Arts-Rich Schools
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Arts-rich schools by Sam Cairns, Fran Landreth Strong, Elinor Lobley, Claudia Devlin and Laura Partridge January 2020 1 Arts-Rich Schools Contents Acknowledgements 2 Context 3 Methodology 6 Summary of findings 8 Case studies 15 Gomersal Primary School, Cleckheaton 16 Feversham Primary Academy, Bradford 27 Ramsgate Arts Primary School, Ramsgate 35 Putnoe Primary School, Bedford 45 Riddlesdown Collegiate, Purley 52 Global Academy, Hayes 61 Formby High School, Liverpool 70 Shaftesbury School, Dorset 81 Conclusion 90 Arts-Rich Schools 1 Acknowledgements With thanks to all the contributors to the case studies and to the following colleagues who generously gave their time during the writing of this report: • Deborah Bailey, John Bunyan Primary School • Aidan Daly, Royal Society of Arts • Clare Darley, Queen Elizabeth's School • Sarah Goldsmith, Northwick Park Primary School • Lyndsey Harkness, Merstham Park School • Tamika Johnson, Nicholas Chamberlaine School • Amanda Kanojia, Royal Society of Arts • Danielle Mason, Royal Society of Arts • Jon Nicholls, Thomas Tallis School • John Padley, Queen Anne's School • Sophie Renison, Rainhill High School • Rae Snape, Milton Road Primary School • Gillian Sparrow, Hillstone Primary School • Charlotte Tatam, Norwood School • Vikki Thompson, Skegness Academy • Melanie Tong, Palm Bay Primary School 2 Arts-Rich Schools Context In 2017, the RSA (Royal Society for the encouragement of Arts, Manufactures and Commerce) launched Learning About Culture, the UK’s largest ever study into understanding the value and impact of arts- based learning, particularly for children experiencing disadvantage. The project will strengthen the evidence on ‘what works’ in arts-based learning and help schools and arts organisations to improve quality and effectiveness in an evidence-based way. Working with the Education Endowment Foundation (EEF), Arts Council England (ACE), the Department for Education (DfE) and Paul Hamlyn Foundation (PHF), we are delivering three distinct projects: • We are evaluating five promising arts-based learning projects by measuring whether they improve the literacy, non-cognitive and creativity skills of participating pupils. The EEF is leading this work, building on 10 years of experience running more than 100 high quality evaluations in schools. • We have established an Evidence Champions Network (ECN), bringing together more than 100 educators and arts practition- ers to learn about the role that evidence can play in improving the quality and effectiveness of arts-based learning.1 • And we are visiting ‘arts-rich’ schools across the country to improve our understanding of what enables and motivates some schools to put the arts at the heart of learning. Together, this work will support schools and arts organisations to make informed decisions about the type of arts-based learning that is offered to pupils, driving up the quality of the provision and ensuring that pupils get the most from their learning. This report In this report we provide case studies from the frontline of headteachers who have committed whole-heartedly to an arts-rich education and share some of the strategies they are using to deliver their vision. We were interested in schools that had a highly developed arts-based pedagogy that shaped their school curriculum, and schools that had sought to prioritise teaching a wide range of high-quality arts subjects. In practice, these were often found together, as part of an arts-rich offer which influenced pedagogy throughout the schools. 1. Royal Society of Arts (2018) The Cultural Learning Evidence Champions Network Handbook [online] Available at: www.thersa.org/discover/publications-and-articles/reports/ evidence-handbook [Accessed 13 January 2020] Arts-Rich Schools 3 Landscape School leaders face competing demands from the national accountability regime. Schools must, on the one hand, endeavour to increase English Baccalaureate (EBacc) participation in line with Department for Education targets.2 These require secondary schools to aim for 75 percent of their pupils to be studying an EBacc subject combination at GCSE by 2022, and 90 percent by 2025.3 On the other hand, they must demonstrate to Ofsted how they are developing their pupils’ cultural capital.4 The former does not include the arts, the latter seems impossible to achieve without them. In addition to this, the Institute for Fiscal Studies (IFS) reports real-term cuts to school budgets of around 8 percent per pupil since 2010.5, 6 Possibly as a result of these combined pressures, there has been a persistent decline in the number of specialist arts teachers and in the number of hours spent teaching the arts in England’s state schools since 2010.7 The arts sector is gravely concerned about participation in the arts by children from more disadvantaged backgrounds,8 given that many young people only take part in cultural learning activities such as music and theatre during school hours.9 Surveys of teachers by Teacher Tapp show that schools in disadvantaged areas offer less opportunities such as learning an instrument or taking part in a school performance.10 The Social Mobility Commission and the Sutton Trust have found that children from disadvantaged backgrounds are less likely to take part in extra-curricular arts activities.11 2. The English Baccalaureate is a combination of GCSE entries in English, maths, sciences, a modern foreign language and history or geography. See Department for Education (2019) Guidance: English Baccalaureate (EBacc). [online] Available at: www.gov.uk/government/publications/english- baccalaureate-ebacc/english-baccalaureate-ebacc [Accessed 18 December 2019]. 3. Department for Education (2019) Guidance: English Baccalaureate (EBacc). [online] Available at: www.gov.uk/government/publications/english-baccalaureate-ebacc/english-baccalaureate-ebacc 4. Ofsted (2019) School inspection update. [pdf] Manchester: Ofsted. Available at: www.assets. publishing.service.gov.uk/government/uploads/system/uploads/attachment_data/file/772056/School_ inspection_update_-_January_2019_Special_Edition_180119.pdf 5. Institute for Fiscal Studies (2019) 2019 annual report on education spending in England: schools. [pdf] Available at: www.ifs.org.uk/uploads/R162-Annual-report-on-education-spending-in- england-schools.pdf 6. Foster, D. (2019) Teacher Recruitment and Retention in England. Briefing Paper. House of Commons Library. [online] Available at: https://researchbriefings.parliament.uk/ResearchBriefing/ Summary/CBP-7222 [Accessed 18 December 2019]. 7. Department for Education (2019) School Workforce in England: November 2018. [online] Available at: www.gov.uk/government/statistics/school-workforce-in-england-november-2018 [Accessed 18 December 2019]. 8. Cultural Learning Alliance (2018) Social Justice Statement. [online] Available at: www. culturallearningalliance.org.uk/about-us/who-we-are/social-justice-statement/ [Accessed 18 December 2019]; Cultural Learning Alliance (2018) Social Justice Statement. [online] Available at: www.culturallearningalliance.org.uk/about-us/who-we-are/social-justice-statement/ [Accessed 18 December 2019]. 9. Department for Digital, Culture, Media and Sport (2019) Taking Part 2018/19: Annual Child Report. [pdf] Available at: www.gov.uk/government/statistics/taking-part-201819-annual-child-release 10. Teacher Tapp (2019) Who gets a music education? [online] Available at: www.teachertapp. co.uk/who-gets-a-music-education/ [Accessed 18 December 2019]. 11. Sutton Trust (2018) Parent Power. [online] Available at: www.suttontrust.com/research-paper/ parent-power-2018-schools/ [Accessed 18 December 2019]. 4 Arts-Rich Schools What do we mean by an ‘arts-rich’ school? Using a definition from the Tracking Arts Engagement and Learning (TALE) project by the RSC and the University of Nottingham, we published a blog in December 2018 asking RSA Fellows and the wider public to nominate any schools that they considered to be ‘arts-rich’.12 The TALE project defines an arts and culture-rich school as follows: All students, whatever their heritage, status or family income, have access to and participate in arts and cultural education. The school sees arts subjects and cultural education as vital to the compulsory school curriculum. It therefore ensures that: • A range of arts subjects is offered at all Key Stages • The school timetable makes it possible for students to choose arts options • Students are actively encouraged to take arts subjects • Specialist teachers are employed to teach arts subjects • Arts facilities are well maintained and equipped • Budget allocations recognise the actual costs involved in arts and cultural education • Careers advice incorporates careers in the arts and cultural sectors • Teachers participate in professional development opportunities provided by local and national arts and cultural organisations Students are supported to participate in cultural activities and arts learning through: • Partnerships with local and national arts and cultural organisations • Subsidised excursions, visits and performances in school • A range of cultural activities through clubs, lunchtime and after school activities, in addition to timetabled lessons.13 12. Londesborough, M. (2018) ‘Arts-rich schools: We need your help…’, RSA [blog] 18 December. Available at: www.thersa.org/discover/publications-and-articles/rsa-blogs/2018/12/lac- schools-call-out [Accessed 18 December 2019]. Arts-Rich Schools 5 Methodology In December 2018, we published a blog asking RSA Fellows and the wider public