sign in sign up
<<
Home , Art Linson, Bruce Willis, Sean Penn, Wag the Dog

16 發光的城市 A R O U N D T O W N FRIDAY, DECEMBER 5, 2008 • TAIPEI TIMES

Other releases

Compiled by Martin Williams Buttonman 鈕扣人 “There are no good people in the world, just people with different levels of bad,” says the poster for this moody, intriguing underworld saga. Francis Ng (吳 鎮宇) stars as the title character, a triad fix-it man who cleans up after killings and leaves nothing behind for the authorities to investigate. Things turn sour Photos courtesy of Group Power for our antihero when his associate in organ plundering is killed and his girlfriend gets it on with his trainee. This is the first feature from Taiwanese director Chie Jen-hao (錢人豪), though the film was financed by Hong Kong investors. Screening exclusively at Spring Cinema Galaxy in Ximending, Taipei.

The Sparrow 文雀 Charismatic actor Simon Yam’s (任達華) characters have swung from the truly repellent (Dr Lamb) to the heroic (Bullet in the Head), but whatever the movie, he delivers. In this unusual film, Yam stars as a Hong Kong “sparrow” (pick- pocket) who, together with his petty criminal , meets his match in a female admirer from China (Taiwan’s Kelly Lin Hsi-lei, 林熙蕾). Sparrow took a long time to make and won’t reach a big audience, but it deserves a look, not least for a pickpocketing climax to end them all. As with Buttonman, you’ll have to go to Another movie of Spring Cinema Galaxy in Ximending to catch this one. Directed by Johnnie To (杜琪峰), whose consultants for the film’s pickpocket he title of ’s new movie, It’s not a bad feeling — just, at this point, a scenes included professional thieves and ballet dancers. What Just Happened, is not phrased little empty and ritualistic. De Niro, his brows knit as a question, but if it were it would somewhere between irritation and sincere concern, his T 落葉歸根 demand another question in response: “Who face roughened by silvery stubble, is fun to watch. He’s Getting Home cares?” I’m asking in earnest. Who, exactly, such a nimble, subtle comedian when he wants to be Established Chinese director do Levinson and the screenwriter, , that you can only wish he wanted to be more often. Zhang Yang (張楊) adapts a true expect to invest time and interest — to As Ben ricochets between flailing projects, ex-wives story for the screen, earning say nothing of thought or feeling — in this and awkward meetings, muttering into his hands-free plaudits around the world for an meandering, passive-aggressive comedy of cellphone earpiece, he proves that narcissism loves award-winning film of humanity, Hollywood inconsequence? Hollywood power company. And De Niro, mixing it up with his co-stars humor and unobtrusive satire. It’s not as though the filmmakers themselves — with Turturro at a nail salon; with Willis on set; A man whose workmate and show much passion for the project beyond an players skewer their own vanity with Wright Penn in what Ben calls his “ex-bed” — he friend dies as the two are drinking decides to honor a promise the evident love of the music of , a and self-absorption strikes a few sparks of genuine comic insight. deceased had made to him — take his body to his home village fondness for filming neighborhoods and But What Just Happened, for all the trompe-l’oeil after passing on. Thus follows an odyssey of strange encounters Cannes hotels through the windows of moving cars, in ‘What Just Happened’ accuracy of its situations and locations, serves up with people across half the Chinese countryside as the man and a salutary appreciation of the efforts of a handful far too many warmed-over morsels of humor: the (played with restraint by comedian Zhao Benshan, 趙本山) struggles of first-rate actors. As it follows Ben, a harried movie By A. O. SCOTT Hollywood funeral where expressions of grief take with the task of single-handedly transporting a corpse. producer played by , through his NY Times News Service, New York second place to schmoozing and BlackBerrying; the complicated routines, What Just Happened achieves preening, unstable British auteur (, a tone of shrugging, studious detachment. following in the footsteps of and Outlander Clearly the picture’s dry, cynical humor is Richard E. Grant); the icy studio boss; the lunches A spacecraft crash-lands in intended as evidence of its satirical bona fides. Its and test screenings and meetings and awkward Norway in the time of the knowing, understated mockery of movie-business social encounters. We’ve seen all of this before Vikings, and the locals don’t business as usual is also a badge of authenticity. — though maybe not with Bruce Willis in a yarmulke take to one of its occupants (Jim What Just Happened, populated by finely etched What Just Happened — and I suspect that only someone who lived in or Caviezel, who played Jesus in caricatures of anxious agents, preening directors and near this world would want to see it all again. The Passion of the Christ) too tantrum-prone stars (including Bruce Willis playing DIRECTED BY: Barry Levinson And even in that case, maybe not so ardently. To kindly when he shows up in their himself with a beard), knows what it’s about, but this come back to the question I began with, the most kingdom. Eventually the king may not be such an impressive achievement. STARRING: striking (and perhaps the most revealing) aspect of (John Hurt) and his men see Levinson, after all, is a veteran not only of Robert De Niro (Ben), (Lou What Just Happened is its lack of conviction. Its the wisdom of letting “Outlander” deal with a creature even more Hollywood but of Hollywood satire (Wag the Dog), Tarnow), (Sean Penn), point — that the daily personal and professional strange and dangerous. This movie took even longer to complete and Linson has had a long, eclectic career as a (Dick Bell), Michael Wincott (Jeremy Brunell), Robin habits of the Hollywood elite are silly and solipsistic than Sparrow, but early critical reaction was less than kind, which Wright Penn (Kelly), (Zoe), Stanley producer, with credits including Car Wash, The — is easy enough to grasp and to accept. But true might explain the delay of its US release to sometime next year. Untouchables and . If the two of them Tucci (Scott Solomon), Bruce Willis (Actor) satire works correctively and by antithesis, arriving can’t make a realistic movie about moviemaking, RUNNING TIME: 110 MINUTES at an implication of virtue through the faithful who can? And surely the members of the cast, which representation of vice. Paris includes Catherine Keener (as a studio boss), John TAIWAN RELEASE: TODAY In other words, it is not enough to expose Hard to think of a movie title Turturro (as an agent), Penn (as an ex- shallowness and duplicity unless you have some that might bite off more than wife) and Sean Penn (as himself with a moustache), What Just Happened offers has become a staple of notion of what depth or honesty might look like. it can chew than this one have ample firsthand knowledge of the ecosystem the entertainment industry, animating everything from And this movie fails to be as funny as it should be (perhaps excepting Australia, whose colorful species they lampoon. Entourage and to Tropic because it has no idea of what to take seriously. which opens on Dec. 24), but The lampooning is sometimes funny and Thunder. It is now routine for movie-world insiders Setting out to skewer the triviality of the movie Francophiles should be delighted occasionally offers up a tidbit of small truth. But to send up their own vanity and self-absorption by business, Levinson and Linson have made a trivial with a trip to Paris: It’s got all much of it is awfully familiar. The kind of self- reproducing it with just enough exaggeration to make movie. Which may only be to say that What Just the self-absorption, fine acting, photogenic locations and quirkiness flattering entertainment-industry self-mockery that the rest of us feel like insiders too. Happened fulfills its ambitions perfectly. you could ask for — and no plot intrusions by ethnic violence or threats of terror attacks. Juliette Binoche is a social worker who helps her dancer brother cope with a career-threatening ailment, setting in motion the introduction of characters both funny and appalling as the city unfolds before the viewer.

Horizontal collaboration, and other exploits The Sky Crawlers This is a contemplative, first film he has shot in his native award-winning anime from It’s ‘Basic Instinct’ country in more than 20 years, and director Mamoru Oshii (Ghost meets ‘The Pianist’ it shows in its vigor, in the strained in the Shell), who focuses on seams of its construction and in permanently youthful pilots in Paul Verhoeven’s its willful irreverence toward its Black Book fighting and dying in battles for latest release about a subject — particularly its insistence public entertainment in what that there are no obvious villains, DIRECTED BY: Paul Verhoeven resembles a Nipponese aerial Rollerball with Orwellian trimmings. Jewish woman who even in the middle of a Nazi Variety called it a “labored parable,” perhaps helping to explain STARRING: falls for a Nazi occupation. Written by Verhoeven Carice van Houten (Rachel/Ellis), its failure in Japanese theaters, but the Japan Times was more and his sometimes screenwriter, (Ludwig Muntze), supportive, in particular lauding the battle sequences, said to be By MANOHLA DARGIS Gerard Soeteman, Black Book Thom Hoffman (Hans Akkermans), “thrilling in a primal, adrenaline-pumping way.” NY Times News Service, New York encompasses the best and very Halina Reijn (Ronnie), Waldemar worst of its director’s signature Kobus (Gunther Franken) aul Verhoeven’s supremely pulp brutalism. Ikigami: The Ultimate Limit Pvulgar romp Black Book takes Despite the non-Hollywood RUNNING TIME: 145 MINUTES Like The Sky Crawlers, Ikigami off in September 1944. A young genesis of the project, Black Book is set in a Japan of the future in Jewish woman, the unsinkable relies on the same formula that TAIWAN RELEASE: TODAY which the government sanctions Rachel Stein — played with has fueled Verhoeven’s big-studio  Photo courtesy of Catch Play the murder of a small proportion ferocious energy by the Dutch career, namely frenzied of the population as an incentive actress Carice van Houten — has and violence, bodies thrashing ultimate Mata Hari assignment question silently but firmly. Taken of fiction, not a historical gloss, for the rest to be good cogs in been squirreling herself away with with the ecstasy of coitus and and agrees to bed Ludwig Muntze in by his sensitivity and, no doubt, its stated claims to “true events” the wheel (presumably this is a Christian farm family when an thrashing into paroxysms of death, (Sebastian Koch) so she can his decision to spare her life notwithstanding. It also helps if the same administration that will launch live-to-air contests of teens American bomber blows their sometimes at the same time. The uncover Gestapo secrets. She does — during one pillow talk, this you don’t worry about its loosey- killing teens, as depicted in Battle Royale). Government operative house to smithereens. thrashing rarely lets up in Black that and more. After dyeing her hair nice Nazi shares how his wife and goosey moral relativism, which, Shota Matsuda is one of the Men in Black/Meet Joe Black types Not one to let an Allied payload Book, a film in which a Jewish a brassy blond, Rachel insinuates children died in an Allied bombing among other things, involves one who helpfully give victims 24 hours’ notice of their fate. Based on a cramp her style, Rachel picks woman’s body is saved from the herself into the superdashing Nazi’s — Rachel finds herself forced to character’s stating that at least some manga, as if you hadn’t guessed. herself up, dusts herself off and off-camera death camps, gas confidences and, soon enough, his navigate an increasingly ticklish of the Dutch are no better than flings herself into the open arms chambers and ovens to become bedroom. It takes just one glance line between duty and desire. It’s the Nazis, a point that Verhoeven of a passing swain, the first in a a site of negotiation, a means of at the top of her head with its a line made all the more wobbly tries to enforce by reconfiguring Dragon Hunters series of dashing rescuers who will survival and an erotic spectacle. creeping dark roots for Muntze to by the pileup of plot complications an outrage from ’s Finally, a European animated accompany her through tangles of Abused and misused, stripped and guess the truth. Grasping her naked that Verhoeven wildly races horror classic Carrie. Dumping co-production in English and intrigue and steamy romances in a stripped again, Rachel — named, breasts in her hands, Rachel pleads through, giving the film the frantic a bucket of human feces on your French that has eyes on Pixar’s Holocaust story like few others. it’s worth noting, for the mother her case with Shakespearean feel of an old-time movie serial on heroine certainly makes a point. market — in Europe at least. Having first earned international of Israel — survives by masking gravitas, “Hath not a Jew, er, eyes?” methamphetamine. Given the signal-to-noise ratio In feudal times, two dragon attention with crudely effective that body with a putatively Aryan Yowza! In truth, Rachel — now Verhoeven’s cartoon realism, here, it’s too bad that Verhoeven hunters of dubious motivation Dutch entertainments like disguise. She also falls for a Nazi. called Ellis — asks of her breasts accentuated by the sitcom lighting, doesn’t spend more time on the are forced by circumstances Soldier of Orange, Verhoeven Not any old Nazi, but the head and then her hips, “Are these the primitively staged gun battles, film’s most provocative image, into hunting down their scaly, ruthless prey. Like the Singaporean went Hollywood, starting in the of the Gestapo in The Hague, where Jewish?” Seduced by the pertness the gnashing teeth, whizzing which shows a Holocaust survivor animation Zodiac: The Begins that was released here back late , with increasingly Rachel has landed after fleeing an of her argument or perhaps that bullets and thundering score, has tucked behind a barbed-wire fence in May, this film apparently suffers from an imbalance between slicker, steadily less effective ambush that claims her brother of her physicality, attractively its hard-surface appeal. Designed on an Israeli kibbutz in 1956 and the quality of the animation and the effort put into story and entertainments like Basic Instinct and parents. Now working for the framed by black garters and for distraction, Black Book works indicates that Jewish survival characterization, though the visuals themselves might interest and . Black Book is the resistance, Rachel signs up for the stockings, Muntze answers her only if you take it for the pulpiest remains a never-ending story. aficionados. The rest may just see a cinematic video game.