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José Serebrier Last Tango Be Fore Sunrise

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José Serebrier Last Tango Be fore Sunrise Málaga Philharmonic Orchestra Moscow Gnessin Percussion Ensemble, Ilia Melikhov, Director Nadia Shpachenko, piano Nestor Torres, flute Gabriel Goñí, flute fr esh ! Sara Cutler, harp Solène Le Van, soprano José Serebrier, who is one of the most frequenJtoly sreéc oSrdeedr ecobndruicetors, estab - wlishhoed i hs imonsel fo afs ath seig nmifoicsatn ftr ceoqmuepnostelyr raes cfoarrd ebdac k caosn dthuec t1o9rs5,0 s. eTsthaeb liSsyhm ed - hphimonsye lNf oa. s3 , a“S ysmigpnhiofniciea Mnty sctioqmuep,” owsears sreinlecaes edh oins a Nteaexnoss , DwVhDe nin 2L00e8o,p poelr d - Sfotromkeodw lsivkei apt Crehmeiseterre dC atthed r1a7l iny ethaer oUlKd' sb yF tihrset N Saytmionpahlo Ynoyu ttho Orerpchlaecsetr ath oe f pSrpeamini ecroen douf ctthede bIvye tsh e4 tcho mSpymosperh. Tonhye . T3rhde S Symymphpohnoyn, yo rNigoin. a3l,l y" Sreycmorpdhedo noine CMD ysftoiqr uNea,"x ows absy rtehle aTsoedul oouns ea CNhaaxm o-s DbeVr D iOn r2c0h0e8st,r pa,e rformeceidv eadt Chtehsrteer GRAMMY® nominations, including a Cathedral in the UK by the National nomination for the “Best New Compo - Youth Orchestra of Spain conducted sition of 2004”. BIS Records and the by the composer. The 3rd Symphony, American Composers Orchestra co-com - originally recorded on CD for Naxos missioned a piano concerto in 2018, by the Toulouse Chamber Orchestra, “Symphonic B A C H Variations” recceoivrdede dth rbeye GARleAxaMndMreY ®K nanomtoirnoawtio onns , BinIcSl.u Pdrienvgi oau ns oremcoinrdaitniogns ofof rS tehreb "rBieers”st mNuewsic Cinocmludpeo sai tCioDn roefle a2s0ed0 4b"y. bBoItSh NReacxosr dasn da nRde fetrheen cAe Rmeecroicrdainn gCs owm ith- tphoes eLrso Ondrocnh ePsthrail hcoar-mcoomnimc, isfseiaotnueridn ga Spiyamnop hcoonnyc eNrto . in2 20an1d8 , "oSthymer phmoanjoicr B A C H Variations" recorded by Awolerxkas.ndre Kantorow on BIS. Previous recordings of Serebrier's music include a C D S erreelberaiseerd w bays bboortnh iNn 1ax9o3s8 ain dM Roenfterveidnecoe, RUerucogurdaiyn ogfs Rwuistshi atnh aen Ld oPnodliosnh Ppahrielnhtasr. mAot nthice, faegaet uorf inign eth hee Sbyemgapnh toon syt uNdoy . v2io. lin, and at age eleven made his c o n d Sucetrienbgr ideerb wuta. sW bohrilne in h1i9g3h8 s cinh oMol ohnet eovrigdaenoiz, eUd raungdu acyo nodfu Rctuedss itahne fainrsd t Pyooulitshh o prcahreensttrsa. Aint U thrueg augaey , owf hniicnhe t ohuer bedeg aannd tgoa vsteu mdyo rvei othliann, aonde haut nadgree edl ecvoen n - mceratdse o vheirs focuorn ydeuacrst.i nUgp odne bguratd. uWatihngil ef roinm hthieg hM sucnhicoiopla l hSec hoorogl aonfi zMedu siacn idn cMonondtuecvtiedde ot hine vfiiroslti ny,o suotlfhe goer,c thheesotrya, iann dU Lruagtiuna Ay, mwehriicchan t ofoulrkeldo raen adt aggaev efi fmteoerne , tohpapno rtounneit ihesu fnodr rceodn dcuocnticnegr tUs rouvgeura yf”os uorn lye marasj.o rU oprcohne sgtrraa wdueraet innogt fforrotmhc otm he- Mingu. nTihciapt ayle Sarc, hthoeo la nonf uMal ucsoimc pino sMitioonn tceovnitdeesot biyn tvhieo lNina,t isoonlafel gSey, mthpehoornyy, aOnr d - chestra was announced very late, only two weeks before the deadline. The young Latin American folklore at age fifteen, opportunities for conducting musician, thinking that if he won he might be permitted to conduct his work, Uruguay’s only major orchestra were not forthcoming. That year, the annual entered the contest with a hastily written Legend of Faust overture. The 18-minute composition contest by the National Symphony Orchestra was announced work was written in the last four days and nights, and the last page composed on very late, only two weeks before the deadline. The young musician, thinking a taxi ride while rushing to meet the deadline. Serebrier won the contest. But the that if he won he might be permitted to conduct his work, entered the contest composer being fifteen, his work was assigned to a guest conductor, Eleazar de wCiatrhv aalh hoa, satti ltyh awt rtiitmteen t hLee gmenodst opf rFoamuisnt eonvt eLrtautirne . ATmher i1c8an-m coinnudtuec tworo. rTko wdaays , wSerriettbernie rin c othnde ulactsst mfoousrt doaf ytsh ae nmda njoigr hotrsc,h aenstdr atsh aer olausnt dp athge woarsl dc,o amnpdo hsaesd boe n - aco tmaxei trhide em wohsti lree croursdheidn gc otnod muceteotr t ohfe h dise agdenlienrea.t iSoenr,e pberrihear pws oin hthiseto croyn, wteistht. wBeultl tohve r ctohmrepe ohsuenr dbreeidn gre lfeifatseees na,n hdi sm wulotirpkl ew ianst earsnsaitginonedal taow ar dgsu. eHsti sc opnudbluischtoedr, Ecolmeapzoasri tidoen sC, maravnayl hoof , thaet mth watr itttiemn ea tt hane emarolys ta gper,o amlsoin neunmt bLear toinve rA omne rhicuan n - cdorendd.Eucatrolyr. inT ohdisa cya, rSeer,e Sberriebr rcieorn wdausc ths em reocsitp ioefn t hoef mmaanjyo ro fo mrcuhseisct”rsa ms oasrto cuonv d - tehteed w hoornldor, sa. nIdn h19a5s 6b eacnodm 1e9 5th7 eh me roescte irveecdo rad eUdn citoendd Sutcattoers oSft ahteis Dgepnaertamtieont, pFerllhoawpssh inp thoi ssttourdyy, wcoitmhp woseiltli oonv eart tthree Ce uhrutnisd Irnesdt irteulteea osef sM anusdi cm wuiltthip Bleo hinutselar v- nMaatirotinnaul aanwda Vrditst.o Hrioi sG piaunbnliisnhi,e adn dc owmitpho Asiatrioonn sC, omplaannyd oatf Tthanegmle woroitdte. Inn a1t9 a5n6 ehaer lwya asg aew, aalrsdoe dn uam Kboeurs osevveirt zoknye Fhouunnddraetdio. n Award at Tanglewood and in the s a m e E yeaarrly a iBn MhiIs Ycoaurenegr ,C Soemrepboriser sw Aaws athrde froerc hipisie Fnitr sot fS mymanpyh oonf ym aunsdi cQ’s umarotest cforv Setaexdo phhoonnoerss. .T Inh e1 S9t5a6te a Dnde p1a9rt5m7 ehnet rFeecleloivwesdh iap Uwnasit feodl lSowtaetde sb Sy ttawteo consec - Dutievpea Grtmugegnetn Fheelilmow Fsehlilpow tosh sitpusd iyn c 1o9m5p7o asnitdio 1n9 a5t8 t. hAet C nuinrteitse Iens, thiteu rtem ofa iMnsu tshice wyoiuthn gBesoth euvselra tvo M obatratiinn tuh easned a Vwaitrtdosr iino aGnyia fnienldin. iS, earnebdr iwerit hha sA aalsro nb eCeno phloanodr ead t Twaitnhg tlewwoo Dodo.r aItni F1e9l5lo6w hseh iwpsa sa ta wthaer dUendi vae rKsiotyu sosfe vMitiznknye sFootua nwdhaetrioe nh eA rwecaeridv ead t Thiasn MglAew ino o1d9 6a0n (dh ein g rtahdeu asatemd ef ryoema rt hae B CMurIti sY Ionusntigtu Cteo imn 1p9o5s8e)r,s a A Pwana rAdm foeri chain s FUinrsiot nS Pymubplhicoantiyo na nAdw Qardu a(rftoert hfoisr ESlaegxyo pfohro Sntersin. Tgs )h, ea nSdta tthee D Feoprda rFtmouenndt aFtieol n- lAomwsehriicpa nw aCs ofnodlluocwtoerds bCyo tmwpoe ctiotniosne cAutwivaerd G, wugonge tnohgeitmhe rF ewlliothw Jsahmipess iLn e1v9in5e7 . Many other prizes followed: a Rockefeller Foundation award to be Composer- and 1958. At nineteen, he remains the youngest ever to obtain these awards in-Residence of the Cleveland Orchestra, at the invitation of George Szell during in any field. Serebrier has also been honored with two Dorati Fellowships at the season 1968/69 and again 1969/70; a Harvard Musical Association Com - the University of Minnesota where he received his MA in 1960 (he graduated mission Award (for Fantasia for string quartet); a National Endowment for the from the Curtis Institute in 1958), a Pan American Union Publication Award Arts Commission (for a ballet, Orpheus x Light for the Joffrey Ballet, based on (for his Elegy for Strings ), and the Ford Foundation American Conductors the Concerto for Harp and Orchestra, Colores Mágicos ); a Grammy nomination for Chios mrepcoertditiinogn oAf wthaer dF,o wurotnh Stoygmepthheorn yw bityh C Jahmareless LIveevsi nwei.t hM tahne yL ootnhdeorn p Prihziel -s fhoalrlmowonedic: Oa rRchoecskterafe; ltlheer UFo.Ku.n Mdautsiiocn R aewtaailredr st oA sbseo cCiaotmionp oaswearr-din f-oRr beesisdt eonrcchee os -f thrael Crelceovredlainngd (Oforrc hthees tMra,e antd tehlses oinhvni tsaytmiopnh oofn Giees,o wrgieth S tzheell Sdcuortitnigsh t hCeh saemasboen r 1O9r6ch8/e6st9r aa);n tdh ea gDaeinu ts1c9h6e9 S/7ch0a; lalp Hlataternva Ardw Mardu fsoicra bl eAsts osorcchiaetsitoranl rCecoomrdminigss (ifoon r Athwe afrirds t( foofr tFharenet aCsiDa ”fso ro fs tSrihnogs tqaukaorvtiecth)”;s a F Nilmat ioSnuaitle Es, nwdiothw tmhe nBt eflogri atnh eR Aadritos COorcmhemstirsas)i,o An u(dfoiprh ail eb aMlleatg,a zOinrpe”hse uaws xar dL ifgohrt Bfeosrt tOherc Jhoefsftrreayl RBeaclolerdt,i nbga sfeodr hoin s trhened iCtionc oerft So chfeohre rHazaardpe wanitdh tOhrec Lheosntrdao, nC Pohloilrheas rmMoángiicc, oas n);d am aGnyR oAthMerMs. Y® n o m iSnearteibornie fro wr ahsi s2 2re yceoarrdsi nolgd owf htehne LFoeouprtohld S Sytmokpohwosnkyi nbyam Cehda hrliems IAvsesso wciiatth e tChoen Lduocntdoor no fP theil hnaerwmlyo fnoircm Oedrc Ahemsterraic; atnh eS yUm.Kph. Monuy sOicr cRheetsatirlae rins ANseswo cYioatriko, n a apwosatr dh ef ohre lbde fsot ro fricvhe eysetararsl. rPerceovridoiunsgly ,( fSoerr etbhrei eMr wenasd tehlses oMhinn nsyemsoptah Oonricehse, swtriat”h s tAhpep Srecnotitciseh C Cohnadmucbteor, Owritchh eAstnrtaa)l; tDhoe rDatei,u ftosrc htwe oS csheasllopnlsa.t tSeenr eAbwriearr dm faodre b hesist oNrecwhe Ysotrrakl croencodrudcitningg ( dfoebr utht ew fitirhs th oef Athmreeer iCcaDn S’s yomf pShhoonsyta Okorcvhicehst’sr aF aitlm C aSrunietgeise , wHiatlhl inth 1e9 6B5e wlgiitahn w Ridaed ciroi tiOcarlc ahcecslatirma)., RAuundniionpgh liilkee M a tahgeamzien teh’s roauwgahr dth efo rre vBieewsst Owarsc hane satwraalr eRnecsso ordf ihnigs ifnotre nhsies, dryenadmitico nap opfr oSachhe htoe rmazuasdice awndit hi st hsuep Lerobn cdoon n - Ptrholi lohfa rthmeo onricch, easntdra .m Saenreyb oritehre”sr sa. ssociation with Stokowski goes back to 1957, w h e n S tehre btrwieor cawmaes t2o2g etyheearr st horoldu gwh hae dnr aLmeaotipco tludr nS
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    October 2, 2000 CONGRESSIONAL RECORD Ð Extensions of Remarks E1637 EXTENSIONS OF REMARKS HONORING MARK PEARSON Ms. Newton has recently been named Ele- trombones, each section has its own magical mentary School Teacher of the Year for Fay- sound but still blends modestly with the whole HON. SCOTT McINNIS ette County. Carrie Newton has worked hard of the Orchestra. OF COLORADO to ensure that elementary school students de- A discussion of the grandeur of the Cleve- IN THE HOUSE OF REPRESENTATIVES velop a first-rate academic foundation that will land Orchestra is hardly complete without Monday, October 2, 2000 lead them to realize their full potential in their mention of its magnificent home, Severance future endeavors. Hall. The beautiful, ornate concert hall has just Mr. MCINNIS. Mr. Speaker, I would like to I join our community in recognizing an out- undergone a two-year, $36 million renovation take this moment to honor the considerable standing teacher who has contributed years of and expansion. The goal of the project was to achievements of Mark Pearson. Mark recently dedicated teaching at Lansdown Elementary. preserve Severance Hall's grace and architec- received recognition at Wilderness 2000, a Ms. Newton is the kind of teacher that every tural integrity. Thus, the original detailing of conference on wilderness issues, honoring parent and child wishes forÐan educator who the Hall has been restored, and its legendary him for his dedicated work in the wilderness knows how to engage her students and moti- acoustics have been retained and enhanced. field. vate them to learn. It is a pleasure to recog- Mr.
  • A Collection of Stan Ruttenberg's Reviews of Mahler Recordings From

    A Collection of Stan Ruttenberg's Reviews of Mahler Recordings From

    A collection of Stan Ruttenberg’s Reviews of Mahler Recordings from the Archives Of the Colorado MahlerFest (Symphonies 3 through 7 and Kindertotenlieder) Colorado MahlerFest XIII Recordings of the Mahler Third Symphony Of the fifty recordings listed in Peter Fülöp’s monumental discography (up to 1955, and many more have been added since then), I review here fifteen at my disposal, leaving out two by Boulez and one by Scherchen as not as worthy as the others. All of these fifteen are recommendable, all with fine points, all with some or more weaknesses. I cannot rank them in any numerical order, but I can say that there are four which I would rather hear more than the others — my desert island choices. I am glad to have the others for their own particular merits. Getting ready for MFest XIII we discovered that the matter of score versions and parts is complex. I use the Dover score, no date but attributed to Universal Edition; my guess this is an early version. The Kalmus edition is copied from who knows which published version. Then there is the “Critical Edition,” prepared by the Mahler Gesellschaft, Vienna. I can find two major discrepancies between the Dover/Universal and the Critical (I) the lack of horns at RN25-5, doubling the string riff and (ii) only two harp glissandi at the middle of RN28, whereas the Critical has three. Our first horn found another. Both the Dover and Critical have the horn doublings, written ff at RN 67, but only a few conductors observe them.
  • Other Minds in Association with the Berkeley Art

    Other Minds in Association with the Berkeley Art

    OTHER MINDS IN ASSOCIATION WITH THE BERKELEY ART MUSEUM/ PACIFIC FILM ARCHIVE & THE MISSION DOLORES BASILICA PRESENTS OTHER MINDS FESTIVAL 22 FEBRUARY 18, 19 & MAY 20, 2017 MISSION DOLORES BASILICA, SAN FRANCISCO & BERKELEY ART MUSEUM/PACIFIC FILM ARCHIVE, BERKELEY 2 O WELCOME FESTIVAL TO OTHER MINDS 22 OF NEW MUSIC The 22nd Other Minds Festival is present- 4 Message from the Artistic Director ed by Other Minds in association with the 8 Lou Harrison Berkeley Art Museum/Pacific Film Archive & the Mission Dolores Basilica 9 In the Composer’s Words 10 Isang Yun 11 Isang Yun on Composition 12 Concert 1 15 Featured Artists 23 Film Presentation 24 Concert 2 29 Featured Artists 35 Timeline of the Life of Lou Harrison 38 Other Minds Staff Bios 41 About the Festival 42 Festival Supporters: A Gathering of Other Minds 46 About Other Minds This booklet © 2017 Other Minds, All rights reserved 3 MESSAGE FROM THE EXECUTIVE DIRECTOR WELCOME TO A SPECIAL EDITION OF THE OTHER MINDS FESTIVAL— A TRIBUTE TO ONE OF THE MOST GIFTED AND INSPIRING FIGURES IN THE HISTORY OF AMERICAN CLASSICAL MUSIC, LOU HARRISON. This is Harrison’s centennial year—he was born May 14, 1917—and in addition to our own concerts of his music, we have launched a website detailing all the other Harrison fêtes scheduled in his hon- or. We’re pleased to say that there will be many opportunities to hear his music live this year, and you can find them all at otherminds.org/lou100/. Visit there also to find our curated compendium of Internet links to his work online, photographs, videos, films and recordings.