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“Charleston, Goddam”: an Editorial Introduction to ACT 14.2 Brent C
Sunderman Conservatory of Music Faculty Sunderman Conservatory of Music Publications 8-2015 “Charleston, Goddam”: An Editorial Introduction to ACT 14.2 Brent C. Talbot Gettysburg College Follow this and additional works at: https://cupola.gettysburg.edu/consfacpub Part of the Curriculum and Social Inquiry Commons, and the Social and Philosophical Foundations of Education Commons Share feedback about the accessibility of this item. Talbot, Brent C. “'Charleston, Goddam': An Editorial Introduction to ACT 14.2." Action, Criticism, and Theory for Music Education 14.2 (August 2015), 1-24. This is the publisher's version of the work. This publication appears in Gettysburg College's institutional repository by permission of the copyright owner for personal use, not for redistribution. Cupola permanent link: https://cupola.gettysburg.edu/consfacpub/9 This open access article is brought to you by The uC pola: Scholarship at Gettysburg College. It has been accepted for inclusion by an authorized administrator of The uC pola. For more information, please contact [email protected]. “Charleston, Goddam”: An Editorial Introduction to ACT 14.2 Abstract In this editorial, I trace the events following the tragic and racist shootings that occurred at the A.M.E. church in Charleston, South Carolina on June 17, 2015. Drawing upon anti-racist scholars and musical activists, I make a case for getting political and for cultivating activism in our classrooms. I ask our field to critically reflect upon our participation in a system that advantages Whites. I suggest that one possibility to engage in dialogue around issues of race is to encourage an environment of musical creativity where—together with students—teachers study and write music that speaks to our times and addresses issues of social justice within our local communities and across the globe. -
Anti-Racism Resources
Anti-Racism Resources Prepared for and by: The First Church in Oberlin United Church of Christ Part I: Statements Why Black Lives Matter: Statement of the United Church of Christ Our faith's teachings tell us that each person is created in the image of God (Genesis 1:27) and therefore has intrinsic worth and value. So why when Jesus proclaimed good news to the poor, release to the jailed, sight to the blind, and freedom to the oppressed (Luke 4:16-19) did he not mention the rich, the prison-owners, the sighted and the oppressors? What conclusion are we to draw from this? Doesn't Jesus care about all lives? Black lives matter. This is an obvious truth in light of God's love for all God's children. But this has not been the experience for many in the U.S. In recent years, young black males were 21 times more likely to be shot dead by police than their white counterparts. Black women in crisis are often met with deadly force. Transgender people of color face greatly elevated negative outcomes in every area of life. When Black lives are systemically devalued by society, our outrage justifiably insists that attention be focused on Black lives. When a church claims boldly "Black Lives Matter" at this moment, it chooses to show up intentionally against all given societal values of supremacy and superiority or common-sense complacency. By insisting on the intrinsic worth of all human beings, Jesus models for us how God loves justly, and how his disciples can love publicly in a world of inequality. -
47Th NAACP Image Awards
www.theaustinvillager.com CLASSIFIEDS THE VILLAGER/February 19, 2016 ~ Page 7 EMPLOYMENT | PROPOSALS | PUBLIC INFORMATION FOR SALE | FOR RENT | BIDS | MISCELLANEOUS The Winners of the ’47th NAACP Image Awards’ Announced Live by Naomi Richard | The Austin Villager Newspaper Loretta Devine, Shonda Rhimes, Omari Hardwick, The winners of the “47th NAACP Image Awards” Wendy Raquel Robinson, Sanaa Lathan, RonReaco Lee, were announced during the live broadcast from Pasa- Keke Palmer, Teyonah Parris, Michael Ealy, Tom Joyner, dena Civic Auditorium which aired on TV One (9-11 p.m. LeToya Luckett, Ken Jeong, F. Gary Gray and more. Also ET live/PT tape-delayed) on February 5, 2016. The two- expected are cast members from “Empire” – Terrence hour live special was hosted by Anthony Anderson. Howard, Taraji P. Henson, Jussie Smollett, Bryshere Gray, There was a one-hour live pre-show from the red car- Grace Gealy, Trai Byers, Serayah, Gabourey Sidibe, pet hosted by Terrence Jenkins and Tracey Edmonds. Ta’Rhonda Jones, Kaitlin Doubleday, Lee Daniels, Danny NAACP Chairwoman Rosyln Brock presented the Strong and more. NAACP Chairman’s Award to Brittany “Bree” Newsome; The winners of the “47th NAACP Image Awards” in Justice League NYC; Concerned Student 1950 Collec- the non-televised categories were announced during a tive at the University of Missouri, Columbia; The Uni- gala dinner celebration that took place Thursday, Feb- versity of Mississippi NAACP College Chapter; Rev. Dr. ruary 4, 2016, at the Pasadena Conference Center – the Otis Moss III; Rev. Dr. Howard-John Wesley; Rev. Dr. event was hosted by Affion Crockett and Nischelle Jamal Harrison Bryant, and Jussie Smollett. -
White Girl Bleed a Lot
White Girl Bleed A Lot Colin Flaherty 2013-11-29 2 Contents 1 ‘WHITE GIRL BLEED A LOT’ 9 TABLE OF CONTENTS . 10 INTRODUCTION THERE’S A RIOT GOING ON . 12 1 THE PHILADELPHIA SYNDROME . 17 MAYOR NUTTER HAS A EUREKA MOMENT . 21 JUST BLOWIN’ OFF SOME STEAM . 24 2 THE KNOCKOUT GAME, ST. LOUIS STYLE . 25 COLLEGE CAMPUS FUN . 28 POLAR BEAR HUNTING . 30 3 MOMS FIGHT BACK . 38 4 THEY CHOSE THE WRONG GUY . 41 5 ASIAN TARGETS . 43 PHILADELPHIA . 44 HOME INVASION ROBBERIES IN PHILLY . 47 SAN FRANCISCO . 48 MANHATTAN . 48 6 HAPPY FOURTH OF JULY . 50 7 LET’S PARTY . 58 MIAMI BEACH . 58 MYRTLE BEACH . 61 INDIANAPOLIS . 62 CHARLOTTE . 66 8 GROUND ZERO: CHICAGO . 68 SARAH PALIN DID IT . 76 3 4 CONTENTS TIRED SOLUTIONS AND BLAME SHIFTING . 77 9 CHICAGO: THE SEQUEL . 80 10 CONFESSIONS FROM A NETWORK NEWS DESK . 82 11 MILWAUKEE . 84 WHAT BIG MIKE IS TALKING ABOUT . 85 12 IOWA................................. 95 PEORIA? IMPOSSIBLE. 96 13 MINNEAPOLIS . 98 MINNEAPOLIS BREAKS OUT . 100 14 CONFESSIONS FROM A NEWS DESK, PART 2 . 104 15 NEW YORK . 106 16 BALTIMORE . 113 17 KANSAS CITY . 119 18 TEXAS . 120 19 NEW JERSEY . 123 20 PORTLAND . 125 21 CLEVELAND TWEETS . 129 IMMA’ START A RIOT. 129 SUNDAY: FLASH MOB . 130 MONDAY: AFTERMATH . 132 SATURDAY: PREPARATIONS . 132 22 SOUTH CAROLINA . 133 23 SEATTLE . 136 24 PUBLIC TRANSIT . 140 ATLANTA . 140 ST. LOUIS . 141 CHARLOTTE . 142 BRONX . 142 VENICE . 142 BOSTON . 143 CONTENTS 5 WASHINGTON, D.C. 144 SILVER SPRING . 146 CHICAGO . 146 PHILADELPHIA . 147 SEATTLE . 147 BUS DRIVERS . -
DEEN FREELON CHARLTON D. MCILWAIN MEREDITH D. CLARK About the Authors: Deen Freelon Is an Assistant Professor of Communication at American University
BEYOND THE HASHTAGS DEEN FREELON CHARLTON D. MCILWAIN MEREDITH D. CLARK About the authors: Deen Freelon is an assistant professor of communication at American University. Charlton D. McIlwain is an associate professor of media, culture and communi- cation and Associate Dean for Faculty Development and Diversity at New York University. Meredith D. Clark is an assistant professor of digital and print news at the University of North Texas. Please send any questions or comments about this report to Deen Freelon at [email protected]. About the Center For Media & Social Impact: The Center for Media & Social Impact at American University’s School of Communication, based in Washington, D.C., is an innovation lab and research center that creates, studies, and showcases media for social impact. Fo- cusing on independent, documentary, entertainment and public media, the Center bridges boundaries between scholars, producers and communication practitioners across media production, media impact, public policy, and audience engagement. The Center produces resources for the field and academic research; convenes conferences and events; and works collaboratively to understand and design media that matters. www.cmsimpact.org Internal photos: Philip Montgomery Graphic design and layout: openbox9 The authors gratefully acknowledge funding support from the Spencer Foundation, without which this project would not have been possible. We also thank Ryan Blocher, Frank Franco, Cate Jackson, and Sedale McCall for transcribing participant interviews; David Proper and Kate Sheppard for copyediting; and Mitra Arthur, Caty Borum Chattoo, Brigid Maher, and Vincent Terlizzi for assisting with the report’s web presence and PR. The views expressed in this report are the authors’ alone and are not necessarily shared by the Spencer Foundation or the Center for Media and Social Impact. -
South Carolina Black History Bugle – Issue 3
Book Review: HEART AND SOUL: The Story of America and African Americans Activism Education Literacy Music & the pursuit of Civil Rights I S Beacon of Hope, S A Light Out of Darkness U E T H R E E TO DREAM A BETTER WORLD The South Carolina Black History Bugle (SCBHB) is a Greetings Students, publication of the South Carolina Department of Education Welcome to the 2016 edition of The South Carolina developed by the Avery Institute of Afro-American History and Culture. Black History Bugle! The theme of this issue is, “To averyinstitute.us Dream a Better World!” We want you to use the lessons of the past to fuel your vision for a better Editor-in-Chief tomorrow. This issue is full of historical information Patricia Williams Lessane, PhD about how American slavery impacted the lives of everyday Americans—regardless of their enslaved status—well after its BUGLE STAFF abolition in 1865. Yet even after slavery’s end, African Americans Deborah Wright have continued to face various forms of oppression, and at Associate Editor times, even violence. For example, here in South Carolina, student Daron Calhoun protestors known as the Friendship Nine and those involved in the Humanities Scholar Orangeburg Massacre faced legal persecution in their pursuit of Savannah Frierson civil rights. Then in June 2015, nine members of Emanuel African Copy Editor Methodist Episcopal Church in Charleston were killed in a racist attack. South Carolinians from all walks of life came together GUEST CONTRIBUTORS to support the surviving members of Emanuel Church and the Celina Brown Charleston community at large. -
If Womanist Rhetoricians Could Speak
Journal of Contemporary Rhetoric, Vol. 5, No.3/4, 2015, pp. 160-165. If Womanist Rhetoricians Could Speak... Kimberly Johnson With all of the national debates about race and racism that discuss the killings of young black men by police offic- ers, the excessive police force used on African American women, the Charleston Church Shooting by a white su- premacist, and even our reactions to Bree Newsome removing a confederate flag from a state capitol building; we have heard from political pundits, social activists, religious leaders, some educators, and university administrators, but there is still an important voice that is missing. This article asks the question: where is the womanist critique? When will we hear and recognize a womanist voice in the midst of all the discourse? The article not only seeks to explain why womanist rhetoricians have been missing in action, it will begin to define womanist criticism and offer a womanist critique to the discourse on race and racism. Keywords: Race and Racism, Systemic Racism, Womanism, Womanist Criticism, Womanist Rhetoricians In the aftermath of so many racially charged incidents involving African Americans, people are talking. National debates about race and racism have sparked from coast to coast in discussing the killings of young black men, Michael Brown, Eric Garner, and Freddie Gray, by police offic- ers. The unsettling video images of a California patrol officer beating a 51-year old great-grand- mother on the side of the freeway; or the excessive force used by a Texas police officer, caught on camera, who threw a teenage girl down to the ground before pinning her with his weight had people talking as well. -
2016 Annual Report OUR MISSON
OUR LIVES MATTER. OUR VOTES COUNT. NAACP: 2016 Annual Report OUR MISSON The mission of the National Association for the Advancement of Colored People is to ensure the political, educational, social, and economic equality of rights of all persons and to eliminate race-based discrimination. VISION STATEMENT The vision of the National Association for the Advancement of Colored People is to ensure a society in which all individuals have equal rights without discrimination based on race. ii NAACP 2016 ANNUAL REPORT TABLE OF CONTENTS 2 Introduction 4 Chairman’s Letter 6 President & CEO’s Letter 8 NAACP Foundation Chairman’s Letter 9 Our Programs in Action 10 Health Department 12 Education 13 Voting Rights 14 Criminal Justice 16 Environmental & Climate Justice 17 Economic Department 19 Field Operations 27 Membership 28 Youth & College Division 31 Legal Advocacy 33 Hollywood Bureau 34 Washington, DC Bureau 36 NAACP Annual Convention 37 ACT-SO 38 Image Awards 40 Financials, Donors OUR LIVES MATTER. OUR VOTES COUNT. 1 HEADLINEINTRODUCTION TEXT 2016 marked a year of social controversy, an unprecedented year of political debate and continued police brutality throughout our communities. The work of the NAACP has brought increased visibility and bolstered our historic credibility as the premier civil rights organization with funders, the media, our members, other civil and human rights organizations, policymakers and the public. In 2016 we continued our work on the ground and as we remained heavily involved in civic engagement activities, and witnessed the election of a new President who has thus far demonstrated antagonism at best to many of our priorities - including education, criminal justice, and voting rights. -
Combating Anti-Black Racism June 18, 2020
Combating Anti-black Racism June 18, 2020 Harvard University has never been entirely insulated from the dynamism of life beyond its gates. If that was not crystal clear before now, it has certainly been clarified and amplified by the profound impact of both an unexpected virus and a set of unjust murders. We share in the anger and pain reverberating across the nation in the wake of the recent instances of police brutality, white supremacist violence, and the manner in which COVID-19 is devastating black and brown communities at disproportionate rates. It is deeply saddening to hear about the untimely and preventable deaths of George Floyd (Minnesota), Breonna Taylor (Kentucky), and Ahmaud Arbery (Georgia). Furthermore, the epidemic of violence involving those who are black and transgender continues to claim lives, among them Nina Pop (Missouri) and Tony McDade (Florida). We also witnessed the weaponization of whiteness that could have led one of our graduates, Christian Cooper (New York), to share a similar fate as those aforementioned. Days ago, another shocking video surfaced capturing the final moments of Rayshard Brooks (Atlanta). The 27-year-old’s death has spurred a fresh wave of anguish and protests. These incidents are not isolated, nor are they new phenomena. Not only are they common features of black life in America, but they are probably very present in the hearts and minds of our now dispersed Harvard community. And they will likely be top of mind when we all return to campus. We have a responsibility to act with urgency. We must reckon with the structural inequality and pervasive prejudice that has led us here and work towards a future where these disparities no longer exist. -
Page 1 of 143 Ventura County Library Diversity, Inclusion, & Anti
Ventura County Library Diversity, Inclusion, & Anti-RacismSort All Featured White Fragility By: DiAngelo, Robin; Dyson, Michael Eric ISBN: 9780807047422 Published By: Beacon Press 2018 EPUB3 View book URL https://ebook.yourcloudlibrary.com/library/venturacountylibrary-document_id-qv1u1r9 The New York Times best-selling book exploring the counterproductive reactions white people have when their assumptions about race are challenged, and how these reactions maintain racial inequality. In this “vital, necessary, and beautiful book” (Michael Eric Dyson), antiracist educator Robin DiAngelo deftly illuminates the phenomenon of white fragility and “allows us to understand racism as a practice not restricted to ‘bad people’ (Claudia Rankine). Referring to the defensive moves that white people make when challenged racially, white fragility is characterized by emotions such as anger, fear, and guilt, and by behaviors including argumentation and silence. These behaviors, in turn, function to reinstate white racial equilibrium and prevent any meaningful cross-racial dialogue. In this in-depth exploration, DiAngelo examines how white fragility develops, how it protects racial inequality, and what we can do to engage more constructively. Page 1 of 143 Let Them See You By: Braswell, Porter ISBN: 9780399581410 Published By: Potter/Ten Speed/Harmony/Rodale 2019 The guide to getting hired, being promoted, and thriving professionally for the 40 million people of color in the workplace—fromthe CEO and cofounder of Jopwell, the leading career advancement platform for Black, Latinx, and Native American students and professionals. Let Them See You is a collection of Braswell’s straight-talking advice and mentorship for diverse careerists, from college students to mid-level professionals. -
What About #Ustoo?: the Invisibility of Race in the #Metoo Movement Angela Onwuachi-Willig Abstract
THE YALE LAW JOURNAL FORUM J UNE 18, 2018 What About #UsToo?: The Invisibility of Race in the #MeToo Movement Angela Onwuachi-Willig abstract. Women involved in the most recent wave of the #MeToo movement have rightly received praise for breaking long-held silences about harassment in the workplace. The movement, however, has also rightly received criticism for both initially ignoring the role that a woman of color played in founding the movement ten years earlier and in failing to recognize the unique forms of harassment and the heightened vulnerability to harassment that women of color fre- quently face in the workplace. This Essay highlights and analyzes critical points at which the con- tributions and experiences of women of color, particularly black women, were ignored in the mo- ments preceding and following #MeToo’s resurgence. Ultimately, this Essay argues that the persistent racial biases reflected in the #MeToo movement illustrate precisely why sexual harass- ment doctrine must employ a reasonable person standard that accounts for complainants’ different intersectional and multidimensional identities. What history has shown us time and again is that if marginalized voices—those of people of color, queer people, disabled people, poor people—aren’t centered in our movements then they tend to become no more than a footnote. I o�en say that sexual violence knows no race, class or gender, but the response to it does . Ending sexual violence [and harassment] will require every voice from every corner of the world and it will require those whose voices are most o�en heard to find ways to amplify those voices that o�en go unheard. -
Beyoncé's Lemonade Collaborator Melo-X Gives First Interview on Making of the Album.” Pitchfork, 25 Apr
FACULTADE DE FILOLOXÍA DEPARTAMENTO DE FILOLOXÍA INGLESA GRAO EN INGLÉS: ESTUDOS LINGÜÍSTICOS E LITERARIOS Beyoncé’s Lemonade: “A winner don’t quit” ANDREA PATIÑO DE ARTAZA TFG 2017 Vº Bº COORDINADORA MARÍA FRÍAS RUDOLPHI Table of Contents Abstract 1. Introduction 3 2. Methodology 4 3. Beyonce's Lemonade (2016) 5 3.1 Denial: “Hold Up” 6 3.2 Accountability: “Daddy Lessons” 12 3.3 Hope: “Freedom” 21 3.4 Formation 33 4. Conclusion 44 5. Works Cited 46 Appendix 49 Abstract Beyoncé’s latest album has become an instant social phenomenon worldwide. Given its innovative poetic, visual, musical and socio-politic impact, the famous and controversial African American singer has taken an untraveled road—both personal and professional. The purpose of this essay is to provide a close reading of the poetry, music, lyrics and visuals in four sections from Beyoncé’s critically acclaimed Lemonade (2016). To this end, I have chosen what I believe are the most representative sections of Lemonade together with their respective songs. Thus, I focus on the song “Hold Up” from Denial; “Daddy Lessons” from Accountability, “Freedom” from Hope, and “Formation,” where Beyoncé addresses topics such as infidelity, racism, women’s representation, and racism and inequality. I analyse these topics through a close-reading and interpretation of Warsan Shire’s poetry (a source of inspiration), as well as Beyoncé’s own music, lyrics, and imagery. From this analysis, it is safe to say that Lemonade is a relevant work of art that will perdure in time, since it highlights positive representations of African-Americans, at the same time Beyoncé critically denounces the current racial unrest lived in the USA.