising a symposium at IPPR in London in April 2007, where the research team presented an interim report of the project. The research team would like to thank Oxfam, IPPR as well as all participants on the day for their support and valuable feedback. Published by the Cardiff School of Journalism, Media and Cultural Studies, 2007 KEY FINDINGS..................................................... -
Channel 5'S Boleyn Girl
March 2021 Channel 5’s Boleyn girl Television www.rts.org.uk September 2013 1 Digital Purchase Order An adaptable solution for modern production accounting Digital Purchase Order (DPO) is the industry standard purchase order solution for production. Simplicity is at its core and by managing complexity behind the scenes DPO is able to deliver complex features in a simple to use website and mobile applications. The DPO invoice approval feature enables productions to work even more safely and efficiently under the post Covid-19 protocols that encourage paperless workflows and the digital approval of POs and Invoices. Digital Purchase Order benefits: Create POs in seconds Control costs in multiple currencies Customise approval chains Save 50g of CO2 emissions per PO 24/7 access Digital travel authorisations Digital cheque requests New - Invoice approval feature To find out more visit the Digital Production Office® website. www.digitalproductionoffice.com or contact us for more information: T: +44 (0)1753 630300 E: [email protected] www.sargent-disc.com www.digitalproductionoffice.com @SargentDisc @DigiProdOffice /SargentDisc /digitalproductionoffice Journal of The Royal Television Society March 2021 l Volume 58/3 Digital Purchase Order From the CEO An adaptable solution for We are all still stuck Thanks, too, to the always upbeat Spiral have become global blockbusters. in lockdown, but I am Ore Oduba for hosting the nomina- A recent Creative Diversity Network delighted to say that tions for the RTS Programme Awards. report makes hard reading for all of us modern production accounting the industry turned Since you’ve asked, we’ll be announc- who want British TV to be genuinely up in virtual droves ing the winners on 16 March, when inclusive. -
Friday 21St September 2007 TUC, Great Russell St, London WC1
DEADLINE FOR APPLICATIONS: MONDAY 16th JULY An unmissable event for black and minority ethnic journalists and broadcasting professionals to make new contacts in broadcast and online news. Apply for a one-to-one meeting with a choice of more than 60 industry executives Friday 21st September 2007 TUC,Great Russell St,London WC1 This event is organised Supported by by BECTU and the BBC in partnership with ITN,the NUJ and broadcast and online news providers Who would you like to have a one-to-one with? Here’s the list of leading figures from across the news industry who you can apply to meet for a one-to-one chat.Some are key decision makers who control big editorial budgets.Others are programme editors who hire staff and freelances.A number of the people on the list are role models who are keen to pass on tips about how they progressed their careers.You can apply to see more than one – on the application form write the name and reference number (shown beside each name) of those you wish to see.The list may be amended.For details of workshops at Move on Up in News,please see the back of this brochure. 8.Sejal Karia 16.Mike Kavanagh 23.Richard Clark BBC Overnight reporter,BBC News Head of Presentation, Editor,BBC Radio Newsroom BBC NEWS Packages news stories overnight BBC Television News Runs the network radio 1.Helen Boaden and does lives as and when Manages the designers,directors newsroom,supplying news for Director,BBC News necessary for breakfast output and studio operations staff in Radio 2,R3,R4,Five Live,6Music Responsible for making sure all across radio and TV (including Television News and responsible and local radio. -
Guardians of Power the Myth of the Liberal Media
Guardians of Power The Myth of the Liberal Media David Edwards and David Cromwell Pluto P Press LONDON • ANN ARBOR, MI Edwards 00 pre iii 27/10/05 16:09:34 First published 2006 by Pluto Press 345 Archway Road, London N6 5AA and 839 Greene Street, Ann Arbor, MI 48106 www.plutobooks.com Copyright © David Edwards and David Cromwell 2006 Foreword copyright © John Pilger 2006 The right of David Edwards and David Cromwell to be identifi ed as the authors of this work has been asserted by them in accordance with the Copyright, Designs and Patents Act 1988. John Pilger hereby asserts his moral right as author of the Foreword British Library Cataloguing in Publication Data A catalogue record for this book is available from the British Library ISBN 0 7453 2483 5 hardback ISBN 0 7453 2482 7 paperback Library of Congress Cataloging in Publication Data applied for 10 9 8 7 6 5 4 3 2 1 Designed and produced for Pluto Press by Chase Publishing Services Ltd, Fortescue, Sidmouth, EX10 9QG, England Typeset from disk by Stanford DTP Services, Northampton, England Printed and bound in the European Union by Antony Rowe Ltd, Chippenham and Eastbourne, England Edwards 00 pre iv 27/10/05 16:09:35 Contents Acknowledgments viii Foreword by John Pilger ix 1 The Mass Media – Neutral, Honest, Psychopathic 1 Pulling The Other One – The Corporate ‘Free Press’ 1 Outlawing Social Responsibility 2 Of Big Brother and ‘Auntie Beeb’ – The Propaganda Model 4 The Convenient Rise of Professional Journalism 9 A Note About the Structure of this Book 12 2 Iraq – The Sanctions of -
Paul Styles 1948-2017
February 2017 Who’s watching? Fact and fiction in streaming TV Plus Mark Thompson’s encounter with the President CrewStartTM Struggling with start paperwork? Hiring artists and crew? CrewStart™ manages the onboarding process for you, from the initial invitation, to ensuring that paperwork is completed correctly, signed and approved online. CrewStart™ is designed to help your team automate the processing of contracts, start forms, daily rate vouchers and timesheets. CrewStart™ benefits: Reduce administration Sign contracts securely Submit start paperwork Calculate timesheets Approve documents Ensure accuracy Auditable reports To find out how you can save time and go paperless on your next production, visit the Digital Production Office® website www.digitalproductionoffice.com Contact our team for more information: T: +44 (0)1753 630300 E: [email protected] www.digitalproductionoffice.com www.sargent-disc.com @DigiProdOffice @SargentDisc /digitalproductionoffice /SargentDisc Your guide to upcoming national and RTS NEWS regional events NORTH WEST SOUTHERN National events Local events Wednesday 22 February Wednesday 22 March Student media conference Meet the professionals RTS EARLY EVENING EVENT BRISTOL Followed by the Student An opportunity for students Thursday 23 February Sunday 19 March Television Awards. The from production-based courses False news, unverified claims RTS West of England conference is for media across the South to meet and alternative facts Awards 2017 students across the North West. informally a wide range of What is the future for honest Venue: Bristol Old Vic, King Sessions include: How to get media production professionals. journalism in a post-truth world? Street, Bristol BS1 4ED into TV; Using digital media 2:00pm-5:30pm Panellists include: Nick Robinson, ■ Belinda Biggam in drama; Exploring virtual Venue: Bournemouth University, BBC journalist and Today pre- ■ [email protected] and augmented reality; and Talbot Campus BH12 5BB senter; Allegra Stratton, national Newsgathering. -
Confessional Journalism and Podcasting Kate Williams, University of Northampton
Page 66 Journalism Education Volume 9 number 1 Confessional journalism and podcasting Kate Williams, University of Northampton Abstract Broadcast reporters are trained to report on a story and not express opinions. Staying impartial is fundamental to their role and forms part of the UK broadcasting regula- tor Ofcom’s code, but what happens when the reporter is the story? In 2017, I was diagnosed with an extremely rare form of abdominal cancer. Medical literature quotes just 153 recorded cases of cystic peritoneal mesothelio- ma in the world. Apart from a few tentative tweets to see if I could find any other people with the same cancer, I didn’t tell my story. This is in complete contrast to my fellow news presenter on BBC Radio 5live, Rachael Bland - when diagnosed with breast cancer, she told her story. She blogged, tweeted and posted on Instagram as well as presenting an award-winning podcast. She wanted to report on her cancer to help as many people as possible know the facts. Sadly, Rachael died in September 2018. In the many tributes following her death, many said she had changed the conversation around cancer, normalis- ing the talk about the disease. With the rise of the podcast, there is a new type of con- fessional journalism. Broadcasters are expressing their opinions and telling previously untold stories in a new Comment & criticism Volume 9 number 1 Journalism Education page 67 way. Newspaper columnists have done this for years but for impartial broadcasters, trained not to express opin- ions when reporting on a story, a fundamental change is taking place as they start to tell their own stories adapt- ing to a new storytelling genre. -
Rts Programme
RTS Cambridge Convention 2021 Broadcast Britain: Reshaping Britishness On The Global Stage Wednesday 15 September 08:30 Accommodation Registration opens King’s College 08:30 Delegate registration opens Concert Hall 10:15 Convention Opens Concert Hall Welcome by Jane Turton RTS Chair Session One: Opening Further details to follow Chair TBC Speakers Robert Kyncl, Chief Business Officer, YouTube Ben McOwen Wilson, Managing Director, YouTube UK and Ireland Session Two: International Keynote: Dana Strong The new Group Chief Executive at Sky talks to Beth Rigby about her ambitions for the company. Chair Beth Rigby, Political Editor, Sky News Speaker Dana Strong, CEO, Sky Coffee Session Three: This Disunited Kingdom In a year of a Labour Wales, Tory England and SNP Scotland, what does Britishness mean now and in the future? And how can, and should, the British media react? The PSBs are rapidly spreading production round the country. What does this mean for the industry? Is it too late to save UK plc? Top pollster and TV pundit Professor Sir John Curtice will put a series of scenarios to a panel of industry leaders to explore their personal and professional views of Britishness and the fragmenting media landscape. Chair Kirsty Wark, Journalist and Writer Speakers Professor Sir John Curtice, Professor of Politics, University of Strathclyde Alex Mahon, CEO, Channel 4 Rhodri Talfan Davies, Director of Nations, BBC John Whiston, Managing Director, Continuing Drama and Head of ITV in the North, ITV Studios Lunch Session Four: UK Keynote: Richard Sharp Chairman of the BBC since February, Richard Sharp gives his first speech to the RTS and talks to economist Stephanie Flanders about the global challenges and opportunities facing the corporation Chair Stephanie Flanders, Senior Executive Editor for Economics, Bloomberg News Speaker Richard Sharp, Chairman, BBC Session Five: UK Keynote: Carolyn McCall The ITV CEO speaks to journalist Dharshini David about the business and public service challenges ahead for the broadcaster. -
Digital, Culture, Media and Sport Committee Oral Evidence: the Future of Public Service Broadcasting - Psbs in the Time of Covid-19, HC 156
Digital, Culture, Media and Sport Committee Oral evidence: The future of Public Service Broadcasting - PSBs in the time of Covid-19, HC 156 Tuesday 16 June 2020 Ordered by the House of Commons to be published on 16 June 2020. Watch the meeting Members present: Julian Knight (Chair); Kevin Brennan; Steve Brine; Philip Davies; Clive Efford; Julie Elliott; Damian Green; Damian Hinds. Questions 1 – 105 Witnesses I: Clare Sumner CBE, Director of Policy, BBC; and James Purnell, Director of Radio and Education, BBC. II: Alex Mahon, Chief Executive, Channel 4. Examination of witnesses Witnesses: Clare Sumner and James Purnell. Q1 Chair: This is the Digital, Culture, Media and Sport Select Committee. [Inaudible]—and James Purnell, Director of Radio and Education at the BBC, in our first panel. Our second panel will consist of Alex Mahon, who is the Chief Executive of Channel 4. There will be a short break between those two panels while we reset our remote guests. I am going to start off with declarations of interest. I have to declare that I am a BBC pension holder. I worked at the BBC from 2002 to 2007. I understand from members there are no other interests to declare apart from Kevin Brennan. Kevin Brennan: I have received hospitality and tickets to events from the BBC, as declared on the register of members’ interests. Chair: Thank you. My first question is to James. What is the current shortfall in cash due to Covid-19, and what savings will you have to make? James Purnell: Our overall shortfall is £125 million but, if you will forgive me, are you happy for Clare to answer that question? She is best placed to do that from the corporate centre at the BBC.