M Night Shyamalan Movies in Order
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GIF ESSAY: Glass 1 Kimber Torres IDS 307T: Digital Writing Matthew
GIF ESSAY: Glass 1 Kimber Torres IDS 307T: Digital Writing Matthew Beale Paper 1: GIF Essay February 09, 2020 The Movie: Glass It’s been what seems like forever and now the trilogy will finally be complete. The movie trailer looks unbelievable. The sequel to the Unbreakable and Split has finally happened.This psychological thriller produced by M. Night Shyamalan, starring Bruce Willis and Samuel L. Jackson that can only get better with the addition of the young Mr. Charles Xavier himself, James McAvoy. The guy is a genius when it comes to his craft. His talent was shining in the first sequel: Split. I couldn’t wait to sit down with a large bowl of popcorn with layered butter and a box of snowcaps at my side to fully enjoy what was about to unfold. The lights fade in the movie theater and the opening credits begin. The trailers play showing the audience some amazing movies coming out in the near future. Looks like I’ll be coming back when some of these movies come out. The room grows pitch black and the first scene opens up with a dark scene, of course. It looks like a large dirty room, maybe a boarded-up factory. Kevin GIF ESSAY: Glass 2 (McAvoy) comes out of the shadows and into the only light in the room. Ms. Patricia, one ego that orchestrates some of his actions and controls the other personalities walked through a door was and is facing four girls tied to a pipe in what looks like a factory. -
Manufacturing Realisms
Manufacturing Realisms Product Placement in the Hollywood Film by Winnie Won Yin Wong Bachelor of Arts Dartmouth College 2000 Submitted to the Department of Architecture in Partial Fulfillment of the Requirements for the Degree of Master of Science in Architecture Studies at the Massachusetts Institute of Technology June, 2002 MASSACHUSETTS INSTITUTE OF TECHNOLOGY JUN 2 4 2002 Signature of Author 3, 2002 LIBRARIES Winnie Won Yin Wong, Depar nt of Architecture, May ROTCH Certified by Professor David Itriedman, Assobiate Professor of the History of Architecture, Thesis Supervisor Accepted by Professor Julian\8e,jiart, Professorlof1rchitecture, Chair, Committee on Graduate Students Copyright 2002 Winnie Won Yin Wong. All Rights Reserved. The author hereby grants to MIT permission to reproduce and to distribute publicly paper and electronic copies of this thesis document in whole or in part. 2 Readers Erika Naginski Assistant Professor of the History of Art Arindam Dutta Assistant Professor of the History of Architecture History, Theory and Criticism Department of Architecture 3 4 Manufacturing Realisms Product Placement in the Hollywood Film by Winnie Won Yin Wong Submitted to the Department of Architecture in Partial Fulfillment of the Requirements for the Degree of Master of Science in Architecture Studies Abstract Through an examination of filmic portrayals of the trademarked product as a signifier of real ownerships and meanings of commodities, this paper is concerned with the conjunction of aesthetic and economic issues of the Product Placement industry in the Hollywood film. It analyzes Product Placement as the embedding of an advertising message within a fictional one, as the insertion of a trademarked object into the realisms of filmic space, and as the incorporation of corporate remakings of the world with film fictions. -
Unbreakable Assignment · Demiero
FILM ANALYSIS Unbreakable Assignment · DeMiero Name(s) ______________________________________ Period _______ Due Date ___/___/___ Unbreakable “Do you know what the scariest thing is? To not know your place in this world, to not know why you're here.” ~ Elijah Price Essential Guidelines: • clearly identify the questions you are • be sure to properly submit your final draft via addressing the Google Classroom • edit carefully and cite plenty of evidence • you may print a hard copy following our class • please use the Google Doc provided in our guidelines and turn it in to the class basket, but Google Classroom I prefer the Google Doc Part One – Literary Connections: Pick one of the following questions below and answer it as thoroughly as possible in 2 ¶s or less. Please cite evidence from the film and any other applicable source. Use examples from the film and/or other related films that would provide supporting evidence. 1. Consider and describe the mood and tone of this film. Does the mood change? Is there anything unique about the tone of this film? 2. Dramatic irony refers to a situation in which events or facts not known to a character on screen are known to another character and/or the audience. How is dramatic irony used in this film? Cite and explain at least two examples. 3. Cite at least two concrete examples of foreshadowing used in this film. Also consider the use of motifs as a form of foreshadowing. Part Two – Cinematic Connections: Pick one of the following questions below and answer it as thoroughly as possible in 2 ¶s or less. -
Pr-Dvd-Holdings-As-Of-September-18
CALL # LOCATION TITLE AUTHOR BINGE BOX COMEDIES prmnd Comedies binge box (includes Airplane! --Ferris Bueller's Day Off --The First Wives Club --Happy Gilmore)[videorecording] / Princeton Public Library. BINGE BOX CONCERTS AND MUSICIANSprmnd Concerts and musicians binge box (Includes Brad Paisley: Life Amplified Live Tour, Live from WV --Close to You: Remembering the Carpenters --John Sebastian Presents Folk Rewind: My Music --Roy Orbison and Friends: Black and White Night)[videorecording] / Princeton Public Library. BINGE BOX MUSICALS prmnd Musicals binge box (includes Mamma Mia! --Moulin Rouge --Rodgers and Hammerstein's Cinderella [DVD] --West Side Story) [videorecording] / Princeton Public Library. BINGE BOX ROMANTIC COMEDIESprmnd Romantic comedies binge box (includes Hitch --P.S. I Love You --The Wedding Date --While You Were Sleeping)[videorecording] / Princeton Public Library. DVD 001.942 ALI DISC 1-3 prmdv Aliens, abductions & extraordinary sightings [videorecording]. DVD 001.942 BES prmdv Best of ancient aliens [videorecording] / A&E Television Networks History executive producer, Kevin Burns. DVD 004.09 CRE prmdv The creation of the computer [videorecording] / executive producer, Bob Jaffe written and produced by Donald Sellers created by Bruce Nash History channel executive producers, Charlie Maday, Gerald W. Abrams Jaffe Productions Hearst Entertainment Television in association with the History Channel. DVD 133.3 UNE DISC 1-2 prmdv The unexplained [videorecording] / produced by Towers Productions, Inc. for A&E Network executive producer, Michael Cascio. DVD 158.2 WEL prmdv We'll meet again [videorecording] / producers, Simon Harries [and three others] director, Ashok Prasad [and five others]. DVD 158.2 WEL prmdv We'll meet again. Season 2 [videorecording] / director, Luc Tremoulet producer, Page Shepherd. -
“Why So Serious?” Comics, Film and Politics, Or the Comic Book Film As the Answer to the Question of Identity and Narrative in a Post-9/11 World
ABSTRACT “WHY SO SERIOUS?” COMICS, FILM AND POLITICS, OR THE COMIC BOOK FILM AS THE ANSWER TO THE QUESTION OF IDENTITY AND NARRATIVE IN A POST-9/11 WORLD by Kyle Andrew Moody This thesis analyzes a trend in a subgenre of motion pictures that are designed to not only entertain, but also provide a message for the modern world after the terrorist attacks of September 11, 2001. The analysis provides a critical look at three different films as artifacts of post-9/11 culture, showing how the integration of certain elements made them allegorical works regarding the status of the United States in the aftermath of the attacks. Jean Baudrillard‟s postmodern theory of simulation and simulacra was utilized to provide a context for the films that tap into themes reflecting post-9/11 reality. The results were analyzed by critically examining the source material, with a cultural criticism emerging regarding the progression of this subgenre of motion pictures as meaningful work. “WHY SO SERIOUS?” COMICS, FILM AND POLITICS, OR THE COMIC BOOK FILM AS THE ANSWER TO THE QUESTION OF IDENTITY AND NARRATIVE IN A POST-9/11 WORLD A Thesis Submitted to the Faculty of Miami University in partial fulfillment of the requirements for the degree of Master of Arts Department of Communications Mass Communications Area by Kyle Andrew Moody Miami University Oxford, Ohio 2009 Advisor ___________________ Dr. Bruce Drushel Reader ___________________ Dr. Ronald Scott Reader ___________________ Dr. David Sholle TABLE OF CONTENTS ACKNOWLEDGMENTS .......................................................................................................................... III CHAPTER ONE: COMIC BOOK MOVIES AND THE REAL WORLD ............................................. 1 PURPOSE OF STUDY ................................................................................................................................... -
June Movies at 6 Pm
JUNE MOVIES AT 6 PM Thurs Jun 3 – I Confess A priest, who comes under suspicion for murder, cannot clear his name without breaking the seal of the confessional. Montgomery Clift, Anne Baxter, Karl Malden, 95min, 1953, NR Fri Jun 4 – Men Of Honor The story of Carl Brashear, the first African-American U.S. Navy Diver, and the man who trained him. Cuba Gooding Jr., Robert De Niro, Charlize Theron, 129min, 2000, R Sat Jun 5 – To Kill A Mocking Bird Atticus Finch, a lawyer in the Depression-era South, defends a black man against an undeserved rape charge, and his children against prejudice. Gregory Peck, John Megna, Frank Overton, 129min, 1962, NR Sun Jun 6 – The Longest Day The events of D-Day, told on a grand scale from both the Allied and German points of view. John Wayne, Robert Ryan, Richard Burton, 172min, 1962, G Thurs Jun 10 – The Irishman An old man recalls his time painting houses for his friend, Jimmy Hoffa, through the 1950-70s. Robert De Niro, Al Pacino, Joe Pesci, 209min, 2019, R Fri Jun 11 – Die Hard An NYPD officer tries to save his wife and several others taken hostage by German terrorists during a Christmas party at the Nakatomi Plaza in Los Angeles. Bruce Willis, Alan Rickman, Bonnie Bedelia, 132min, 1988, R Sat Jun 12 – Buck Privates Two sidewalk salesman enlist in the army in order to avoid jail, only to find that their drill instructor is the police officer who tried having them imprisoned. Bud Abbott, Lou Costello, Lee Bowman, 84min, 1941, NR Sun Jun 13 – In A Lonely Place A potentially violent screenwriter is a murder suspect until his lovely neighbor clears him. -
Hollywood's Ageing Ensemble Action Hero Series
View metadata, citation and similar papers at core.ac.uk brought to you by CORE provided by Wilfrid Laurier University Wilfrid Laurier University Scholars Commons @ Laurier English and Film Studies Faculty Publications English and Film Studies 2017 Ageing in Action: Hollywood’s Ageing Ensemble Action Hero Series Philippa Gates Wilfrid Laurier University, [email protected] Follow this and additional works at: https://scholars.wlu.ca/engl_faculty Part of the English Language and Literature Commons, and the Film and Media Studies Commons Recommended Citation Gates, Philippa, "Ageing in Action: Hollywood’s Ageing Ensemble Action Hero Series" (2017). English and Film Studies Faculty Publications. 13. https://scholars.wlu.ca/engl_faculty/13 This Article is brought to you for free and open access by the English and Film Studies at Scholars Commons @ Laurier. It has been accepted for inclusion in English and Film Studies Faculty Publications by an authorized administrator of Scholars Commons @ Laurier. For more information, please contact [email protected]. Ageing in Action: Hollywood’s Ageing Ensemble Action Hero Series By Philippa Gates Note: This is the English language version of a paper published in French as « Vieillir, agir: les héros d’âge mûr dans deux séries de films d’action hollywoodiens.» L’Âge des stars: des images à l’épreuve du vieillissement. Eds. Charles-Antoine Courcoux, Gwénaëlle Le Gras, Raphaëlle Moine. L’Âge d’homme, 2017. pp 130-50. Permission to reprint the paper in English is graciously given by the editors of the collection. Summary This paper explores the treatment of ageing in the ensemble action hero series RED (2010 and 2013) starring Bruce Willis and Helen Mirren and The Expendables (2010, 2012, and 2014) starring Sylvester Stallone and other 1980s action stars. -
Demi Moore Bruce Willis Divorce Settlement
Demi Moore Bruce Willis Divorce Settlement When Mart defilades his thuggee kyanising not door-to-door enough, is Kalvin petitionary? Reclusive Gustav forward no eyeblack rephotographs nimbly after Bill misdescribing prolixly, quite bumper-to-bumper. Asbestine and predial Blair still coedits his handclap brilliantly. In major league record has requested that you pay tv show that. She was removed from that demi moore wind up with. But she managed to go up with Bruce Willis for imposing longer. Demi Moore's heart-wrenching walk down emergency lane came the coming few weeks. Divorce-catwoman help divorce Divorce settlement. When she filed for his she received a settlement of 6 million but. Fbi secretary of flipboard, moore divorce proceedings with a porn addiction and bruce is engaged when acting, fantasy league in their settlement in your experience for all your collection of mindfulness and. Moore was expecting more in by divorce settlement the sources say. Divorce settlement the former flames remain good friends to police day. As we were sad to arizona state changes and it appears to report this stellar reputation through the one of his creations are requesting that moore settlement? Bruce And Demi Divorce Movies Empire. When actors Demi Moore and Bruce Willis divorced in 2000 after 13. Divorce Hollywood Style Tributeca. Divorce proceedings opt to either just outside high court or file for divorce warrant an. Cry Hard 2 Bruce Willis and wife expecting second baby Entertainment Second. The Reason Bruce Willis And Demi Moore Divorced Nicki Swift. Demi Moore and Bruce Willis Who remove the Higher Net Worth. -
Cowboys, Postmodern Heroes, and Anti-Heroes: the Many Faces
COWBOYS, POSTMODERN HEROES, AND ANTI-HEROES: THE MANY FACES OF THE ALTERIZED WHITE MAN Hyon Joo Yoo Murphree, B.A. Thesis Prepared for the Degree of MASTER OF ARTS UNIVERSITY OF NORTH TEXAS August 2000 APPROVED: Diane Negra, Major Professor Olaf Hoerschelmann, Committee Member Diana York Blaine, Committee Member C. Melinda Levin, Graduate Coordinator of the Department of Radio, TV and Film Steve Craig, Chair of the Department of Radio, TV and Film C. Neal Tate, Dean of the Robert B. Toulouse School of Graduate Studies Murphree, Hyon Joo Yoo, Cowboys, Postmodern Heroes, and Anti-heroes: The Many Faces of the Alterized White Man. Master of Arts (Radio, Television and Film), August 2000, 131 pp., references, 48 titles. This thesis investigates how hegemonic white masculinity adopts a new mode of material accumulation by entering into an ambivalent existence as a historical agent and metahistory at the same time and continues to function as a performative identity that offers a point of identification for the working class white man suggesting that bourgeois identity is obtainable through the performance of bourgeois ethics. The thesis postulates that the phenomenal transitions brought on by industrialization and deindustrialization of 50’s through 90’s coincide with the representational changes of white masculinity from paradigmatic cowboy incarnations to the postmodern action heroes, specifically as embodied by Bruce Willis. The thesis also examines how postmodern heroes’ “intero-alterity” is further problematized by antiheroes in Tim Burton’s films. TABLE OF CONTENTS INTRODUCTION...........................................................................................................................................3 1. Reading a Dynamic Connection between the 1950’s and 1990’s..........................................................6 2. -
TISH MONAGHAN Costume Designer
TISH MONAGHAN Costume Designer PROJECTS DIRECTORS STUDIOS/PRODUCERS LOU Anna Foerster BAD ROBOT / NETFLIX Feature Film Brendan Ferguson, Josh Tate SCHMIGADOON Barry Sonnenfeld UNIVERSAL / APPLE TV+ Mini-Series Rose Lam, Cinco Paul, Ken Daurio THE TERROR Season 2 Josef Kubota Wladyka AMC / Mitch Engel, Alex Woo PREDATOR Feature Film Shane Black FOX / Bill Bannerman, John Davis MONSTER TRUCKS Feature Film Chris Wedge PARAMOUNT / Denis Stewart WAYWARD PINES Various Directors BLINDING EDGE PICTURES / FOX Season 2 Paul Lukaitis, Donald De Line HIGH MOON 2hr Pilot Adam Kane SYFY / Clara George, Bryan Fuller WORDS AND PICTURES Feature Film Fred Schepisi Mary Anne Waterhouse Gala Premiere – Toronto International Film Festival Nancy Rae Stone ARROW David Nutter WARNER BROS. TV Pilot J.P. Finn, Greg Berlanti Melissa Berman, Marc Guggenheim DIARY OF A WIMPY KID 2 David Bowers FOX 2000 Feature Film Ethan Smith, Nina Jacobson NORMAL Timothy Busfield LIFETIME Pilot Kathy Gilroy, Michael Sardo CATS & DOGS: Brad Peyton WARNER BROS. THE REVENGE OF KITTY GALORE Brent O’Connor, Andrew Lazar Feature Film Miri Yoon TWILIGHT SAGA: ECLIPSE David Slade SUMMIT Feature Film Bill Bannerman, Wyck Godfrey TWILIGHT SAGA: NEW MOON Chris Weitz SUMMIT Feature Film Bill Bannerman, Wyck Godfrey THE DAY THE EARTH STOOD STILL Scott Derrickson 20TH CENTURY FOX Feature Film Gregory Goodman, Erwin Stoff CHAOS THEORY Marcos Siega CASTLE ROCK Feature Film WARNER INDEPENDENT Frederic Golchan, Barbara Kelly HOT ROD Akiva Schaffer PARAMOUNT Feature Film John Goldwyn, Louise Rosner -
This Is a Test
‘A CRUSH ON YOU’ CAST BIOS BRIGID BRANNAGH (Charley Anderson) – Brigid Brannagh is best known for her starring role in the hit Lifetime series “Army Wives,” portraying Pamela Moran, a tough, rebellious former Boston cop. One of nine children, Brannagh was born and raised in San Francisco and has been acting for over 18 years. Brannagh‟s first role was on the Fox comedy series “True Colors.” Additionally, Brannagh had recurring roles on “CSI,” “Kindred: The Embraced,” “Legacy,” “Brooklyn South” and “Angel” among others. Most recently, Brannagh was a series regular on FX‟s critically acclaimed Steven Bochco series “Over There.” Brannagh has also guest starred on many television shows including “Cold Case,” “Without a Trace,” “24,” “ER,” “Star Trek Enterprise,” “Charmed,” “Dharma and Greg,” “Roar,” “Sliders” and “NYPD Blue.” Her feature film credits include the independent film “Life without Dick,” starring Harry Connick Jr. and Sarah Jessica Parker. Brannagh resides in Los Angeles with her husband, a musician. ### SEAN PATRICK FLANERY (Ben Martin) – Born in Lake Charles, Louisiana and raised in Sugar Land, Texas, Flanery attended University of St Thomas in Houston where he took a drama class because of a girl. The girl was a short infatuation, but he found true love in college theater. Flanery has had an extensive acting career, starting with his explosive career making performance as the mesmerizing title character in the feature film "Powder," performing opposite Jeff Goldblum. Since then, Flannery has starred in a number of feature films, such as "The Grass Harp," "Simply Irresistible," "Suicide Kings," the cult hit "The Boondock Saints" and "Body Shots." Flanery has also been quite successful on the small screen. -
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DAL REALE ALLA FIABA, DALLA FIABA AL REALE. ETICA E DIALETTICA DELL’IMMAGINARIO CONTEMPORANEO Aldo Pisano* Abstract: The aim of this paper is to underline the rule of imaginary in the contemporary fables, analyzing the ‘dialectic of imagination’ which moves from ‘symbolic’ to ‘Real’ and viceversa. Firstly, this work will focus on evolution of Disney’s cinematic universe whose narrations became more ‘real’ in the last movies through the psychoanalytic introspection of each character - expecially the evil-ones. Secondly, the difference between hero’s role in mythology and in classical fables will be compared, pointing out the psychoanalytic rapresentation, which is function and fondation of the freudian Super-Ego in fairytales. Keywords: Imaginary, Symbolic, Real, Ethics, Bettelheim, Disney Comprendere la funzione del simbolico fiabesco nell’era contemporanea implica incontrare forme della sua manifestazione non solo nella narrazione letteraria, ma anche filmica e digitale. In questi ambiti, una delle produzioni più impegnative e ricche è sicuramente attribuibile al colosso Disney, a cui si farà qui spesso riferimento, essendo la sua incidenza sull’immaginario collettivo quasi onnipervasiva. Nello specifico, analizzare l’evoluzione della fiaba disneyana significa comprendere quali contenuti etici siano in corso di trasmissione dagli anni ’30 in avanti. L’eredità Disney è un’eredità che non si consuma nel tempo, non retrograda rispetto alla contemporaneità, ma che anzi matura con essa cogliendo le esigenze sociali, culturali, educative ed etiche del momento storico di riferimento. Dunque, non si sta parlando di una mera fruizione estetica, ma bisogna tenere conto della dimensione performativa, in senso etico e socio-affettivo, che viene esercitata su milioni di persone, soprattutto sulle fasce di giovane età, mediante l’utilizzo di specifiche tecniche narrativo-comunicative.