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What Images Do

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What Images Do WHAT IMAGES DO Symposium The Royal Danish Academy of Fine Arts, Copenhagen March 19-21, 2014 The Royal Danish Academy of Fine Arts, Schools of Architecture, Design and Conservation TheTHE ROYALRoyal DANISHDanish ACADEMYAcademy OF of FINEFine ARTS Arts, Schools of Architecture, Design and Conservation SCHOOLS OF VISUAL ARTS Illustration: Constantin Hansen, A Group of Danish Artists in Rome, 1837. Detail. National Gallery of Denmark AGENDA The aim of this symposium is to contribute to our understand- age making intuitively, but are requested to engage in a dia- ing of what the image does (its pragma). The awkward entangle- logue with academic research and science. Such primarily ment of being and non-being (Plato) calls for an examination of verbal discourse may, at best, support rather than suppress the image as an act or event. Through its event, the image-act insights into the unique potentials of the image. Yet a pro- instigates an image-related reflection upon the issues of being lific dialogue would not sustain the identity of the image and non-being, physis and semiosis, actuality and potentiality. as an already established reality (as re-presentation), but moreover articulate the particular behaviours of the image. The concept of iconic difference as coined by art historian and philosopher Gottfried Boehm is vital to our concern. Icon- WHAT IMAGES DO follows upon the work of an internation- ic difference embraces an internal effect in the formation of al research network established in 2012 in collaboration images as an entanglement of being and non-being, matter/ between NCCR Iconic Criticism ‘eikones’ in Basel, TU Delft, perception, imagination/representation, but also external- Kunstakademie Düsseldorf, and The Royal Danish Academy ly in the relations between images, language, and concepts. of Fine Arts. The network and its activities are funded by The Today, educational institutions within the fields of art, de- Danish Council for Independent Research, Humanities (FKK). sign, and architecture may no longer simply approach im- VENUES THE ROYAL DANISH ACADEMY OF FINE ARTS SCHOOLS OF VISUAL ARTS Auditorium 1 (A1) A1 Entrance Festsalen Charlottenborg Palace Nytorv Kongens Kongens Nytorv 1, 1st floor Auditorium 2 (A2) Media Art School Auditorium Charlottenborg Palace Kongens Nytorv 1, 2nd floor Auditorium 3 (A3) Hirschsprung Auditorium Entrance Peder Skramsgade 2, 3.B. (3rd floor) Kongens Nytorv Kongens A2 Stairs Lift A3 Heibergsgade Peder Skrams Gade Entrance through courtyard Charlottenborg Palace Kongens Nytorv Hirschsprung Auditorium Symposium dinner (Thursday, March 20) Copenhagen Admiral Hotel Copenhagen Admiral Hotel Toldbodgade 24 Toldbodgade Nyhavn Charlottenborg Palace SCHEDULE Sophia Banou Wednesday, March 19 Materiality of the Visual: Reimagi(ni)ng the city ___________________________ 8:30-9:30 Registration Session C: Atlas Venue: A3 – Hirschsprung Auditorium 9:30-9:45 Welcome and introduction Chair: Charlotte Warsen 9:45-11:00 Jonathan Hay Luis Burriel Bielza The Worldly Eye Le Corbusier’s postcard collection: poetical assemblage as a “porous” classification system 11:00-11:30 Coffee Break Anette Højlund 11:30-13:00 Parallel sessions 1 The vanishing image. Image accumulations in contem- porary artworks Session A: Image Acts Venue: A1 – Festsalen Henrik Gustafsson Chair: Michael Renner The Art of War, or, Sophie Ristelhueber’s Anatomy Lesson Nicoletta Isar The Playing Image – Staging Bildakt 15:30-16:00 Coffee Break Katharina Wloszczynska What re-done images do 16:00-17:30 Parallel sessions 3 Alena Alexandrova Session A: Image Ontology Strange Apparatus: the Potential and the Pan Venue: A1 – Festsalen ___________________________ Chair: Ludger Schwarte Session B: Drawing and the Imaginary Michael Kjær Venue: A3 – Hirschsprung Auditorium Modern images as a creating of epistemological Chair: Sabine Ammon visibilities Daniel Blanga-Gubbay Jesús Segura Cabañero and Toni Simó Mulet Before/Under the Image: for a topography of possible Critical Temporalities in the Contemporary Visual through aesthetic experience Image Anna Katrine Hougaard Louis Schreel Drawing vs. Image The Erewhon of the Image: The Immanent Sublime in Deleuze’s Aesthetics Lesniak, Piotr J. ___________________________ Unfolding Image: Towards Architectural Imaginary as Critique Session B: Matter and Disruption Venue: A2 – Media Art School Auditorium Chair: Marc Boumeester 13:00-14:00 Lunch Sofia Nunes 14:00-15:30 Parallel sessions 2 On the disruptive praxis of images: the Abissology’s films by João Maria Gusmão and Pedro Paiva Session A: Imperceptibility Venue: A1 – Festsalen Maria Mitsoula Chair: Toni Hildebrandt Fleuri-Cut, Vein-Cut and the Third-Cut: Imaging an Epistemology of Marble Jan Bäcklund The Invisibility of Images and Images of Second Ulrik Schmidt Order Abstract-Concrete Images: Mediality and Materiality in 1920s Avant-Garde Film Daniel Rubinstein ___________________________ The latent Image: hidden, non-transparent and un- theorised Session C: Scale and Dimension Venue: A3 – Hirschsprung Auditorium Troy Rhoades Chair: Henrik Oxvig The Incipiency of Images: Experiencing the Impercepti- ble in Bridget Riley’s Paintings Lise Skytte Jakobsen ___________________________ The inter-dimensionality of image making: An investigation of 3D printing in contemporary art Session B: Thinking Through the Architectural Image Venue: A2 – Media Art School Auditorium Dag Petersson Chair: Deborah Hauptmann Photographic Space – Photographic Scales Peter Bjerrum Andrej Radman The affective images of architecture poetics 3D perception ≠ 2D image + 1D inference Valeria Guzman Verri Seeing and Reasoning in Architecture 17:30- Assemblages Anne Mette Frandsen A three channel video installation by Angela Melito- Death has no scale poulos and Maurizio Lazzarato. Presentation by Angela Melitopoulos Vlad Ionescu Spatial experience as the criterion for a semio-aesthetics of visual arts: Wölfflin and Worringer ___________________________ Session B: Architecture and Image Thursday, March 20 Venue: A3 – Hirschsprung Auditorium Chairs: Sabine Ammon and Martin Søberg Lutz Robbers 9:30-11:00 Parallel sessions 4 No Pictorial-Detour: Architecture as Bildwissenschaft? Session A: Motion/Emotion Doreen Bernath Venue: A3 – Hirschsprung Auditorium China and the Configuration of Reality-Effect Chair: Martin Søberg Hélène Frichot Sjoerd van Tuinen Architecture as Real-Estate: Our Contemporary Image Parmigianino and the Hysteria of Mannerist Self- of Thought Portraiture ___________________________ Maria Fabricius Hansen Session C: Image and Illness The Affect of Images: Morto da Feltro, Signorelli, and Venue: A1 – Festsalen Moving Creativity in the Art of the Grotesques c. 1500 Chair: Marc Boumeester Marc Boumeester Floriana Giallombardo Meta-media and non-anthropocentric desire; what does The unnecessary image the medium want? ___________________________ Jadwiga Kamola Image, Illness, Foucault Session B: Design Skills Venue: A1 – Festsalen Kathrin Friedrich Chair: Michael Renner What images will do – How the visual engenders the material Beata Makowska Sketches which Develop Creative Thinking Skills and Imagination 13:00-14:00 Lunch Claire Reymond 14:00-15:30 Parallel sessions 6 Image Relations and Dominant Pictures — a practice- led Iconic Research Session A: Photography Troels Degn Johansson Venue: A1 – Festsalen The Function of Pictures in the Design Programme as a Chair: Charlotte Warsen Pedagogical Instrument in Higher Design Education ___________________________ Stella Baraklianou When the night sky becomes a photograph: Session C: Agency August Strindberg’s Celestographs and Benjmamin’s Venue: A2 – Media Art School Auditorium Trauerspiel Chair: Ludger Schwarte Helga Aichmaier Marko Gylén What is Coming to Mind? Potential of Design Processes The ”not” in Art of Documenting Public Places Mark Dorrian Mika Elo Drone Semiosis Notes on photography and architectonics of sense ___________________________ Devika Sharma The Humanitarian Image and the Problem of Session B: Word and Image Spectatorship Venue: A2 – Media Art School Auditorium Chair: Henrik Oxvig 11:00-11:30 Coffee Break Emília Pinto de Almeida On poiesis: image making according to Mário Cesariny 11:30-13:00 Parallel sessions 5 Angela Breidbach Session A: Orientation and Memory Sebald’s Austerlitz: How images misbehave in the dark Venue: A2 – Media Art School Auditorium Chair: Andrej Radman Michael Renner Word and Image again! Attempts to leave the schema Tommaso Guariento ___________________________ The work of the memory. Survivals of the “figura elementalis” as Weltbild. Images as orientation and cure Session C: Portraiture Venue: A3 – Hirschsprung Auditorium Friday, March 21 Chair: Martin Søberg Wolfram Bergande 9:30-11:00 Parallel sessions 8 Against Contingency – or: Necessity and the Pictorial Space Session A: Projections Venue: A1 – Festsalen Sria Chatterjee Chair: Andrej Radman The portrait problem: epistemology and images in global art history Anna-Lena Carlsson Images and Sketching Andrei Pop Dreaming and Agency Arthur Steijn The In-between: Exploring perspective in digital projections 15:30-15:45 Coffee Break Andreas Broeckmann 15:45-17:15 Parallel sessions 7 Considering Image Machine Art ___________________________ Session A: Embodied Images Venue: A1 – Festsalen Session B: Disturbances Chair: Deborah Hauptmann Venue: A2 – Media Art School Auditorium Chair: Jan Bäcklund Aud Sissel Hoel The Image at the Limits of Phenomenology Peter Muir The hollowness of the image (the image as an economy Léa Barbisan
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