Fazil Iskander Forbidden Fruit and Other Stories
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MS4 Co-Editors
Wild Onions Wild Onions, the title of our journal, has raised a good deal of speculation. The wild onion is a common garden-variety weed, a hardy plant that grows almost anywhere and tends to spring up in unexpected places throughout the woods, fields and roadsides in this part of the country. It blossoms into an unusual purple flower and its underground bulb, if tasted, yields a pungent, spicy flavor. The wild onion is a symbol of the commonplace yet surprising beauty that is living and growing around us all the time, the spice that though uncultivated, unexpectedly thrives and – if we only take time to notice – enhances life. Senior Student Editors: Front cover: Tiffany Yeh, MS4 Nobody Can Remember My Great-Grandmother’s Xiaojie Liao, MS4 Real Name © Guest Editor: Mira Green Daleela Dodge, MD Family of Michael J. Green, MD Departments of Surgery and Humanities Departments of Internal Medicine and Humanities Managing Editor and Graphic Designer: Back cover: Deb Tomazin “A Part of Us Remains Wherever We Have Been” Department of Humanities Group Painting by University Park Class of 2019 Impressionism and the Art of Medical Communication Class Managing Editors: Haley Hartman, MSI Inside back cover: Marisa Riley, MSI Pencil Sketch of the “origami” of rolling out non-traditional Elias Harkins, MSI student learning experiences. © Kevin Chiang, MSII Corinne Pierce Sally Ng, MSIII Department of Emergency Medicine Gloria Hwang, MSIII Journal requests or inquiries: phone: (717) 531-6423 email: [email protected] Back cover image A Part of Us Remains Wherever We Have Been Group Painting by University Park Class of 2019 “Impressionism and the Art of Medical Communication” The title is a double entendre, taken from a fortune found in a fortune cookie. -
I Am Falling Behind the Happenings
The Diary of Anatoly S. Chernyaev 1985 Donated by A.S. Chernyaev to The National Security Archive Translated by Anna Melyakova Edited by Svetlana Savranskaya http://www.nsarchive.org Translation © The National Security Archive, 2006 The Diary of Anatoly S. Chernyaev, 1985 http://www.nsarchive.org January 4th, 1985. I am falling behind the events. And they are bustling. Before the New Year’s I was distressed for Ponomarev:1 Kosolapov asked for permission to print in Communist the conclusion we wrote for B.N. [Ponomarev] for the eight-volume International Labor Movement. In response, he received instructions from Zimyanin2 to remove the footnote that it was the conclusion—let it, he says, be just an article... This is how Zimyanin now gives orders to B.N., being lower in rank than him! But something else is the most important—he reflects the “opinion” that it is not necessary to establish the connection (for many decades into the future) between Ponomarev and this fundamental publication in an official Party organ... That is, they are preparing our B.N. for the hearse. I think he will not survive the XXYII Congress; in any case not as CC [Central Committee] Secretary. At work, almost every day brings evidence of his helplessness. His main concern right now is to vindicate at least something of his self-imagined “halo” of the creator of the third (1961) Party Program. In no way can he reconcile himself to the fact that life has torn “his creation” to pieces. He blames everything on the intrigues of either Gorbachev3 or Chernenko4; but mainly on “the curly one” (this is how he calls Chernenko’s assistant Pechenev); and also in part on Aleksandrov5 and Zagladin.6 He complains to me, seeking in me somebody to talk to, a sympathizer. -
Gorbachev and the Dynamics of Change *
GORBACHEV AND THE DYNAMICS OF CHANGE * K.S. Karol By six in the morning, queues are already beginning to form in front of the news-stands in Moscow and Leningrad. People may be queuing to buy Ogonek, a popular illustrated weekly which had no great readership until very recently, or a literary review which is publishing a work that has been held up by the censors for decades, or a long-awaited critical novel. They may even be queuing to make sure of getting hold of their usual daily, or sometimes even Pravda, if it contains an article or an interview that is out of the ordinary: they are afraid that it will be sold out within a few hours. Live television programmes are also becoming more common and the public, who are often invited to take part in them, follow them with an attention that was unknown in the past. Although they have a world-wide reputation for being indigestible, the Soviet press and mass media are suddenly enjoying immense public popularity, thanks to the policy of glasnost (openness) introduced by Mikhail Gorbachev. Is this phenomenon really only the tip of an iceberg? Are profound changes really at work in Soviet society? How far can the perestroika (reconstruct- ion) inspired and led by the new General Secretary actually go? For the first time since the Revolution of October 1917-and on the eve of its seventieth anniversary-censorship has been virtually abolished in the Soviet Union. Editors of various publications, who are assumed to know just how far they can go, have sole responsibility for what they publish. -
1 FIRST PRESBYTERIAN CHURCH East Moline, Illinois Pastor Becky Sherwood April 4, 2021, Easter Sunday Psalm 118:1-2, 14-24, John
1 FIRST PRESBYTERIAN CHURCH East Moline, Illinois Pastor Becky Sherwood April 4, 2021, Easter Sunday Psalm 118:1-2, 14-24, John 20:1-18 THE SOUND OF LOVE I don’t know about you, but one of the things I love about the spring is the return to the songbirds; they make early morning walks so amazing. I keep my window open, even on cold nights, because birdsong is so much better than an alarm clock in the morning. As it’s begun to warm up a little bit outside, mornings have also brought more people walking by my house; this means that starting very early in the morning my neighbor’s three dogs bark at every single dog being taken for a walk past their fence. Each of our mornings has its own sounds that are part of our getting up. We may not always be completely aware of those sounds, but we know when they are missing, or have changed. During the past year or so I’ve been listening to a devotional app on my phone called Lectio365. One of the things I’ve appreciated about the devotions are their invitations to enter into Bible stories using all of our senses. So, this week I’ve been thinking about the sounds that were a part of Jesus’ life, and this morning I invite you to listen with me: Let us listen to: the sounds of the carpenter’s shop that filled most of his life, the sounds of family life as brothers and sisters were born to Mary and Joseph, the sounds of the men praying around him in the synagogue as he grew into manhood, the sound of sandals walking dusty roads, the sound of fishing nets hitting the waters of the Sea of Galilee, the sounds of invitation: “come and follow me and I will make you fish for people,” the sounds of joy as those who were lame could walk, those who were blind could see, and those who were deaf could hear. -
1 1 the Curse of Displacement
1 2 The curse of displacement: Local narratives of forced expulsion and 3 the appropriation of abandoned property in Abkhazia 4 5 Andrea Peinhopf, School of Slavonic and East European Studies, University College London 6 7 8 Abstract. Since the end of the Georgian-Abkhaz war, the often-precarious status of the Georgians 9 displaced from Abkhazia has received significant academic attention. In contrast, the 10 consequences of displacement from the reverse perspective – how it has affected the people who 11 stayed behind – remains underanalysed. Drawing on narratives collected during several months 12 of ethnographic fieldwork, this paper argues that although ethnic Abkhazians see themselves as 13 victims of ethnic violence rather than perpetrators, the re-distribution of Georgian property 14 nevertheless caused significant distress. Many condemned the practice of appropriation, 15 suggesting that taking what is not one’s own is not only a violation of the property of the original 16 owner, but also of the Abkhaz moral code and therefore shameful. To them, the trophy houses 17 were a curse, both literally – as spaces haunted by former occupants – and metaphorically, as a 18 source and reminder of a certain “moral corruption” within Abkhazian society. However, while 19 the stories around the trophy houses reflect substantial intra-communal divisions, I suggest that 20 they are also an expression of a shared post-war experience. Like the horror stories of Georgian 21 violence, and those of Abkhaz heroism, they have become part of an intimate -
Top 40 Singles Top 40 Albums
08 October 1978 CHART #160 Top 40 Singles Top 40 Albums Rivers Of Babylon Flashlight Grease Soundtrack Sleeper Catcher 1 Boney M 21 Parliament 1 Various 21 Little River Band Last week 1 / 16 weeks WEA Last week 20 / 21 weeks PHONOGRAM Last week 1 / 10 weeks Platinum / UNIVERSAL Last week 17 / 5 weeks EMI Three Times A Lady Lay Love On You War Of The Worlds The Cars 2 The Commodores 22 Luisa Fernandez 2 Jeff Wayne 22 The Cars Last week 2 / 9 weeks EMI Last week 18 / 6 weeks WEA Last week 3 / 5 weeks SONY Last week 26 / 4 weeks WEA Kiss You All Over Shadow Dancing Bat Out Of Hell I Robot 3 Exile 23 Andy Gibb 3 Meat Loaf 23 The Alan Parsons Project Last week 5 / 4 weeks EMI Last week 24 / 17 weeks FESTIVAL Last week 2 / 16 weeks Platinum / CBS Last week 31 / 43 weeks EMI Boogie - Oogie - Oogie Which Way Is Up Night Flight To Venus Elvis In Hollywood 4 A Taste of Honey 24 Stargard 4 Boney M 24 Elvis Presley Last week 10 / 7 weeks EMI Last week 23 / 16 weeks PHONOGRAM Last week 4 / 8 weeks WEA Last week 21 / 8 weeks Platinum / RCA Dance With Me Magnet And Steel Natural High Stranger In Town 5 Peter Brown 25 Walter Egan 5 The Commodores 25 Bob Seger Last week 4 / 9 weeks CBS Last week - / 1 weeks PHONOGRAM Last week 8 / 17 weeks EMI Last week 16 / 13 weeks EMI Grease Back In The Usa Saturday Night Fever Comes A Time 6 Frankie Valli 26 Linda Ronstadt 6 Bee Gees / Various 26 Neil Young Last week 3 / 11 weeks PHONOGRAM Last week 30 / 2 weeks WARNER Last week 5 / 28 weeks PHONOGRAM Last week - / 1 weeks WEA Hopelessly Devoted To You Is This Love -
201122.Christ the King H.E. DRAFT 2
ST.PAUL’SEPISCOPALCHURCH Sunday, November 22, 2020 Sunday, “• Christ the King • Last Sunday after Pentecost: St. Paul Kansas City Vestments Chasuble Priest Stole The56” wideReign by 50” long of Christ 5” wide by 55” long with shaped neckline HOLY EUCHARIST: RITE TWO . 10:00 AM The Center for Mission & Ministry @ St. Paul's | el Centro de Misión y Ministerio en San Pablo a Mission Enterprise Zone of the Diocese of Kansas • a Jubilee Ministry Center of the Episcopal Church 1300 N. 18th Street • Kansas City, KS 66102• T 913.321.3535 main • T 913.321.8674 pantry • www.stpaulskck.org The Liturgy of the Word About this Service Today is “Reign of Christ” or “Christ the King” Sunday--the Last Sunday in Pentecost, and the Last Sunday of the Church’s liturgical year. Next week we will reset the Church’s clock as we mark the beginning of a new Christian year with Advent. Advent invites Christians to let go of their conventional understanding of time to enter into God’s time as we begin the sacred story of God made man in Jesus the Christ once again. The first Sunday of Advent is “New Year’s Day” according to Christian sacred time, and our cycle of lectionary readings will also begin anew. We will move from Lectionary Year “A” centered on the Gospel of Matthew to Year “B” with a focus on Mark’s gospel. Today our worship service will also be a special “Instructed Eucharist.” It is my desire that as we end this liturgical year and enter a new cycle, those of you new to the Episcopal Church will gain a greater understanding of what it is that we do each week in worship. -
Lifeline/Tribal Link up Advertising Outreach Annual Report
SOUTH DAKOTA PUBLIC UTILITIES COMMISSION LIFELINE/TRIBAL LINK UP ADVERTISING/OUTREACH ANNUAL REPORT JULY 1, 2015 Company: West River Telecommunications Address: 101 Main St W Hazen, ND 58545 Telephone number: 701-748-2211 Company contact: Ranae Schmidt Study Area Code: 36528 Lifeline/Tribal Link Up Advertising/Outreach Activities: X Advertise in media of general distribution.* (See attached advertisement(s).) X Letter to existing and new customers regarding the availability of Lifeline/ Tribal Link Up.* (See attached letter.) X Company's Lifeline/Tribal Link Up information in directory. X Company's Lifeline/Tribal Link Up information available on Company website. ((www.companywebsiteaddress.com) X Company's information posted on USAC website. X Other (describe): FYI Document – Welcome Packet *Required approves purchase of new motor grader the building. but not sure how yet. The AIRPORT HANGAR PROJECT - Moved Scientific, repairs-186.30; Gienger Sales, retirement·50.00; SDW'tNA, travel-160.00; Covncil gave Albers another week to byYellowBoy, second byCoxand carried, supplies·l02.00; Great Western Bank, Smiths Fire Extinguishers, fire rernove tlie steps and 4 weeks to remove to approve pay request no. 6 to North payroll taxes-11,814.27; Greggs Drilling extinguishers-6,201.0"2; Thorstenson ereof, the asbestos. Star Construction, Inc. in the amount &Excavating, repairs·9,197.58; Hawkins, Trucking, softball fields·l3,904.40 ;US .mon STEP INCREASE - Moved by Yellow of $48,701.13 for the airport hangar chemical·6,567.00; Heartland Waste, Post Office, postage-294.00; Venture )outh Boy, second by O'Connell and carried, to project. solid waste collection-16,485.00; High Comm, utilitles-424.09 ;Wellmark Blue !City approve a step increase for Police Officer HOUSING STUDY - Michele Harrison, Point Networks, computer-1,515.49; Cross/Blue Shield, healthins.-18,176.75. -
Tv Advertised Lp's
AUSTRALIAN RECORD LABELS TV ADVERTISED LABELS 1970 to 1992 COMPILED BY MICHAEL DE LOOPER © BIG THREE PUBLICATIONS, SEPTEMBER 2018 1 ACKNOWLEDGEMENTS MANY THANKS TO PAUL ELLWOOD FOR HELP WITH J & B. ANDREW RENAUT’S WEBSITE LISTS MANY OF THE MAJESTIC / K-TEL COMPILATIONS: https://majesticcompilations.com/ CONCEPT RECORDS CONCEPT RECORD PTY LTD, 139 MURRAY ST, PYRMONT, 2009 // 37 WHITING ST, ARTARMON, 2064. BEGUN BY THEO TAMBAKIS AS A J & B SPECIAL PRODUCTS LABEL. ACTIVE FROM 1984. CC 0001 BREAKIN’ IT UP VARIOUS 1984 CC 0002 HOWLIN’ FOR HITS 2LP VARIOUS 1984 CC 0003 LOVE THEMES INSPIRED BY TORVILL & DEAN VARIOUS CC 0004 THAT’S WHAT I CALL ROCK ‘N’ ROLL VARIOUS CC 0005 THE BOP WON’T STOP VARIOUS 1985 CC 0006 THE HITS HITS HITS MACHINE 2LP VARIOUS 1985 CC 0007 MASTERWORKS COLLECTION VARIOUS 1985 CC 0008 CC 0009 LOVE ME GENTLY VARIOUS CC 0010 4 STAR COUNTRY 2LP DUSTY, REEVES, WHITMAN, WILLIAMS CC 0011 CC 0012 THE DANCE TAPES VARIOUS 1985 CC 0013 KISS-THE SINGLES KISS 1985 CC 0014 THE VERY BEST OF BRENDA LEE 2LP BRENDA LEE 1985 CC 0015 SOLID R.O.C.K. VARIOUS 1985 CC 0016 CC 0017 CC 0018 HIT AFTER HIT VARIOUS 1985 CC 0019 BANDS OF GOLD 2LP VARIOUS CC 0020 THE EXTENDED HIT SUMMER 2LP VARIOUS 1985 CC 0021 METAL MADNESS 2LP VARIOUS 1985 CC 0022 FROM THE HEART VARIOUS 1986 CC 0023 STEPPIN’ TO THE BEAT VARIOUS 1986 CC 0024 STARDUST MELODIES NAT KING COLE CC 0025 THE VERY BEST OF OZ ROCK 2LP VARIOUS 1986 CC 0026 SHE BOP VARIOUS 1986 CC 0027 TI AMO VARIOUS 1986 CC 0028 JUMP ‘N’ JIVE VARIOUS 1986 CC 0029 TRUE LOVE WAYS VARIOUS 1986 CC 0030 PUTTIN’ ON -
WARNER BROS. / WEA RECORDS 1970 to 1982
AUSTRALIAN RECORD LABELS WARNER BROS. / WEA RECORDS 1970 to 1982 COMPILED BY MICHAEL DE LOOPER © BIG THREE PUBLICATIONS, APRIL 2019 WARNER BROS. / WEA RECORDS, 1970–1982 A BRIEF WARNER BROS. / WEA HISTORY WIKIPEDIA TELLS US THAT... WEA’S ROOTS DATE BACK TO THE FOUNDING OF WARNER BROS. RECORDS IN 1958 AS A DIVISION OF WARNER BROS. PICTURES. IN 1963, WARNER BROS. RECORDS PURCHASED FRANK SINATRA’S REPRISE RECORDS. AFTER WARNER BROS. WAS SOLD TO SEVEN ARTS PRODUCTIONS IN 1967 (FORMING WARNER BROS.-SEVEN ARTS), IT PURCHASED ATLANTIC RECORDS AS WELL AS ITS SUBSIDIARY ATCO RECORDS. IN 1969, THE WARNER BROS.-SEVEN ARTS COMPANY WAS SOLD TO THE KINNEY NATIONAL COMPANY. KINNEY MUSIC INTERNATIONAL (LATER CHANGING ITS NAME TO WARNER COMMUNICATIONS) COMBINED THE OPERATIONS OF ALL OF ITS RECORD LABELS, AND KINNEY CEO STEVE ROSS LED THE GROUP THROUGH ITS MOST SUCCESSFUL PERIOD, UNTIL HIS DEATH IN 1994. IN 1969, ELEKTRA RECORDS BOSS JAC HOLZMAN APPROACHED ATLANTIC'S JERRY WEXLER TO SET UP A JOINT DISTRIBUTION NETWORK FOR WARNER, ELEKTRA, AND ATLANTIC. ATLANTIC RECORDS ALSO AGREED TO ASSIST WARNER BROS. IN ESTABLISHING OVERSEAS DIVISIONS, BUT RIVALRY WAS STILL A FACTOR —WHEN WARNER EXECUTIVE PHIL ROSE ARRIVED IN AUSTRALIA TO BEGIN SETTING UP AN AUSTRALIAN SUBSIDIARY, HE DISCOVERED THAT ONLY ONE WEEK EARLIER ATLANTIC HAD SIGNED A NEW FOUR-YEAR DISTRIBUTION DEAL WITH FESTIVAL RECORDS. IN MARCH 1972, KINNEY MUSIC INTERNATIONAL WAS RENAMED WEA MUSIC INTERNATIONAL. DURING THE 1970S, THE WARNER GROUP BUILT UP A COMMANDING POSITION IN THE MUSIC INDUSTRY. IN 1970, IT BOUGHT ELEKTRA (FOUNDED BY HOLZMAN IN 1950) FOR $10 MILLION, ALONG WITH THE BUDGET CLASSICAL MUSIC LABEL NONESUCH RECORDS. -
A Cultural Analysis of the Russo-Soviet Anekdot
A CULTURAL ANALYSIS OF THE RUSSO-SOVIET ANEKDOT by Seth Benedict Graham BA, University of Texas, 1990 MA, University of Texas, 1994 Submitted to the Graduate Faculty of Arts and Sciences in partial fulfillment of the requirements for the degree of Doctor of Philosophy University of Pittsburgh 2003 UNIVERSITY OF PITTSBURGH FACULTY OF ARTS AND SCIENCES This dissertation was presented by Seth Benedict Graham It was defended on September 8, 2003 and approved by Helena Goscilo Mark Lipovetsky Colin MacCabe Vladimir Padunov Nancy Condee Dissertation Director ii Copyright by Seth Graham 2003 iii A CULTURAL ANALYSIS OF THE RUSSO-SOVIET ANEKDOT Seth Benedict Graham, PhD University of Pittsburgh, 2003 This is a study of the cultural significance and generic specificity of the Russo-Soviet joke (in Russian, anekdot [pl. anekdoty]). My work departs from previous analyses by locating the genre’s quintessence not in its formal properties, thematic taxonomy, or structural evolution, but in the essential links and productive contradictions between the anekdot and other texts and genres of Russo-Soviet culture. The anekdot’s defining intertextuality is prominent across a broad range of cycles, including those based on popular film and television narratives, political anekdoty, and other cycles that draw on more abstract discursive material. Central to my analysis is the genre’s capacity for reflexivity in various senses, including generic self-reference (anekdoty about anekdoty), ethnic self-reference (anekdoty about Russians and Russian-ness), and critical reference to the nature and practice of verbal signification in more or less implicit ways. The analytical and theoretical emphasis of the dissertation is on the years 1961—86, incorporating the Stagnation period plus additional years that are significant in the genre’s history. -
Building Belonging in Muslim Moscow: Identity and Group Practices in the Post-Soviet Capital
Building Belonging in Muslim Moscow: Identity and Group Practices in the Post-Soviet Capital Charles Aprile Honors Thesis Submitted to the Department of Sociology and Anthropology in Partial Fulfillment of the Requirements of the Degree of Bachelor of the Arts Thesis Advisor: Dr. Maya Nadkarni Swarthmore College ABSTRACT Due to the scale of migration that took place after 1991, Moscow is both an ideal and unique space in studies of race, ethnicity and group identity in the of Post-Soviet sphere. Moscow is unique in its history as the center of the multinational Soviet nation-state, as well as its renewed social and economic centrality to much of the former Soviet Union today. The city's layered and contradictory spaces bear testament to how the changing power relations of post-socialist transition affect the embeddedness of group identity in the city's daily life. Due to this layered past, Moscow has a pronounced lack of ethnic or racial residential segregation. This reality necessitates novel frameworks to explain how social belonging and exclusion are spatially inscribed into Moscow's urban fabric. This study uses historical context and ethnographic, interview and participant-observation among Muslim migrants to understand the mechanisms that reproduce, reify, complicate, and splinter Muslim group identities in the Russian capital. In "migrant markets," the findings of this research indicate how Muslims use the spaces to engage in workplace practices that serve to validate their varied cultural, collective and individual identities. At the same time, the stratified occupational structures in markets serve to reify Russian stereotypes against migrants and categorize them as "other." In observing religious activity in Moscow, this study found a serious disconnect between government-approved religious leaders and their supposed constituencies.