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Vlinder Sofa & Polder Hella Jongerius Freeform Sofa Isamu Vlinder Sofa & Polder Hella Jongerius Freeform Sofa Isamu Noguchi Mariposa Sofa Edward Barber & Jay Osgerby Marshmallow Sofa George Nelson Soft Modular Sofa Jasper Morrison Suita & Grand Sofà Antonio Citterio v Vlinder Sofa → 9 Polder → 19 Marshmallow Sofa → 27 Freeform Sofa → 31 Mariposa Sofa → 35 Soft Modular Sofa → 45 Suita → 55 Vlinder Sofa Hella Jongerius 2018 La diseñadora holandesa Hella Jongerius colabora con Vitra como Directora de arte de la Vitra Colour & Material Library desde 2008. Durante este tiempo ha desarrollado varias telas exclusivas para Vitra. Su primer proyecto de colaboración con Vitra fue la creación del Polder Sofa, concebido en 2005 como la pieza central de la recién lanzada Home Collection. El último elemento introducido, el Vlinder Sofa, es la quintaesencia de esta fructífera colaboración y una obra maestra textil. Cuando una diseñadora difumina la línea entre el objeto utilitario y el arte Grand Sofà → 67 9 Al crear el nuevo Vlinder Sofa, Hella Jongerius se basó en sus amplios conocimientos de las técnicas textiles y en sus diez años de experiencia como directora artística de colores y materiales de Vitra. La moderna estructura del sofá Vlinder sirve como plataforma de la sorprendente y extraordinariamente adaptada tapicería que se tiende sobre la estructura y recuerda vagamente a una mariposa. Esta funda de tela, que lleva la firma inconfundible de la diseñadora holandesa, va más allá de los límites de la moderna tecnología textil. Multitud de motivos, colores y texturas fluyen por la superficie for man- do una densa y profunda coreo grafía abstracta. El aspecto único de Vlinder difumina la línea entre el objeto utilitario y el arte. Vlinder Sofa · light reds 10 11 Composiciones La funda de tipo edredón, combinada con la estructura suavemente acolchada, ofrece un confort extraordinario. La moderna estructura del Vlinder Sofa sirve como plataforma para la extraordinaria tapicería: un rico crisol de motivos, tejidos y colores que recuerda vagamente a una colorida mariposa con las alas extendidas. Envolviendo sinuosamente toda la estructura, la funda se mantiene en su lugar por su propio peso. Vlinder Sofa · light greens Vlinder Sofa · light reds Al 750 × A 2400 × P 1240 Al 750 × A 2400 × P 1240 Vlinder Sofa · dark greens Vlinder Sofa · dark reds Al 750 × A 2400 × P 1240 Al 750 × A 2400 × P 1240 Bovist Al 380 × A 540 × P 540 12 Vlinder Sofa · light reds «En resumen, yo diría que Vlinder ofrece lo mejor de los mundos artesanal e industrial combinados». Hella Jongerius Vlinder Sofa · light reds 15 Preguntas y respuestas de Hella Jongerius ¿Cuál es su interés personal en los textiles? En mi estudio siempre empiezo con una diseñadora Vivimos en un mundo en el que la moda cambia con y experta en tejidos que sabe cómo convertir las piezas mucha rapidez y en el que los textiles se han convertido tejidas a mano para llevarlas a sistemas de producción Para mí, la colaboración con Vitra es una relación en un producto de usar y tirar. Estamos perdiendo habi - industrial. A partir de ahí, enviamos nuestro diseño a la lidades, como el oficio de tejer, con su riqueza y calidad tejeduría, que es donde se produce la magia. Tienen basada en el respeto y la confianza mutuos. Ambos de textiles, así como su expresión inherente. Y también unos conocimientos extraordinarios sobre hilos, hilados vivimos en un mundo digital. Hoy en día cada vez es más y tintes. Todo el proceso de tejer, sobre todo cuando es queremos traspasar los límites y ser los mejores. importante un entorno háptico, algo que se pueda tocar: tan complejo, es muy difícil de predecir pero cada vez que una piel rica y táctil. Con Vlinder, muestro lo que los llegan los resultados de nuestra fábrica, es como una má- El resultado – Vlinder – es una auténtica obra de textiles pueden hacer si se traspasan los límites de la gica sorpresa. En resumen, yo diría que Vlinder ofrece lo fabricación tradicional. mejor de los mundos artesanal e industrial combinados. ingeniería textil. ¿Qué es lo que distingue al Vlinder Sofa? ¿Cómo describiría la colaboración con Vitra? Vlinder tiene la forma arquetípica de un sofá moderno En Vitra hay un equipo de tapizado con grandes con oci- pero su elaborada producción y artesanía lo convierten en mientos y dispuesto a llevar a cabo todo lo que me gustaría una obra maestra única. Me ayudaron expertos tejedores ver y conseguir, y que siguen adelante e intentan hacerlo manuales y un equipo de ingenieros textiles de Vitra, que realidad. Para mí, la colaboración con Vitra es una rela- unieron fuerzas para hacer posible este innovador diseño. ción basada en el respeto y la confianza mutuos. Ambos Vlinder representa un nuevo tipo de diseño único, un sofá queremos traspasar los límites y ser los mejores. El resul- de alta costura que combina el toque humano de la arte- tado —Vlinder— es una auténtica obra de ingeniería textil. sanía con las posibilidades de la tecnología digital. Ade- más de la increíble funda, el sofá ofrece un confort máximo gracias al relleno blando de espuma multicapa, junto con el cobertor de tipo edredón. ¿Qué tiene de especial la estructura del sofá? La característica más destacada del sofá es su funda: una sobreimpresión de grandes motivos en un suave tejido jacquard llamado «Tailored Fabric» que se coloca perfecta- mente sobre el cuerpo del sofá. El diseño es un collage de formas abstractas con diversas uniones. Aunque su forma es clásica, el sofá también es blando e informal. Lo especial de su diseño es el uso de un textil de producción elaborada. Demuestra cómo puede combinarse lo mejor de ambos mundos —artesanía e industria— para crear un collage textil único. Vlinder es un sofá para personas indivi dua- listas que sienten predilección por el confort. Telar ¿Qué hace que la producción de la funda sea tan La ingeniería es una de las principales cualidades de complicada? Hebras de distinto grosor en ocho colores Vitra, y con este proyecto profundizamos y exploramos van componiendo los distintos niveles de siete tejidos exhaustivamente los aspectos de la ingeniería textil. jacquard diferentes. Multitud de motivos, colores y textu- «Ingeniería blanda» para conseguir la máxima funciona- ras se extienden por la superficie formando una densa lidad y calidad textil. y profunda coreografía abstracta. Su concepción y pro- ducción fue un enorme desafío, y no habría sido posible sin un equipo de grandes expertos. El desarrollo y la producción de varios tejidos específicos de Vitra en los últimos años han formado la base de este proyecto. ¿Cómo se logra semejante resultado? El desarrollo de este original tejido se basa en décadas de experiencia en tejido industrial y diseño textil. Es fruto de la estrecha colaboración entre los expertos en textiles Hella Jongerius en su estudio de Berlín de Vitra y, por supuesto, mi equipo del Jongeriuslab. 16 17 El cobertor del sofá recuerda un cuadro en el que cada Polder zona es diferente. Los «cuadros tejidos» históricos, como las alfombras y tapices, estaban ligados a distintos co- Hella Jongerius lores; solo las máquinas asistidas por ordenador permiten hacer patrones tan diversos cambiando no solo el color, 2005/2015 sino también la unión. Para una blusa o una camisa donde el tercer hilo suele ser la repetición del primero, se necesitan 4 piezas de información para crear el tejido (tejido liso básico). Para el Vlinder Blanket, todas las imágenes del producto son distintas. Sin embargo, la confección de un cobertor Vlinder requiere 128 millones de piezas de información. La diseñadora Hella Jongerius se ha hecho famosa por la original forma en la que mezcla industria y artesanía, alta y baja tecnología, lo tradicional y lo contemporáneo. En sus tejidos y obras de cerámica, así como en sus muebles, Jongerius subraya cons- tantemente la importancia de los colores y de las superficies en el diseño contem po- ráneo. Sus obras se han expuesto en instituciones tales como el Design Museum (Londres), la Galerie kreo (París) y el Museo de Arte Moderno (Nueva York). En 2005 creó, junto con Vitra, el Polder Sofa como la pieza central de su recién lanzada Home Collection. Cuando a una diseñadora no le gustan los sofás y hace uno que le gusta Un ingeniero textil comprueba que el paso de la producción artesana a la industrial sea satisfactorio. 18 19 En 2004, Rolf Fehlbaum, CEO de Vitra en ese momento, pidió a la diseñadora holandesa Hella Jongerius que diseñara un sofá para Vitra. «¿Por qué un sofá?» preguntó ella. «Odio los sofás. Esos grandes bloques de espuma… Nunca he visto uno que me gustase». A lo que Fehlbaum replicó: «Entonces, por qué no creas uno que te guste?» El Polder de Hella Jongerius pasa a ser la pieza central de cualquier hogar y su forma asimétrica y sus cojines de dis- tintos tejidos y colores lo convierten en el protagonista de cualquier interior. Polder · Mezcla de tejidos en amarillo dorado 20 21 Colores y materiales Polder se presenta en dos variantes: Polder Sofa o Polder Compact para espacios más pequeños. Se puede añadir un reposapiés a la composición. Polder · Mezcla de tejidos en rojo Polder · Mezcla de tejidos en azul oscuro Al 820 × A 2600 × P 970 Al 820 × A 2600 × P 970 Polder · Mezcla de tejidos en verde Polder · Mezcla de tejidos en amarillo dorado Al 820 × A 2600 × P 970 Al 820 x A 2600 x P 970 Polder Ottoman Al 350 × A 640 × P 830 22 Polder Compact · Mezcla de tejidos en rojo «El Polder fue un experimento, un boceto que salió bien». Hella Jongerius Polder · Mezcla de tejidos en amarillo dorado 25 Marshmallow Sofa George Nelson 1956 George Nelson es considerado una de las figuras más importantes del diseño estadou- nidense.
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