Participation Packages for Schools & Charities

Total Page：16

File Type：pdf, Size：1020Kb

Participation Packages for Schools & Charities ZooNation: The Kate Prince Company Ground -breaking storytellers using original music and dance to inspire the next generation of theatregoers and makers. We create productions that are witty, innovative, relevant and entertaining . We believe theatre should inspire, empower and motivate younger people and seek to create memorable, unique and life affirming learning experiences for and with participants. We offer a wide range of bespoke educational workshops and commissions that can be linked to a specific production, can focus on a specific style of Hip Hop culture or give a general insight into Zonation’s unique style and work. 2 Our Offer Workshops We offer a wi de range of workshops to meet all levels of experience. Working with partners we can create and deliver workshops that: • cover d ance styles that originate from Hip Hop Culture including Breakin’, House, Groove, Waacking, Krump, Nu Wave, and the funk styles of Popping and Lockin g • are linked to one of our main production such as ‘Some Like It Hip Hop’ (2019) or ‘Into The Hoods: Remixed’ (2016) Prices: Half day workshop : from £250* Consisting of 2-3 hours of activity. Full day workshop : from £350* Consisting of 4-5 hours of activity. Performance projects We enjoy working with groups for longer periods of time, developing skills and confidence and working towards a short perform ance or sharing with an invited audience. We offer two options for longer term skills and performance: • Recreating ZooNation Youth Company shows (Groove on Down the Road or Tales of the Turntable) with a cast of local young people. • Longer term regular skills development working with groups to create a short piece or sharing for an invited audience Prices: Week long projects: from £1,200* Bespoke offer involving the creation of a short piece for a sharing /performance. After school club dance project: ten weeks from £1200* Weekly workshops lasting one hour delivered across either a half or full term, with participants working towards the creation of a short informal performance. Recreate ZooNation Youth Company Productions with local young people: Price available upon request. Opportunity to be involved in a recreation of a full -length ZooNation Youth Company production (45 mins) led by a ZooNation artist for presentation at a studio theatre space. *Prices excludes VAT and for workshops outside of London additional costs may be chargeable (travel, accommodation and living costs) 3 Professional development & performances We offer professional development opportunities for artists and teachers who want to improve and diversify their skills. We also arrange performances by ZooNation Youth Company (ZYC) for a variety of events, functions and celebrations. Prices: Professional development: from £100 per hour* This could include Teachers INSET, Artist training and development, mentoring and consultation on dance and the school curriculum. ZYC Performances: Available upon request. Performances that will inspire, excite and stimulate your audience by ZYC, our group of elite young performers who embody the spirit of ZooNation. Workshop Teachers: Workshop teachers are the best within the industry, all are working professionally as dancers and choreographers. All teachers complete regular training with the company to prepare them for their teaching work and all company teachers have a recent DBS check. Access: We welcome bookings from groups with special or additional needs. ZooNation is committed to enabling all participants to engage in workshops, equally and with dignity and respect. Contact: T: 020 3689 7883 E: [email protected] W: www.zoonation.co.uk .

Copy Link

Recommended publications

A RESOURCE for DANCE EDUCATION Written in the Words of Kate Prince
A RESOURCE FOR DANCE EDUCATION Written in the words of Kate Prince. By: Rachel Howes Teacher of Dance @MissRHowes1. Published by: ZooNation: The Kate Prince Company. www.zoonation.co.uk @ZooNationUK CONTENTS ABOUT THE COMPANY, ABOUT KATE PRINCE & A MESSAGE FROM KATE 3 SYNOPSIS & PURPOSE OF THE SHOW 5 CAST, CREATIVES & CREW 6 THEMES, ISSUES & CONTEXTUAL INFLUENCES 7 ABOUT THE CREATION OF SOME LIKE IT HIP HOP – FROM PAGE TO STAGE 8 COLLABORATING WITH OTHER CREATIVES 10 PICTURE POSTCARD TECHNIQUE 11 SCENE SYNOPSIS 12 A DEEP DIVE INTO FIVE SIGNIFICANT SCENES 13 INITIAL THOUGHTS TASK 15 INTERVIEW WITH SET DESIGNER, BEN STONES & A DESIGN BASED WORKSHOP 16 INTERVIEW WITH COMPOSER, DJ WALDE & A MUSICAL STIMULUS WORKSHOP 19 INTERVIEWS WITH CAST MEMBERS, BRADLEY CHARLES AND CARRIE-ANNE INGROUILLE 21 PRACTICAL EXPLORATION WORKSHOP 23 CHARACTER DEVELOPMENT WORKSHOP 24 FURTHER WORKSHOP OPPORTUNITIES 26 USEFUL RESOURCES & FINAL MESSAGES 27 2 ABOUT ZOONATION : THE KATE PRINCE COMPANY ZooNation was founded by Kate Prince in 2002 and is best known for its work in the theatre, creating full length narrative dance productions influenced in equal parts by musical theatre, Hip Hop culture and music. ZooNation’s work is fortified with an extensive programme of engagement and talent development, working with different communities and young artists to expand their skills, knowledge and confidence in our style of dance theatre. For further information please visit: zoonation.co.uk/explore/company-biography/ 3 ABOUT KATE PRINCE Kate Prince MBE Choreographer, Director & Writer Kate is artistic director of ZooNation, which she founded in 2002. She is an associate artist at The Old Vic and at Sadler’s Wells, where ZooNation is also a Resident Company.
[Show full text]
PIMP C’S HURRICANE LAST CHRIS WORDS MR
OZONE MAGAZINE MAGAZINE OZONE YOUR FAVORITE RAPPER’S FAVORITE MAGAZINE PIMP C’S HURRICANE LAST CHRIS WORDS MR. COLLIPARK BUN B, TOO $HORT, SCARFACE, BIG GIPP LIL BOOSIE DAVID BANNER & LIL WAYNE REMEMBER TRILL N*GGAS DON’T DIE DON’T N*GGAS TRILL TRAPSTARZ THEIR THREE DEEP FRIEND YOUNG CASH & MIDGET MAC SOULJA BOY +OZONE WEST THE BOY BOY YOUNG MESS JANUARY 2008 ICE CUBE | MITCHY SLICK HOT ROD 50 CENT’S PROTEGE OZONE MAG // YOUR FAVORITE RAPPER’S FAVORITE MAGAZINE PIMP C’S LAST WORDS SOULJA BUN B BOY TOO $HORT CRANKIN’ IT SCARFACE ALL THE WAY BIG GIPP TO THE BANK WITH DAVID BANNER MR. COLLIPARK LIL WAYNE FONSWORTH LIL BOOSIE’S BENTLEY JEWELRY CORY MO 8BALL & FASCINATION MORE TRAPSTARZ SHARE THEIR THREE DEEP FAVORITE MEMORIES OF THE YOUNG CASH SOUTH’S & MIDGET MAC FINEST HURRICANE CHRIS +OZONE WEST THE BOY BOY YOUNG MESS ICE CUBE | MITCHY SLICK HOT ROD 50 CENT’S PROTEGE 8 // OZONE WEST 2 // OZONE MAG OZONE MAG // // OZONE MAG OZONE MAG // // OZONE MAG OZONE MAG // 8 // OZONE MAG OZONE MAG // 0 // OZONE MAG OZONE MAG // 11 PUBLISHER/EDITOR-IN-CHIEF // Julia Beverly CHIEF OPERATIONS OFFICER // N. Ali Early MUSIC EDITOR // Randy Roper FEATURES EDITOR // Eric Perrin ART DIRECTOR // Tene Gooden features ADVERTISING SALES // Che’ Johnson 54-59 YEAR END AWARDS PROMOTIONS DIRECTOR // Malik Abdul 76-79 REMEMBERING PIMP C MARKETING DIRECTOR // David Muhammad Sr. 22-23 RAPPERS’ NEW YEARS RESOLUTIONS LEGAL CONSULTANT // Kyle P. King, P.A. 74 DIRTY THIRTY: PIMP C’S GREATEST HITS SUBSCRIPTIONS MANAGER // Adero Dawson ADMINISTRATIVE // Cordice Gardner, Kisha Smith CONTRIBUTORS // Bogan, Charlamagne the God, Chuck T, Cierra Middlebrooks, Destine Cajuste, E-Feezy, Edward Hall, Felita Knight, Jacinta Howard, Jaro Vacek, Jessica Koslow, J Lash, Jason Cordes, Jo Jo, Johnny Louis, Kamikaze, Keadron Smith, Keith Kennedy, K.G.
[Show full text]
Street Dance Fact File
Street Dance Fact File What is Street Dance? Key Facts Street dance is an umbrella term for various dance styles that originally • Street dance styles can be improvisational and social in nature, encouraging evolved outside of dance studios in spaces such as streets, parks, interaction and contact with other dancers and spectators and in direct playgrounds, and nightclubs and which form part of hip hop culture. relation to the rhythms and styles of the music. Street dance’s earliest styles were created largely by African Americans • There is normally a ‘battle’ element central to the dance styles – competitive and later Latinos, include breaking, which was created in The Bronx, New one-upmanship which can be informal or formalised competition. York in the 1970s, whilst popping and locking originated on the West Coast during the same decade. Several other subsequent styles fall under • Still relatively young as a dance style, street dance has heavily influenced the street dance umbrella including house, hip hop, krump, turfing and popular culture and can be seen on music videos and commercials. flexing. In London, breaking, popping and locking are dominant styles. • The UK has developed a vibrant hip-hop and street dance scene with many regular battles and events. What Is Happening in Street Dance Today? Successful hip hop theatre companies include: • ZooNation, who presented the award-winning ‘Into the Hoods’ in the West End. • Boy Blue Entertainment, who won an Olivier Award for ‘Pied Piper’ and ‘Avant Garde Dance.’ • Breakin’ Convention, an annual hip-hop dance theatre festival at Sadler’s Wells in London.
[Show full text]
Phd Thesis June 2018
Cadences of Choreomusicality: Investigating the Relationship Between Sound and Movement in Staged Performances of Popping and Animation in the United Kingdom Jo Read A thesis submitted for the degree of Doctor of Philosophy (PhD) School of Visual and Performing Arts (Dance) De Montfort University September 2017 1 Abstract This practice-led doctoral research explores the relationship between staged performances of popping, closely related movement practices such as animation (in dance) and music in the United Kingdom. Through an experiential, choreographic and critical methodology, I consider the ways that popping artists are able to shift, bend and distort perceptions of their performances through complex uses of musicality. Popping is a dance form that is included under the umbrella of street dance, which encompasses a wide range of dance practices with their origins in social and vernacular contexts. I scrutinise the musical trends and characteristics of popping and animation specifically, despite street dance forms usually being considered as a collective. This extensive focus reveals a range of selective rhythmical and textural nuances that engage the spectator in a world of choreomusical play. Placing practice at the centre of my investigation, I carry out a series of choreographed projects and reflect on these experiences from the position of dancer/performer and choreographer. Additionally, I consider the work of other popping artists in the field, presenting extensive choreomusical analysis of a selection of their work. Drawing from interviews that I conducted with nine UK street dance artists, I use a range of practitioner-led terminology to demonstrate the metaphorical vocabulary that they have employed to articulate their choreomusical practices and complicate notions of musicality.
[Show full text]
Birmingham Cover Online.Qxp Birmingham Cover 01/02/2016 14:45 Page 1
Birmingham Cover Online.qxp_Birmingham Cover 01/02/2016 14:45 Page 1 Your FREE essential entertainment guide for the Midlands Birmingham ’ Whatwww.whatsonlive.co.uk sOnISSUE 362 FEBRUARY 2016 JO CAULFIELD AT THE GLEE CLUB inside: Yourthe 16-pagelist week by week listings guide PRIVATE LIVES Tom Chambers talks about starring in a major revival of Noel Coward’s masterpiece... interview inside... Grosvenor Casinos (FP- FEB 16).qxp_Layout 1 25/01/2016 13:10 Page 1 Contents February Region 1 .qxp_Layout 1 25/01/2016 15:22 Page 2 February 2016 Contents Destination Space - topical half-term show at Thinktank page 40 Belinda Lang Joe Caulfield Sleeping Beauty the list talks about her dual role in sharp-witted comedian Matthew Bourne’s gothic your 16-page Single Spies at The REP returns to the Glee reworking of classic tale week-by-week listings guide page 20 page 22 page 30 page 51 inside: 4. First Word 11. Food 14. Music 22. Comedy 24. Theatre 32. Film 38. Visual Arts 40. Events @whatsonbrum Birmingham What’s On Magazine Editorial Director: Davina Evans [email protected] 01743 281708 ’ Sales & Marketing: Lei Woodhouse [email protected] 01743 281703 Chris Horton [email protected] 01743 281704 WhatsOn Matt Rothwell [email protected] 01743 281719 MAGAZINE GROUP Editorial: Lauren Foster [email protected] 01743 281707 Sue Jones [email protected] 01743 281705 Brian O’Faolain [email protected] 01743 281701 Ryan Humphreys [email protected] 01743 281722 Abi Whitehouse [email protected] 01743 281716 Adrian Parker [email protected] 01743 281714 Contributors: Graham Bostock, James Cameron-Wilson, Heather Kincaid, Helen Stallard, Katherine Ewing Publisher and CEO: Martin Monahan Accounts Administrator: Julia Perry [email protected] 01743 281717 This publication is printed on paper from a sustainable source and is produced without the use of elemental chlorine.
[Show full text]
Participation Packages for Schools & Charities
Participation Packages for Schools & Charities ZooNation: The Kate Prince Company Ground -breaking storytellers creating original music and dance to inspire the next generation of theatregoers and makers. We create productions that are witty, innovative, relevant and entertaining. We believe theatre should inspire, empower and motivate younger people and seek to create memorable, unique and life affirming learning experiences for and with participants. We offer a wide range of bespoke educational workshops and commissions that can be linked to a specific production, can focus on a specific style of Hip Hop culture or give a general insight into ZooNation’s unique style and work. 2 Participation Options Workshops We offer a wide range of workshops to meet all levels of experience. Working with partners we can create and deliver workshops that: • cover dance styles that originate from Hip Hop Culture including Breakin’, House, Groove, Waacking, Krump, Nu Wave, and the funk styles of Popping and Locking • are linked to one of our main productions such as ‘Some Like It Hip Hop’ (2019) or ‘Into The Hoods: Remixed’ (2016) Our teachers are the best within the industry, and all are working professionally as dancers and choreographers. All teachers complete regular training with the company to prepare them for their teaching work and all company teachers have a recent DBS check. We also welcome bookings from groups with special or additional needs. ZooNation is committed to enabling all participants to engage in workshops, equally and with dignity and respect. Prices: Half day workshop: from £250* Consisting of 2-3 hours of activity. Full day workshop : from £350* Consisting of 4-5 hours of activity.
[Show full text]
KITCHEN CONFIDENTIAL by Anthony Bourdain
KITCHEN CONFIDENTIAL Adventures in the Culinary Underbelly Anthony Bourdain ACKNOWLEDGMENTS Portions of this book have appeared previously elsewhere: much of the 'From Our Kitchen To Your Table' and a few other stray bits of business appeared in The New Yorker, under the title, 'Don't Eat Before Reading This'. The 'Mission to Tokyo' section appeared first in Food Arts, and readers of my short story for Canongate Press's Rover's Return collection will see that the fictional protagonist in my contribution, 'Chef's Night Out' had a humiliating experience on a busy broiler station much like my own. I'd also like to thank Joel Rose, to whom I owe everything . Karen Rinaldi and Panio Gianopoulous at Bloomsbury USA. Jamie Byng, David Remnick, the evil Stone Brothers (Rob and Web), Tracy Westmoreland, José de Meireilles and Philippe Lajaunie, Steven Tempel, Michael Batterberry, Kim Witherspoon, Sylvie Rabineau, David Fiore, Scott Bryan, and my ass-kicking crew at Les Halles: Franck, Eddy, Isidoro, Carlos, Omar, Angel, Bautista and Janine. Cooks Rule. AUTHOR'S NOTE: I have changed the names of some of the individuals and some of the restaurants that are a part of my story. To Nancy CONTENTS ● APPETIZER ❍ A Note from the Chef ● FIRST COURSE ❍ Food Is Good ❍ Food Is Sex ❍ Food Is Pain ❍ Inside the CIA ❍ The Return of Mal Carne ● SECOND COURSE ❍ Who Cooks? ❍ From Our Kitchen to Your Table ❍ How to Cook Like the Pros ❍ Owner's Syndrome and Other Medical Anomalies ❍ Bigfoot ● THIRD COURSE ❍ I Make My Bones ❍ The Happy Time ❍ Chef of the Future! ❍ Apocalypse Now ❍ The Wilderness Years ❍ What I Know About Meat ❍ Pino Noir: Tuscan Interlude ● DESSERT ❍ A Day in the Life ❍ Sous-Chef ❍ The Level of Discourse ❍ Other Bodies ❍ Adam Real-Last-Name-Unknown ❍ Department of Human Resources ● COFFEE AND A CIGARETTE ❍ The Life of Bryan ❍ Mission to Tokyo ❍ So You Want to Be a Chef? A Commencement Address ❍ Kitchen's Closed ● A NOTE ON THE AUTHOR APPETIZER A NOTE FROM THE CHEF DON'T GET ME WRONG: I love the restaurant business.
[Show full text]
Streetdance Production Notes
presenta un film diretto da Max Giwa e Dania Pasquini scritto da Jane English musiche originali di Lloyd Perrin e Jordan Crisp con Charlotte Rampling, Nichola Burley, Richard Winsor e George Sampson Durata 96 mins I materiali sono scaricabili dall’ area stampa di www.eaglepictures.com Visita anche www.streetdanceilfilm.it DAL16 MARZO AL CINEMA UFFICIO STAMPA [email protected] mob.+39 335 122 5522 “Ecco come è nata la Street Dance: nei locali, nelle strade, a dispetto delle regole, ballando in libertà”- Carly Le cose non potevano andare meglio, Carly, ballerina di strada (NICHOLA BURLEY) è innamorata del giovane e carismatico Jay (UKWELI ROACH), e il loro corpo di ballo è appena arrivato in finale al campionato “UK Street Dance Championship”. Ma tutto cambia quando Jay lascia Carly e il gruppo, infrangendo i sogni degli amici di sempre. Malgrado sia distrutta Carly, si sforza per dimostrare a se stessa, che può comunque condurre il gruppo alla vittoria, ma dopo una serie di problemi, fra cui la perdita dello spazio dove facevano le prove, inizia a dubitare seriamente del suo valore.. L'inaspettata salvezza arriva nei panni della capo-istruttrice di danza classica Helena (CHARLOTTE RAMPLING). Impressionata dal talento e dall’ entusiasmo di Carly e del suo corpo di ballo, Helena propone agli streetdancer di esercitarsi nel lussuoso studio della Ballet Academy in cambio di una collaborazione con i suoi ballerini. Helena spera che Carly possa trasmettere forza e passione ai suoi giovani allievi, prima dell'audizione per il Royal Ballet. C'è subito uno scontro culturale fra i due stili di danza totalmente diversi.
[Show full text]
Downtime with Kate Prince Transcript
Transcript Lou Cope talks to Kate Prince 30 June 2020 Lou: Hello, Kate Prince. Thank you very much for joining me. How are you doing? Kate: I'm doing pretty good, I would say on a slightly gray and rainy afternoon, but it's all good. Lou: It’s pretty miserable, isn't it? It's better when the sun's shining, do you find? Kate: I actually really like both. My husband always is slightly confused by my love of rain and we've just been camping and it rained for two of the days and I love it when you're in a tent and there was a storm and it was windy outside and the rain is going… so I'm kind of happy in both. Lou: Yeah, I get that. You've been camping literally just recently during lockdown? Kate: Yeah, on the weekend. Lou: Oh my God. How was it? Amazing. Kate: Good. We've been a couple of times. I mean, it's slightly glamorous camping, we borrowed my parents' camping van and on both of these trips, we've actually been camping in their garden, so we’re able to see them, but not going inside the house or touching anything, I think, that they touch. Lou: Okay. So I'll get rid of the image of you on the top of a mountain. Kate: Well, we're about to do that in Devon, actually. Lou: Yeah, okay. So, how are you, Kate? How are you doing, experiencing the whole… Kate: I'm not sure if I've really even thought about that for several months.
[Show full text]
ARROYO's'has ITS MOMENTS Kristoffer Diaz's Play at Old Globe Is Sharp, Well-Acted, but Feels Like It Needs a Story
WELCOME TO ARROYO’S PRESS HIGHLIGHTS REVIEWS SAN DIEGO UNION-TRIBUNE October 2, 2010 `WELCOME TO ARROYO'S'HAS ITS MOMENTS Kristoffer Diaz's play at Old Globe is sharp, well-acted, but feels like it needs a story JAMES HEBERT • U-T Details As a peek inside the fer- tile mind of a rising young "Welcome to Arroyo's" playwright, the Old Globe's Where: The Old Globe's "Welcome to Arroyo's" White Theatre, 1393 Old scores big. As a piece of Globe Way. Balboa Park theater, not quite so much. Kristoffer Diaz's rap- When: Tuesdays-Wednes- days. 7 p.m. (plus 2 p.m. edged play has crisp Oct. 13): Thursdays-Fridays. performances, innovative 8 p.m.; Saturdays, 2 and 8 staging, some sharply p.m.; Sundays, 2 and 7 p.m.. funny dialogue and plenty through Oct. 31. Additional of brash attitude. But the performances at Lincoln show also can feel like a High School, Nov. 6, 8 p.m., collection of high concepts and Nov. 7, 6 p.m. in search of a story. It seems odd to call this Tickets: $29-$67 (Globe); an early work by Diaz, a $10415 (Lincoln) 2010 Pulitzer finalist for Phone: (619) 234-5623 "The Elaborate Entrance Online: theoldglobe.org of Chad Deity." After all, the man is barely past. 30. But Diaz began work on place cleaner than a Justin "Arroyo's" a decade ago. Bieber CD," Trip and Considering the playful Nelson crack), receives strain of academic preten- a mysterious visit from a sion threaded through the former neighborhood girl, piece (at one point a char- Lelly (Talc Ashe), who's re- acter nails some personal searching hip-hop history theses to a door and makes as part of a desperate ef- a ,joking proclamation fort to reclaim her Puerto about "reformation"), it Rican heritage.
[Show full text]
China Year in Review
CHINA YEAR IN REVIEW Advertising Hotline 400 820 8428 城市漫步上海英文版 12 月份 PLUS 国内统一刊号: CN 11-5233/GO THE YIN AND YANG OF VERA WANG China Intercontinental Press POLKA DOT ART QUEEN KUSAMA YAYOI REVOLUTIONARY PEKING OPERA STAR MEI LANFANG CHRISTMAS: GIFT GUIDE! RECIPES! THEATER! MORE! DECEMBER 2013 More Comfort & More Style q0OF#FESPPN'PVS#FESPPN'MBU ďTRNFUFST "WBJMBCMF q#VJMU*O8BUFS1VSJçDBUJPO4ZTUFNGPS%JSFDU$POTVNQUJPO q#VJMU*O"JS1VSJçFS q#VJMUJOBEBQUFS WW q'SFF.##SPBECBOE"DDFTTX*157 q'VMMZ&RVJQQFEXJUIBMM&MFDUSJDBM"QQMJBODFT q"DDFTTJCMFUP4IPQQJOH.BMMBOE'PPE7FOVF q&BTZ"DDFTTUP.FUSP-JOFT (8621) 64070111 1 Hongqiao Road, Shanghai, 200030 [email protected] / www.grandgateway.com grandgateway66_thats_210X287.indd 1 that’s Shanghai 《城市漫步》上海版英文月刊主管单位 : 中华人民共和国国务院新闻办公室 Supervised by the State Co uncil Information oﬃce of the People's Republic of China 主办单位 : 五洲传播出版社地址 : 中国北京海淀区北三环中路 31 号生产力大楼 B 座 7 层邮编 100088 Published by China Intercontinental Press Address: B-721 Shengchanli Building, No. 31 Beisanhuan Zhonglu, Haidian District, Beijing 100088, PRC http://www.cicc.org.cn 社长 President of China Intercontinental Press: 李红杰 Li Hongjie 期刊部负责人 Supervisor of Magazine Department: 邓锦辉 Deng Jinhui 主编 Executive Editor: 袁保安 Yuan Baoan Editor Ned Kelly Deputy Editor Monica Liau Section Editors Marianna Cerini, Andrew Chin, Lauren Hogan Events Editors Tongfei Zhang, Zoey Zha Contributors Nicky Almasy, Jamie Barys, Elliot deBruyn, Guo Chunying, RFH, Stephen George, Matt Horn, Daniels Langeberg, Trevor Marshallsea, Will Philipps, James Stockd ale, Anthony Tao, Karol Zawistowski Copy Editors Aelred Doyle Urbanatomy Media Shanghai (Head office)上海和舟广告有限公司上海市澳门路 872 弄 10 号邮政编码 : 200060 No. 10, Lane 872 Aomen Lu, Shanghai 200060 电话 : 021-2213 9018 传真 : 021-2213 9010 Guangzhou 上海和舟广告有限公司广州分公司广州市越秀区麓苑路 42 号大院 2 号楼 610 房邮政编码 : 510095 Room 610, No.
[Show full text]
Some Like It Hip
A RESOURCE FOR DANCE EDUCATION Written in the words of Kate Prince. By: Rachel Howes Teacher of Dance @MissRHowes1. Published by: ZooNation: The Kate Prince Company. www.zoonation.co.uk @ZooNationUK CONTENTS ABOUT THE COMPANY, ABOUT KATE PRINCE & A MESSAGE FROM KATE 3 SYNOPSIS & PURPOSE OF THE SHOW 5 CAST, CREATIVES & CREW 6 THEMES, ISSUES & CONTEXTUAL INFLUENCES 7 ABOUT THE CREATION OF SOME LIKE IT HIP HOP – FROM PAGE TO STAGE 8 COLLABORATING WITH OTHER CREATIVES 10 PICTURE POSTCARD TECHNIQUE 11 SCENE SYNOPSIS 12 A DEEP DIVE INTO FIVE SIGNIFICANT SCENES 13 INITIAL THOUGHTS TASK 15 INTERVIEW WITH SET DESIGNER, BEN STONES & A DESIGN BASED WORKSHOP 16 INTERVIEW WITH COMPOSER, DJ WALDE & A MUSICAL STIMULUS WORKSHOP 19 INTERVIEWS WITH CAST MEMBERS, BRADLEY CHARLES AND CARRIE-ANNE INGROUILLE 21 PRACTICAL EXPLORATION WORKSHOP 23 CHARACTER DEVELOPMENT WORKSHOP 24 FURTHER WORKSHOP OPPORTUNITIES 26 USEFUL RESOURCES & FINAL MESSAGES 27 2 ABOUT ZOONATION : THE KATE PRINCE COMPANY ZooNation was founded by Kate Prince in 2002 and is best known for its work in the theatre, creating full length narrative dance productions influenced in equal parts by musical theatre, Hip Hop culture and music. ZooNation’s work is fortified with an extensive programme of engagement and talent development, working with different communities and young artists to expand their skills, knowledge and confidence in our style of dance theatre. For further information please visit: zoonation.co.uk/explore/company-biography/ 3 ABOUT KATE PRINCE Kate Prince MBE Choreographer, Director & Writer Kate is artistic director of ZooNation, which she founded in 2002. She is an associate artist at The Old Vic and at Sadler’s Wells, where ZooNation is also a Resident Company.
[Show full text]