The Empire State Carousel As New York History: a Curriculum

Total Page:16

File Type:pdf, Size:1020Kb

The Empire State Carousel As New York History: a Curriculum The Empire State Carousel As New York History: A Curriculum for Fourth Graders By: The Cooperstown Graduate Program Class of 2008 For The Farmers’ Museum The Empire State Carousel as New York State History Table of Contents Introduction ……………………………………………………………………………………..… 3 About this Lesson …………………………….…………………………………….……..…….. 4 Getting Started …………………………………………………………………………………… 7 Video: The Empire State Carousel at The Farmers’ Museum Setting the Stage: Historical Context ……………………………………………..…………. 8 Locating the Site: Maps ……………………………………………………………………..... 10 Lesson Plan Map 1: Find the Folks Supplementary Images Locating the Site Worksheet for Map 1 Map 2: New York State Carousel Census New York Carousel Census Assessment worksheet and Answer Key Map 3: Animals Represented on the Empire State Carousel Assessment worksheet and Answer Key Activity: Where did the Animals Go? New York State History Timeline …………………………………………………………...… 33 Lesson Plan Slide and Poster Templates Research Guide Determining the Facts: Readings ………………………………………………....…………. 44 Reading 1 Lesson Plan Reading 1: From ‘Little Wars’ to Merry-go-rounds Determining the Facts Worksheet for Reading 1 Assessment worksheet and Answer Key Reading 2 Lesson Plan Reading 2: Masters of the American Carousel Determining the Facts Worksheet for Reading 2 Assessment worksheet and Answer Key Reading 3 Lesson Plan Reading 3: The New York Experience Determining the Facts Worksheet for Reading 3 Assessment worksheet and Answer Key Vocabulary Lesson Plan Readings Vocabulary Visual Evidence: Images ………………………………………………………….……………. 93 Lesson Plan Photo Analysis Guidelines worksheet Image 1: Herschell-Spillman Workshop, 1915 1 The Empire State Carousel as New York State History Table of Contents (Continued) Assessment worksheet and Answer Key Image 2: a) Gerry Holzman carving Percy Pig b) Percy Pig Assessment worksheet and Answer Key Image 3: Bucky Beaver Assessment worksheet and Answer Key Image 4: The Empire State Carousel Assessment worksheet and Answer Key Putting it All Together: Telling New York State History through Collage ….………... 111 Procedure: Rubric: Student self evaluation Rubric: Teacher evaluation Research Guide Supplementary Resources …………………………………………………………….……. 119 Bibliography ……………………………………………………………………………..…….. 122 2 The Empire State Carousel as New York State History As visitors to The Farmers' Museum in beautiful Cooperstown, NY, explore the Country Fair exhibit, the bright lights, brilliant colors, and cheerful music of one of the museum’s most unique treasures—the Empire State Carousel—greet them. Guests of all ages are invited to climb aboard one of the many handcrafted animals and enjoy a carefree ride to traditional carousel music. Riders and onlookers alike appreciate the carousel's beauty and observe that each figure and panel of the carousel represents an important facet of New York's history and culture. Indeed, the carousel offers all visitors a fun and relaxing activity while presenting countless lessons about people, places, and events in New York's proud heritage. The Empire State Carousel provides a distinctly "New York" experience for all who come to visit. Far from being the typical static museum exhibit, the carousel both delights and educates visitors on important facets of the state of New York. Each animal on the carousel represents a species found in the state while showcasing the handiwork of New York folk artists. The carousel also displays hand-carved images of the state's most famous citizens and bears the names of many of New York's notable towns and cities. As an important aspect of the overall visitor experience at The Farmers' Museum, the carousel offers opportunities to celebrate and learn about the state of New York in a fun and unique way. The Empire State Carousel may even be considered a museum of its own-- a museum you can ride on! 3 About This Lesson This lesson is based on the New York State Historical Association’s Empire State Carousel files and other source materials. The Empire State Carousel as New York State History was written by Mary Aimonovitch, Kira DeLanoy, Ashley Hopkins, Carolyn Lane, Stephanie Lehner, Brian Richards, Allan Rowe, and Kimberly Springle, students at the Cooperstown Graduate Program, and was supervised by John Buchinger, Associate Director of Education at the New York State Historical Association . This lesson was designed to bring the important story of the Empire State Carousel into classrooms across the country . Where it fits into the curriculum: Topics: This lesson could be used in United States history courses to satisfy New York State Standard 1: History of the United States and New York. It could also be used in Art courses to satisfy units on stories and symbols in art, as well as folk art courses. Time period : Late twentieth century. Relevant New York State Standards: Art Standards : 1: Creating, performing and participating in the Arts 2: Knowing and using Arts materials and resources 3: Responding to and analyzing works of art 4: Understanding the cultural dimensions and contributions of the Arts English Language Standards 1: Language for Information and Understanding 3: Language for Critical Analysis and Evaluation Mathematics, Science, and Technology 4: Science 6. Interconnectedness: Common themes 4 Social Studies Standards: History of the United States and New York: 1: The study of New York State and United States history requires an analysis of the development of American culture, its diversity and multicultural context, and the ways people are unified by many values, practices, and traditions 2: Important ideas, social and cultural values, beliefs and traditions from New York State and United States history illustrate the connections and interactions of people and events across time and from a variety of perspectives 3: Study about the major social, political, economic, cultural, and religious developments in New York State and United States history involves learning about the important roles and contributions of individuals and groups Objectives for Students: • Students will be able to observe and critique the Empire State Carousel as a piece of artwork and understand the stories it is depicting. They will be able to answer in a complete manner all questions and engage in all activities in this part of the lesson. • Students will have knowledge of the great contributions of New Yorkers to society. They will be able to answer in a complete manner all questions and engage in all activities in this part of the lesson. • Students will be able to identify key places in New York State and the role those places played in New York State history. They will be able to answer in a complete manner all questions and engage in all activities in this part of the lesson. • Students will be able to identify and explain the parts of the Empire State Carousel and why they were used to represent New York State. They will be able to answer in a complete manner all questions and engage in all activities in this part of the lesson. 5 • The students will be able to create their own artistic representation of New York State using symbols of important people, places, and things. Students will be graded based on the provided rubric. Materials for students The materials listed below can be used directly on the computer or printed, photocopied, and distributed to students. The maps and images appear twice: in a low-resolution version with associated questions and alone in a larger, high-quality version. • One vocabulary lesson with activity sheets. • One New York State History Timeline Activity • Three maps showing the geography of the area, with accompanying activities. • Three readings compiled from primary and secondary sources, with accompanying activities. • Five images in the Visual Evidence section, with worksheets. • Seven images of folk-life panels for use with Map 1: Find the Folks. Visiting the site The Empire State Carousel is located at the Farmers’ Museum in Cooperstown, New York on State Route 80. For more information contact: The Farmers’ Museum P.O. Box 30 Cooperstown, NY 13326 Phone: (607) 547-1450; Toll Free: (888) 547-1450 Website: http://www.farmersmuseum.org Please call ahead before planning your visit. 6 Getting Started Watch “The Empire State Carousel at The Farmers’ Museum” video. Then answer the following questions: 1. If you were going to make a work of art about New York State history, what five images would you use? 1.) __________________________________________________________________________ 2.) __________________________________________________________________________ 3.) __________________________________________________________________________ 4.) __________________________________________________________________________ 5.) __________________________________________________________________________ 2. Choose one person who you feel best represents New York State. Why did you pick did you pick this person? _________________________________________________________________________________ _________________________________________________________________________________ _________________________________________________________________________________ 3. If you met someone who had never been to New York, where would you take that person? Why? __________________________________________________________________________________ __________________________________________________________________________________ __________________________________________________________________________________
Recommended publications
  • 2020-Indiana-Festival-Guide.Pdf
    2020 ® A proud sponsor of the Indiana Festival Guide since 1972 You think about your to-do list. AUTO • HOME • LIFE BUSINESS • ANNUITIES • FARM We’ll help you think about your what-if list. INFarmBureau.com 2020 June 13-14 September 10-13 West Boggs Civil War Reenactment White River Valley Antique Show 16117 US-231, Loogootee Daviess Fairgrounds August 6-8 September 11-12 Odon Old Settlers Festival Chandelier Barn Market Odon Park, Odon 5060 E 350 N, Montgomery September 5 September 19-20 Amish Quilt Auction 20th Century Chevy Car Festival Simon J Graber Building, Cannelburg East Side Park, Washington September 10-13 September 26 Daviess County Turkey Trot Wine & Brew Fest Ruritan Park, Montgomery Main Street, Washington AUTHENTIC AMISH QUILTS FABULOUS FOOD ANTIQUES GUIDED TOURS 812.254.5262 • [email protected] Find more festival and event information at IndianaFestivals.org and see page 103 for County & Regional Map. 1 Welcome! Dear Indiana Travelers and Festival Fans, Here in Indiana, festival season never stops. From car shows to music festivals to Suzanne Crouch county fairs, there is something for everyone in the Hoosier state. Lt. Governor The 2020 Indiana Festival Guide® is the best source for choosing from one of the state’s hundreds of festivals. So pick your favorites, mark your calendars and enjoy all that Indiana has to offer. On behalf of Indiana Tourism and the Indiana State Festivals Association, we would like to thank you for choosing Indiana as your festival destination all year long. Safe travels! Brenda Alexander President, ISFA Frankton Heritage Days Brenda Alexander Mission Statement: The Indiana State Festivals Association® (ISFA) is a non-profit organization created to “Empower Indiana Festivals, Events and Organizations through education, networking and leadership.” ISFA is devoted to promoting and enhancing festivals and events throughout the state.
    [Show full text]
  • The Fair Labor Standards Act of 1938, As Amended
    The Fair LaboR Standards Act Of 1938, As Amended U.S. DepaRtment of LaboR Wage and Hour Division WH Publication 1318 Revised May 2011 material contained in this publication is in the public domain and may be reproduced fully or partially, without permission of the Federal Government. Source credit is requested but not required. Permission is required only to reproduce any copyrighted material contained herein. This material may be contained in an alternative Format (Large Print, Braille, or Diskette), upon request by calling: (202) 693-0675. Toll-free help line: 1-866-187-9243 (1-866-4-USWAGE) TTY TDD* phone: 1-877-889-5627 *Telecommunications Device for the Deaf. Internet: www.wagehour.dol.gov The Fair Labor Standards Act of 1938, as amended 29 U.S.C. 201, et seq. To Provide for the establishment of fair labor standards in emPloyments in and affecting interstate commerce, and for other Purposes. Be it enacted by the Senate and House of Representatives of the United States of America in Congress assembled, That this Act may be cited as the “Fair Labor Standards Act of 1938”. § 201. Short title This chapter may be cited as the “Fair Labor Standards Act of 1938”. § 202. Congressional finding and declaration of Policy (a) The Congress finds that the existence, in industries engaged in commerce or in the Production of goods for commerce, of labor conditions detrimental to the maintenance of the minimum standard of living necessary for health, efficiency, and general well-being of workers (1) causes commerce and the channels and instrumentalities of commerce to be used to sPread and Perpetuate such labor conditions among the workers of the several States; (2) burdens commerce and the free flow of goods in commerce; (3) constitutes an unfair method of competition in commerce; (4) leads to labor disputes burdening and obstructing commerce and the free flow of goods in commerce; and (5) interferes with the orderly and fair marketing of goods in commerce.
    [Show full text]
  • Hello, This Is Stephanie and This Is Talk Tales and Trivia, the Show Where I Talk About Pop Culture and Trivia
    Hello, this is Stephanie and this is talk tales and trivia, the show where I talk about pop culture and trivia. Listen here, I'm a mad researcher on pop culture and trivia and I love to give all that information to you so that you can stump your friends. It is so much fun. Listen on today's episode I am talking about the local fair. You remember the local fair when you were a child, perhaps maybe there was a local fair in your community as there is all over the world and all over this country and I want to tell you a little more about it starting right now. Well, some people say the fair is the pinnacle of their spring and summer outings and their family outings and what they do with their friends and family on perhaps a weekday night or a weekend night when there is not much going on. But let me tell you something where I grew up the fair or the local fair or the carnival was a wonderful thing to have and to do because I grew up in a neighborhood where there wasn't a lot to do, but let me start with a little history on the local fair or carnival as it's sometimes called. Well, a local fair or carnival is traveling entertainment with sideshows rides and especially one that visits places at the same time each year. Well, it's true. Every spring we would have the same fair going on. It's an event including amusement rides and sales of goods, especially for charity, a bizarre and great food, which we'll talk about a little later on.
    [Show full text]
  • 25Th Anniversary 1985-2010
    TheThe September 2010 Vol. 26, No. 9 CCarouselarousel $5.95 NewsNews && TraderTrader Carousel News &25TH25TH Trader, September 2010 ANNIVERSANNIVERSwww.carouselnews.comAARYRY 1985-20101985-2010 1 CAROUSELS FOR SALE 1927 Illions Supreme – SOLD This is the last of the three complete supremes including the world famous American Beauty rose horse. 1895 Looff Carousel. Last operated at Asbury Park A huge 4-row with 78 replacement animals. 1925 PTC. Last operated Kiddieland in Melrose, IL 3-row carousel with an amazing 16 signature PTC horses. 1900s PTC Carousel Last operated by the world famous Strates shows. In storage awaiting restoration. 1900s Looff Carousel Huge 4-row menagerie carousel. Has been in storage for years, awaiting restoration. 1900s PTC Carousel Rare 4-row unrestored carousel great for community project. Priced to sell. Restoration available. 1927 Dentzel frame from Rock Springs, WV The last carousel Dentzel ever built with the trim still in original paint. Replacement animals available. 1880s Herschell-Spillman Steam-Operated Carousel Original steam engine with 24 animals and 2 chariots. 1900s Dentzel Menagerie Carousel All original animals. Currently up and operating looking for new home. 1900s PTC Carousel A huge 4-row with all original animals. Restored and ready to operate. 1920s Dentzel Menagerie Carousel All original animals. Deluxe trim. Currently in storage. Videos of it operating at its last location. 1920s Dentzel Carousel Another huge 4-row machine, just like Disneyland’s, with 78 replacement animals. Allan Herschell Carousel 30 horses. New sweeps and platforms. Set up for outdoor use. Located on East Coast. Up and running; ready to go.
    [Show full text]
  • Spokane Interstate Fair Ride Descriptions 2019
    Spokane Interstate Fair Ride Descriptions 2019 SPECTACULAR RIDES Super Shot Drop Tower Raptor The Raptor has a familiar look of the classic scrambler, but with an extra special kick that multiplies the fun and excitement. Four arms are connected to seats in pods of three. Each pod of seats spin counterclockwise while the entire arm turns counterclockwise giving riders the feeling of being in the center of a crazy vortex. The Raptor has 18 seats each holding 2 adults per seat Rock Star Made in the USA, the Rock Star is a platform ride shaped as a giant electric guitar which goes completely up and over in a circular fashion. Riders leaves their stomach behind with each exciting decent. The professional scenery and over 1,000 high efficiently LED lights makes this musical journey a ride to remember! Zillerator Coaster Up, down and around aboard a car for four, passengers enjoy the Zillerator coaster! The Zillerator will attract all thrill seekers, standing at 48 1/2 feet tall, it has 6 cars each capable of holding up to 4 people. A ride for teens and adults, the Zillerator sends riders on a thrilling trip over the tracks – curving, rising and descending – a journey for the bravest. Freak Out This ride boasts an energy efficient light package utilizing LED’s which produce clear bright color while using 90% less power to operate. Towering at 70 feet, the Freak Out seats 16 persons and takes them on a thrilling journey into the sky! Passengers are secured by over the shoulder harnesses as they dangle in expectation.
    [Show full text]
  • Determining the Facts: Grade 4 Vocabulary List Americanism A
    Determining the Facts: Grade 4 Vocabulary List A word, phrase, or custom that originated in the Americanism United States, or is regarded as characteristic of the United States. Amusement Entertainment; something to do for fun. Integration into a group; the process by which one Assimilation group takes on the cultural traits of a larger group. The people who dominated Mexico in the early Aztecs sixteenth century. Outdoor decorations usually made from strings of Bunting cloth or paper for hanging. Refers to the period of rule in the Eastern Roman Byzantine Era Empire beginning in 330 A.D. Ancient two-wheeled horse-drawn vehicle used in Chariots races, warfare, or processions. On a carousel a chariot is any bench or seat for riders. Large amusement park in New York City, NY. This Coney Island park was the largest and best known amusement park in the United States in the late 1800s. Name given to the style of carousel carving led by "Coney Island Style" Charles Loof; known for elegant and natural-looking animals. Name given to the style of carousel building led by Allan Herschell. Horses and other figures were "Country Fair Style" somewhat simple in order to allow these carousels to be disassembled and moved to fairs around the country. Located at Crescent Park in Riverside, Rhode Island; created by Charles Loof. It is known for being Crescent Park Carousel especially fancy and features mirrors, glass jewels, colored windows, and an organ. Leader of the Philadelphia style of carousel building; Gustav Dentzel became known as the "father of American carousel carving." Elaborate Contains a great deal of fancy detail and decoration.
    [Show full text]
  • Historic Amusement Parks and Fairground Rides Introductions to Heritage Assets Summary
    Historic Amusement Parks and Fairground Rides Introductions to Heritage Assets Summary Historic England’s Introductions to Heritage Assets (IHAs) are accessible, authoritative, illustrated summaries of what we know about specific types of archaeological site, building, landscape or marine asset. Typically they deal with subjects which lack such a summary. This can either be where the literature is dauntingly voluminous, or alternatively where little has been written. Most often it is the latter, and many IHAs bring understanding of site or building types which are neglected or little understood. Many of these are what might be thought of as ‘new heritage’, that is they date from after the Second World War. With origins that can be traced to annual fairs and 18th-century pleasure grounds, and much influenced by America’s Coney Island amusement park of the 1890s, England has one of the finest amusement park and fairground ride heritages in the world. A surprising amount survives today. The most notable site is Blackpool Pleasure Beach, in Lancashire, which has an unrivalled heritage of pre-1939 fairground rides. Other early survivals in England include scenic railways at Margate and Great Yarmouth, and water splash rides in parks at Kettering, Kingston-upon-Hull and Scarborough that date from the 1920s. This guidance note has been written by Allan Brodie and edited by Paul Stamper. It is one is of several guidance documents that can be accessed HistoricEngland.org.uk/listing/selection-criteria/listing-selection/ihas-buildings/ Published by Historic England June 2015. All images © Historic England unless otherwise stated. HistoricEngland.org.uk/listing/ Front cover A modern aerial photograph of Blackpool Pleasure Beach showing the complex landscape that evolved during the 20th century.
    [Show full text]
  • List of Intamin Rides
    List of Intamin rides This is a list of Intamin amusement rides. Some were supplied by, but not manufactured by, Intamin.[note 1] Contents List of roller coasters List of other attractions Drop towers Ferris wheels Flume rides Freefall rides Observation towers River rapids rides Shoot the chute rides Other rides See also Notes References External links List of roller coasters As of 2019, Intamin has built 163roller coasters around the world.[1] Name Model Park Country Opened Status Ref Family Granite Park United [2] Unknown Unknown Removed Formerly Lightning Bolt Coaster MGM Grand Adventures States 1993 to 2000 [3] Wilderness Run Children's United Cedar Point 1979 Operating [4] Formerly Jr. Gemini Coaster States Wooden United American Eagle Six Flags Great America 1981 Operating [5] Coaster States Montaña Rusa Children's Parque de la Ciudad 1982 Closed [6] Infantil Coaster Argentina Sitting Vertigorama Parque de la Ciudad 1983 Closed [7] Coaster Argentina Super Montaña Children's Parque de la Ciudad 1983 Removed [8] Rusa Infantil Coaster Argentina Bob Swiss Bob Efteling 1985 Operating [9] Netherlands Disaster Transport United Formerly Avalanche Swiss Bob Cedar Point 1985 Removed [10] States Run La Vibora 1986 Formerly Avalanche Six Flags Over Texas United [11] Swiss Bob 1984 to Operating Formerly Sarajevo Six Flags Magic Mountain States [12] 1985 Bobsleds Woodstock Express Formerly Runaway Reptar 1987 Children's California's Great America United [13] Formerly Green Smile 1984 to Operating Coaster Splashtown Water Park States [14] Mine
    [Show full text]
  • Danger at the Amusement Park
    When an outing to an amusement park or fairground ends in tragedy, it’s essential to conduct early and thorough investigation of the ride and parties involved in its manufacture and maintenance. By || M ARK K ITRICK AND M ARK L EWIS DANGERat the Amusement Park In 2017, the Fire Ball ride at the Ohio State Fair catastrophically failed, killing our 18-year-old client Tyler Jarrell and injuring others.1 “Described as an ‘aggressive thrill’ ride, the Fire Ball swings riders from side to side like a pendulum, reaching 40 feet above the ground while spinning riders at 13 revolutions per minute.”2 Tyler was thrown 60 feet into the air and died on impact with the cement ground. An extensive investigation found that the catastrophic failure was caused by exces- sive corrosion, leading one of the pendulum ride’s gondolas (the cart that carries the ride’s passengers in a row of seats, which was fixed at the end of a metal arm) to break loose.3 People who visit amusement parks or fairgrounds buy tickets believing that Ithe rides are designed, assembled, and maintained properly; that they’ve been thoroughly inspected; that the operators are well trained; and that safety is primary. However, the amusement park industry was deregulated in 1981, resulting in no national safety standards for fixed and permanent attractions, known as the so-called “roller-coaster loophole.”4 Today, the rules and inspections vary by state.5 Further, the U.S. Consumer Product Safety Commission (CPSC) has no serious oversight of the industry.6 As a result, national data on safety risks is incomplete.
    [Show full text]
  • Theme Index and Museum Index: the Global Attractions Attendance Report
    GLOBAL ATTRACTIONS ATTENDANCE REPORT Cover image: Star Wars: Galaxy’s Edge, Disneyland Park, Anaheim, CA, U.S. Photo courtesy of Disney CREDITS TEA/AECOM 2019 Theme Index and Museum Index: The Global Attractions Attendance Report Publisher: Themed Entertainment Association (TEA) Research: Economics practice at AECOM Editor: Judith Rubin Producer: Kathleen LaClair Lead Designers: Matt Timmins, Nina Patel Publication team: Tsz Yin (Gigi) Au, Beth Chang, Michael Chee, Linda Cheu, Celia Datels, Lucia Fischer, Marina Hoffman, Olga Kondaurova, Kathleen LaClair, Jodie Lock, Jason Marshall, Sarah Linford, Jennie Nevin, Nina Patel, John Robinett, Judith Rubin, Matt Timmins, Chris Yoshii ©2019 TEA/AECOM. All rights reserved. CONTACTS For further information about the contents of this report and about the Economics practice at AECOM, contact the following: John Robinett Chris Yoshii Senior Vice President – Economics Vice President – Economics, Asia-Pacific [email protected] [email protected] T +1 213 593 8785 T +852 3922 9000 Kathleen LaClair Beth Chang Associate Principal – Economics, Americas Executive Director – Economics, [email protected] Asia-Pacific T +1 610 444 3690 [email protected] T +852 3922 8109 Linda Cheu Jodie Lock Vice President – Economics, Americas Associate – Economics, Asia-Pacific and EMEA [email protected] [email protected] T +1 415 955 2928 T +852 3922 9000 aecom.com/economics For information about TEA (Themed Entertainment Association): Judith Rubin Jennie Nevin TEA Director of Publications TEA Chief Operating Officer [email protected] [email protected] T +1 314 853 5210 T +1 818 843 8497 TEAconnect.org GLOBAL ATTRACTIONS ATTENDANCE REPORT The definitive annual attendance study for the themed entertainment and museum industries.
    [Show full text]
  • Joyful Encounters: Learning to Play Well with Machines
    Sandry, E and Peaty, G. 2020. Joyful Encounters: Learning to Play Well with Machines. Cultural Science Journal, cultural science 12(1), pp. 44–58. DOI: https://doi.org/10.5334/csci.137 RESEARCH Joyful Encounters: Learning to Play Well with Machines Eleanor Sandry and Gwyneth Peaty Curtin University, AU Corresponding author: Dr. Eleanor Sandry ([email protected]) Human interactions with machines, including computers, consoles, smart devices and robots, are becoming more and more a part of everyday life. However, human–machine relations are often regarded as problematic for people, their interpersonal communication and human society more broadly. This paper provides an analysis of the characteristics that constitute ‘play’ in rela- tion to video games and interactions with robots, arguing it is possible to position time spent on play with machines as valuable in itself, without requiring the outcomes more traditionally regarded as productive. Much of what is valuable in play can be seen to develop from embodied processes of communication within which humans and machines encounter and respond to one other. These encounters are often shaped by stories about the capabilities of machines and humans, while the interactions themselves go on to provoke new narratives. Although human– machine interaction can be theorized as ‘cyborg’ or ‘hybrid’, this paper argues that adopting the idea of the ‘assemblage’ is a better way recognize the flexibility of bringing disparate humans and machines together, whether in relation to playing a game or playing music. In rethinking the value of play, this paper emphasizes how people’s time spent interacting, whether with video games or robots, provides opportunities for them to learn more about themselves and others.
    [Show full text]
  • Summer 2021  A Publication of the Caltech Women’S Club
    Summer 2021 a publication of the Caltech Women’s Club A Summer Fair Tour Featuring the CWC Summer Fair Awards CHATS Update Around Caltech Featuring the Caltech Y Casita Report The Story of Beryl Wallace & the Errol Carroll Theater History of the Carousel PRESIDENT’S MESSAGE thank you I’d like to take this opportunity to thank the hard-working, dependable and energetic team who have stepped up to take on positions with the CWC during the past two years when I’ve been lucky enough to serve as President. It is exciting to see how everyone has risen to meet the challenges we’ve faced and found creative ways to pro- mote the club’s mission of “promoting friendship and the sharing of mutual interests.” I also want to thank all our loyal members who have re- newed their membership, and I encourage you all to reach out to both new arrivals in the area and long-standing members of our community to let them know about all the CWC can offer. I’m confident the CWC will be under excellent leadership next year with Gloria Mullendore as President and with a talented board ready to serve. I’m excited to continue serv- ing as Membership Chair next year. Just like last year, we are not spending a delightful evening in the garden of the President’s House at the Spring Scattering, but I’m hoping that I will have the opportunity to see more CWC mem- bers in person soon. Katie The mission of the Caltech Women’s Club shall be to promote friendship and the sharing of mutual interests and to provide service and cultural enrichment to the wider Caltech community.
    [Show full text]