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Inventory of American Sheet Music (1844-1949)
University of Dubuque / Charles C. Myers Library INVENTORY OF AMERICAN SHEET MUSIC (1844 – 1949) May 17, 2004 Introduction The Charles C. Myers Library at the University of Dubuque has a collection of 573 pieces of American sheet music (of which 17 are incomplete) housed in Special Collections and stored in acid free folders and boxes. The collection is organized in three categories: African American Music, Military Songs, and Popular Songs. There is also a bound volume of sheet music and a set of The Etude Music Magazine (32 items from 1932-1945). The African American music, consisting of 28 pieces, includes a number of selections from black minstrel shows such as “Richards and Pringle’s Famous Georgia Minstrels Songster and Musical Album” and “Lovin’ Sam (The Sheik of Alabami)”. There are also pieces of Dixieland and plantation music including “The Cotton Field Dance” and “Massa’s in the Cold Ground”. There are a few pieces of Jazz music and one Negro lullaby. The group of Military Songs contains 148 pieces of music, particularly songs from World War I and World War II. Different branches of the military are represented with such pieces as “The Army Air Corps”, “Bell Bottom Trousers”, and “G. I. Jive”. A few of the delightful titles in the Military Songs group include, “Belgium Dry Your Tears”, “Don’t Forget the Salvation Army (My Doughnut Girl)”, “General Pershing Will Cross the Rhine (Just Like Washington Crossed the Delaware)”, and “Hello Central! Give Me No Man’s Land”. There are also well known titles including “I’ll Be Home For Christmas (If Only In my Dreams)”. -
Guide to the Brooklyn Playbills and Programs Collection, BCMS.0041 Finding Aid Prepared by Lisa Deboer, Lisa Castrogiovanni
Guide to the Brooklyn Playbills and Programs Collection, BCMS.0041 Finding aid prepared by Lisa DeBoer, Lisa Castrogiovanni and Lisa Studier and revised by Diana Bowers-Smith. This finding aid was produced using the Archivists' Toolkit September 04, 2019 Brooklyn Public Library - Brooklyn Collection , 2006; revised 2008 and 2018. 10 Grand Army Plaza Brooklyn, NY, 11238 718.230.2762 [email protected] Guide to the Brooklyn Playbills and Programs Collection, BCMS.0041 Table of Contents Summary Information ................................................................................................................................. 7 Historical Note...............................................................................................................................................8 Scope and Contents....................................................................................................................................... 8 Arrangement...................................................................................................................................................9 Collection Highlights.....................................................................................................................................9 Administrative Information .......................................................................................................................10 Related Materials ..................................................................................................................................... -
Annual Gala Concert 2019 the Chicago Paris Cabaret Connexion Tour De France Is Open to Performers and Fans
annual gala concert 2019 The Chicago Paris Cabaret Connexion Tour de France is open to performers and fans. September 12-22, 2019: Ten exciting days in France to tour, sing, Production by Claudia HOMMEL learn and perform with fellow artists * Over 30 hours of master classes and workshops Music direction by * Evening concerts and jam sessions Elizabeth DOYLE and Myron SILBERSTEIN * French cuisine and camaraderie * Free time to explore Montpellier, Sète and Paris bene! tting the SongShop Scholarship Fund, www.cabaretconnexion.org/program_join.php a project of Working in Concert NFP SATURDAY, MAY 4 SUNDAY, MAY 5 Beth Halevy, Carrie Hedges, Caryn Caffarelli, Don Hoffman, Carmen Bodino, Christine Steyer, Claudia Hommel, Daniel Drew Fase, Kimberly Mann, Lynda Gordon, Patrick Davis, Johnson, David M Stephens, Evelyn Danner, Leona Zions, Nadine Susan Dennis, Vivian Beckford with Elizabeth Doyle at the piano Vorenkamp, Ruth Fuerst with Myron Silberstein at the piano Introduced by Claudia Hommel Special guests Jean-Claude Orfali and Cappy Kidd Claudia I’m Old Fashioned Jerome Kern & Johnny Mercer Claudia Lusty May Gabriel Fauré & adapted by Claudia Hommel Vivian It’s a Grand Night for Singing David Times of Your Life Roger Nichols & Bill Lane Richard Rogers & Oscar Hammerstein II (State Fair) Arthur’s Theme Burt Bacharach, Carole Bayer Sager, Drew Singin’ in the Rain Nacio Herb Brown & Arthur Freed Christopher Cross and Peter Allen The Moon Was Yellow Fred E Ahlert & Edger Leslie One in a Million You Sam Dees Kim Don’t Let the Sun Go Down on Me Bernie Taupin & Elton John Evelyn The First Time Ever I Saw Your Face Ewan MacColl Beth Smile Charlie Chaplin, John Turner & Geoff rey Parsons Christine Tonight Leonard Bernstein & Stephen Sondheim Carrie It’s a Good Day Peggy Lee and Dave Barbour Moon over Bourbon Street Sting Les Champs-Elysees Mike Wilsh & Michael Deighan, Ruth My Sweetheart’s the Man in the Moon / James Thornton Pierre Delano, English translation by Patricia Spaeth The Man in the Moon is a .. -
Theater Playbills and Programs Collection, 1875-1972
Guide to the Brooklyn Theater Playbills and Programs Collection, 1875-1972 Brooklyn Public Library Grand Army Plaza Brooklyn, NY 11238 Contact: Brooklyn Collection Phone: 718.230.2762 Fax: 718.857.2245 Email: [email protected] www.brooklynpubliclibrary.org Processed by Lisa DeBoer, Lisa Castrogiovanni and Lisa Studier. Finding aid created in 2006. Revised and expanded in 2008. Copyright © 2006-2008 Brooklyn Public Library. All rights reserved. Descriptive Summary Creator: Various Title: Brooklyn Theater Playbills and Programs Collection Date Span: 1875-1972 Abstract: The Brooklyn Theater Playbills and Programs Collection consists of 800 playbills and programs for motion pictures, musical concerts, high school commencement exercises, lectures, photoplays, vaudeville, and burlesque, as well as the more traditional offerings such as plays and operas, all from Brooklyn theaters. Quantity: 2.25 linear feet Location: Brooklyn Collection Map Room, cabinet 11 Repository: Brooklyn Public Library – Brooklyn Collection Reference Code: BC0071 Scope and Content Note The 800 items in the Brooklyn Theater Playbills and Programs Collection, which occupies 2.25 cubic feet, easily refute the stereotypes of Brooklyn as provincial and insular. From the late 1880s until the 1940s, the period covered by the bulk of these materials, the performing arts thrived in Brooklyn and were available to residents right at their doorsteps. At one point, there were over 200 theaters in Brooklyn. Frequented by the rich, the middle class and the working poor, they enjoyed mass popularity. With materials from 115 different theaters, the collection spans almost a century, from 1875 to 1972. The highest concentration is in the years 1890 to 1909, with approximately 450 items. -
Songs of the Ziegfeld Follies
SONGS OF THE ZIEGFELD FOLLIES DISSERTATION Presented in Partial Fulfillment of the Requirements for the Degree Doctor of Philosophy in the Graduate School of The Ohio State University by Ann Ommen, B.M., M.A. The Ohio State University 2007 Dissertation Committee: Professor Graeme Boone, Adviser Approved by Professor Thomas Postlewait Professor Danielle Fosler-Lussier _________________________ Adviser Graduate Program in Music Copyright by Ann Ommen 2007 ABSTRACT Enormously popular in their own time, the Ziegfeld Follies have become an icon of American popular culture. Produced annually by Florenz Ziegfeld, Jr. between 1907 and 1931, these revues were and still are best-known for their lavish production numbers which brought unprecedented attention to members of the chorus. They have served as inspiration for generations of filmmakers, playwrights, and popular authors, but have only been studied by a small number of scholars, primarily those working in cultural studies. For the first time, this dissertation brings a musicological identity to the Follies by examining their songs. It addresses the legends surrounding certain songs so that their performance history can be better understood. It discusses representations of gender, race, and national identity in songs of the Follies, revealing the cultural beliefs Ziegfeld thought would be most acceptable to his largely white, middle-class audiences. It dissects comic song performances to show a specifically musical component to the humor of the Follies. Finally, it analyzes compositional techniques in the lyrics of Gene Buck and in the songs written by Irving Berlin for the Ziegfeld Follies of 1927 , the only Follies production to have been written by a single songwriter. -
Guide to the Jazz Piano Song Sheet Collection 1885-1967
University of Chicago Library Guide to the Jazz Piano Song Sheet Collection 1885-1967 © 2008 University of Chicago Library Table of Contents Acknowledgments 3 Descriptive Summary 3 Information on Use 3 Access 3 Citation 3 Scope Note 3 Related Resources 3 Subject Headings 4 INVENTORY 4 Descriptive Summary Identifier ICU.SPCL.PIANOSONG Title Jazz Piano Song Sheet. Collection Date 1885-1967 Size 11 linear feet (11 boxes) Repository Special Collections Research Center University of Chicago Library 1100 East 57th Street Chicago, Illinois 60637 U.S.A. Abstract The Jazz Piano Song Sheet Collection contains printed sheet music and books ranging from 1885-1967 and includes showtunes, fox trots, waltzes, and jazz, arranged alphabetically by title. The inventory contains the song title, lyricist(s), composer(s), publisher, and date. Acknowledgments The Jazz Piano Song Sheet Collection was processed and preserved as part of the "Uncovering New Chicago Archives Project," funded with support from the Andrew W. Mellon Foundation. Information on Use Access The collection is open for research. Citation When quoting material from this collection, the preferred citation is: Jazz Piano Song Sheet. Collection, [Box#, Folder#], Special Collections Research Center, University of Chicago Scope Note The Jazz Piano Song Sheet Collection contains printed sheet music and books ranging from 1885-1967 and includes showtunes, fox trots, waltzes, and jazz, arranged alphabetically by title. The inventory contains the song title, lyricist(s), composer(s), publisher, and date. Related Resources The following related resources are located in the Department of Special Collections: http://www.lib.uchicago.edu/e/spcl/select.html 3 Chicago Jazz Archive Chicago Jazz Archive Sheet Music Collection Manning, Richard. -
Broadway Sheet Music Collection Print Collection 31 Finding Aid Prepared by Siduri Beckman
Broadway sheet music collection Print Collection 31 Finding aid prepared by Siduri Beckman. Last updated on July 26, 2016. University of Pennsylvania, Kislak Center for Special Collections, Rare Books and Manuscripts 2016 June 28 Broadway sheet music collection Table of Contents Summary Information....................................................................................................................................3 Biography/History..........................................................................................................................................4 Scope and Contents....................................................................................................................................... 4 Administrative Information........................................................................................................................... 5 Controlled Access Headings..........................................................................................................................5 Collection Inventory...................................................................................................................................... 7 - Page 2 - Broadway sheet music collection Summary Information Repository University of Pennsylvania: Kislak Center for Special Collections, Rare Books and Manuscripts Title Broadway sheet music collection Call number Print Collection 31 Date [inclusive] 1918-1929 Extent 2 linear feet (6 boxes) Language English Language Note The bulk of the material is -
De Simone TAPS Workshop 1 Some Contextual Information My
De Simone 1 Some contextual information My dissertation, “Embodying Race, Performing Citizenship” examines racial impersonation, a performance genre that originated in the context of nineteenth-century blackface minstrelsy. During the peak years of immigration between 1880 and 1924, American popular entertainers expanded their repertoires from belittling depictions of African Americans to a variety of other races and ethnicities. My survey of programs and playbills reveals that artists of Irish, Chinese, and Jewish heritage replaced white racial impersonators when local variety theatre transitioned into vaudeville, America’s first nationwide entertainment industry. While the economic profitability of racial impersonation encouraged broad participation, my dissertation shows the extent to which immigrant artists deliberately coopted the genre to combat dominant racial stereotypes. Irish vocalist Maggie Cline juxtaposed boisterous singing with an elegant demeanor and sophisticated fashion choices to simultaneously oppose the “lace curtain” and “shanty” Irish stereotypes. Chinese tenor Lee Tung Foo sang operatic arias and told jokes in a Scottish kilt to challenge the image of the unmusical, humorless Chinese person doomed to only perform traditional Chinese arts. Jewish entertainer Sophie Tucker combined “black-style” music and dance, Jewish humor, and a mix of “black” dialect and Yiddish language to attack the “Jew as racial hybrid” stereotype. The common denominator across racial identities and performance specialties was juxtaposition: the act of fusing discordant racial signifiers into one performance and body. Canonical scholarship on immigration argues that “assimilation” is the pathway toward inclusion, but the artists I study contest this narrative. Thanks to racial juxtapositions, their hyphenated identities did not translate into a performance of passing or assimilation, but rather, retained the uniqueness of each individual component. -
Introducing the Incomparable Hildegarde: the Sexuality, Style, and Image of a Forgotten Cultural Icon Monica Gallamore Marquette University
Marquette University e-Publications@Marquette Dissertations (2009 -) Dissertations, Theses, and Professional Projects Introducing the Incomparable Hildegarde: The Sexuality, Style, and Image of a Forgotten Cultural Icon Monica Gallamore Marquette University Recommended Citation Gallamore, Monica, "Introducing the Incomparable Hildegarde: The exS uality, Style, and Image of a Forgotten Cultural Icon" (2012). Dissertations (2009 -). Paper 196. http://epublications.marquette.edu/dissertations_mu/196 INTRODUCING THE INCOMPARABLE HILDEGARDE: THE SEXUALITY, STYLE, AND IMAGE OF A FORGOTTEN CULTURAL ICON by Monica S. Gallamore A Dissertation submitted to the Faculty of the Graduate School, Marquette University, in Partial Fulfillment of the Requirements for the Degree of Doctor of Philosophy Milwaukee, Wisconsin May 2012 ABSTRACT INTRODUCING THE INCOMPARABLE HILDEGARDE: THE SEXUALITY, STYLE, AND IMAGE OF A FORGOTTEN CULTURAL ICON Monica S. Gallamore Marquette University, 2012 This study is an historical biography of the popular American entertainer from the nineteen-forties and fifties named Hildegarde. Known by her first name long before such designations became commonplace, Hildegarde achieved such celebrity status that she influenced women‘s fashions and promoted a number of consumer products. She even had her own signature Revlon lipstick and nail polish called ―Hildegarde Rose.‖ Hildegarde‘s career spanned for more than seventy years, beginning as a pianist for silent movies in Milwaukee and eventually becoming the darling of nightclubs and supper clubs. Unfortunately, few people remember this entertainer or her influence. She has been overlooked by historians as a cultural influence and a groundbreaking performer even though in 1945 she was the most popular songstress in the nation. Hildegarde is unique because she did not fit into the accepted archetype of women during her heyday. -
Professor David Schoen Sheet Music Collection SM.008
Professor David Schoen Sheet Music Collection SM.008 This finding aid was produced using the Archivists' Toolkit June 30, 2016 Describing Archives: A Content Standard Ball State University Archives and Special Collections Alexander M. Bracken Library 2000 W. University Avenue Muncie, Indiana, 47306 765-285-5078 [email protected] Professor David Schoen Sheet Music Collection SM.008 Table of Contents Summary Information ................................................................................................................................. 3 Biographical Note.......................................................................................................................................... 4 Scope and Contents....................................................................................................................................... 4 Arrangement...................................................................................................................................................4 Administrative Information .........................................................................................................................4 Controlled Access Headings..........................................................................................................................5 Collection Inventory...................................................................................................................................... 6 - Page 2 - Professor David Schoen Sheet Music Collection SM.008 Summary Information -
'S GREATEST MOVIE MUSICALS
‘s GREATEST MOVIE MUSICALS AFI is a trademark of the American Film Institute. Copyright 2005 American Film Institute. All Rights Reserved. Ballot2.indd 1 5/16/06 12:27:06 PM 1 ALADDIN 5 AN AMERICAN IN PARIS 9 BABES IN TOYLAND Disney, 1992 Metro-Goldwyn-Mayer, 1951 Metro-Goldwyn-Mayer, 1934 PRINCIPAL CAST Robin Williams, Scott Weinger, Linda Larkin (Voices) PRINCIPAL CAST Gene Kelly, Leslie Caron, Oscar Levant PRINCIPAL CAST Virginia Karns, Charlotte Henry, Felix Knight DIRECTORS Ron Clements, John Musker DIRECTOR Vincente Minnelli DIRECTORS Gus Meins, Charles Rogers PRODUCERS Ron Clements, John Musker PRODUCER Arthur Freed PRODUCER Hal Roach SCREENWRITERS Ron Clements, John Musker, Ted Elliot, Terry Rossio SCREENWRITER Alan Jay Lerner SCREENWRITERS Frank Butler, Nick Grinde MUSIC/LYRICS Alan Menken, Tim Rice, Howard Ashman CHOREOGRAPHER Gene Kelly MUSIC/LYRICS Victor Herbert/Glen MacDonough MUSIC/LYRICS George Gershwin/Ira Gershwin SONG SELECTIONS “A Whole New World” SONG SELECTIONS “Toyland” “Friend Like Me” SONG SELECTIONS “I Got Rhythm” “Don’t Cry, Bo-Peep” “One Jump Ahead” “I’ve Got a Crush on You, Sweetie Pie” “Go to Sleep, Slumber Deep” “Our Love Is Here to Stay” 2 ALEXANDER’S RAGTIME BAND 10 BABES ON BROADWAY Twentieth Century-Fox, 1938 6 ANCHORS AWEIGH Metro-Goldwyn-Mayer, 1941 Metro-Goldwyn-Mayer, 1945 PRINCIPAL CAST Tyrone Power, Alice Faye, Don Ameche PRINCIPAL CAST Mickey Rooney, Judy Garland, Fay Bainter DIRECTOR Henry King PRINCIPAL CAST Gene Kelly, Frank Sinatra, Kathryn Grayson DIRECTOR Busby Berkeley PRODUCER Harry Joe Brown DIRECTOR George Sidney PRODUCER Arthur Freed SCREENWRITERS Kathryn Scola, Lamar Trotti PRODUCER Jon Pasternak SCREENWRITERS Fred Finklehoffe, Elaine Ryan CHOREOGRAPHER Seymour Felix SCREENWRITER Isobel Lennart MUSIC/LYRICS Burton Lane/Arthur Freed, Roger Edens, E.Y. -
Title Composer Lyricist Arranger Cover Artist Publisher Date Notes I Ain't Got Weary Yet! Percy Wenrich Howard Johnson Leo Feist Inc
Title Composer Lyricist Arranger Cover artist Publisher Date Notes I Ain't Got Weary Yet! Percy Wenrich Howard Johnson Leo Feist Inc. 1918 I Ain't Nobody's Darling Robert King Elmer Hughes Wohlman Skidmore Music Co. Inc. 1921 I Almost Lost My Mind Ivory Joe Hunter Ivory Joe Hunter St. Louis Music Corporation 1950 I Am a Promise William Gaither William Gaither Gaither Music Co. 1975 I Am Always Building "Castles in the Air" A. Fred Phillips Ted Garton W.M. Fisher Ted Garton Music Co. 1919 Benjamin Edwards Benjamin Edwards I Am an American Neal Neal Boston Music Co. 1938 I Am Climbing Mountains (Song) Kendis Kendis Frederick S. Manning Jerome H. Remick & Co. 1919 I Am Persuaded Audrey Mieir Audrey Mieir Manna Music, Inc. 1957 Romans 8:38-39 I Am So Shy Theo. Bendix R.E. Graham C.H. Ditson & Co. 1882 De Sylva, Brown and Henderson, I Apologize Al Hoffman Al Hoffman Inc. 1931 I Apologize Al Hoffman Al Hoffman Crawford Music Corporation 1931 I Assure You David Hall Joseph Koleno Nordyke Publishing Company 1948 I Believe Jule Styne Sammy Cahn Sinatra Songs, Inc. 1947 I Believe Ervin Drake Ervin Drake Cromwell Music, Inc. 1953 Medium, C I Believe Ervin Drake Ervin Drake Cromwell Music, Inc. 1953 I Believe in Miracles (Fox-Trot Song) Pete Wendling Sam M. Lewis HBK Leo Feist, Inc. 1934 I Believe in Miracles (Fox-Trot Song) Pete Wendling Sam M. Lewis HBK Leo Feist, Inc. 1934 I Called You My Sweetheart James V. Monaco Grant Clarke Leo Feist, Inc. 1917 I Can Dream, Can't I? Sammy Fain Irving Kahal Marlo Music Corp.