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Catalogue 2011
Equipo Cines del Sur Director José Sánchez-Montes I Relaciones institucionales Enrique Moratalla I Director de programación Casimiro Torreiro I Asesores de programación Esteve Riambau, Gloria Fernández I Programador cinesdelsur. ext y Extraño Tanto Mar José Luis Chacón I Gerencia Elisabet Rus I Coordinadora de programación, comunicación, difusión Índice y prensa María Vázquez Medina I Departamento de Comunicación Ramón Antequera Rodríguez-Rabadán I Coordinadora de invitados Marichu Sanz de Galdeano I Coordinador Producción Enrique Novi I Departamento Producción Christian Morales, Juan Manuel Ríos I Jefa de prensa Nuria Díaz I Prensa Nuria García Frutos, Neus Molina I Publicaciones Carlos Martín I Catálogo y revista Laura Montero Plata I Gestión de tráfico de copias Reyes Revilla I Protocolo María José Gómez, Manuel 6 Presentación_Welcome Dominguez I Documentación Audiovisual Festival Jorge Rodríguez Puche, Rafael Moya Cuadros I Coordinador de traducción e interpretación Pedro Jesús Castillo I Traducción Pedro Jesús Castillo, Alexia Weninger, Hiroko Inose, Jesús de Manuel Jerez 11 Jurado_Jury I Secretario Jurado Oficial Toni Anguiano I Imagen del cartel Ángel Lozano I Diseño del premio Luis Jarillo I Cabecera LZ Producciones I +Factor Humano Antonio José Millán I Voluntarios José Ángel Martínez I Jefe técnico de proyecciones José Antonio Caballero Soler I Equipo técnico de proyecciones José Antonio Caballero Martín, José Domingo Raya, 19 Programación_Programming José Antonio Caballero Solier I Diseño Catálogo: Ángel Lozano, Juan Gómez,
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Gangs of Wasseypur As an Active Archive of Popular Cinema
M A D H U J A M U K H E R J E E Of Recollection, Retelling, and Cinephilia: Reading Gangs of Wasseypur as an Active Archive of Popular Cinema This paper studies Gangs of Wasseypur (Parts 1 and 2, 2012) as a definitive text via which Anurag Kashyap’s style became particularly provocative and pointed. While a range of films (both directed and produced by Kashyap) seemingly bear a certain ‘Kashyap mark’ in the manner in which they tackle subjects of violence and belligerent speech with an unpredictable comic sense, I argue that, more importantly, these films work within a particular visual framework with regard to its mise-en- scène (including the play of light, camera movement, modes of performance), as well as produce recognisable plot structures (involving capricious and realistic events), settings and locations (like the city’s underbelly, police stations, etc.), and so on. Indeed, Kashyap has made a set of films—including Paanch (unreleased), No Smoking (2007) and Ugly (2014)—which deal with similar issues, and explore contemporary cityscapes, especially Mumbai, with fervidness, thereby commenting on urban dystopia.1 Furthermore, these films speak to what has been analysed as the ‘Bombay noir’ mode by Lalitha Gopalan, by means of thoughtful art and set design, engaging (and often hand-held) camera movements and swish-pans, uses of blue or yellow filters, character prototypes, and reflective performances, which generate a world that is engulfed by a deep sense of disquiet and distress. This paper draws attention to such stylistic explorations, especially JOURNAL OF THE MOVING IMAGE 91 to the ways in which it has developed through Kashyap’s recent films.
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Guru Randhawa
FOR THE MAN IN FULL | www.mansworldindia.com NOVEMBER 2020 | K 150 GURU RANDHAWA • GUCCI • BEST SEDANS / ISSUE 249 / NOVEMBER 2020 ISSN 2277 - 1840 MW MAHENG/2008/26535 NO. RNI THE SELF-MADE SUCCESS STORY OF GURU RANDHAWA FULL PG BLEED 230 X298.indd 1 06/11/20 9:53 PM MW November 2020 Cover Final.indd All Pages 02/11/20 10:35 PM NOVEMBER 2020 Publisher & Editor N RADHAKRISHNAN Executive Publisher MINAL SURVE Executive Editor ARNESH GHOSE Associate Editor RAJU BIST Assistant Editors SAMREEN TUNGEKAR, MAYUKH MAJUMDAR Fashion Editor NEELANGANA VASUDEVA Art Director TANVI SHAH Associate Art Director HEMALI LIMBACHIYA Assistant Art Director NANDKISHOR SAWANT Graphic Designers GAUTAMI DAVE, SANJANA SUVARNA Senior Digital Manager JAYESH V. SALVI Production Manager MANGESH SALVI mansworldindia.com Web Editor ARNESH GHOSE High Street Phoenix, Senapati Bapat Marg, Lower Parel, Tel. 91 22 4242 1818 - Hyderabad: Taj Krishna Hotel, Taj 91 22 4242 1818 - Hyderabad: Tel. Parel, Lower Senapati Bapat Marg, High Street Phoenix, Staff WritersSANIKA ACHREKAR, RAJEEV MATHEW Banjara Hills, Tel. 91 7098123123 - Kolkata: Quest Mall, shop No-30 33 Syed Amir Ali Avenue, Tel. 91 9517123123 Tel. Avenue, Ali Amir shop No-30 33 Syed Quest Mall, 91 7098123123 - Kolkata: Tel. Banjara Hills, New Delhi: 122 DLF Emporio, Nelson Mandela Marg, Vasant Kunj, Tel. 91 11 4666 2700 - Mumbai: G-16 Palladium, 91 11 4666 2700 - Mumbai: Tel. Kunj, Vasant Nelson Mandela Marg, 122 DLF Emporio, New Delhi: Consulting Editor PABLO CHATERJI Contributing Editors MAITHILI RAO, SOLEIL NATHWANI, MAGANDEEP SINGH Tod’s Boutiques • Tod’s General Manager, Sales & Marketing MANOJ SHARMA ([email protected]), NEW DELHI General Manager, Sales & Marketing TULSI BAVISHI ([email protected]), MUMBAI Deputy General Manager-Sales & Marketing NOHA QADRI ([email protected]), MUMBAI Assistant Manager - Sales & Marketing SAGRIKA SANJAY ([email protected]), NEW DELHI Sr.
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Tabloid Template
Devindra Pooran on Kali Bharat Yatra: — A tribute to legendary singer Mukesh — By Ramesh D. Kalicharran he 27 th Kali BharatYatra (KBY) comes at a point name) and Namrata (Amrita). He is the grandfather of when India is celebrating its auspicious 101 actor, Neil Nitin Mukesh. Tmedals and the first place in the commonwealth Mukesh died of a heart attack on 27 August 1976 in games. It was a glorious moment for the independent Detroit, Michigan, USA, where he went to perform in a India to host the games and to become the leader in concert. His body was carried back to India by Lata sports. Mangeshkar, where a grand funeral ceremony took place Kali Bharat Yatra (from October 27- November 11) as many famous actors, personalities of the Indian film first congratulates the winners and the organizers and industry, and fans paid tribute to the late singer. When then likes to introduce, like its previous wonderful trips, the news of his death reached Raj Kapoor, he burst into the most popular singer of Guyanese decedent Devindra tears, and remarked, “I have lost my voice,” which is a Pooran, who accompanies the group. Pooran sings leg - testimony to the association of Mukesh’s voice (in play - endary Mukesh’s songs to its best. He has won many back) to the immensely popular songs of Raj Kapoor’s awards in music competitions, while he loves the leg - films. A detailed, minute by minute description of endary playback singer Mukesh whom he calls his ideal Mukesh’s final moments on earth is on broadcast every and a mentor.
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Mrs Serial Killer
B-6 | Friday, May 8, 2020 BOLLYWOOD www.WeeklyVoice.com Mrs Serial Killer: Utterly Messed-Up Movie “Mrs Serial Killer”; Cast: Jac- don’t miss trademark of the genre queline Fernandez, Manoj Ba- in its grungy camerawork (Ravi jpayee, Mohit Raina, Zayn Ma- K. Chandran and Kiran Deohans) rie; Direction: Shirish Kunder; and the moody background score. Rating: * (one star) The ilm’s production design (Shashank Tere) is also impres- By Vinayak Chakravorty sive. Yet, all the technical gloss get overshadowed by inept story- Some ilms are bad right from telling. the irst shot and, much against It doesn’t help that almost all your sincerest hopes, things don’t actors are essaying half-baked get better. Shirish Kunder made roles. Jacqueline looks like she is one such utterly unbearable ilm a either clueless about what she’s few years ago, with “Joker”. He’s supposed to do with her title role, done it again with his new feature or simply too wooden to come up for Netlix. with the right expressions. “Mrs Serial Killer” aims to be a Newcomer Zayn Marie gets to psycho thriller, and Kunder prob- impress with an action sequence, ably thought of making it because but then spends the rest of her footage as a captive tied to a bed. the only ilm of worth he’s ever Pic: Screen grab from oficial Netlix Trailer of ‘Mrs. Serial Killer’ made so far was “Kriti”, a short Manoj Bajpayee clearly signed ilm that belonged to that genre prowl. Bodies of half a dozen That’s when Joy’s lawyer (Dar- (Zayn Marie) is just what the nar- the ilm for the last half hour or and garnered much applaud.
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Indische Filme
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Table of Contents
www.toprankers.com Table of Contents 1. INTERNATIONAL NEWS 2. NATIONAL NEWS 3. SPORTS 4. SCIENCE AND TECHNOLOGY 5. OBITUARY 6. APPOINTMENTS AND RESIGNATIONS 7. IMPORTANT DAYS 8. SUMMITS AND MOU’S 9. AWARDS AND RECOGNITION 10. RANKING 11. BOOKS AND AUTHORS 12. BANKING AND ECONOMY www.toprankers.com INTERNATIONAL NEWS India extends medical assistance worth USD 1 million to North Korea India has extended anti-tuberculosis medical assistance worth about USD 1 million to North Korea in response to a request received from the World Health Organisation (WHO). The medical assistance is given under the aegis of an ongoing WHO anti-tuberculosis programme in Democratic People’s Republic of Korea (DPRK). India-UK affirm shared commitment towards Free Trade Agreement India and the United Kingdom affirmed their shared commitment towards a Free Trade Agreement during the 14th Joint Economic and Trade Committee meeting on July 24, 2020. The virtual meeting was co-chaired by Union Minister for Commerce and Industry Piyush Goyal and UK Secretary of State for International Trade Elizabeth Truss. The Minister of State for Commerce and Industry Hardeep Singh Puri and UK’s Minister of State for International Trade Ranil Jayawardena had also attended the meeting. UN General Assembly to go virtual for first time in 75 years The United Nations General Assembly (UNGA) will go virtual for the first time in 75 years for its session scheduled to be held in September 2020. The world leaders of UN member countries have been asked to submit their pre-recorded videos for the session. The UN Assembly will hold its 75th session on September 15, 2020.
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'Johnny Gaddaar' on Utv Movies
WORLD TV PREMIERE OF ‘JOHNNY GADDAAR’ ON UTV MOVIES ~ Catch it on November 15th at 8 P.M. ~ Mumbai, November 13, 2009: UTV Movies, the Hindi Movie Channel from the UTV Network is presenting yet another World TV Premiere of the blockbuster ‘Johnny Gaddaar’ on Sunday,15th November, 2009 at 8 P.M only on UTV Movies. Johnny Gaddaar takes the audience on a journey full of suspense. The tale revolves around a bag containing 2.5 crore rupees that goes missing resulting in lies, deception, betrayal, and death. Johnny Gaddar marks the debut of Neil Nitin Mukesh in the Hindi film industry and also stars Dharmendra and Rimi Sen. Sameer Ganapathy, Business Head, UTV Movies, says “UTV Movies has always been committed to show the latest movies within the shortest time span of its theatrical release. We have put together a comprehensive library of blockbusters which we refresh regularly to give our audiences an exhilarating movie experience. UTV Movies brings ‘Johnny Gaddaar’ movie to your television sets as a continued part of its line-up of world TV premieres” The movie is presented by Sunsilk Co-Creations in association with Indiagate Basmati Rice, Max New York Life Insurance, Nestle Maggi and Tata Docomo. About UTV Movies – UTV Movies is a 24-hour Hindi movie channel and was launched in February 2008. UTV Movies has a distinct advantage of coming from India’s leading motion picture production & distribution house – UTV Motion Pictures, which has a global presence and a plethora of commercially & critically acclaimed films to its credit. UTV Movies now has an expanded library of more than 400 titles through its recent acquisitions.
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Do Our Stories Reflect India's Reality?
FILM WRITERS ASSOCIATION PRESENTS 4TH INDIAN SCREENWRITERS CONFERENCE 2016 Do Our Stories Reflect India’s Reality? INDIAN SCREENWRITERS CONFERENCE Conceived of in 2006, the Indian Screenwriters Conference is a constructive response to the need of screenwriters from all over India to come together as a community. This regular platform allows us to discuss and debate, criticise and complain, analyse and plan action, and forge bonds - individual and collective. In our unity lies our progress, from our growth emerges our success. Let the Indian screenwriting movement rise! CONTENTS MESSAGE FROM THE MESSAGE FROM THE PRESIDENT HON. GENERAL SECRETARY 5 6 MESSAGE FROM THE MESSAGE FROM THE CONVENOR JOINT CONVENOR 7 8 MESSAGE FROM THE MESSAGE FROM CO-CONVENOR FSE, WGGB, WGA & IAWG 9 10 THE 3RD INDIAN SCREENWRITERS FILM WRITERS ASSOCIATION: CONFERENCE: A REPORT THE DIAMOND YEARS By Kamlesh Pandey By Kamlesh Pandey 18 24 CENTRAL BORED OF FILM CERTIFICATION! By Leela Samson By Souvik Bhadra Copyright: Film Writers Association, 2016 30 36 Published by: SENSE AND CENSORSHIP veS lesJej ceW nw 21 JeeR meoer keÀe eEnoer efmevescee By Suchita Ranglani Film Writers Association - Depe³e ye´ïeelcepe 201/202, Richa, Plot No. B -29, Off New Link Road, Andheri West, Mumbai 400053 40 44 Tel: +91 22 26733027, +91 22 26733108 WHERE ARE THE MANGO PEOPLE? THINKING IN ENGLISH, Fax: +91 22 66922899 By Sukanya Verma SPEAKING IN HINDI By Tejaswini Ganti Email: [email protected] www.fwa.co.in 52 60 LYRICS AAJ KAL Compiled and Edited by: Pooja Varma By Kausar Munir efnvogmleeveer yeesueer kesÀ yeneves - mebpe³e ®eewneve Hindi Articles Edited by: Dinkar Sharma 66 72 Design: Shreyansh Innovations WHO’S THAT GIRL? By Gajra Kottary keÀneveer Deewj efmevescee - DeMeeskeÀ efceÞe Paintings: Rukshana Tabassum 76 82 Doodles: Nidhi Dwarakanath YAADON KI BAARAAT MAIN PAL DO PAL KA By Kamlesh Pandey SHAAYAR HOON… Painting on Cover: Rukshana Tabassum By Vinay Shukla 86 92 YEH JO HAI ZINDAGI GOLDIE All rights reserved around the world.
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Johnny Gaddaar Movie Hd Video Song Download
Johnny Gaddaar Movie Hd Video Song Download 1 / 4 Johnny Gaddaar Movie Hd Video Song Download 2 / 4 3 / 4 30 Mar 2018 ... Explore Johnny Gaddar profile at Times of India for photos, videos and latest news of ... Johnny Johnny Yes Papa | Song - Johnny Manasana ... is back to Tamil Cinema with his new movie titled 'Johnny'. .... download toi app.. Johnny Gaddaar (Johnny the Traitor) is a 2007 Indian neo-noir thriller film written and directed .... The film has fifteen songs and two remixes composed by Shankar Ehsaan Loy (soundtrack) and Daniel B George (score), with lyrics by Jaideep Sahni. The album was met .... Create a book · Download as PDF · Printable version .... johnny gaddaar 3gp mp4 hd 4k Download, johnny gaddaar full clip, johnny gaddaar Trailer, johnny gaddaar movie, johnny gaddaar mp3, johnny gaddaar video .... 25 Jun 2014 ... Music Videos from this movie ... Johnny-Credit Song · Johnny-Credit Song. 0. 0. 0.0. Johnny Gaddaar. 2007Hindi.. Subtitle.. Download Johnny Gaddaar mp3 songs to your Hungama account. ... to get access to unlimited free songs, free movies, latest music videos, online radio, new TV .... Johnny Gaddaar Poster. Police officers recount a ... Top Rated Indian Movies #112 | 3 wins & 1 nomination. See more ..... Color: Color. See full technical specs ».. Find Johnny Gaddaar at Amazon.com Movies & TV, home of thousands of titles on DVD and Blu-ray.. Johnny Gaddaar Video Songs download, Johnny Gaddaar HD bollywood video Songs Download, Johnny Gaddaar hd mp4 video songs Download, Johnny .... Check out Johnny Gaddar reviews, ratings, browse wide selection of blu-ray, DVDs and shop online at ..
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Title ID Titlename Category Name Starring Starring D0872 15
Title ID TitleName Category Name Starring Starring D0872 15 MINUTES Action ROBERT DE NIRO EDWARD BURNS D2238 13 MOONS Adventure STEVE BUSCEMI PETER DINKLAGE D2323 13 GOING ON 30 Comedy JENNIFER GARNER MARK RUFFALO D2365 10.5 Action KIM DELANEY BEAU BRIDGES D7019 102 DALMATIANS Childrens GLENN CLOSE GERARD DEPARDIEU D7359 15 PARK AVENUE Family SHABANA AZMI KONKONA SENSHARMA D7589 16 BLOCKS Action BRUCE WILLIS MOS DEF D7615 18 FINGERS OF DEATH Comedy JAMES LEW PAT MORITA D7708 100 DAYS Drama DAVID MULWA DAVIS KWIZERA D7737 10.5 APOCALYPSE Action KIM DELANEY DEAN CAIN D7862 10TH & WOLF Action VAL KILMER DENNIS HOPPER D8276 1971 Family MANOJ BAJPAI RAVI KISHAN D8351 10 ITEMS OR LESS Comedy MORGAN FREEMAN PAZ VEGA D8370 15 MINUTES Action ROBERT DE NIRO EDWARD BURNS D8374 13 GOING ON 30 Comedy JENNIFER GARNER MARK RUFFALO D8473 THE 13TH WARRIOR Thriller / Suspense ANTONIO BANDERAS OMAR SHARIF D8771 1408 STEPHEN KING'S Horror SAMUEL L JACKSON JOHN CUSACK D8969 101 DALMATIANS II PATCHS LONDONAnimated ADV D9139 12 MONKEYS Action BRUCE WILLIS BRAD PITT D9266 1947 EARTH Drama AAMIR KHAN NANDITA DAS D9419 THE 11TH HOUR Documentary NARRATED - LEONARDO DICAPRIO D9642 10,000 B.C. Action STEVEN STRAIT CAMILLA BELLE D10008 1000 PLACES TO SEE BEFORE YOUDocumentary DIE COLLECTION 2 D10014 1920 Horror RAJNEESH DUGGAI ADAH SHARMA D10213 10 ITEMS OR LESS SEASON 1 N 2 Series / Season D10518 187 Action SAMUEL L JACKSON JOHN HEARD D10615 13 B Horror NEETU CHANDRA POONAM DHILLON D10835 12 ROUNDS Action JOHN CENA ASHLEY SCOTT D10920 12 (FOREIGN) Drama SERGEY MAKOVETSKY
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Dharma and the Religious Other in Hindi Popular Cinema from Nehru Through Modi
Kerry P. C. San Chirico Dharma and the Religious Other in Hindi Popular Cinema From Nehru through Modi Abstract This essay examines common representations of religious minorities in Hindi popular cinema within the context of dominant post-Independence Indian religious and political ideologies – from a religiously pluralist secular socialist framework to a Hindu nationalist late-capitalist orientation. Since the 1990s, Hindi popular film, the Hindi sāmājik, or social, has been understood to be a legitimate conveyor of middle-class Indian values worthy of critical interpretation. This essay thus begins by examining how that legitimacy occurred and how the “Bollywood” film simultaneously became legitimate in the eyes of the Indian public and fit for discursive analysis. Yet long before the heady days of economic liberaliza- tion, ascendant Hindu nationalism, and global Indian diaspora, particular notions of Hindu dharma (variously if imperfectly translated as “cosmic order”, “duty”, “law”, “religion”) undergirded Hindi popular cinema structurally and topically. Having explained this broader dhārmik, or religious context, the essay turns to shifting representations of religious mi- norities, particularly Muslims, Sikhs, and Christians, by recourse to several popular Hindi films from Indian Independence to the present. Not only do newer films depict troubling representations of the religious Other, but Hindutva ascendance forces us to reexamine past films cognizant of what is to come. Reengagement with earlier films force us to note that ideological inconsistencies, tensions, and contradictions have long been manifest on the silver screen, particularly with regard to religious minorities. The essay concludes by arguing that South Asian religio-cultural traditions in all their diversity provide filmmakers with a nearly endless treasury, would that their depths be plumbed.
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