DOCSLIB.ORG

Chorale Concert April 17 Tunesmith Night Season Finale May 14

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
Chorale Concert April 17 Tunesmith Night Season Finale May 14 Volume 12, Issue 2 A quarterly newsletter published by the Wallowa Valley Music Alliance Spring 2016 Upcoming Music Events (More details inside…) Tunesmith Night Season Finale May 14 The season finale of Tunesmith Night will be held Saturday, May Saturday, April 16, 7 PM 14, 2016 at Lear’s Main Street Grill in Enterprise. We are pleased Old-Time Community to present this fine lineup of songwriters: Heidi Muller, Steve Dance Kinzie and Caleb Samples. Heidi Muller is an award- Hurricane Creek Grange winning songwriter, guitarist and mountain dulcimer player who lives up Hurricane Creek. Many people know her song “Good Sunday, April 17, 6 PM Road,” the theme song of the Inland Folk show on Northwest Wallowa Valley Chorale Public Radio and KPBX-Spokane since 1989. Described by Spring Concert Dulcimer Players’ News as “one of the dulcimer community’s best OK Theatre, Enterprise songwriters and performers,” Heidi writes songs of place and story songs and sometimes peers into the life of cats, ticks, and the moon Sunday, May 8, 4PM and stars. She was part of the Seattle music scene of the 80’s and Open Mic 90’s, was a Kerrville New Folk finalist and a founder of Camp Josephy Center for Arts and Coho, has toured nationally and taught at Culture many camps and festivals such as Kentucky Music Week and Augusta Saturday, May 14, 7 PM Heritage. She’s recorded eight CDs, including three with her partner Tunesmith Night: Heidi Bob Webb. They plan to release a new CD this November. For more Muller, Steve Kinzie, Caleb info, please visit heidimuller.com. Samples Steve Kinzie has made a life of singing and songwriting. His Lear’s Main Street Grill, mesmerizing voice and gorgeous melodies evoke matters of justice, Enterprise the eternal spirit, and peace. From the Okanogan of northern Washington, he has visited here before - local folks will know him as Sunday, May 22, 4PM the father (and sometimes accompanist) of piano composer, Seth Hootenanny and Shoo-fly Kinzie. Steve had a folk epiphany watching Pie Social Pete Seeger in 1960, went out and got a Enterprise Odd Fellows Hall Sears Silvertone banjo and guitar and went on to write dozens of songs, record five albums of original music, and perform Thursday, June 2, 5:30 PM Courthouse Concert around the Northwest. His music has evolved from a center in the Series: hymns of his childhood and Appalachian folk traditions to a jazz- The Working Poor influenced (folk-jazz) style. Along with original lyrics, he has set to music poems by Kabir, Rumi, William Blake, E. E. Cummings and others. Spirituality, broadly speaking, and Buddhist thought, in Saturday, June 11, 6 PM particular, inform much of his writing. Steve’s most recent album is Blue Mountain Old Time Openings, released in 2012. Check out his music at Fiddler’s Show Hurricane Creek Grange stevekinzie.bandcamp.com. Caleb Samples is one of the treasures of Wallowa County’s music scene. He just released his first full-length CD of original songs, Untouched Ground, in March. Raised in a family with roots in Ireland and West Virginia that was deeply involved Continued... Please visit our website for the most current events listings, as change happens! You can also sign up for our e-news, which is distributed via email Chorale Concert April 17 whenever something new is added to our music calendar. www.wvmusicalliance.org Don’t miss the Wallowa Valley Chorale Spring Concert coming right up on Sunday, April 17 at the If you have a musical event you’d like OK Theatre. Music starts at 6 PM and admission is listed here please send it to: [email protected] Deadline for free or by donation. next issue of the QuarterNote is June. 30. PAGE 2 THE QUARTER NOTE VOLUME 12, ISSUE 2 Tunesmith Night (Continued from page 1) Wallowa Fiddle Tunes Camp with the Blue Mountain There is still space in most classes at the 12th annual Fiddlers Association, he Wallowa Fiddle Tunes Camp, to be held at Wallowa learned mandolin and fiddle School July 10-15, 2016. early on. He’s one of these Families will gather to people who has it all when it sharpen their skills comes to talent: singing, playing traditional old- songwriting and the ability time fiddle music. With to play almost any five different fiddle instrument he touches, classes as well as including fiddle, mandolin, instruction in guitar, guitar and upright bass. banjo, singing, and Caleb writes honest and dance, this camp fills to down-to-earth songs about his love of nature, family, and capacity every year with the rise and fall of everyday life. Some of his songs describe folks of all ages from his reflections as a recovering alcoholic, while others hint around the region. Here’s at his passion for elk hunting and riding mules into the a list of this year’s instructors: backcountry. In fact, the title cut of his CD came to him on Loralyn Staples - Basic Fiddle - adults the back of a mule. Visit Caleb on Facebook at Isaac Callender - Bluegrass fiddle www.facebook.com/calebsamplesmusic. Andy Emert - Swing Fiddle Tunesmith Night is presented in a round-robin format, Lisa Ornstein - Southern Fiddle with each musician playing a song, then the next taking a Linda Robertson - Kidz Fiddle turn, creating an interesting and varied performance. Duane Boyer - Guitar Boot Camp Admission is $10 at the door or by season pass. Doors open Jonah Shue - Bluegrass Guitar at 6pm, music at 7pm, all ages welcome. Passes for the Matt Bell - Swing Guitar 2016-2017 season will be available at this concert. Jeanne Murphy - Clawhammer banjo As always, hosts Steve and Cathi Lear invite you to enjoy Emily Callender - Vocal this superb music event, where patrons are encouraged to Larry B. Smith - Dance master sample the delicious cuisine Lear’s Main Street Grill has to offer, including a nice selection of beer, wine, and mixed drinks. Find out more and register online at wvmusicalliance.org. Community Dance April 16 Dulcimer Week Beginners’ Join us for the final Old-Time Community Dance of the season on Scholarships Saturday, April 16, 7:00 to 10:00 PM at the Hurricane Creek Grange Dulcimer Week in the Wallowas is filling up with students Hall. Dance squares, circles, reels, from across the Northwest. With daily classes held July 3-9 at contras, waltzes, polkas with a live Wallowa Lake Camp, there’s still room for beginners. Local string band and caller. Beginners people are especially encouraged to attend. Three $150 welcome, all dances will be taught, scholarships are available for anyone who would like to take and no partner or special clothing the Beginners’ class, and a free loaner dulcimer will be required. Admission $5/person, supplied (the usual rental fee will be waived). For information, children under 12 FREE. For more info or to volunteer at our please contact Heidi Muller at [email protected] or monthly dances please call Laura Skovlin, 541-398-0800. call (541) 432-0156. All the camp information can be found at Dance schedule resumes in the fall with the big Barn Dance www.wvmusicalliance.org. on September 17. Music on Tap at Terminal Gravity Attention Songwriters: The Music Alliance is proud to announce the inaugural TR Upcoming live music at Terminal Ritchie Memorial Songwriting Contest as an addition to Gravity Brewing Co., 803 SE School the Juniper Jam music festival. TR Ritchie (1946-2014) was a St., Enterprise. Music usually starts beloved member of the songwriting community around the at 7PM. country, with deep ties to the northwest. To honor his life’s April 20 — El Pelican work in music, writing, poetry, and art, we invite songwriters May 6—Open Mic to enter their best recent work to win a showcase spot at May 7—Vacilando Juniper Jam 2016, along with cash prizes. Please visit May 25—Zeb Dewar juniperjam.com for details. Entries accepted April 15 through May 27—Karyn Ann June 30. VOLUME 12, ISSUE 2 THE QUARTER NOTE PAGE 3 Courthouse Concert Series 4th Annual Hootenanny May 22 For the eleventh consecutive year, the Music Alliance will present the Courthouse Concert Series at the gazebo on the lawn of the Wallowa County Courthouse in Enterprise. Every Thursday afternoon at 5:30, beginning June 2, the community gathers to enjoy free ninety-minute performances by local and regional musicians. The concert series features a broad range of musical genres, including classical, folk, jazz, and rock, FREE and open to the public. A perfect opportunity to pack a picnic, bring family, meet up with friends and enjoy the music. The Courthouse Concert Series is partially funded by Lear’s Main Street Pub & Grill, the City of Enterprise, Wallowa County Cultural Trust, and donations from generous concert-goers. Please contact us if you’d like to be a sponsor! [email protected] It’s time for the Music Alliance spring fundraiser: Fourth 2015 Courthouse Concert Schedule Annual Hootenanny and Shoo-fly Pie Social which is scheduled for 4PM Sunday, May 22 at the Enterprise Odd June Fellows Hall. This time around, we will be celebrating the music 2 – The Working Poor of the legendary Willy Nelson, featuring a host of local talent. 9 – Carper, Lochert & Carper Confirmed at press time are: Rich & Trilby Shirley, 16 – Mark Kroos Homemade Jam, Bailey Vernam, Caleb Samples, Darrell 23 – Belinda Bowler Brann, Meredith Brann, MidLo & Athens, Ted Hays, Brian 30 – K.C. Kunkle Oliver, Jimmy Bivens, Janis Carper, Carolyn Lochert, July Heidi Muller and Bob Webb. This promises to be a very fun 7 – The Wasted Lives afternoon, and will again include our famous 14 – Wallowa Fiddle Tunes Camp faculty pie contest.
Load more

Recommended publications
  • Reference Manual
    Reference Manual RRA008 | v.1.0 Contents Welcome to the Traveler Series 2 Download & Installation 3 Instrument 4 Phrases & FX 9 TACT 11 FX Rack 15 List of Articulations 16 Credits 17 License Agreement 18 1 | Page WELCOME TO THE TRAVELER SERIES Welcome to the Traveler Series, a collection of boutique sample libraries featuring traditional world instruments faithfully recorded on location from destinations around the globe. Traveler Series libraries focus on delivering a genuine purity that can only be captured where the instrument and musical style originated, preserving its true character and history. We seek out a region’s most skilled and renowned performers; amazing folks with stories and bloodlines who live and breathe traditional provincial music. We leave with an education and appreciation for their culture and the role these beautiful instruments serve (as well as a tale or two of our own). We hope our Traveler Series adds an authentic native spirit to your music. Bluegrass fiddling is a distinctive American style characterized by bold, bluesy improvisation, off-beat "chopping", and sophisticated use of double stops and old-time bowing patterns. Notes are often slid into, a technique seldom used in Celtic styles. Bluegrass fiddlers tend to ignore the rules that violinists follow: they hold the fiddle the “wrong” way and often don't use the chin & shoulder rests. We journeyed right to the heart of the Bluegrass State for our Bluegrass Fiddle – Clay City, Kentucky – to the private studio of one of the most renowned names in Bluegrass music, Rickey Wasson. Rickey hooked us up with a true Bluegrass fiddle legend, multi-instrumentalist Ronnie Stewart.
    [Show full text]
  • Ctba Newsletter 1412
    Central IBMA Member Vol. 36 No. 12 Texas Bluegrass December 1, 2014 CTBA Year-end Wrap-up by Stacy Holt, President Now that 2014 is winding down, I thought I would take this time to look back at our CTBA year in review. I am proud of our accomplishments and what our CTBA board and members did this year. First, we found a new home for the CTBA Sunday jam at Hill’s Cafe. What I hear from most folks is that it has been a great success. Lots of jamming space available and great drinks and food available have made for a good time. Hill’s has definitely made us feel at home and has done an excellent job with the two other events we held there this year. Our Willa Beach-Porter Scholarships were given to three very deserving kids. Brothers Ethan and John-Samuel May attended Camp Bluegrass as a part of their scholarships. Ryan Chatterjee was our other recipient. He attended Gerald Jones’ Acoustic Music Camp in Arlington. I have met these young men and their families and can safely say, this is by far the best way our membership dol- lars are spent. To see fine young people continue the love and spreading of bluegrass music brings a great joy. CTBA was at the forefront of the Llano Blue Bell Bluegrass Festival with great thanks to our own webmaster, Jeff White. Jeff was once again in charge of booking acts for the festival and chose a fantastic line-up from CTBA bands. I strongly encourage you to attend next year’s event.
    [Show full text]
  • Jack Pearson
    $6.00 Magazine Volume 16, Number 2 January/February 2012 Jack Pearson Al Smith Nick DiSebastian Schenk Guitars 1 Flatpicking Guitar Magazine January/February 2012 design by [email protected] by “I am very picky about the strings I use on my Kendrick Custom Guitar, and GHS gives me unbeatable tone in a very long lasting string.” GHS Corporation / 2813 Wilber Avenue / Battle Creek . Michigan 49015 / 800 388 4447 2 Flatpicking Guitar Magazine January/February 2012 Block off February 23 thru the 26th!! Get directions to the Hyatt Regency in Bellevue, WA. Make hotel & travel arrangements. Purchase tickets for shows and workshops! Practice Jamming!! Get new strings! Bookmark wintergrass.com for more information! Tell my friends about who’s performing: Ricky Skaggs & Kentucky Thunder Tim O’Brien, The Wilders, The Grascals, The Hillbenders, Anderson Family Bluegrass and more!!! Practice Jamming!!!!! wintergrass.com 3 Flatpicking Guitar Magazine January/February 2012 Feb 23-26th 4 Flatpicking Guitar Magazine January/February 2012 1 Flatpicking Guitar Magazine January/February 2012 CONTENTS Flatpicking FEATURES Jack Pearson & “Blackberry Pickin’” 6 Guitar Schenk Guitars 25 Flatpick Profile: Al Smith & “Take This Hammer” 30 Magazine CD Highlight: Nick DiSebastian: “Snowday” 58 The Nashville Number System: Part 2 63 Volume 16, Number 2 COLUMNS January/February 2012 Bluegrass Rhythm Guitar: Homer Haynes 15 Published bi-monthly by: Joe Carr High View Publications Beginner’s Page: “I Saw the Light” 18 P.O. Box 2160 Dan Huckabee Pulaski, VA 24301
    [Show full text]
  • Tunesmith Night February 11 Old
    Volume 13, Issue 1 A quarterly newsletter published by the Wallowa Valley Music Alliance Winter 2017 Upcoming Music Events (More details inside...) Old-Time Community Dance January 21 Join us for the Old-Time Community Dance on Saturday, Friday, Jan 20, 5:30-7:30pm January 21, 7:00 to 9:00 PM at the Hurricane Creek Grange Jezebel’s Mother Hall. Dance squares, circles, reels, contras, waltzes, polkas with Silver Lake Bistro a caller and live string band. Beginners welcome, all dances will be taught, and no partner or special clothing required. Saturday, Jan 21, 7PM Admission $5/person, children under 12 FREE. Old-Time Community Dance Hurricane Creek Grange For more info or to volunteer at our monthly dances please call Laura Skovlin, 541-398-0800. Dances are generally be held every 3rd Saturday of the month, September through April, Tuesday, Jan 31, 7pm Joseph Jammers location varies. Watch for posters and Facebook notices. Stockman’s Lounge Tunesmith Night February 11 Saturday, Feb 4, 6pm Our monthly songwriter showcase continues Winter Blues Party w/Darrell Brann & Friends its tenth season on Saturday, February 11 Lostine Tavern with Elwood, Gregory Rawlins and Travis Ward. Join us every second Saturday for Saturday, Feb 11, 7PM Tunesmith Night at Stockman’s Lounge Tunesmith Night: Elwood, (formerly Lear’s) at 111 W. Main in Enterprise. Gregory Rawlins, Travis What is it that moves your soul? For Elwood, it has always been Ward the ever awe-inspiring serenity and sheer power of Mother Stockman’s Lounge Nature and you can feel it in his music.
    [Show full text]
  • The Place of Music, Race and Gender in Producing Appalachian Space
    University of Kentucky UKnowledge Theses and Dissertations--Geography Geography 2012 PERFORMING COMMUNITY: THE PLACE OF MUSIC, RACE AND GENDER IN PRODUCING APPALACHIAN SPACE Deborah J. Thompson University of Kentucky, [email protected] Right click to open a feedback form in a new tab to let us know how this document benefits ou.y Recommended Citation Thompson, Deborah J., "PERFORMING COMMUNITY: THE PLACE OF MUSIC, RACE AND GENDER IN PRODUCING APPALACHIAN SPACE" (2012). Theses and Dissertations--Geography. 1. https://uknowledge.uky.edu/geography_etds/1 This Doctoral Dissertation is brought to you for free and open access by the Geography at UKnowledge. It has been accepted for inclusion in Theses and Dissertations--Geography by an authorized administrator of UKnowledge. For more information, please contact [email protected]. STUDENT AGREEMENT: I represent that my thesis or dissertation and abstract are my original work. Proper attribution has been given to all outside sources. I understand that I am solely responsible for obtaining any needed copyright permissions. I have obtained and attached hereto needed written permission statements(s) from the owner(s) of each third-party copyrighted matter to be included in my work, allowing electronic distribution (if such use is not permitted by the fair use doctrine). I hereby grant to The University of Kentucky and its agents the non-exclusive license to archive and make accessible my work in whole or in part in all forms of media, now or hereafter known. I agree that the document mentioned above may be made available immediately for worldwide access unless a preapproved embargo applies.
    [Show full text]
  • Jim Shumate and the Development of Bluegrass Fiddling
    JIM SHUMATE AND THE DEVELOPMENT OF BLUEGRASS FIDDLING A Thesis by NATALYA WEINSTEIN MILLER Submitted to the Graduate School Appalachian State University in partial fulfillment of the requirements for the degree of MASTER OF ARTS May 2018 Center for Appalachian Studies JIM SHUMATE AND THE DEVELOPMENT OF BLUEGRASS FIDDLING A Thesis by NATALYA WEINSTEIN MILLER May 2018 APPROVED BY: Sandra L. Ballard Chairperson, Thesis Committee Gary R. Boye Member, Thesis Committee David H. Wood Member, Thesis Committee William R. Schumann Director, Center for Appalachian Studies Max C. Poole, Ph.D. Dean, Cratis D. Williams School of Graduate Studies Copyright by Natalya Weinstein Miller 2018 All Rights Reserved Abstract JIM SHUMATE AND THE DEVELOPMENT OF BLUEGRASS FIDDLING Natalya Weinstein Miller, B.A., University of Massachusetts M.A., Appalachian State University Chairperson: Sandra L. Ballard Born and raised on Chestnut Mountain in Wilkes County, North Carolina, James “Jim” Shumate (1921-2013) was a pioneering bluegrass fiddler. His position at the inception of bluegrass places him as a significant yet understudied musician. Shumate was a stylistic co-creator of bluegrass fiddling, synthesizing a variety of existing styles into the developing genre during his time performing with some of the top names in bluegrass in the 1940s, including Bill Monroe in 1945 and Lester Flatt & Earl Scruggs in 1948. While the "big bang" of bluegrass is considered to be in 1946, many elements of the bluegrass fiddle style were present in Bill Monroe's Blue Grass Boys prior to 1945. Jim Shumate’s innovative playing demonstrated characteristics of this emerging style, such as sliding double-stops (fingering notes on two strings at once) and syncopated, bluesy runs.
    [Show full text]
  • Geographic Implications of the Fiddling Tradition in Oklahoma
    GEOGRAPHIC IMPLICATIONS OF THE FIDDLING TRADITION IN OKLAHOMA By JAMES HUBERT RENNER 1/ Bachelor of Science University of Oregon Eugene, Oregon 1974 Submitted to the Faculty of the Graduate College of the Oklahoma State University in partial fulfillment of the requirements for the Degree of MASTER OF SCIENCE May, 1979 ~ /979 7( '-/14q QQp. 2_ c ~W51vfA~ fo+~-- ~)', 0 UNIVERSITY (' LIBRARY GEOGRAPHIC IMPLICATIONS OF THE FIDDLING TRADITION IN OKLAHOMA Thesis Approved: 1,029474- ii PREFACE This thesis is a combination of two longstanding in­ terests--geography and fiddling. The background and origin of this unique study was fostered by Dr. Everett Smith, my undergraduate advisor at the University of Oregon, who first encouraged me to pursue a course of study which would com­ bine the two. Following my graduation of Oregon, I journeyed to Penn State University to attend the first meeting of the emergent Society for a North American Cultural Survey (SNAGS) and to meet Dr. George Carney, who had pioneered geographic re­ search in traditional American music. I later joined the graduate program at Oklahoma State University to work under Carney. While conducting my graduate studies, I received a Youthgrant from the National Endowment for_ the Humanities to establish an Archive of Oklahoma Fiddlers. This project was begun in the summer of 1976 and completed in the fall of 1977. During this same period of time, I was chosen to serve as "Resident Folk Artist" for the Oklahoma Arts and Humanities Council. Both of these experiences provided in­ valuable experience and information concerning music and culture in Oklahoma which became the foundation of this re­ search.
    [Show full text]
  • Violin: Foundation Level Performance Exam Requirements Duration of Examination: 10 Minutes
    Violin Violin: Foundation Level Performance Exam Requirements Duration of examination: 10 minutes ►Scales and Arpeggios (Memory Highly Recommended) One scale: One-octave D or A major scale, starting on open string Metronome: quarter note = 60–69 Bowing for scales: Separate quarter notes using half or whole bows No arpeggios required ►Etudes and/or Pieces (Memory Highly Recommended) Two pieces of at least eight measures showing the use of two or more strings and fingers ►Sight-reading None Recommended Goals for the Foundation Level Good posture Good left hand position Good bow hold Good intonation Correct rhythm Use of half bows or whole bows Meters 2/4 and 4/4 Violin Repertoire: Foundation Aligned and Additional Repertoire for Study and Exams Pieces designated “NS” do not currently appear in the ASTA String Syllabus Scale Books String Title (Publisher) Syllabus 1 Herfurth: A Tune a Day, A Beginning Scale Book- Bk. 1 NS Whistler/Hummel: Elementary Scales and Bowings Etudes and Pieces String Title (Publisher) Syllabus 1 Anderson/Frost: All for Strings, Bk. 1 1 Applebaum: String Builder, Bk. 1, Nos. 1-88 1 Avsharian: Mississippi Hot Dog Lonely Hamburger Band 1 Avsharian: Songs for Little Players, Bk. 2 1 Doflein: The Dolflein Method, Vol. 1 1 Duncan: Easy Solos for Beginning Violin 1 Fletcher, New Tunes for Strings, Bk. 1 NS Frost/Fischbach: Artistry in Strings, Bk. 2 1 Keyser: Violin Playtime, Bk. 1 1 Muller/Rusch/Fink: Quick Steps to Note Reading, Vols. 1 & 2 NS Sassmannshaus Violin: Vol. 1 (Bärenreiter) 1 Suzuki: Violin School, Vol 1, Nos. 1-9 Alt.
    [Show full text]
  • Smithville Fiddlers' Jamboree Contestant Rules and Regulations
    Smithville Fiddlers’ Jamboree Contestant Rules and Regulatio ns Revised June, 2012 The Smithville Fiddlers’ Jamboree exists to perpetuate traditional Appalachian and Old-Time music, while recognizing the Bluegrass influence on our mountain music culture. This is an Old-Time Appalachian Festival, and therefore, old-time rules will prevail. THE COMPETITION 15. A medley of tunes is NOT acceptable. The Competition consists of Preliminary Events throughout the day, 16. The Jamboree Board reserves the right to reduce prize during which each contestant will either play one tune or dance one time. money if too few contestants register. The top three contestants will return that evening after the Preliminary 17. Because of the varying number of participants in each category, Events are finished to compete in the finals. Each contestant will perform time limits may sometimes be necessary. Please check rules on one song during the finals (with the exception of the Fiddle-off...see your event. below). Contestants who register first will perform last in both the preliminaries and the finals. II. SPECIFIC GUIDELINES: PLEASE NOTE 1. Old-Time Appalachian Folk-Singing (solo/duet) The commercial use of any portion of the Jamboree program by film, video or audio is strictly prohibited by law without the written authorization Maximum of 2 instruments. Maximum of 3 minutes. NO taped music of the Jamboree Board. is allowed. Event will be timed. Violation of time limit will result in deduction of points on score. Only Old-Time Appalachian Folk songs PARTICIPANTS may be sung. Newer songs may be disqualified. Contestants will be All amateur musicians and dancers are invited to participate - no judged on vocal ability, not instrument skills.
    [Show full text]
  • The Ngoni, the Banjo and the Atlantic Slave Trade
    Mapping the Beat: A Geography through Music Curriculum ArtsBridge America Center for Learning through the Arts and Technology, UC Irvine Funded by National Geographic Education Foundation This curriculum unit for Mapping the Beat: A Geography through Music Curriculum was developed by Stephanie Feder (2007) at the University of California, Irvine with support from a grant from the National Geographic Education Foundation. The extended unit below was created by Dr. Timothy Keirn and the ArtsBridge America program at the California State University, Long Beach (2009). Other on-line resources, videos and lesson plans complied by the UC Irvine Center for Learning through the Arts and Technology are available at: http://www.clat.uci.edu/. LESSON: COUNTRY: AMERICA’S MUSIC (EARLY INFLUENCES AND INSTRUMENTS) Included in this document are: Part I: Lesson Part II: On-line resources for use with lesson Part III: Supporting Materials Part IV: Classroom Handouts, Worksheets and Visuals PART I: LESSON Mapping the Beat Fifth Grade Lesson: Country: America’s Music (Early Influences and Instruments) CONCEPT Early influences on modern American country music. How the migration of instruments of the Scots- Irish immigrants to Appalachia combined with those of the Atlantic slave trade influenced regional music. OBJECTIVE To visually recognize and describe instruments commonly associated with country music (namely the fiddle, guitar, and banjo), to recognize audio samples of music played by each instrument, and describe from where each instrument originated. STANDARDS ADDRESSED National Geography Standards Standard 4: The physical and human characteristics of places. How: Students identify and compare music and instruments of Scotland, Ireland, and Africa with that of American Appalachia during the 18th and 19th centuries.
    [Show full text]
  • Exploring Authenticity in Old-Time Music
    East Tennessee State University Digital Commons @ East Tennessee State University Undergraduate Honors Theses Student Works 12-2020 Exploring Authenticity in Old-Time Music Mikaela Langley Follow this and additional works at: https://dc.etsu.edu/honors Part of the Appalachian Studies Commons, Composition Commons, and the Music Performance Commons Recommended Citation Langley, Mikaela, "Exploring Authenticity in Old-Time Music" (2020). Undergraduate Honors Theses. Paper 603. https://dc.etsu.edu/honors/603 This Honors Thesis - Open Access is brought to you for free and open access by the Student Works at Digital Commons @ East Tennessee State University. It has been accepted for inclusion in Undergraduate Honors Theses by an authorized administrator of Digital Commons @ East Tennessee State University. For more information, please contact [email protected]. Exploring Authenticity in Old-Time Music By Mikaela Elizabeth Langley An Undergraduate Thesis Submitted in Partial Fulfillment of the Requirements for the Fine and Performing Arts Honors Program Honors College East Tennessee State University December 11, 2020 ___________________________________________12/11/2020 Mikaela E. Langley Date ___________________________________________12/11/2020 Nathaniel Olson, Thesis Mentor Date ___________________________________________12/11/2020 Roy Andrade, Reader Date I was born in the delta flatland of West Tennessee in January of 1998. For the first four years of my life, I lived in a grand white-washed farmhouse that was built in 1910 in the middle of an 89-acre cotton field in my hometown of Nutbush, TN. Nutbush is a small community sustained in the south fork of the Forked Deer river watershed, immortalized in the song “Nutbush City Limits” written by its most famous inhabitant, Tina Turner.
    [Show full text]
  • Upcoming Bluegrass Events
    Bluegrassin’ Volume 21 Issue 2 March—April, 2019 The Montana Rockies Upcoming Bluegrass Events Bluegrass Association is a March 1—Lochwood, Highlander Brewery, Missoula, 6-8 pm non-profit association dedicated to promoting, March 2 –Lochwood, Blacksmith Brewery, Stevensville, 6-8 pm preserving and sharing our March 9—Winter Jam at Ruby’s, Missoula (see pg. 9 for details) love of bluegrass music in a spirit of family and March 16 & 17—Bannack String Band, Benefit Concert, First Presbyterian Church, friendship. Missoula (see pg. 2 for details) March 23—Hootenanny, Stevensville (see pg. 9 for details) Inside this issue: March 24—Open Jam, Montana TapHouse, Whitefish, 6-9 pm March 29—Lochwood, Top Hat, Missoula, 6-8 pm Page Mar 30 – Sapphire Mountain Bluegrass, Symes Hotel, Hot Springs, 8-10 pm President’s Message 2 April 13—MRBA Spring Festival, Lone Rock School, Stevensville (see pg. 4 for details) Volunteers Wanted 2 April 19—Lochwood, Top Hat, Missoula, 6-8 pm Benefit Concert 2 April 20—Lochwood, Bitterroot Brewery, Hamilton, 6-8 pm MRBA Spring Festival 4 April 26—Acousticals, Philipsburg Brewery, 5-8 pm February Jam Photos 6 Bluegrass Profiles 7 Bill Monroe Book Review 8 Ruby’s Inn Announcement 9 Notes: 1. Please check websites or call the venues for show times. Hootenanny 9 2. If you play in a band, (or know of a local bluegrass band) please e-mail the band’s History of the Mandolin 10 web page or Facebook page link to the editor to list events in newsletter. Thanks. Recurring Shows and Jams Missoula—Pickin Circle, Montana Distillery (631 Woody St.) .
    [Show full text]