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Magic and the Supernatural
Edited by Scott E. Hendrix and Timothy J. Shannon Magic and the Supernatural At the Interface Series Editors Dr Robert Fisher Dr Daniel Riha Advisory Board Dr Alejandro Cervantes-Carson Dr Peter Mario Kreuter Professor Margaret Chatterjee Martin McGoldrick Dr Wayne Cristaudo Revd Stephen Morris Mira Crouch Professor John Parry Dr Phil Fitzsimmons Paul Reynolds Professor Asa Kasher Professor Peter Twohig Owen Kelly Professor S Ram Vemuri Revd Dr Kenneth Wilson, O.B.E An At the Interface research and publications project. http://www.inter-disciplinary.net/at-the-interface/ The Evil Hub ‘Magic and the Supernatural’ 2012 Magic and the Supernatural Edited by Scott E. Hendrix and Timothy J. Shannon Inter-Disciplinary Press Oxford, United Kingdom © Inter-Disciplinary Press 2012 http://www.inter-disciplinary.net/publishing/id-press/ The Inter-Disciplinary Press is part of Inter-Disciplinary.Net – a global network for research and publishing. The Inter-Disciplinary Press aims to promote and encourage the kind of work which is collaborative, innovative, imaginative, and which provides an exemplar for inter-disciplinary and multi-disciplinary publishing. All rights reserved. No part of this publication may be reproduced, stored in a retrieval system, or transmitted in any form or by any means without the prior permission of Inter-Disciplinary Press. Inter-Disciplinary Press, Priory House, 149B Wroslyn Road, Freeland, Oxfordshire. OX29 8HR, United Kingdom. +44 (0)1993 882087 ISBN: 978-1-84888-095-5 First published in the United Kingdom in eBook format in 2012. First Edition. Table of Contents Preface vii Scott Hendrix PART 1 Philosophy, Religion and Magic Magic and Practical Agency 3 Brian Feltham Art, Love and Magic in Marsilio Ficino’s De Amore 9 Juan Pablo Maggioti The Jinn: An Equivalent to Evil in 20th Century 15 Arabian Nights and Days Orchida Ismail and Lamya Ramadan PART 2 Magic and History Rational Astrology and Empiricism, From Pico to Galileo 23 Scott E. -
CONTRIBUTORS Peg Aloi Has an MFA in English and Currently Teaches in the Department of Visual and Media Arts at Emerson College
CONTRIBUTORS Peg Aloi has an MFA in English and currently teaches in the Department of Visual and Media Arts at Emerson College, and at the Massachusetts College of Art. Her most recent book, The New Generation Witches: Teenage Witchcraft in Contemporary Culture (2007 Ashgate Press), was co-edited with Hannah Johnston, with whom she is currently collaborating on two more books: The Celluloid Bough: Cinema in the Wake of the Occult Revival and The Glass Cauldron: A History of Witches on Television. Peg is also a fi lm critic for the Boston Phoenix and an award-winning poet. Helen A. Berger, professor of sociology at West Chester University, is the author of three books: A Community of Witches; Voices from the Pagan Census (with Leach and Shaffer); Teenage Witches (with Douglas Ezzy), and editor of Magic and Witchcraft: Contemporary North America. She is currently engaged in a community study of the religious and spiritual life of Asheville, NC. Jenny Blain is Senior Lecturer in Applied Social Sciences at Sheffi eld Hallam University. Recent publications on shamanism, seidr, Heathenry and paganisms include Nine Worlds of Seid-Magic (Routledge 2002), Researching Paganisms (Blain, Ezzy & Harvey, Altamira 2004) and numerous articles and chapters, including ‘Now many of those things are shown to me which I was denied before’: Seidr, shamanism and journeying, past and present, for Studies in Religion/Sciences Religieuses in 2005. Her book with Robert Wallis on Sacred Sites Contested Rites/Rights was published by Sussex Academic Press in 2007. Henrik Bogdan, Ph.D., Department of Religious Studies and Theology, University of Gothenburg, is the author of Western Esotericism and Rituals of Initiation (SUNY, 2007) and numerous articles on various aspects of his three main areas of research: Western esotericism, New Religious Movements, and Masonic Initiatory Societies. -
Surviving and Thriving in a Hostile Religious Culture Michelle Mitchell Florida International University, [email protected]
Florida International University FIU Digital Commons FIU Electronic Theses and Dissertations University Graduate School 11-14-2014 Surviving and Thriving in a Hostile Religious Culture Michelle Mitchell Florida International University, [email protected] DOI: 10.25148/etd.FI14110747 Follow this and additional works at: https://digitalcommons.fiu.edu/etd Part of the New Religious Movements Commons Recommended Citation Mitchell, Michelle, "Surviving and Thriving in a Hostile Religious Culture" (2014). FIU Electronic Theses and Dissertations. 1639. https://digitalcommons.fiu.edu/etd/1639 This work is brought to you for free and open access by the University Graduate School at FIU Digital Commons. It has been accepted for inclusion in FIU Electronic Theses and Dissertations by an authorized administrator of FIU Digital Commons. For more information, please contact [email protected]. FLORIDA INTERNATIONAL UNIVERSITY Miami, Florida SURVIVING AND THRIVING IN A HOSTILE RELIGIOUS CULTURE: CASE STUDY OF A GARDNERIAN WICCAN COMMUNITY A thesis submitted in partial fulfillment of the requirements for the degree of MASTER OF ARTS in RELIGIOUS STUDIES by Michelle Irene Mitchell 2014 To: Interim Dean Michael R. Heithaus College of Arts and Sciences This thesis, written by Michelle Irene Mitchell, and entitled Surviving and Thriving in a Hostile Religious Culture: Case Study of a Gardnerian Wiccan Community, having been approved in respect to style and intellectual content, is referred to you for judgment. We have read this thesis and recommend that it be approved. _______________________________________ Lesley Northup _______________________________________ Dennis Wiedman _______________________________________ Whitney A. Bauman, Major Professor Date of Defense: November 14, 2014 The thesis of Michelle Irene Mitchell is approved. -
The Host in the Toad PDF
Cor Hendriks The Host in the Toad The Development of a Fairytale Motif (V34.2) In Thompson’s Motif-Index of Folk-Literature we find under V34. Miraculous working of the host as subdivision V34.2. Princess sick because toad has swallowed her consecrated wafer. Thompson refers for this to Tale Type 613 and the study of this type by Christiansen. Other motifs he refers to are B177. Magic Toad; C55. Tabu: losing consecrated wafer; C940.1. Princess’s secret sickness from breaking tabu; D2064.1. Magic sickness because girl has thrown away her consecrated wafer. At this last motif Thompson remarks: H1292.4.1. Question (propounded on quest): How can the princess be cured? Answer: She must recover consecrated wafer which rat has stolen from her first communion. 1 This question of how the princess can be cured is treated by Christiansen in his study of AT 613 and he remarks that the list of the different remedies is long, and that it is difficult to settle a tradition. A certain feature though he finds in some of the variants, more fully worked out or simply suggested: it is the incident that the princess’s disease was due to a mishap at her first communion, where she lost the consecrated wafer. A toad took it, and is sitting under the floor with it in its mouth, and it has to be given back to the princess (also a rat is found). This episode can be seen in 4 Norse, 1 Swedish, 4 Danish, 2 Icelandic, 2 German, 1 Dutch, 2 Belgian, 2 Czech, 1 Hungarian, 1 Bask, 1 Rumanian, 1 Slovak, 4 Finnish, 2 Russian, 2 White- Russian; and 6 Polish versions. -
Harrington, Melissa (2016) Reflecting on Studying Wicca from Within the Academy and the Craft: an Autobiographical Perspective
Harrington, Melissa (2016) Reflecting on studying Wicca from within the academy and the craft: an autobiographical perspective. Pomegranate: The International Journal of Pagan Studies, 17 (1-2). pp. 180-193. Downloaded from: http://insight.cumbria.ac.uk/id/eprint/2852/ Usage of any items from the University of Cumbria’s institutional repository ‘Insight’ must conform to the following fair usage guidelines. Any item and its associated metadata held in the University of Cumbria’s institutional repository Insight (unless stated otherwise on the metadata record) may be copied, displayed or performed, and stored in line with the JISC fair dealing guidelines (available here) for educational and not-for-profit activities provided that • the authors, title and full bibliographic details of the item are cited clearly when any part of the work is referred to verbally or in the written form • a hyperlink/URL to the original Insight record of that item is included in any citations of the work • the content is not changed in any way • all files required for usage of the item are kept together with the main item file. You may not • sell any part of an item • refer to any part of an item without citation • amend any item or contextualise it in a way that will impugn the creator’s reputation • remove or alter the copyright statement on an item. The full policy can be found here. Alternatively contact the University of Cumbria Repository Editor by emailing [email protected]. [The Pomegranate 17.1 (2015) 1-000] ISSN 1528-0268 (print) doi: 10.1558/pome.v17i1.28136 -
1401882258184.Pdf
The Witch A New Class for Basic Era Games by Timothy S. Brannan Copyright © 2012 Proofreading and editing by and Jeffrey Allen and James G Holloway, DBA Dark Spire. Artists: Daniel Brannan Brian Brinlee Gary Dupuis Larry Elmore Toby Gregory Aitor Gonzalez William McAusland Bradley K McDevitt Bree Orlock and Stardust Publications Howard Pyle Artwork copyright by the original artist and used with permission. Some artwork is in the public domain. Cover art by John William Waterhouse 1 Table of Contents Table of Contents ................................................................. 2 Athamé .................................................................................78 Forward ................................................................................ 3 Broom ..................................................................................78 PART 1: INTRODUCTION ................................................... 5 Cauldron ...............................................................................78 PART 2: THE WITCH CLASS ............................................ 7 Censer ..................................................................................79 Special Restrictions (Optional) ............................................. 8 Chalice .................................................................................79 Witch ................................................................................. 9 Pentacle ................................................................................79 PART 3: TRADITIONS -
Witchcraft with Toads
Toads & Witchcraft Jon Kaneko-James MAY 8, 2015 · 9:34 PM The Shepherd Witches of Normandy In his book Grimoires, A History of Magical Books, Owen Davies writes of how Thomas Tryon, the English mystic, learned to read while working as a Shepherd. In Tryon’s writings, he leaves the passage, ‘[The] Sherpherd and Husbandman understand something of Nature, putting out their own Eyes, and boasting what Wonders they can see with other Mens.’ Likewise, Davies records that John Cannon, while a child, met a shepherd who introduced him to the magical arts contained in a copy of Agrippa’s Fourth Book of Occult Philosophy. A Brief Note I must admit, I’ve partially only included an introductory paragraph from Davies’ superb work to show that I made every attempt to write from as many sources as possible. I usually try to use four or more sources for these blog posts, but as I researched for this particular entry, I found that every source tracks back to William Monter’s Toads and Eucharists: The Male Witches of Normandy, 1564-1660. If there is another work that has eluded me, I apologise, and I do hope that someone makes me aware of it. Cor Hendriks, Toads & Witchcraft Information File (PDF Aug. ’16) 1 Since I really want to write about the shepherd witches of Normandy, I’ve followed suit with Robin Briggs, Owen Davies and Brian Levack in publishing a précis of Monter’s original work. Male Witches in Normandy While the evidence does hold out that in general (with the exception of Iceland and certain Scandinavian and Eastern European countries), in 1565 over half of the defendants tried at the Parliament of Paris, and three quarters of those tried at the Parliament of Rouen, were men. -
The Role of Hallucinogenic Plants in European `Wi±Chcraft Michael I
The Role of Hallucinogenic Plants in European `Wi±chcraft Michael I. Halnel A prevalent attitude among present-day historians and scholars of religion (e.g., Henningsen, ig69: lo5-6; Trevor-Roper, 1969: 9o, 192) is that late medieval and Renaissance witchcraft was essentially a fiction created by the Church. Those taking this posi- tion often argue that the Inquisition had an a Prjorf conception of witchcraft and simply tortured accused persons until they gave the "right" answers in terms of Church dogma. To support their position, they point out that many of the things witches confessed to doing, such as flying through the air and engaging in orgies with demons at Sabbats, were patently impossible. The position of such scholars is not contravened by accounts of the rituals practiced by persons organized into formal witchcraft covens in Europe and the United States today. Such "witches" engage in what they think are the traditional practices, but insofar as I have been able to discover through interviews, do not believe that they fly through the air nor frolic with supernatural creatures at Sabbats. Instead, their activities tend to be sober and highly ritualistic. Academicians as well as present-day coven participants A preliminary version of this paper was read at the Hallucinogens and Shamanism symposium at the annual meeting of the American Anthropological Association in Seattle in ig68. I am indebted to Lawrence Rosenwald and Philip Winter for assist- ance in making translations for this paper. Deadly nightshade (Afropa bezzadon7ia ) Henbane (Hyoscyamus) Mandrake (Mczridragora ) Thorn apple (Dafura) 128] IN THE TRADITIONAL WESTERN WORLD have generally failed to comprehend the great importance of hal- lucinogenic plants in the European witchcraft of former times.1 Yet once the use and the effects of these natural hallucinogens are understood, the major features of past beliefs and practices sud- denly seem quite logical and consistent. -
Witchcraft: the Formation of Belief – Part Two
TMM6 8/30/03 5:37 PM Page 122 6 Witchcraft: the formation of belief – part two In the previous chapter we examined how motifs drawn from traditional beliefs about spectral night-traveling women informed the construction of learned witch categories in the late Middle Ages.Although the precise manner in which these motifs were utilized differed between authorities, two general mental habits set off fifteenth-century witch-theorists from earlier writers. First, they elided the distinctions between previously discrete sets of beliefs to create a substantially new category (“witch,” variously defined), with which to carry out subsequent analysis. Second, they increasingly insisted upon the objective reality of their conceptions of witchcraft. In this chapter we take up a rather different set of ideas, all of which, from the clerical perspective, revolved around the idea of direct or indirect commerce with the devil: heresy, black magic, and superstition. Nonetheless, here again the processes of assimilation and reification strongly influenced how these concepts impinged upon cate- gories of witchcraft. Heresy and the diabolic cult Informed opinion in the late Middle Ages was in unusual agreement that witches, no matter how they were defined, were heretics, and that their activ- ities were the legitimate subjects of inquisitorial inquiry.1 The history of this consensus has been thoroughly examined, and need not long concern us here.2 Instead, let us examine how the witch-theorists of the fifteenth century used ideas associated with heresy and heretics to construct their image of witches. This is a problem of several dimensions, involving both the legal and theolog- ical approaches to heresy and to magic, and the related but broader question of why heretics were conflated with magicians, malefici, and night-travelers in the first place. -
An Elusive Roebuck Luciferianism and Paganism in Robert Cochrane’S Witchcraft
Correspondences 1.1 (2013) 75–101 ISSN 2053-7158 (Online) correspondencesjournal.com An Elusive Roebuck Luciferianism and Paganism in Robert Cochrane’s Witchcraft Ethan Doyle White E-mail: [email protected] Web: http://ethandoylewhite.blogspot.com Abstract The English occultist Robert Cochrane (1931–1966) has remained an enigmatic figure ever since his death under mysterious circumstances almost fifty years ago. The Magister of a coven known as the Clan of Tubal Cain, Cochrane was a co-founder of Cochranian Witchcraft and a vocal critic of Gerald Gardner (1884–1964) and mainstream elements of the Wiccan movement. Cochrane’s legacy is today evident in a variety of contemporary magico-religious groups, including the rejuvenated Clan, the 1734 tradition and the wider “Traditional Witchcraft” current of Western esotericism. Recent academic thought has maintained that Cochrane’s tradition was a form of contemporary Paganism akin to that of Gardner, although this has not gone unchallenged; in recent years, Cochrane’s successor Shani Oates (1959–) has argued that Cochranianism is not a tradition of the Pagan Craft, but should instead be understood as a Luciferian and Gnostic spiritual path quite distinct from contemporary Paganism. In this article, the author endeavours to explore this complicated issue, using both historical textual sources and information obtained from oral histories. Keywords Traditional Witchcraft; Robert Cochrane; Luciferianism; Contemporary Paganism; Contemporary Witchcraft Introduction © 2013 Ethan Doyle -
Atropa Belladonna, Deadly Nightshade
J R Coll Physicians Edinb 2007; 37:77–84 PAPER © 2007 Royal College of Physicians of Edinburgh Solanaceae IV: Atropa belladonna, Deadly Nightshade MR Lee Emeritus Professor of Clinical Pharmacology and Therapeutics, University of Edinburgh, Edinburgh, Scotland ABSTRACT The Deadly Nightshade, Atropa belladonna, is a plant surrounded by Published online March 2007 myth, fear and awe. In antiquity, the Greeks and the Romans knew that it contained a deadly poison. In medieval times, it was widely used by witches, Correspondence to MR Lee, 112 sorcerors and professional poisoners. Linnaeus later codified its remarkable Polwarth Terrace, Edinburgh, properties as the genus Atropa, the Fate that slits the thin spun life and the species EH11 1NN belladonna because of its power to dilate the pupils. In the 1830s, the pure tel. +44 (0)131 337 7386 alkaloid l-atropine was isolated from the plant. This proved to be a significant tool in the study of the autonomic nervous system leading to the identification of acetylcholine as an important neurotransmitter in mammals. When pure atropine became available, it caused a large number of deaths, whether by accident, suicide or homicide. KEYWORDS Acetylcholine,Atropa, belladonna, murder, poisoning, quinine DECLARATION OF INTERESTS No conflict of interests declared. In this, the final article of a short series on the Solanaceae, I describe the deadly nightshade (Atropa belladonna), a plant hallowed by long tradition as one of the classic poisons of antiquity. Extracted from the plant is the alkaloid atropine (dl-hyoscyamine) which was to prove a cornerstone in the study of autonomic pharmacology. The use of atropine as a homicidal poison seemed to have gradually faded away but then in the 1990s, Dr Agutter in Edinburgh attempted, in a spectacular fashion, to poison his wife with the pure alkaloid. -
Thesis with Corrections
Pagan Traces in Medieval and Early Modern European Witch-beliefs Gelsomina Helen Castaldi MA by Research University of York Department of History January 2012 2 Abstract The aim of this research is to explore how pre-Christian beliefs, cults and popular traditions may have indirectly survived in early modern and medieval European witch-beliefs. It will be attempted to show how witch-beliefs and medieval/early modern popular imagination may have reflected (through the filter of Christian demonology and by unwittingly drawing upon folklore and mythology), extinguished pre-Christian cults and beliefs. Whether and to what extent such cults may have actually survived in Christianised Europe, however, is completely beyond my scope. This research is solely concerned with the origins of popular belief and imagination. Since valuable comparative studies of the subject are still relatively rare, it seems that lack of cross-disciplinary communication may have led scholars to neglect the examination of those aspects of evidence which do not appear to be directly linked with the witch-hunt but might nonetheless be relevant to the still ungrasped aspects of it. This has resulted in the fact that many areas connected with the origins of witches’ confessions and witch-beliefs have remained unexplored. Here the attempt is made to show how witch-beliefs appear to have been fed from local variations of folklore and folk beliefs largely derived by the mixture of the two major influences over the European cultural heritage, the Celtic and the Classical, the latter echoing the Indian. This is achieved through viable comparisons between Southern European (mainly Roman and Greek) and Eastern (mainly Indian) religions and mythologies, in turn echoed in medieval/early modern European beliefs.