The Department of History of Art Self-Evaluation Report December
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Class of 1957 60Th Reunion Yearbook
Brandeis Class of 1957 60th Reunion Sixtieth Reunion 2 TABLE OF CONTENTS LETTER FROM THE YEARBOOK COORDINATORS……………………………..4 REUNION COMMITTEE LISTING……………………………………………………5 REUNION WEEKEND SCHEDULE……………………………………………...……6 WE WERE THERE…………………………………………………………….……..7-11 CLASS PROFILES……………………………………………………….….…….30-105 Judith Cohen Adams……………..……30 Janet Hentoff Krauss…………………………....…72 Charles Affron………….......…….....…31 Jeannie Lieberman……………………………..73-74 Ina Albert-Secher…………………..32-33 Doris Raduziner Marks……………………………75 Linda Feinberg Alwitt……………...34-35 Deena Metzger…………………………………76-77 Madelyn Bell……………………….36-37 Kadimah (Kim) Michelson……………………...…78 Dick Bergel……………………………38 Sandra Wainhouse Miller……………………….…79 Mimi (Kaplan) Bergel…………………38 Wynne Wolkenberg Miller………………….…80-81 Carole Wolfe Berman…………...…39-40 Harry Morrison………………………………….…82 Jules Bernstein…………………..…41-42 Dr. Eleanor Pam…………………………………...83 Ruth PorterBernstein………………43-44 Benjamin Ravid - "Ben"……………………….84-85 Ruth Richmond Blitz…………………..45 Arnold B. Rovner CLU. ChFC……………...…86-87 Robert N. "Robin" Brooks…………46-47 Glenda Sakala……………………………………..88 Sheldon H. Cohen DMD…………...48-49 Bret Schlesinger…………………………….…89-90 Beth Cohen Colombe………………….50 Beverly Sachs Silpe……………………………91-92 Dick Cooper…………………………...51 Elsa Brisk Silverman………………………………93 Janet Cohen David…………………….52 Deborah Bernstein Simches…………………….…94 Ray Deveaux…………………………..53 Gerald Simches……………………………………94 Carole Mendelson Felz…………….54-55 Marsha Milgram Stark…………………………95-96 Frances Flagler Fox………………..56-57 Steve Steinberg……………………………………97 -
Kolenuour Voice Slow the Circles Down Bonim B'yachad
K olenu Our Voice THE BI-MONTHLY NEWSLETTER OF PENINSULA TEMPLE BETH EL Slow the Circles Down Rabbi Dennis J. Eisner In the last few weeks or days how their countless activities keep us busy beyond Tevet/Shevat/Adar many of us have uttered the words belief. It is no wonder that days, months, and 5778 “I cant believe it is already 2018,” years go by at a blistering pace. “It seems like just yesterday we . January/February (you fill in the blank),” or “Where As my son turned 18 and my daughter started 2018 did the time go”? high school I, too, found myself asking where has the time gone and am trying harder and With the advancement of age harder to slow the circle of life down. It is Inside this Issue and technology the hands on blatantly clear to me that if I don’t, I will turn 3 President's our watches and the days on our around one day and my kids will be heading off Message calendars are moving faster and to college, Mandy and I will be contemplating faster and we are having a tougher an empty nest, and the next thing we know we 3 Schedule of and tougher time slowing them down. will be downsizing and preparing for retirement. Shabbat Services Sometimes I just want to yell, “Stop the ride I & Jason Mesches If you are anything like me your datebook want to get off!” Concert is filled months and even sometimes a year in advance. Business trips, lifecycle events, Joni Mitchell sang it best in her iconic song, 4 Shabbat at PTBE holidays, social and work events, caring for 5 Adult Studies aging parents, and schlepping our children to See Rabbi -
Eran Shakine Graffitigirl Shakine Eran
Eran Shakine Graffitigirl Eran Shakine Graffitigirl Eran Shakine cover.indd 1 4/24/14 11:09 Giacometti’s Granddaughter as a Supermodel 2013, Bronze with Polished Black Patina and Stainless Steel, h 200 12 13 Giacometti’s Granddaughter as a Supermodel (sitting) 2013, Bronze with Polished Black Patina and Stainless Steel, 55×20×35 14 15 Degas’s Dancer as a Stripper 2012, Bronze with Polished Black Patina and Fabric, 49×30×35 16 17 50% Giacometti 50% Helmut Newton 2012, Bronze with Polished Black Patina and Stainless Steel, 80x17x13 18 19 Giacometti’s Granddaughter as a Supermodel 2012, Bronze with Polished Black Patina and Stainless Steel, h 150 20 21 Giacometti’s Granddaughter as a Supermodel (large legs, sitting) 2013,22 Bronze with Polished Gold Patina and Stainless Steel, 140×210×110 Cheerleader 2013, Bronze and Stainless Steel, 110x33x23 23 Giacometti’s Granddaughter as a Supermodel (large legs) 2013, Bronze with Polished Gold Patina and Stainless Steel, 265×120×83 24 25 Giacometti’s Granddaughter as a Supermodel, (Legs Up) 2014, Bronze with Polished Gold Patina and Stainless Steel, 200×125×62 26 27 Giacometti’s Granddaughter as a Supermodel (catwalk) 2012, Bronze with Polished Black Patina and Stainless Steel, 78×17×13 28 29 Giacometti’s Granddaughter as a Supermodel 2013, Bronze with Polished Black Patina and Stainless Steel, h 200 30 31 Giacometti’s Granddaughter as a Supermodel (sitting 2) 2013, Bronze and Polished Black Patina, and Stainless Steel, 60x25x20 32 33 34 Spidergirl 2013, Bronze with Polished Black Patina and Stainless -
Katzenstein Was Considered One of the Pioneers of Performance Art in Israel, but in Recent Years He Has Become Famous for His Sculptures
https://www.haaretz.co.il/gallery/art/.premium-1.6412399 Translation of the original article published on Haarez by Maya Oshri on August 26, 2018. Katzenstein was one of the most prominent Israeli artists, winner of the Sandel prize, represented Israel in Biennales, and characterized himself in a blunt fashion. In his work in Vienna, he wrote on a wall with his own blood: “In our culture the language is secret”. He was a member of some musical groups, one of which included Ohad Pishuf. Picture: Moti Milrod Katsenstein in 2015 next to his work: “Backyard” Katzenstein was considered one of the pioneers of performance art in Israel, but in recent years he has become famous for his sculptures. During his career, he won several prestigious titles and prizes, including the Dizengoff Prize (2017) and the Sandel Prize (2014). His last exhibition was exhibited earlier this year at Hezi Cohen Gallery. Katzenstein was born in 1951 in Tel Aviv, the only son of German-born parents who immigrated to Israel before the Holocaust. In 1973, he participated as a reserve soldier in the Yom Kippur War, from which he returned with post traumatic stress disorder. He studied art at the Avni School in Tel Aviv and then went to the United States. He earned his first degree at the University of Indiana and an MA in San Francisco. After his studies, he integrated into the performance scene, which took a significant place in the art world in New York. He introduced his works in some of the most important spaces in this field in the 1980s, such as The Kitchen and No-Se-No. -
Kolenuour Voice Protect with Honor Serve with Pride
K olenu Our Voice THE QUARTERLY NEWSLETTER OF PENINSULA TEMPLE BETH EL Protect with Honor Serve with Pride Dennis Eisner, Senior Rabbi Tevet-Nisan 5780 Rabbi Tarfon would say, “It is Never has this teaching resonated so deeply not up to you to finish the work, with me as it did when I attended two January-March yet you are not free to avoid it.” retirement functions for our very own San 2020 (Pirke Avot 2:16) Mateo Police Chief and PTBE member, Susan Manhiemer. Our tradition teaches us that we are not responsible for completing Inside this Issue all of the work it takes to make 2 President's our world more generous and Message loving. At the same time, our tradition does teach us that we are 3 Schedule of not free to evade our sacred responsibility. Shabbat Services 4-5 Like most of us who have chosen to be in B’nai Mitzvah service-related professions, or those who 6 Book Club volunteer their time caring for others, I know firsthand how this rabbinic teaching can run 7 ARZA circles in our minds. As the Senior Rabbi at PTBE, I observe our staff struggling to keep up 8 Our with the demands of community. I engage with Chief and PTBE member, Susan Manhiemer. Community our lay leadership as they give of their time, 9 Sunday intellect, and resources to guide and support Chief Manheimer’s thirty-plus years in law Sandwich Hevre our congregation. I personally understand the enforcement epitomize the struggle our 10 physical, emotional and spiritual energy that rabbis taught in Pirke Avot. -
The Artist Eran Shakine Eran Shakine Was Born in 1962 in Israel, to a French Father and Hungarian Mother. Both Were Shoa Survivo
The Artist Eran Shakine Eran Shakine was born in 1962 in Israel, to a French father and Hungarian mother. Both were Shoa survivors who came to Israel after the Second World War. After living in Paris, London and New York City, he currently lives in Tel Aviv. Shakine had solo shows in The Drawing Center in New York, as well as in London, Paris, Brussels, Toronto and Tel Aviv. His works are in the permanent collections of the British Museum, London; Ludwig Museum, Aachen, Germany; Tel Aviv Museum of Art, Israel and the Israel Museum, Jerusalem as well as many corporate and private collections. Born in Tel Aviv, 1962 Studied art at Wizo Art School, Tel Aviv 1987-1992 Lived in New York, assistant to artist Karl Appel Solo Exhibitions 2016 Eran Shakine: A Muslim, a Christian and a Jew, Jewish Museum Berlin 2014 Graffitigirl, Zemack Contemporary Art Gallery, Tel Aviv One On One - Serge Tiroche / Eran Shakine, Hatzedef 8, Jaffa 2013 Art for Sale/Sail, Special project for fashion night TLV 2012 Sunny Side Up, Zemack Contemporary Art Gallery, Tel Aviv 2011 Good help is hard to find..., Zemack Contemporary Art Gallery, Tel Aviv 2010 Catwalk, Gallery 39, Tel Aviv Minimal contradictions, TWIG Gallery, Brussels, Belgium 2009 Don’t worry, Julie M. Gallery, Toronto 2008 Sabbath Match, Gallery 39, Tel Aviv 2007 The Artist Who did not Look Back, Gallery 39, Tel Aviv 2003 Domestic, Herzliya Museum of Contemporary Art 2000-02 Julie M. Gallery, Tel Aviv 1997 New Sculptures, Museum of Israeli Art, Ramat Gan 1995 Pools, Artists House, Jerusalem 1990 Herzliya -
Download All Beautiful Sites
1,800 Beautiful Places This booklet contains all the Principle Features and Honorable Mentions of 25 Cities at CitiesBeautiful.org. The beautiful places are organized alphabetically by city. Copyright © 2016 Gilbert H. Castle, III – Page 1 of 26 BEAUTIFUL MAP PRINCIPLE FEATURES HONORABLE MENTIONS FACET ICON Oude Kerk (Old Church); St. Nicholas (Sint- Portugese Synagoge, Nieuwe Kerk, Westerkerk, Bible Epiphany Nicolaaskerk); Our Lord in the Attic (Ons' Lieve Heer op Museum (Bijbels Museum) Solder) Rijksmuseum, Stedelijk Museum, Maritime Museum Hermitage Amsterdam; Central Library (Openbare Mentoring (Scheepvaartmuseum) Bibliotheek), Cobra Museum Royal Palace (Koninklijk Paleis), Concertgebouw, Music Self-Fulfillment Building on the IJ (Muziekgebouw aan 't IJ) Including Hôtel de Ville aka Stopera Bimhuis Especially Noteworthy Canals/Streets -- Herengracht, Elegance Brouwersgracht, Keizersgracht, Oude Schans, etc.; Municipal Theatre (Stadsschouwburg) Magna Plaza (Postkantoor); Blue Bridge (Blauwbrug) Red Light District (De Wallen), Skinny Bridge (Magere De Gooyer Windmill (Molen De Gooyer), Chess Originality Brug), Cinema Museum (Filmmuseum) aka Eye Film Square (Max Euweplein) Institute Musée des Tropiques aka Tropenmuseum; Van Gogh Museum, Museum Het Rembrandthuis, NEMO Revelation Photography Museums -- Photography Museum Science Center Amsterdam, Museum Huis voor Fotografie Marseille Principal Squares --Dam, Rembrandtplein, Leidseplein, Grandeur etc.; Central Station (Centraal Station); Maison de la Berlage's Stock Exchange (Beurs van -
The Szyk Haggadah, 2011, 128 Pages, Arthur Szyk, Byron L. Sherwin, Irvin Ungar, 0810997452, 9780810997455, Abrams, 2011
The Szyk Haggadah, 2011, 128 pages, Arthur Szyk, Byron L. Sherwin, Irvin Ungar, 0810997452, 9780810997455, Abrams, 2011 DOWNLOAD http://bit.ly/1vlSmPV http://www.goodreads.com/search?utf8=%E2%9C%93&query=The+Szyk+Haggadah Arthur Szyk (pronounced “Shick”) created his magnificent Haggadah in Lodz, on the eve of the Nazi occupation of his native Poland. There is no Haggadah like it, before or since, filled with sumptuous paintings of Jewish heroes and stunning calligraphy. This edition, the first since 1940 to be reproduced from Szyk's original art, boasts a newly commissioned and extremely practical English text by Rabbi Byron L. Sherwin, ideal for use at any family Seder, and a special commentary section by Rabbi Sherwin and Irvin Ungar gives insight into both the rituals of the Seder and Szyk's rich illustrations. Available in both hardcover and paperback editions, The Szyk Haggadah will transform the Seder, bringing the story of the Exodus from Egypt into a more contemporary light. Praise for The Szyk Haggadah:"Szyk's Haggadah is still fabulous and fresh." -Hadassah Magazine DOWNLOAD http://tiny.cc/rcuqw0 http://bit.ly/1AHof7m Ask Another Question The Story and Meaning of Passover, Miriam Chaikin, Mar 1, 1986, Juvenile Nonfiction, 96 pages. Discusses the history and importance of Passover, a celebration of freedom commemorating the exodus of Moses and the Israelites from Egypt, where they had long been slaves.. Golems Among Us How a Jewish Legend Can Help Us Navigate the Biotech Century, Byron L. Sherwin, Jan 1, 2004, Religion, 237 pages. In this book, Byron Sherwin briefly traces the fascinating history of the golem legend in Western culture, then shows how we can use it to navigate a safe journey. -
Of Seton Hill University's National Catholic Center for Holocaust
Director’s Column ..............Page 2 Spotlight on Catholic Institute for Holocaust Studies Graduates ...................Pages 6-8 Anne, A Personal Essay ......Page 9 INSIDE Center Publishes LeFrak 2016 - 2017 Edition Proceedings by Dr. James Paharik Holocaust By Bullets Forensics Tour: The Holocaust and Nostra Aetate: Toward a Greater Understanding (Seton Georgetown University & Seton Hill University Hill University, 2017, edited by Carol Rittner, RSM), is the proceedings of the Ethel LeFrak Holocaust Education total of thirty Conference which took place at Seton students from Hill University in the Fall of 2015. Seton Hill The conference commemorated the and Georgetown A fiftieth anniversary of the landmark participated on an Vatican II document, “Nostra Aetate: eight-day forensics A Declaration on the Relation of the tour in March to the Church to Non-Christian Religions.” killing fields of the It featured many leading scholars of Holocaust in Poland Jewish-Christian relations, including: and Belarus. The Mary C. Boys, forensics trip was SNJM; John part of a three-credit Pawlikowski, spring semester course. Fr. Dennis McManus, Georgetown University, Fitzgerald Robertson, OSM; Kevin Fr. Patrick Desbois, Seton Hill University student, and Dr. Tim Crain, Director of Seton Hill University’s National Catholic Center for Holocaust Education Spicer, CSC; a French Catholic John K. priest and noted Holocaust Most victims of the Holocaust died in death camps Roth; Dennis historian, led the excursion or concentration camps during World War II. The McManus; in Eastern Europe. Holocaust forensics tour though focused more on Jews Elena Procario- Fr. Dennis McManus who were murdered and buried in mass graves across Foley; and Steven Leonard Jacobs. -
An Interview with Irvin Ungar
HTTP://VOICE.AIGA.ORG/ Illuminating Arthur Szyk: An Interview with Irvin Ungar Written by Steven Heller Published on November 24, 2010 Filed in Voice: Journal of Design rthur Szyk (1894–1951) was a Polish Jew who immigrated to America in 1940 in the wake of the Holocaust, Aand went on to become the leading anti-Nazi artist in the United States during World War II. Irvin Ungar is a rare book dealer, former rabbi and founder of The Arthur Szyk Society. Szyk (pronounced “shick”) painstakingly devoted such incredible energy to a single illuminated caricature because he wanted his art to last—and live on, it does, thanks in part to Ungar. “Through his unique style, which combines use of color with a miniaturist’s attention to detail, Szyk departs from all schools of art and yet embraces many of them,” Ungar notes. “I would say, then, that Szyk’s prodigious output—illustrated books, and magazine and newspaper political art, as well as nationalistic portraits and illuminated religious works—would together qualify him as a school of art in his own right.” The Szyk Haggadah, his exquisite Passover prayer book, is still in demand today: Ungar published a luxury limited edition through his business, Historicana, and Abrams Books will publish new (and less extravagant) hardcover and pa- perback versions in April 2011. And this December 4, an exhibition of his work will open at San Francisco’s Legion of Honor museum. Szyk’s legacy demonstrates that one need not be part of any movement, nor spawn any school, to achieve international recognition and prominence for his messages as well as his art, in his own time and for all time. -
Eran Shakine a Muslim, There Were Three
… And then Eran Shakine A Muslim, there were three. a Christian A Muslim, a and a Jew Christian and A Muslim, a Christian and Jew … Knocking a Jew, traveling on Heaven’s through time and Door culture, exploring Eran life and relationships Shakine as three good friends, hoping to find the love of God. Edition Jürgen B. Tesch www.hirmerpublishers.com Eran Shakine Eran Shakine A Muslim, a Christian and a Jew Knocking on Heaven’s Door Edited by Jürgen B. Tesch With a preface by Edward van Voolen Edition Jürgen B. Tesch Vorwort Preface Vielleicht fällt es Ihnen in diesen Tagen Perhaps you don’t notice it so much these days, but nicht so stark auf, aber Muslime, Christen und Juden haben vieles gemeinsam. Einen Muslims, Christians and Jews have quite a lot in common. einzigen Gott? Ja, wenn Sie sich nicht an der Dreifaltigkeit stoßen. Und wenn Ihnen die vielen Namen nichts ausmachen, mit One God? Yes, if you don’t stumble over the Trinity. And denen er bezeichnet und angerufen wird: Gott, Vater, Allah und viele andere. Die if you don’t care what you call him: G’d, Father, Allah or drei Religionen teilen dieselbe Bibel? a number of other names. They share the same Bible? Auf gewisse Weise schon: den Christen galt die jüdische Bibel als alt, so dass sie In a way: Christians consider the Jewish Bible old and ihr eine Ergänzung hinzufügten. Die Muslime wiederum stützen sich auf einen added a new supplement. Muslims have a different text völlig unterschiedlichen Text, der dieselben altogether, and tell the same stories in a different way. -
Averbuch 17 No Letterhead
ILAN AVERBUCH Born in Tel Aviv, Israel, 1953 EDUCATION 1984 Hunter College, New York, New York, M.F.A. 1981 School of Visual Arts, New York, New York, B.F.A. 1977-78 Wimbledon School of Art, London, England SOLO EXHIBITIONS 2017 “Lily Pond,” Nancy Hoffman Gallery, New York 2014 “Thoughts,” Nancy Hoffman Gallery, New York 2013-15 Omer Open Museum, Israel 2012 Gal-On Gallery, Tel Aviv, Israel 2011-16 The Garden, Nancy Hoffman Gallery, New York 2009 Olga Korper Gallery, Toronto, Canada 2008 “Intimate Monuments,” Nancy Hoffman Gallery, New York 2005 Katonah Museum of Art, Marilyn M. Simpson Sculpture Garden, Katonah, New York Nancy Hoffman Gallery, New York 2002 Nancy Hoffman Gallery, New York 2001 Galerie Sandler, Darmstadt, Germany 2000 “Das Gelobte Land,” Kunstverein Hurth, Hurth, Germany 1999 Nancy Hoffman Gallery, New York 1998 “New Works, Sculptures and Drawings,” Galerie Lutz Teutloff, Bielefeld, Germany Olga Korper Gallery, Toronto, Canada Omer Industrial Park, Omer, Israel 1997 Nancy Hoffman Gallery, New York The Open Museum, Tefen, Israel 1996 Tefen Museum, Sculpture Garden, Israel 1996 Lutz Teutloff Galerie, Cologne, Germany 1995 Nancy Hoffman Gallery, New York 1994 Olga Korper Gallery, Toronto, Canada Littmann Gallery, Basel, Switzerland 1993 Michael Haas Gallery, Berlin, Germany Nancy Hoffman Gallery, New York Julie M. Gallery, Tel Aviv, Israel Lutz Teutloff Galerie, Cologne, Germany 1992 Het Apollohuis, Eindhoven, The Netherlands 1991 Nancy Hoffman Gallery, New York Olga Korper Gallery, Toronto, Canada 1990 Lavignes-Bastille,