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Dance/Drama/Theatre Signature and Name of Invigilator Answer Sheet No. : ...................................................... (To be filled by the Candidate) 1. (Signature) Roll No. (Name) (In figures as per admission card) 2. (Signature) Roll No. (In words) (Name) Test Booklet No. D6 5 0 4 PAPERII Time : 1¼ hours] PERFORMING ART [Maximum Marks : 100 Number of Pages in this Booklet : 28 Number of Questions in this Booklet : 25 + (25+25) Instructions for the Candidates ÂÚUèÿææçÍüØô¢ ·ð¤ çÜ° çÙÎðüàæ 1. Write your roll number in the space provided on the top of 1. ÂãÜðU ÂëDU ·ð¤ ª¤ÂÚU çÙØÌ SÍæÙ ÂÚU ÌÍæ §â ÂéçSÌ·¤æ ·ð¤ ¥ÎÚU çÎØð »Øð ©æÚU this page and also on the Answer Sheet given inside this Âæ·¤ ÂÚU ¥ÂÙæ ÚUôÜU ÙÕÚU çÜç¹°Ð booklet. 2. §â ÂýàÙ-Âæ ×𢠿æâ Õãéçß·¤ËÂèØ ÂýàÙ ãñ¢Ð 2. This paper consists of fifty multiple-choice type of questions. 3. At the commencement of examination, the question booklet 3. ÂÚUèÿææ ÂýæÚUÖ ãôÙð ÂÚU, ÂýàÙ-ÂéçSÌ·¤æ ¥æ·¤ô Îð Îè ÁæØð»èÐ ÂãÜðU ÂUæ¡¿ ç×ÙÅU will be given to you. In the first 5 minutes, you are ¥æ·¤ô ÂýàÙ-ÂéçSÌ·¤æ ¹ôÜÙð ÌÍæ ©â·¤è çÙÙçÜç¹Ì Áæ¡¿ ·ð¤ çÜ° çÎØð requested to open the booklet and compulsorily examine it ÁæØð¢»ð çÁâ·¤è Áæ¡¿ ¥æ·¤ô ¥ßàØ ·¤ÚUÙè ãñ Ñ as below : (i) ÂýàÙ-ÂéçSÌ·¤æ ¹ôÜÙð ·ð¤ çÜ° ©â·ð¤ ·¤ßÚU ÂðÁ¤ÂÚU Ü»è ·¤æ»Á ·¤è (i) To have access to the Question Booklet, tear off the âèÜ ·¤ô ȤæǸU Üð¢UÐ ¹éÜè ãé§ü Øæ çÕÙæ SÅUè·¤ÚU-âèÜU ·¤è ÂéçSÌ·¤æ paper seal on the edge of this cover page. Do not Sßè·¤æÚU Ù ·¤Úð¢UÐ accept a booklet without sticker-seal and do not accept an open booklet. (ii) ·¤ßÚU ÂëDU ÂÚU ÀUÂð çÙÎðüàææÙéâæÚU ÂýàÙ-ÂéçSÌ·¤æ ·ð¤ ÂëDU ÌÍæ ÂýàÙô¢ ·¤è (ii) Tally the number of pages and number of questions â¢Øæ ·¤ô ¥ÀUè ÌÚUã ¿ñ·¤ ·¤ÚU Üð¢U ç·¤ Øð ÂêÚðU ãñ¢UÐ ÎôáÂêæü ÂéçSÌ·¤æ in the booklet with the information printed on the çÁÙ×ð¢ ÂëDU / ÂýàÙ ·¤× ãô¢ Øæ ÎéÕæÚUæ ¥æ »Øð ãô¢ Øæ âèçÚUØÜU ×ð¢ Ù ãô¢ cover page. Faulty booklets due to pages/questions ¥ÍæüÌ ç·¤âè Öè Âý·¤æÚU ·¤è æéçÅUÂêæü ÂéçSÌ·¤æ Sßè·¤æÚU Ù ·¤Úð¢U ÌÍæ missing or duplicate or not in serial order or any ©âè â×Ø ©âð ÜUõÅUæ·¤ÚU ©â·ð¤ SÍæÙ ÂÚU ÎêâÚUè âãè ÂýàÙ-ÂéçSÌ·¤æ other discrepancy should be got replaced immediately by a correct booklet from the invigilator within the Üð Üð¢Ð U §â·ð¤ çÜ° ¥æ·¤ô Âæ¡¿ ç×ÙÅU çÎØð ÁæØð¢»ðÐ ©â·ð¤ ÕæÎ Ù period of 5 minutes. Afterwards, neither the question Ìô ¥æ·¤è ÂýàÙ-ÂéçSÌ·¤æ ßæÂâ Üè ÁæØð»è ¥õÚU Ù ãè ¥æ·¤ô booklet will be replaced nor any extra time will be ¥çÌçÚUQ¤ â×Ø çÎØæ ÁæØð»æÐ given. (iii) §â Áæ¡¿ ·ð¤ ÕæÎ ÂýàÙ-ÂéçSÌ·¤æ ·¤è R¤× â¢Øæ ©æÚU-Âæ·¤ ÂÚU ¥¢ç·¤Ì (iii) After this verification is over, the Serial No. of the ·¤Úð¢U ¥UõÚU ©æÚU-Âæ·¤ ·¤è R¤×¤â¢Øæ §â ÂýàÙ-ÂéçSÌ·¤æ ÂÚU ¥¢ç·¤Ì ·¤ÚU booklet should be entered in the Answer-sheets and Îð¢Ð the Serial No. of Answer Sheet should be entered on this Booklet. 4. ÂýØð·¤ ÂýàÙ ·ð¤ çÜ° ¿æÚU ©æÚU çß·¤Ë (A), (B), (C) ÌÍæ (D) çÎØð »Øð ãñ¢Ð 4. Each item has four alternative responses marked (A), (B), ¥æ·¤ô âãè ©æÚU ·ð¤ Îèæüßëæ ·¤ô ÂðÙ âð ÖÚU·¤ÚU ·¤æÜæ ·¤ÚUÙæ ãñ Áñâæ ç·¤ Ùè¿ð (C) and (D). You have to darken the oval as indicated çιæØæ »Øæ ãñÐ below on the correct response against each item. ©ÎæãÚUæ Ñ A B C D Example : A B C D ÁÕç·¤ (C) âãè ©æÚU ãñÐ where (C) is the correct response. 5. ÂýàÙô¢ ·ð¤ ©æÚU ·ð¤ßÜU ÂýàÙ Âæ I ·ð¤ ¥ÎÚU çÎØð »Øð ©æÚU-Âæ·¤ ÂÚU ãè ¥¢ç·¤Ì 5. Your responses to the items are to be indicated in the Answer ·¤ÚUÙð ãñ¢Ð ØçÎ ¥æ ©æÚU Âæ·¤ ÂÚU çÎØð »Øð Îèæüßëæ ·ð¤ ¥Üæßæ ç·¤âè ¥Ø Sheet given inside the Paper I booklet only. If you mark SÍæÙ ÂÚU ©æÚU ç¿ãæ¢ç·¤Ì ·¤ÚUÌð ãñ, Ìô ©â·¤æ ×êËUØ梷¤Ù Ùãè¢ ãô»æÐ at any place other than in the ovals in the Answer Sheet, it will not be evaluated. 6. ¥ÎÚU çÎØð »Øð çÙÎðüàæô¢ ·¤ô ØæÙÂêßü·¤ Âɸð¢UÐ 6. Read instructions given inside carefully. 7. ·¤ææ ·¤æ× (Rough Work) §â ÂéçSÌ·¤æ ·ð¤ ¥çÌ× ÂëDU ÂÚU ·¤Úð¢UÐ 7. Rough Work is to be done in the end of this booklet. 8. ØçÎ ¥æ ©æÚU-ÂéçSÌ·¤æ ÂÚU ¥ÂÙæ Ùæ× Øæ °ðâæ ·¤ô§ü Öè çÙàææÙ çÁââð ¥æ·¤è 8. If you write your name or put any mark on any part of the Âã¿æÙ ãô â·ð¤, ¤ç·¤âè Öè Öæ» ÂÚU ÎàææüÌð Øæ ¥¢ç·¤Ì ·¤ÚUÌð ãñ¢ Ìô ÂÚUèÿææ ·ð¤ test booklet, except for the space allotted for the relevant çÜØð ¥ØôØ æôçáÌ ·¤ÚU çÎØð ÁæØð¢»ðÐ entries, which may disclose your identity, you will render yourself liable to disqualification. 9. ¥æ·¤ô ÂÚUèÿææ â×æ# ãôÙð ¤ÂÚU ©æÚU-ÂéçSÌ·¤æ çÙÚUèÿæ·¤ ×ãôÎØ ·¤ô ÜUõÅUæÙæ 9. You have to return the test question booklet to the ¥æßàØ·¤ ãñ ¥õÚU ÂÚUèÿææ â×æç# ·ð¤ ÕæÎ ¥ÂÙð âæÍ ÂÚUèÿææ ÖßÙ âð ÕæãÚU Ù invigilators at the end of the examination compulsorily Üð·¤ÚU ÁæØð¢Ð and must not carry it with you outside the Examination 10. ·ð¤ßÜ ÙèÜð / ·¤æÜð ÕæÜU ßæ§ZÅU ÂñÙ ·¤æ ãè §SÌð×æÜ ·¤Úð¢UÐ Hall. 10. Use only Blue/Black Ball point pen. 11. ç·¤âè Öè Âý·¤æÚU ·¤æ ⢻淤 (·ñ¤Ü·é¤ÜðÅUÚU) UØæ Üæ» ÅðUÕÜ ¥æçÎ ·¤æ 11. Use of any calculator or log table etc., is prohibited. ÂýØô» ßçÁüÌ ãñÐ 12. There is NO negative marking. 12. »ÜÌ ©æÚU ·ð¤ çÜ° ¥¢·¤ Ùãè¢ ·¤æÅðU ÁæØð¢»ðÐ See Page No. 2 and 3 for Special Instructions / çßàæðá âê¿Ùæ¥ô¢ ·ð¤ çÜU° ÂëDU â¢Øæ 2 ¥õÚU 3 Îð¹ð¢Ð D6504 1 P.T.O. DANCE / DRAMA / THEATRE PAPERII SPECIAL INSTRUCTIONS 1. Candidates are required to answer all the 25 questions in Part-I , which are compulsory. They should also select any one from Part-II and Part-III and answer all the 25 questions of that Part only. Each question carries two marks. 2. Candidates are required to mark clearly on the OMR Answer Sheet, the Part Number which they have selected. PARTI COMMON TO DANCE / DRAMA / THEATRE 1. The word for drama in the Natyashastra is ? (A) Nataka (B) Prakarana (C) Bhana (D) Rupaka 2. The Author of "ABHINAYA DARPANA" is : (A) Bharata (B) Sarangadeva (C) Nandikeswara (D) Bhasa 3. The "KHANDITAA NAYIKA" classification is : (A) According to the age (B) According to the relationship with NAYAKA (C) According to the temparament (D) According to the SOCIAL STATUS 4. How many RASA-S are given by Bharathamani ? (A) 8 (B) 9 (C) 13 (D) 6 5. The famous play "URU BHNGAM" was based on the story of : (A) Maha Bharatha (B) Vishnupurana (C) Srimadbhagvat (D) Ramayana 6. Which one is correctly matched ? (A) DASHAVTAR AND RAUDRA (B) RASALILA AND KRISHNA (C) BHAVAI AND SHAKTI (D) THRUKOOTHU AND RAMAYANA 7. Assertion (A) : VRITTI is the mode of stage presentation Reason (R) : MARGI is regional style of dramatic presentation (A) Both Correct (B) Both false (C) (A) True (R) False (D) (A) False (R) True D6504 2 ÙëØ / ÙæÅU·¤ / Ú¢U»×¢¿ ÂýàÙÂæII çßàæðá âê¿Ùæ°¡ 1. ÂÚUèÿææÍèü Öæ»-I ·ð¤ âÖè 25 ÂýàÙô¢ ·ð¤ ©æÚU Îð¢Ð Øã Öæ» ¥çÙßæØü ãñÐ ÂÚUèÿææÍèü Öæ»-II ¥õÚU Öæ»-III¤×ð¢ âð ç·¤âè °·¤ Öæ» ·ð¤ âÖè 25 ÂýàÙô¢ ·ð¤ ©æÚU Îð¢Ð ÂýØð·¤ ÂýàÙ ·ð¤ Îô ¥¢·¤ ãñ¢Ð 2. ÂÚUèÿææÍèü ¥UÂÙè ¿ØçÙÌ Öæ» ·¤ô OMR ©æÚU Âæ ×ð¢ SÂCU M¤Â âð ¥¢ç·¤Ì ·¤Úð¢UÐ Öæ»I ÙëØ ¥õÚU ÙæÅU·¤ / Ú¢U»×¢U¿ UÎôÙô¢ ·ð¤ çÜU° 1. ÙæÅKàææSæ ×ð´ ÇþUæ×æ ·ð¤ çÜ° ç·¤â àæÎ ·¤æ §SÌð×æÜ ç·¤Øæ »Øæ ãñU? (A) ÙæÅU·¤ (B) Âý·¤ÚUæ (C) Öææ (D) L¤Â·¤ 2. Ò¥çÖÙØ ÎÂüæÓ ·¤æ Üð¹·¤ ·¤õÙ Íæ? (A) ÖÚUÌ (B) àææÚ¢U»Îñß (C) Ù¢çηð¤àßÚU (D) Öæâ 3. Ò¹¢çÇUÌæ ÙæçØ·¤æÓ ·ð¤ ß»èü·¤ÚUæ ·¤æ ¥æÏæÚU Øæ ãñU? (A) ßØ (B) ÙæØ·¤ ·ð¤ âæÍ ©Uâ·¤æ âÕÏ (C) SßÖæß (D) âæ×æçÁ·¤ SÌÚU 4. ÖÚUÌ ×éçÙ Ùð ç·¤ÌÙð ÚUâô´ ·¤æ ©UËÜð¹ ç·¤Øæ ãñU? (A) 8 (B) 9 (C) 13 (D) 6 5. âéÂýçâÎ ÙæÅU·¤ ©L¤Ö»× ·¤è ·¤Íæ ·¤æ ¥æÏæÚU ·¤õÙ âæ »ý¢Í ãñU? (A) ×ãUæÖæÚUÌ (B) çßcæé ÂéÚUææ (C) æè×Î÷ Öæ»ßÌ÷ (D) ÚUæ×æØæ 6. ·¤õÙ âæ Øé× âãUè ãñU? (A) ÎàææßÌæÚU ¥õÚU ÚUæñ¼ý (B) ÚUæâÜèÜæ ¥õÚU ·ë¤cææ (C) Ößæ§ü ¥õÚU àæçÌ (D) ÍðL¤·é¤æé ¥õÚU ÚUæ×æØæ 7. ·¤ÍÙ (A) : ßëçæ ·¤æ âÕÏ ×¢¿-ÂýSÌéçÌ âð ãñUÐ ·¤æÚUæ (R) : ×æ»èü ·¤æ âÕÏ ÿæðçæØ ÙæÅK×Ø ÂýSÌéçÌ âð ãñUÐ (A) ÎôÙô âãUè (B) ÎôÙô´ »ÜÌ (C) (A) âãUè (R) »ÜÌ (D) (A) »ÜÌ (R) âãUè D6504 3 P.T.O. 8. The 'TANDAVA' and 'LASYA' are concepts respectively representing (A) Feminine & Strength (B) Gentle & Strength (C) Masculine & Faminine (D) Faminine & Wild 9. Which is arranged in chronological order ? (A) PATRA PRAVESH - PURVA RANGA - NANDI - BHARATA VAKYA (B) BHARATA VAKYA - PATRA PRAVESH - NANDI - PURVA RANGA (C) NANDI - PURVARANGA - PATRA PRAVESH- BHARATH VAKYA (D) PURVA RANGA - NANDI - BHARATAVAKYA - PATRA PRAVESH 10. Match the items in List-I to the correct ones in the List-II List I List II a Hasya i Vismaya b Vir ii Jugupsa c Bibhatsa iii Hasa c Adbhuta iv Utsaha abcd (A) iv iii i ii (B) i iv ii iii (C) ii i iii iv (D) iii ii iv i 11.
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