ARROYO's'has ITS MOMENTS Kristoffer Diaz's Play at Old Globe Is Sharp, Well-Acted, but Feels Like It Needs a Story

Total Page:16

File Type:pdf, Size:1020Kb

ARROYO's'has ITS MOMENTS Kristoffer Diaz's Play at Old Globe Is Sharp, Well-Acted, but Feels Like It Needs a Story WELCOME TO ARROYO’S PRESS HIGHLIGHTS REVIEWS SAN DIEGO UNION-TRIBUNE October 2, 2010 `WELCOME TO ARROYO'S'HAS ITS MOMENTS Kristoffer Diaz's play at Old Globe is sharp, well-acted, but feels like it needs a story JAMES HEBERT • U-T Details As a peek inside the fer- tile mind of a rising young "Welcome to Arroyo's" playwright, the Old Globe's Where: The Old Globe's "Welcome to Arroyo's" White Theatre, 1393 Old scores big. As a piece of Globe Way. Balboa Park theater, not quite so much. Kristoffer Diaz's rap- When: Tuesdays-Wednes- days. 7 p.m. (plus 2 p.m. edged play has crisp Oct. 13): Thursdays-Fridays. performances, innovative 8 p.m.; Saturdays, 2 and 8 staging, some sharply p.m.; Sundays, 2 and 7 p.m.. funny dialogue and plenty through Oct. 31. Additional of brash attitude. But the performances at Lincoln show also can feel like a High School, Nov. 6, 8 p.m., collection of high concepts and Nov. 7, 6 p.m. in search of a story. It seems odd to call this Tickets: $29-$67 (Globe); an early work by Diaz, a $10415 (Lincoln) 2010 Pulitzer finalist for Phone: (619) 234-5623 "The Elaborate Entrance Online: theoldglobe.org of Chad Deity." After all, the man is barely past. 30. But Diaz began work on place cleaner than a Justin "Arroyo's" a decade ago. Bieber CD," Trip and Considering the playful Nelson crack), receives strain of academic preten- a mysterious visit from a sion threaded through the former neighborhood girl, piece (at one point a char- Lelly (Talc Ashe), who's re- acter nails some personal searching hip-hop history theses to a door and makes as part of a desperate ef- a ,joking proclamation fort to reclaim her Puerto about "reformation"), it Rican heritage. She thinks might not be a surprise to the Arroyos' mother learn the play started out secretly may have played a as Diaz's own college thesis key role in that history. work. Neither sibling gives But the playwright also that idea much credence takes his studies to the at first. Amalia is a graf- street: The show (which fiti tag;ger too consumed features frequent drop- with her art (captured in ping of f-bombs) is set Aaron Rhyne's eye-catch- in a struggling Lower ing projections on Takeshi Last Side nightspot and Kata's urban-raw set). features a pair of comically She's also consumed with cocky hip-hop artists, Trip her fraught attraction to (Wade Allain-Marcus) and a cop named Derek Jeter Nelson (the one-named (Byron Bronson) — a GQ). one-note gag that goes on These two act as em- too long. cees, rappers and ever- There are sorne inspired commenting chorus as set pieces, including a well as characters in the sequence where Trip and play (the lines between Nelson have other charac- those roles often get ters "rewind" their scenes blurred). Their beat-drop- like DVD highlights, and ping and ad-libbing give Diaz scratches at the sur- the show its best moments, face of provocative ideas so it's disappointing that about the ownership of Diaz and director Jaime cultural legacies. Castañeda don't cut them "Arroyo's" proves not loose a little more. nearly so hard-hitting as The main action of the last year's "Kingdom," the play centers on the Arroyo previous show connected siblings, Alejandro (An- to the Globe's visionary dres Munar) and Amalia Southeast San Diego (Amirah Vann), who are Residency Project (which coping with the recent includes performances at death of their mom while Lincoln High). It. has its trying to keep the family moments, though, from a bodega alive. playwright whose own mo- Alejandro, a compul- ment seems to be arriving sive worker ("He gets the ,just. now Play review: Globe's hip-hop show skips a few beats - SignOnSanDiego.com http://www.signonsandiego.com/news/2010/oct/01/play-review-globes-h... Night & Day NEWS HOME WATCHDOG 0 Share Play review: Globe's hip-hop show skips a few beats BY JAMES HEBERT FRIDAY, OCTOBER 1, 2010 AT 6:37 P.M. As a peek inside the fertile mind of a rising SignOn Daily Deal on Facebook young playwright, the Old Globe’s “Welcome to Arroyo’s” scores big. As a piece of theater, not quite so much. Kristoffer Diaz’s rap-edged play has crisp performances, innovative staging, some sharply funny dialogue and plenty of brash attitude. But the show also can feel like a collection of high concepts in search of a story. It seems odd to call this an early work by Diaz, a 2010 Pulitzer finalist for “The Elaborate Entrance of Chad Deity.” After all, the man is barely past 30. / HENRY DIROCCO But Diaz began work on “Arroyo’s” a GQ and Wade Allain-Marcus in "Welcome to Arroyo's." decade ago. Considering the playful strain of academic pretension threaded through the piece (at one point a character nails some personal theses to a door and makes a joking proclamation about “reformation”), it might not be a surprise to learn the play started out as Diaz’s own college thesis work. But the playwright also takes his studies to the street: The show (which features frequent dropping of f-bombs) is set in a struggling Lower East Side nightspot and features a pair of comically cocky hip-hop artists, Trip ADD AN EVENT | MORE THINGS TO DO | MOVIES | RESTAURANTS (Wade Allain-Marcus) and Nelson (the one-named GQ). sponsored event These two act as emcees, rappers and ever-commenting chorus as well as characters in the play (the lines Catch Steve Tyrell at the Stylish between those roles often get blurred). Their beat-dropping and ad-libbing gives the show its best moments, so new Club M it’s disappointing that Diaz and director Jaime Castañeda don’t cut them loose a little more. Thursday, Oct 21, 8:00 pm The main action of the play centers on the Arroyo siblings, Alejandro (Andres Munar) and Amalia (Amirah Vann), The Grand Del Mar, San Diego who are coping with the recent death of their mom while trying to keep the family bodega-turned-lounge alive. Tom Petty and the Heartbreakers, Alejandro, a compulsive worker (“He gets the place cleaner than a Justin Bieber CD,” Trip and Nelson crack), Los Lobos receives a mysterious visit from a former neighborhood girl, Lelly (Tala Ashe), who’s researching hip-hop history Tuesday, Oct 5, 7:30 pm as part of a desperate effort to reclaim her Puerto Rican heritage. She thinks the Arroyos’ mother secretly may Cricket Wireless Amphitheatre, Chula Vista have played a key role in that history. Stone Temple Pilots - Rescheduled Neither sibling gives that idea much credence at first. Amalia is a graffiti tagger too consumed with her art Tuesday, Oct 26, 7:00 pm (captured in Aaron Rhyne’s eye-catching projections on Takeshi Kata’s urban-raw set). She’s also consumed Viejas Arena, San Diego with her fraught attraction to a cop named Derek Jeter (Byron Bronson) — a one-note gag that goes on too long. Search Events... Search There are some inspired set pieces, including a sequence where Trip and Nelson have other characters “rewind” their scenes like DVD highlights. And Diaz scratches at the surface of provocative ideas about the ownership of cultural legacies. MOST POPULAR “Arroyo’s” proves not nearly so hard-hitting as last year’s “Kingdom,” the previous show connected to the Chargers open floodGates on Cardinals Globe’s visionary Southeastern San Diego Residency Project (which includes performances at Lincoln High). It has its moments, though, from a playwright whose own moment seems to be arriving just now. Padres lose, eliminated on both playoff fronts DETAILS Frustrated by Chargers? It could be much worse Woman injured in "ghost-riding" stunt “Welcome to Arroyo’s” Padres lose to Giants, miss playoffs Where: The Old Globe’s White Theatre, 1393 Old Globe Way, Balboa Park When: Tuesdays-Wednesdays, 7 p.m. (plus 2 p.m. Oct. 13); Thursdays-Fridays, 8 p.m.; Saturdays, 2 and 8 p.m.; Sundays, 2 and 7 p.m., through Oct. 31. Additional performances at Lincoln High School, Nov. 6, 8 p.m., and Nov. 7, 6 p.m. Tickets: $29-$67 (Globe); $10-$15 (Lincoln) Phone: (619) 234-5623 Also in this section 2 of 4 10/4/2010 2:32 PM LOS ANGELES TIMES October 6, 2010 THEATER. REVIEW Straddling language and genre dro's brash sister, Amalia Kristoffer Diaz's Arroyo (Amirah Vann), can't be bothered with a job: .-^ti "Welcome Arrovo's' blends She's a budding graffiti art- to Arroyo's' hip-hop and the story ist, which leads to a meet ^ .-^ cute with a beat cop, Officer í^ grieving of siblings. Derek (Byron Bronson). Where: Sheryl and Harvey 4 Enter suburban college , •^ ^ ^ White Theatre, the Old CHARLOTTE STOUDT girl Lelly (Tala Ashe), who ^r' Globe, San Diego FROM SAN DIEGO thinks the Arroyos' mother When: 7 p.m. Tuesdays and might have been the myste- Wednesdays, 8 p.m. More party than play, rious Reim Rey, purported Fridays, 2 and 8 p.m. Kristoffer Diaz's "Welcome to be one of hip-hop's origi- Saturdays (no matinee Oct. 16), to Arroyo's" is a sweet, loose- nators. Lelly tracks down - - ^ 2 and 7 p.m. limbed shout-out to Man- Alejandro for some fact Sundays. Ends Oct. 31. hattan's Lower East side, checking, but her interest in Tickets: $29 to $67 now at the Old Globe.
Recommended publications
  • A Return to Cuba Helps Eduardo Machado Find Home and Inspiration
    C olumbia U niversity RECORD November 9, 2001 3 OFF CAMPUS A Return to Cuba Helps Eduardo Machado Find Home and Inspiration BY KRISTIN STERLING “Did they throw me out, or did I walk away from my country?” This question plagues many Cuban exiles and resonates throughout Eduardo Machado’s “Havana is Waiting.” The play is a semi-autobio- graphical drama inspired by Machado’s own emotion-filled return to Cuba in 1999. At the age of nine, Machado’s parents put him and his younger brother on a “Peter Pan” flight to the U.S., a decision that Machado, like many others, has questioned and resented all of his life. Over 13,000 Cuban children made similar flights during the early 1960s, as their parents feared Communist indoctrination and the revolutionary government under Fidel Castro. Machado, an associate profes- sor in the Theatre Arts Division of the School of the Arts, describes his return to Cuba as “the most important experience of my adult life… that trip opened up a whole world of things that I yearn for.” PHOTO BY CAROL ROSEGG, COURTESY OF SPRINGER/CHICOINE PUBLIC RELATIONS Machado reveals much of him- Felix Solis, left, Bruce MacVittie, center, and Ed Vassalo, right, take a journey home in Eduardo Machado’s play, “Havana is Waiting.” The self in this very personal, production will run through Dec. 31 at the Cherry Lane Theatre. thoughtful and political work. He uses both humor and drama to Gonzalez, is found on the shores Machado’s signature comic style Drowns in Sand,” to great but more importantly Havana, or address the issues that arise.
    [Show full text]
  • Minnesota Yugos.Pdf
    Minnesota Yugos Tossups 1. Two weeks ago, due to no proof of sabotage, the u.s. Navy officially apologized for his false indictment. FTP, who had been accused for causing the 1989 explosion aboard the USS Iowa which killed 46 others along with himself? ANS: Gunner's Mate Clayton HARTWIG 2. Greenwich Workshop has published this popular artists prints since 1979, and since then she has become the most popular artist in the country. FTP name this artist who has developed a new genre of art called camouflage art and whose works include "Season of the Eagle", "The Forest has Eyes" and "Pintos". ANS: Bev DOOLITTLE 3. The Tin Can Tree, Morgan's Passing, If Morning Ever Comes, Celestial Navigation, Earthly Possessions, The Accidental Tourist and Saint Maybe are all novels FTP by what female author? ANS: Anne TYLER 4. The element Carbon is ideal for lifeform creation due to its electron structure. Another element, with similar chemistry, would build rather different creatures. FTP, what element, atomic number 14, would chip in to "rockier" beings? ANS: SILICON 5. It first appeared in 1947 on the cover of the Bulletin of the Atomic scientists. FTP, what cold war icon, which was at its closest approach to midnight in 1953 after the development of the Hydrogen bomb, now currently reads 11:50? ANS: The DOOMSDAY CLOCK 6. In psychology, the tendency to take credit for success while denying responsibility for failure is beneffectance. FTP, spell beneffectance. ANS: B-E-N-E-F-F-E-C-T-A-N-C-E 7. The Hunger, Sweet Heart's Dance, Compromising Positions, Atlantic City, The Rocky Horror Picture Show, Bull Durham and Thelma and Louise are all movies FTP starring what actress? ANS: Susan SARANDON / ," 8.
    [Show full text]
  • Completeandleft
    MEN WOMEN 1. Adam Ant=English musician who gained popularity as the Amy Adams=Actress, singer=134,576=68 AA lead singer of New Wave/post-punk group Adam and the Amy Acuff=Athletics (sport) competitor=34,965=270 Ants=70,455=40 Allison Adler=Television producer=151,413=58 Aljur Abrenica=Actor, singer, guitarist=65,045=46 Anouk Aimée=Actress=36,527=261 Atif Aslam=Pakistani pop singer and film actor=35,066=80 Azra Akin=Model and actress=67,136=143 Andre Agassi=American tennis player=26,880=103 Asa Akira=Pornographic act ress=66,356=144 Anthony Andrews=Actor=10,472=233 Aleisha Allen=American actress=55,110=171 Aaron Ashmore=Actor=10,483=232 Absolutely Amber=American, Model=32,149=287 Armand Assante=Actor=14,175=170 Alessandra Ambrosio=Brazilian model=447,340=15 Alan Autry=American, Actor=26,187=104 Alexis Amore=American pornographic actress=42,795=228 Andrea Anders=American, Actress=61,421=155 Alison Angel=American, Pornstar=642,060=6 COMPLETEandLEFT Aracely Arámbula=Mexican, Actress=73,760=136 Anne Archer=Film, television actress=50,785=182 AA,Abigail Adams AA,Adam Arkin Asia Argento=Actress, film director=85,193=110 AA,Alan Alda Alison Armitage=English, Swimming=31,118=299 AA,Alan Arkin Ariadne Artiles=Spanish, Model=31,652=291 AA,Alan Autry Anara Atanes=English, Model=55,112=170 AA,Alvin Ailey ……………. AA,Amedeo Avogadro ACTION ACTION AA,Amy Adams AA,Andre Agasi ALY & AJ AA,Andre Agassi ANDREW ALLEN AA,Anouk Aimée ANGELA AMMONS AA,Ansel Adams ASAF AVIDAN AA,Army Archerd ASKING ALEXANDRIA AA,Art Alexakis AA,Arthur Ashe ATTACK ATTACK! AA,Ashley
    [Show full text]
  • Hamilton at the Paramount Seattle
    SPECIAL EDITION • FEBRUARY 2018 ENCORE ARTS PROGRAMS • SPECIAL EDITION HAMILTON FEBRUARY 2018 FEBRUARY PROGRAMS • SPECIAL EDITION HAMILTON ARTS ENCORE HAMILTON February 6 – March 18, 2018 Cyan Magenta Yellow Black Inks Used: 1/10/18 12:56 PM 1/11/18 11:27 AM Changes Prev AS-IS Changes See OK OK with Needs INITIALS None Carole Guizetti — Joi Catlett Joi None Kristine/Ethan June Ashley Nelu Wijesinghe Nelu Vivian Che Barbara Longo Barbara Proofreader: Regulatory: CBM Lead: Prepress: Print Buyer: Copywriter: CBM: · · · · Visual Pres: Producer: Creative Mgr Promo: Designer: Creative Mgr Lobby: None None 100% A N N U A L UPC: Dieline: RD Print Scale: 1-9-2018 12:44 PM 12:44 1-9-2018 D e si gn Galle r PD y F Date: None © 2018 Starbucks Co ee Company. All rights reserved. All rights reserved. ee Company. SBX18-332343 © 2018 Starbucks Co x 11.125" 8.625" Tickets at stgpresents.org SKU #: Bleed: SBUX FTP Email 12/15/2017 STARBUCKS 23 None 100% OF TICKET SALES GOOF TOTHE THE PARTICIPATING MUSIC PROGRAMS HIGH SCHOOL BANDS — FRIDAY, MARCH 30 AT 7PM SBX18-332343 HJCJ Encore Ad Encore HJCJ blongo014900 SBX18-332343 HotJavaCoolJazz EncoreAd.indd HotJavaCoolJazz SBX18-332343 None RELEASED 1-9-2018 Hot Java Cool Jazz None None None x 10.875" 8.375" D i sk SCI File Cabinet O t h e r LIVE AT THE PARAMOUNT IMPORTANT NOTES: IMPORTANT Vendor: Part #: Trim: Job Number: Layout: Job Name: Promo: File Name: Proj Spec: Printed by: Project: RELEASE BEFORE: BALLARD | GARFIELD | MOUNTLAKE TERRACE | MOUNT SI | ROOSEVELT COMPANY Seattle, 98134 WA 2401 Utah Avenue South2401
    [Show full text]
  • MARCH 2019 APSS Newsletter
    Newsletter VOLUME 40, NUMBER 6 Formerly New York Sheet Music Society www.APSSinc.org MARCH 2019 Shana Farr: Living Inside a Song - An Appreciation of Barbara Cook By Jerry Osterberg appearing in a-number-of with her debut at the Laurie others not as well known, Some years before I saw Gilbert & Sullivan Beechman with Pure with informed narration and Shana Farr’s celebrated productions, essentially Imagination, Shana Farr has insight. Interestingly, Cook tribute to Julie Andrews at the extending an impressive been a welcome presence, and Farr had both appeared in Metropolitan Room, a resume of operetta and staging other productions some of the same musicals, program she later reprised at s among them The Yeoman of g n the New York Sheet Music i the Guard, The Music Man, l l i Society, as we were then B and Oklahoma. Before e known, I heard her perform at s o Barbara Cook became widely R a concert staged by the y known for The Music Man b Village Light Opera o t (“Goodnight, My Someone” o Company. Although I wasn’t h P and “Till There Was You”), a passionate fan of Gilbert & she starred in Plain and Sullivan, I attended their Fancy (“This is All Very New programs from time to time. to Me”) and Candide VLOG’s practice was to (“Glitter and Be Gay”). alternate G & S with Besides two additional plays Broadway musicals including she opened, The Gay Life (“I concert versions. One of Wouldn’t Marry You”) and these was a revue focusing on She Loves Me (“Ice Cream”), songs which had emerged Cook appeared in revivals of from theater productions to Oklahoma (“I Can’t Say stand on their own, becoming No!”), Carousel (“If I Loved the building blocks of the Shana Farr You” and “You’re a Queer Great American Songbook.
    [Show full text]
  • FACTUAL CATALOGUE 2020-2021 Including
    HAT TRICK INTERNATIONAL FACTUAL CATALOGUE 2020-2021 Including... FACTUAL CATALOGUE CONTENTS FACTUAL CATALOGUE CONTENTS FACTUAL ENTERTAINMENT SECRETS OF YOUR SUPERMARKET FOOD 11 RIVER COTTAGE KEY CONTACTS TALKING ANIMALS: TALES FROM THE ZOO 17 AMAZING SPACES DENMARK 20 THE BALMORAL HOTEL: AN EXTRAORDINARY YEAR 25 A COOK ON THE WILD SIDE 38 SARAH TONG, Director of Sales AMISH: WORLD’S SQUAREST TEENAGERS 2 THE BIG BREAD EXPERIMENT 26 HUGH’S 3 GOOD THINGS: BEST BITES 38 Australia, New Zealand, Global SVOD THE BIG C & ME 13 ATLANTIC EDGE 16 HUGH’S THREE HUNGRY BOYS - SERIES 1 39 Email: [email protected] A VERY BRITISH HOTEL CHAIN: INSIDE BEST WESTERN 24 THE DETONATORS 6 HUGH’S THREE HUNGRY BOYS - SERIES 2 39 Tel: +44 (0)20 7184 7710 A YEAR ON THE FARM 16 THE GREAT BRITISH DIG: HISTORY IN YOUR BACK GARDEN 22 RIVER COTTAGE AUSTRALIA 39 BANGKOK AIRPORT 24 THE GREAT BRITISH GARDEN REVIVAL 18 RIVER COTTAGE BITES 38 BRADFORD: CITY OF DREAMS 8 THE LADYKILLERS: PEST DETECTIVES 16 RIVER COTTAGE BITES: BEST BITES 38 JONATHAN SOUTH, Senior Sales Executive BREAKING DAD 5 THE LAST MINERS 2 RIVER COTTAGE CATALOGUE 1999-2013 40-41 Canada, Latin America, Portugal, Spain, USA BRITISH GARDENS IN TIME 18 THE MILLIONAIRES’ HOLIDAY CLUB 24 Email: [email protected] BROKE 9 THE REAL MAN’S ROAD TRIP: SEAN AND JON GO WEST 5 FACTUAL / SPECIALS Tel: +44 (0)20 7184 7771 CABINS IN THE WILD WITH DICK STRAWBRIDGE 19 THE ROMANIANS ARE COMING 9 CELEBRITY TRAWLERMEN: ALL AT SEA 6 THE YEAR WITH THE TRIBE, A TASTE OF THE YORKSHIRE DALES 42 ELFYN MORRIS, Senior Sales Executive
    [Show full text]
  • Crowd Pleaser Thousands Flock to Princeton for Food and Jazz by Tony Mottola Editor Jersey Jazz
    Volume 35 • Issue 10 November 2007 Journal of the New Jersey Jazz Society Dedicated to the performance, promotion and preservation of jazz. Crowd Pleaser Thousands flock to Princeton for food and jazz By Tony Mottola Editor Jersey Jazz Princeton JazzFeast 2007 — story on page 26. Free for members! inset: photo Alan Dale. Photos by Tony Mottola. NJJS Annual Meeting SUNDAY, DECEMBER 2 • CONCERT see pp 3, 8, 49 ARTICLES Ellingtonia on the Net . 32 Institute of Jazz Studies/ Snuffy’s . 23 in this issue: Classic Stine. 9 Crow’s Nest . 49 Jazz from Archives. 49 CTS Images . 24 NEW JERSEY JAZZ SOCIETY Meadowbrook Swings Again. 9 REVIEWS Somewhere There’s Music . 50 Lana’s Fine Dining . 25 Pres Sez/NJJS Calendar Big Band in the Sky . 10 D. Sherman/KT Sullivan . 34 The Name Dropper . 51 Community Theatre. 33 NH Library of Traditional Jazz . 14 Glen Rock Inn . 34 & Bulletin Board. 2 CDs: Compact Views/ ADVERTISERS Talking Jazz with Anat Cohen . 16 Other Views . 36 Arbors Records . 35 November 18 Member Meeting . 3 Cornerstone. 5 The Mail Bag/Jazz Trivia. 4 Dan’s Den . 22 DVDs: Jazz Icons/ Jazzdagen Tours. 39 Yours for a Song . 24 Improvisation . 40 Shanghai Jazz. 7 46 Lounge . 43 Editor’s Pick/Deadlines/NJJS info . 6 35th Anniversary Dinner Dance. 28 September Member Meeting . 46 Whiskey Café. 11 PA Jazz Society . 44 Notes from the Music Committee . 8 Riverwalk Jazz on WBGO. 30 EVENTS Cedar Grove Elks/Meadowbrook. 13 Atlanta Jazz Party . 45 In the Mainstream. 44 Giants of Jazz at the Baird . 30 ’Round Jersey: Bridgewater, Trumpets .
    [Show full text]
  • Bullseye with Jesse Thorn Is a Production of Maximumfun.Org and Is Distributed by NPR
    00:00:00 Music Music Gentle, trilling music with a steady drumbeat plays under the dialogue. 00:00:01 Promo Promo Speaker: Bullseye with Jesse Thorn is a production of MaximumFun.org and is distributed by NPR. [Music fades out.] 00:00:11 Jesse Host I’m Jesse Thorn. It’s Bullseye! Thorn 00:00:14 Music Music “Huddle Formation” from the album Thunder, Lightning, Strike by The Go! Team plays. A fast, upbeat, peppy song. Music plays as Jesse speaks, then fades out. 00:00:20 Jesse Host Lin-Manuel Miranda grew up in a working-class neighborhood, north of Harlem. He went to a fancy school for gifted kids, on the Upper East Side. He went to college at Wesleyan, and not long after he graduated, he had a hit Broadway musical— [“Huddle Formation” fades out to be replaced with “In the Heights”.] In the Heights. 00:00:34 Clip Clip “In the Heights” from the Broadway musical In the Heights plays. ENSEMBLE: In the Heights I can’t survive without café USNAVI: I serve café ENSEMBLE: 'Cause tonight... [Music fades out as Jesse speaks] 00:00:41 Jesse Host He’s also the creator and star of Hamilton: the award-winning, massively influential musical about the founding f—well, you know what. This is a little silly. I’m explaining the plot of Hamilton on NPR. You know what Hamilton is. These days, Lin-Manuel is in a spot where not many artists find themselves. He can do pretty much whatever he wants! He can take on almost any project.
    [Show full text]
  • THE NATIONAL TELEVISION ACADEMY PRESENTS the 33Rd ANNUAL DAYTIME EMMY AWARDS in a THREE-HOUR TELECAST on ABC
    THE NATIONAL TELEVISION ACADEMY PRESENTS THE 33rd ANNUAL DAYTIME EMMY AWARDS IN A THREE-HOUR TELECAST ON ABC For the First Time, The Daytime Emmy Awards Were Held in Hollywood at the Famed Kodak Theatre NEW YORK, NY – April 28, 2006 – The 33rd Annual Daytime Emmy® Awards were presented by the National Academy of Television Arts & Sciences at Hollywood’s Kodak Theatre tonight and telecast live on the ABC Television Network (8-11 PM, ET; tape delay to the West Coast). The black-tie gala ceremony, which marked the first time in its 33-year history that the Daytime Emmy Awards were presented in Hollywood, was hosted by Tom Bergeron (“Dancing with the Stars,” “America’s Funniest Home Videos”) and Kelly Monaco (“General Hospital”). The three-hour star-studded telecast opened with Award-winning actor and musician Rick Springfield (“General Hospital’s” Dr. Noah Drake) performing a mix of his best music – including his worldwide megahit, “Jesse’s Girl.” Daytime Emmy Awards were presented for performances and programs in 15 categories, including Outstanding Lead Actor/Actress in a Drama Series, Outstanding Game Show Host, Outstanding Talk Show, Outstanding Pre-School Children’s Series and Outstanding Drama Series. Presenters included Chandra Wilson, Kate Walsh and James Pickens, Jr. (“Grey’s Anatomy”), Rachel Ray (“The Rachel Ray Show”), Tyra Banks (“The Tyra Banks Show”), Judge Judy Sheindlin (“Judge Judy”); Lisa Rinna and Ty Treadway (“Soap Talk”); Barbara Walters, Meredith Vieira, Star Jones Reynolds, Joy Behar and Elisabeth Hasselbeck (“The View”), and dozen of stars from all the Emmy- nominated daytime dramas. On April 22, Daytime Emmy Awards were presented primarily in the creative arts categories at the Marriott Marquis Hotel in New York City and at the Grand Ballroom at Hollywood and Highland in Los Angeles.
    [Show full text]
  • MEMOIRS of a GEISHA John Williams, Composer Dreamworks SKG Ian Bryce, Lucy Fisher, Steven Spielberg, Douglas Wick, Prods
    KENNETH WANNBERG MUSIC EDITOR MEMOIRS OF A GEISHA John Williams, Composer DreamWorks SKG Ian Bryce, Lucy Fisher, Steven Spielberg, Douglas Wick, prods. Rob Marshall, dir. STAR WARS: EPISODE 3-REVENGE John Williams, Composer OF THE SITH Lucas Film Rick McCallum, prod. George Lucas, dir. THE TERMINAL John Williams, Composer DreamWorks SKG Laurie MacDonald, Walter Parkes, Steven Spielberg, prods. Steven Spielberg, dir. HARRY POTTER AND THE PRISONER John Williams, Composer OF AZKABAN Warner Bros. David Heyman, prod. Alfonso Cuaron, dir. CATCH ME IF YOU CAN John Williams, Composer DreamWorks SKG Walter Parkes, Steven Spielberg, prods. Steven Spielberg, dir. MINORITY REPORT John Williams, Composer 20th Century Fox Walter Parkes, Jan De Bont, Gerald Molen, Bonnie Curtis, prods. Steven Spielberg, dir. STAR WARS: EPISODE 2-ATTACK OF John Williams, Composer THE CLONES LucasFilm / JAK Productions Rick McCallum, prod. George Lucas, dir. HARRY POTTER AND THE John Williams, Composer SORCERER’S STONE Warner Bros. David Heyman, prod. Chris Columbus, dir. The Gorfaine/Schwartz Agency, Inc. (818) 260-8500 1 KENNETH WANNBERG MUSIC EDITOR A.I.: ARTIFICIAL INTELLIGENCE John Williams, Composer DreamWorks / Warner Bros. Kathleen Kennedy, Bonnie Curtis, Steven Spielberg, prods. Steven Spielberg, dir. THE PATRIOT John Williams, Composer Sony Pictures Dean Devlin, Mark Gordon (II), Gary Levinson, prods. Roland Emmerich, dir. ANGELA’S ASHES John Williams, Composer Paramount Pictures David Brown, Alan Parker, Scott Rudin, prods. Alan Parker, dir. STAR WARS: THE PHANTOM John Williams, Composer MENACE Lucas Film Rick McCallum, prod. George Lucas, dir. STEPMOM John Williams, Composer Sony Pictures Wendy Finerman, Mark Radcliffe, Michael Barnathan, prods. Chris Columbus, dir. SAVING PRIVATE RYAN John Williams, Composer DreamWorks SKG Steven Spielberg, Mark Gordon, Ian Bryce, Gary Levinson, prods.
    [Show full text]
  • THE NATIONAL ACADEMY of TELEVISION ARTS & SCIENCES ANNOUNCES NOMINATIONS for the 44Th ANNUAL DAYTIME EMMY® AWARDS
    THE NATIONAL ACADEMY OF TELEVISION ARTS & SCIENCES ANNOUNCES NOMINATIONS FOR THE 44th ANNUAL DAYTIME EMMY® AWARDS Daytime Emmy Awards to be held on Sunday, April 30th Daytime Creative Arts Emmy® Awards Gala on Friday, April 28th New York – March 22nd, 2017 – The National Academy of Television Arts & Sciences (NATAS) today announced the nominees for the 44th Annual Daytime Emmy® Awards. The awards ceremony will be held at the Pasadena Civic Auditorium on Sunday, April 30th, 2017. The Daytime Creative Arts Emmy Awards will also be held at the Pasadena Civic Auditorium on Friday, April 28th, 2017. The 44th Annual Daytime Emmy Award Nominations were revealed today on the Emmy Award-winning show, “The Talk,” on CBS. “The National Academy of Television Arts & Sciences is excited to be presenting the 44th Annual Daytime Emmy Awards in the historic Pasadena Civic Auditorium,” said Bob Mauro, President, NATAS. “With an outstanding roster of nominees, we are looking forward to an extraordinary celebration honoring the craft and talent that represent the best of Daytime television.” “After receiving a record number of submissions, we are thrilled by this talented and gifted list of nominees that will be honored at this year’s Daytime Emmy Awards,” said David Michaels, SVP, Daytime Emmy Awards. “I am very excited that Michael Levitt is with us as Executive Producer, and that David Parks and I will be serving as Executive Producers as well. With the added grandeur of the Pasadena Civic Auditorium, it will be a spectacular gala that celebrates everything we love about Daytime television!” The Daytime Emmy Awards recognize outstanding achievement in all fields of daytime television production and are presented to individuals and programs broadcast from 2:00 a.m.-6:00 p.m.
    [Show full text]
  • RAYMOND PRADO 2Nd UNIT DIRECTOR DGA
    RAYMOND PRADO 2nd UNIT DIRECTOR DGA www.raymondprado.com SECOND UNIT DIRECTOR DANGEROUS LIAISONS (Pilot) 3 Arts / ABC Prod: Wren Arthur, Richard LaGravenese, Erwin Stoff, Dir: Taylor Hackford Ilene Staple, Margot Lulick COMPANY TOWN (Pilot) CBS Studios/The CW Prod: Jeff Hayes, Bill Haber Dir: Taylor Hackford SOURCE CODE Summit Prod: Mark Gordon, Jordan Wynn, Hawk Koch Dir: Duncan Jones PARKER Incentive Filmed Ent. Prod: Taylor Hackford, Steve Chasman, Dir: Taylor Hackford Les Alexander THE PROPOSAL Touchstone Prod: Todd Lieberman, David Hoberman, Dir: Anne Fletcher Mary McLaglen LOVE RANCH E1 Entertainment Prod: Taylor Hackford, Lou DiBella, Marty Katz Dir: Taylor Hackford RAY Universal Pictures Prod: Taylor Hackford, Stuart Benjamin, Dir: Taylor Hackford Howard Baldwin, Karen Baldwin E-RING (Pilot) Warner Bros. TV/NBC Prod: Jerry Bruckheimer, David McKenna Dir: Taylor Hackford NUMB3RS (Pilot) Paramount Network TV/CBS Prod: Nicolas Falacci, Cheryl Heuton, Dir: Gregor Jordan Tony Scott, Ridley Scott DODGEBALL 20th Century Fox Prod: Stuart Cornfeld, Ben Stiller, Mary McLaglen Dir: Rawson Marshall Thurber TWO WEEK’S NOTICE Warner Bros. Pictures Prod: Sandra Bullock, Mary McLaglen Dir: Marc Lawrence MISS CONGENIALITY Warner Bros. Pictures Prod: Sandra Bullock, Marc Lawrence Dir: Donald Petrie GUN SHY Hollywood Pictures Prod: Sandra Bullock, Marc S. Fischer Dir: Eric Blakeney STORYBOARDS/CONCEPTS WEST SIDE STORY 20th Century Fox Prod: Rita Moreno, Kevin McCollum, Kristie Krieger Dir: Steven Spielberg VICE Annapurna Productions Prod: Will Ferrell,
    [Show full text]