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Picnic Skirt FREE YOUTUBE TUTORIAL
Picnic Skirt FREE YOUTUBE TUTORIAL © 2020 Charm Patterns by Gertie SEWING INSTRUCTIONS NOTES: This style can be made for any size child or adult, as long as you know the waist measurement, how long you want the skirt, and how full you want the skirt. I used 4 yards of width, which results in a big, full skirt with lots of gathers packed in. You can easily use a shorter yardage of fabric if you prefer fewer gathers or you’re making the skirt for a smaller person or child. Seam Finishing: all raw edges are fully enclosed in the construction process, so there is no need for seam finishing. Make a vintage-inspired button-front skirt without 5/8-inch (in) (1.5 cm) seam allowances are included on all pattern pieces, except a pattern! This cute design where otherwise noted. can be made for ANY size, from child to adult! Watch CUT YOUR SKIRT PIECES my YouTube tutorial to see 1. Cut the skirt rectangle: the width should be your desired fullness (mine is how it’s done. You can find 4 yards) plus 6 in for the doubled front overlap/facing. The length should be the coordinating top by your desired length, plus 6 in for the hem allowance, plus 5/8 in for the waist seam subscribing to our Patreon allowance. at www.patreon.com/ Length: 27 in. gertiesworld. (or your desired length) Length: + Skirt rectangle 6 in hem allowance xoxo, Gertie 27 in. Cut 1 fabric (or your + desired length) ⅝ in waist seam + Skirt rectangle 6 in hem allowance Cut 1 fabric MATERIALS + & NOTIONS ⅝ in waist seam • 4¼ yds skirt fabric (you Width: 4 yards (or your desired fullness) + 6 in for front overlap may need more or less depending on the size and Length: 27 in. -
Street Stylers Nailing This Summer’S Key Trends
STYLE KIM: There’s something very CLAIRE: Polka dots don’t have Alexa Chung about this outfit. to be cutesy. Our girl proves While on paper long-sleeved, that a few choice accessories calf-length, polka-dot co-ords can turn a twee print into an sound hard to pull off, this street uber-cool look. I’ll be taking styler rocks it. The cut-out shoes tips from her styling book and and round sunglasses add the teaming dotty co-ords with right amount of edge to make chunky heels, techno shades this all so effortlessly cool. and an ice white backpack. WE ❤ YOUR STYLE Our fashion team spy the street stylers nailing this summer’s key trends Kim Pidgeon, Claire Blackmore, fashion editor deputy fashion editor KIM: If you’ve been looking for CLAIRE: Cropped jacket, double KIM: If you’re going to rock CLAIRE: Culotte jumpsuits double denim inspiration, look denim and flares all in S/S15’s one hot hue, why not make can be a tough trend to wear no further. The frayed jean dress boldest colours – this lady’s top it magenta? This wide-leg well, but with powder blue and flares combo is this season’s of the catwalk class. I love the jumpsuit has easy breezy shoes, matching sunnies and trend heaven. The emerald clashing shades and strong lines summer style written all over an arty bag, this fashionista green boxy jacket, the snake- created by the pockets and it, while the ankle-tie heels masters it. The hot pink works print lace-up heels and the hems cutting her off at different and sunnies give an injection with her pastel accessories patent bag are what make this points on the body. -
Dress Code Is a Presentation of Who We Are.” 1997-98 Grand Officers
CLOTHING GUIDELINES: MEMBERS AND ADULTS (Reviewed annually during Grand Officer Leadership; changes made as needed) Changes made by Jr. Grand Executive Committee (November 2016) “A dress code is a presentation of who we are.” 1997-98 Grand Officers One of the benefits of Rainbow is helping our members mature into beautiful, responsible young women - prepared to meet challenges with dignity, grace and poise. The following guidelines are intended to help our members make appropriate clothing choices, based on the activities they will participate in as Rainbow girls. The Clothing Guidelines will be reviewed annually by the Jr. Members of the Grand Executive Committee. Recommendations for revisions should be forwarded to the Supreme Officer prior to July 15th of each year. REGULAR MEETINGS Appropriate: Short dress, including tea-length and high-low length, or skirt and blouse or sweater or Nevada Rainbow polo shirt (tucked in) with khaki skirt or denim skirt. Vests are acceptable. Skirt length: Ideally, HEMS should not be more than three inches above the knee. Skirts, like pencil skirts that hug the body and require “adjustment” after bowing or sitting, are unacceptable. How to tell if a skirt has a Rainbow appropriate length? Try the “Length Test”, which includes: When bowing from the waist, are your undergarments visible, or do you need to hold your skirt - or shirt - down in the back? If so, it's too short for a Rainbow meeting. Ask your mother or father to stand behind you and in front of you while you bow from the waist. If she/he gasps, the outfit is not appropriate for a Rainbow meeting. -
Academic Dress Rules
Academic Dress Rules 1. The University may, in respect of any University occasion, prescribe that academic dress shall be worn by students, graduates, graduates-elect or staff, or any of them, attending such occasion. 2. Academic dress shall be worn by students, graduates, graduates-elect and staff attending a University graduation ceremony. 3. The academic dress shall be: Level of award Gown Hood Cap or bonnet Professional Certificate Black gown in Cambridge No hood Black trencher cap BA style Sub-bachelor (ie Certificates Black gown in Cambridge No hood Black trencher cap and Diplomas) BA style Graduates of awards offered by the Centre for Aboriginal Studies in Music will also wear the prescribed stole Bachelor (including four year Black gown in Cambridge Black partly lined Black trencher cap degrees awarded without BA style 150mm wide with the honours) discipline colour 4, 5 and 6 year Bachelor Black gown in Cambridge Black entirely lined Black trencher cap including MBBS, BDS and four BA style with the discipline year degrees awarded with colour including a honours 12.5-13mm edging in the discipline colour Honours on the cape Graduate Certificate Black gown in Cambridge Black partly lined Black trencher cap Graduate Diploma BA style 150mm wide with white Coursework Masters Black gown in Cambridge Black entirely lined Black trencher cap MA style with white including a 12.5-13mm edging in white on the cape Black gown in Cambridge Black entirely lined Black trencher cap Masters by Research MA style with scarlet including a 12.5-13mm -
1 Clothing Guidelines: Members And
CLOTHING GUIDELINES: MEMBERS AND ADULTS (Reviewed annually during Grand Officer Leadership; changes made as needed) “A dress code is a presentation of who we are.” 1997-98 Grand Officers One of the benefits of Rainbow is helping our members mature into beautiful, responsible young women - prepared to meet challenges with dignity, grace and poise. The following guidelines are intended to help our members make appropriate clothing choices, based on the activities they will participate in as Rainbow girls. REGULAR MEETINGS Appropriate: Short dress, including tea-length and high-lows length, or skirt and blouse or sweater or Nevada Rainbow polo shirt (tucked in) with khaki skirt or denim skirt. Vests are acceptable. Grandie shifts that resemble a short dress are acceptable; Grandie shifts that are more costume than short dress are not acceptable (except during practice). Skirt length: HEMS cannot be shorter than three inches above the knee. Skirts, like pencil skirts that hug the body and require “adjustment” after bowing or sitting, are unacceptable. How to tell if a skirt has a Rainbow appropriate length? Try the “Length Test”, which includes: When bowing from the waist, are your undergarments visible, or do you need to hold your skirt - or shirt - down in the back? If so, it's too short for a Rainbow meeting. Ask your mother or father to stand behind you and in front of you while you bow from the waist. If she/he gasps, the outfit is not appropriate for a Rainbow meeting. Please select something a little longer and/or shows less chest. Ask your mom or dad to use a tape measure to measure from the top of your knee to the bottom of your hem. -
Fashion Trends 2016
Fashion Trends 2016 U.S. & U.K. Report [email protected] Intro With every query typed into a search bar, we are given a glimpse into user considerations or intentions. By compiling top searches, we are able to render a strong representation of the population and gain insight into this population’s behavior. In our second iteration of the Google Fashion Trends Report, we are excited to introduce data from multiple markets. This report focuses on apparel trends from the United States and United Kingdom to enable a better understanding of how trends spread and behaviors emerge across the two markets. We are proud to share this iteration and look forward to hearing back from you. Olivier Zimmer | Trends Data Scientist Yarden Horwitz | Trends Brand Strategist Methodology To compile a list of accurate trends within the fashion industry, we pulled top volume queries related to the apparel category and looked at their monthly volume from May 2014 to May 2016. We first removed any seasonal effect, and then measured the year-over-year growth, velocity, and acceleration for each search query. Based on these metrics, we were able to classify the queries into similar trend patterns. We then curated the most significant trends to illustrate interesting shifts in behavior. Query Deseasonalized Trend 2004 2006 2008 2010 2012 2014 Query 2016 Characteristics Part 1 Part 2 Part 3 Top Risers a Spotlight on an Extensive List and Decliners Top Trending of the Top Volume Themes Fashion Trends Trend Categories To identify top trends, we categorized past data into six different clusters based on Sustained Seasonal Rising similar behaviors. -
A Study on the Design and Composition of Victorian Women's Mantle
Journal of Fashion Business Vol. 14, No. 6, pp.188~203(2010) A Study on the Design and Composition of Victorian Women’s Mantle * Lee Sangrye ‧ Kim Hyejeong Professor, Dept. of Fashion Design, TongMyong University * Associate Professor, Dept. of Clothing Industry, Hankyong National University Abstract This study purposed to identify the design and composition characteristics of mantle through a historical review of its change and development focusing on women’s dress. This analysis was particularly focused on the Victorian age because the variety of mantle designs introduced and popularized was wider than ever since ancient times to the present. For this study, we collected historical literature on mantle from ancient times to the 19 th century and made comparative analysis of design and composition, and for the Victorian age we investigated also actual items from the period. During the early Victorian age when the crinoline style was popular, mantle was of A‐ line silhouette spreading downward from the shoulders and of around knee length. In the mid Victorian age from 1870 to 1889 when the bustle style was popular, the style of mantle was changed to be three‐ dimensional, exaggerating the rear side of the bustle skirt. In addition, with increase in women’s suburban activities, walking costume became popular and mantle reached its climax. With the diversification of design and composition in this period, the name of mantle became more specific and as a result, mantle, mantelet, dolman, paletot, etc. were used. The styles popular were: it looked like half-jacket and half-cape. Ornaments such as tassels, fur, braids, rosettes, tufts and fringe were attached to create luxurious effects. -
What They Wear the Observer | FEBRUARY 2020 | 1 in the Habit
SPECIAL SECTION FEBRUARY 2020 Inside Poor Clare Colettines ....... 2 Benedictines of Marmion Abbey What .............................. 4 Everyday Wear for Priests ......... 6 Priests’ Vestments ...... 8 Deacons’ Attire .......................... 10 Monsignors’ They Attire .............. 12 Bishops’ Attire ........................... 14 — Text and photos by Amanda Hudson, news editor; design by Sharon Boehlefeld, features editor Wear Learn the names of the everyday and liturgical attire worn by bishops, monsignors, priests, deacons and religious in the Rockford Diocese. And learn what each piece of clothing means in the lives of those who have given themselves to the service of God. What They Wear The Observer | FEBRUARY 2020 | 1 In the Habit Mother Habits Span Centuries Dominica Stein, PCC he wearing n The hood — of habits in humility; religious com- n The belt — purity; munities goes and Tback to the early 300s. n The scapular — The Armenian manual labor. monks founded by For women, a veil Eustatius in 318 was part of the habit, were the first to originating from the have their entire rite of consecrated community virgins as a bride of dress alike. Belt placement Christ. Using a veil was Having “the members an adaptation of the societal practice (dress) the same,” says where married women covered their Mother Dominica Stein, hair when in public. Poor Clare Colettines, “was a Putting on the habit was an symbol of unity. The wearing of outward sign of profession in a the habit was a symbol of leaving religious order. Early on, those the secular life to give oneself to joining an order were clothed in the God.” order’s habit almost immediately. -
S/S21collection Welcome
L / B Fashion Collection S/S21COLLECTION WELCOME ... Our SS21 Collection is here and I’m delighted to share it with you. The last 12 months have been so tough on all of us, but in spite of repeated lockdowns and the significant economic fallout, the Hartwell team have kept focused to develop a new range that befits a more positive outlook for 2021. With vaccines giving us all hope, I echo the piece in our recent blog that suggested this will be the era for small independent fashion brands and re- tailers to thrive once life returns to something like normal! I do hope you enjoy the pages that follow and we can all once again Live Well and Dress Well over the coming Spring/Summer months. Monica Sassoon HEAD OF DESIGN Item Name Code #23343, $2300 American Style www.americana.com Item Name Item Name Code #23343, $2300 Code #23343, $2300 American Style American Style www.americana.com www.americana.com LAYLA NEW SNAFFLES 100% COTTON SATIN LYCRA LAYLA PINK BIRDS 100% COTTON SATIN LYCRA LAYLA BLACK & WHITE HUNTING 100% COTTON SATIN LYCRA LAYLA POLKA DOT PHEASANTS 100% COTTON SATIN LYCRA LAYLA FLYING DUCKS 100% COTTON SATIN LYCRA LAYLA GROUSE 100% COTTON SATIN LYCRA LAYLA NEW HORSES 100% COTTON SATIN LYCRA LAYLA POINTER DOG 100% COTTON SATIN LYCRA LAYLA PHEASANT FRIENDS 100% COTTON SATIN LYCRA LAYLA WHITE PEARLS 100% COTTON SATIN LYCRA LYDIA DOGS LYDIA WHITE ANIMAL PARTY 100% VISCOSE 100% VISCOSE ZOE DRAGONFLY 100% OXFORD COTTON LYDIA FOXES LYDIA HORSE HEADS 100% VISCOSE 100% VISCOSE LYDIA BROWN STAGS 100% VISCOSE LYDIA RUNNING PHEASANTS 100% -
Ucl Degree Awarding Powers Academic Dress Regulations
UCL DEGREE AWARDING POWERS ACADEMIC DRESS REGULATIONS UCL ACADEMIC DRESS REGULATIONS 1. The Hood All hoods shall be the ‘slim’ shape. 1.1 First Degrees (Fig. 1.1, 1.2 & 1.3) The hood for the following degrees shall be the slim shape in black cloth, fully lined with silk of the colour indicated below: Bachelor of Arts (BA) Purple Bachelor of Arts and Sciences (BASc) Purple Bachelor of Engineering (BEng) Purple Bachelor of Education (BEd) Purple Bachelor of Fine Art (BFA) Purple Bachelor of Laws (LLB) Purple Bachelor of Medicine and Bachelor of Surgery (MB,BS) Red Bachelor of Science (BSc) Purple Bachelor of Science (Economics) (BSc(Econ)) Purple Bachelor of Science (Engineering) (BSc(Eng)) Purple Master in Science (MSci) Blue Master of Engineering (MEng) Blue Master of Pharmacy (MPharm) Blue 1.2 Postgraduate Diplomas and Postgraduate Certificate in Education (Fig. 2.1) The hood for the following diplomas shall be the slim shape in black cloth, fully lined with black silk and edged around the cape, cowl and neckband with blue silk: Postgraduate Diploma (PG Dip) Euro Postgraduate Diploma (Euro PG Dip) Postgraduate Certificate in Education (PGCE) 1.3 Postgraduate Taught Degrees (Fig. 3.1) The hood for the following degrees shall be the slim shape in black cloth, fully lined with silver grey silk: Euro Master of Science (Euro MA) International Masters (Int MA) Master in Public Administration (MPA) Master of Architecture (MArch) Master of Arts (MA) Master of Clinical Dentistry (MClinDent) Master of Fine Art (MFA) Master of Laws (LLM) Master of Research (MRes) Master of Science (MSc) Master of Teaching (MTeach) Master of Education (MEd) Master of Public Administration (MPA) 1.4 Specialist Doctorates (Fig. -
Ysu1311869143.Pdf (795.38
THIS IS LIFE: A Love Story of Friendship by Annie Murray Submitted in Partial Fulfillment of the Requirements for the Degree of M.F.A. in the NEOMFA Program YOUNGSTOWN STATE UNIVERSITY May, 2011 THIS IS LIFE: A Love Story of Friendship Annie Murray I hereby release this thesis to the public. I understand that this thesis will be made available from the OhioLINK ETD Center and the Maag Library Circulation Desk for public access. I also authorize the University or other individuals to make copies of this thesis as needed for scholarly research. Signature: ________________________________________________________ Annie Murray, Student Date Approvals: ________________________________________________________ David Giffels, Thesis Advisor Date ________________________________________________________ Phil Brady, Committee Member Date ________________________________________________________ Mary Biddinger, Committee Member Date ________________________________________________________ Peter J. Kasvinsky, Dean, School of Graduate Studies and Research Date © A. Murray 2011 ABSTRACT This thesis explores the universal journey of self discovery against the specific backdrop of the south coast of England where the narrator, an American woman in her early twenties, lives and works as a barmaid with her female travel companion. Aside from outlining the journey from outsider to insider within a particular cultural context, the thesis seeks to understand the implications of a defining friendship that ultimately fails, the ways a young life is shaped through travel and loss, and the sacrifices a person makes when choosing a place to call home. The thesis follows the narrator from her initial departure for England at the age of twenty-two through to her final return to Ohio at the age of twenty-seven, during which time the friendship with the travel companion is dissolved and the narrator becomes a wife and a mother. -
Post Sale Results for 671 - Summer Fashion & Accessories (Online Only) July 16, 2019
Post Sale Results for 671 - Summer Fashion & Accessories (Online Only) July 16, 2019 Lot and Description Low High Price Realized 1 - Christian Dior Haute Couture Dress and Shawl, 2008 In 2008, Renée Fleming was the first woman to open the season of New York’s $3,000 $4,000 $10,625 Metropolitan Opera. For the occasion, she wore four haute couture creations, including this dress by John Galliano for... 2 - Vivienne Westwood Couture Dress, 2005 Renée Fleming wore this dress for the PBS Great Performances broadcast of Renée Fleming: $1,500 $2,500 Unsold Sacred Songs and Carols, which was recorded at Mainz Cathedral in Germany. Property from the Collection of Renée Fleming, New... 3 - Metropolitan Opera 18th Century Costume, 2009 Costume worn by Renée Fleming for her role as Marschallin in Act III of Der Rosenkravalier $3,000 $4,000 $3,250 at the Metropolitan Opera, 2009. Property from the Collection of Renée Fleming, New York, New York, to benefit the... 4 - Vivienne Westwood Couture Dress, 2008 Renée Fleming wore this dress at the New York Public Library for the Library Lions Gala and in $1,000 $2,000 Unsold Washington DC for her performance in the Washington National Opera’s opening night of Donizetti’s Lucrezia Borgia.... 5 - Reem Akra Dress, 2011 Renée Fleming wore this dress for her performance with the German pianist, Hartmut Höll at New York City’s $400 $600 $500 Carnegie Hall. Property from the Collection of Renée Fleming, New York, New York, to benefit the Renée Fleming... 6 - Akris Two-Piece Dress, 2008 Renée Fleming wore this dress for her performance for the US Supreme Court Justices in 2008.