Signature and Name of Invigilator Answer Sheet No. : ...... (To be filled by the Candidate) 1. (Signature) Roll No. (Name) (In figures as per admission card) 2. (Signature) Roll No. (In words) (Name) Test Booklet No. D6 5 0 4 PAPERII Time : 1¼ hours] PERFORMING ART [Maximum Marks : 100 Number of Pages in this Booklet : 28 Number of Questions in this Booklet : 25 + (25+25) Instructions for the Candidates ÂÚUèÿææçÍüØô¢ ·ð¤ çÜ° çÙÎðüàæ 1. Write your roll number in the space provided on the top of 1. ÂãÜðU ÂëDU ·ð¤ ª¤ÂÚU çÙØÌ SÍæÙ ÂÚU ÌÍæ §â ÂéçSÌ·¤æ ·ð¤ ¥ÎÚU çÎØð »Øð ©æÚU this page and also on the Answer Sheet given inside this Âæ·¤ ÂÚU ¥ÂÙæ ÚUôÜU ÙÕÚU çÜç¹°Ð booklet. 2. §â ÂýàÙ-Âæ ×𢠿æâ Õãéçß·¤ËÂèØ ÂýàÙ ãñ¢Ð 2. This paper consists of fifty multiple-choice type of questions. 3. At the commencement of examination, the question booklet 3. ÂÚUèÿææ ÂýæÚUÖ ãôÙð ÂÚU, ÂýàÙ-ÂéçSÌ·¤æ ¥æ·¤ô Îð Îè ÁæØð»èÐ ÂãÜðU ÂUæ¡¿ ç×ÙÅU will be given to you. In the first 5 minutes, you are ¥æ·¤ô ÂýàÙ-ÂéçSÌ·¤æ ¹ôÜÙð ÌÍæ ©â·¤è çÙÙçÜç¹Ì Áæ¡¿ ·ð¤ çÜ° çÎØð requested to open the booklet and compulsorily examine it ÁæØð¢»ð çÁâ·¤è Áæ¡¿ ¥æ·¤ô ¥ßàØ ·¤ÚUÙè ãñ Ñ as below : (i) ÂýàÙ-ÂéçSÌ·¤æ ¹ôÜÙð ·ð¤ çÜ° ©â·ð¤ ·¤ßÚU ÂðÁ¤ÂÚU Ü»è ·¤æ»Á ·¤è (i) To have access to the Question Booklet, tear off the âèÜ ·¤ô ȤæǸU Üð¢UÐ ¹éÜè ãé§ü Øæ çÕÙæ SÅUè·¤ÚU-âèÜU ·¤è ÂéçSÌ·¤æ paper seal on the edge of this cover page. Do not Sßè·¤æÚU Ù ·¤Úð¢UÐ accept a booklet without sticker-seal and do not accept an open booklet. (ii) ·¤ßÚU ÂëDU ÂÚU ÀUÂð çÙÎðüàææÙéâæÚU ÂýàÙ-ÂéçSÌ·¤æ ·ð¤ ÂëDU ÌÍæ ÂýàÙô¢ ·¤è (ii) Tally the number of pages and number of questions â¢Øæ ·¤ô ¥ÀUè ÌÚUã ¿ñ·¤ ·¤ÚU Üð¢U ç·¤ Øð ÂêÚðU ãñ¢UÐ ÎôáÂêæü ÂéçSÌ·¤æ in the booklet with the information printed on the çÁÙ×ð¢ ÂëDU / ÂýàÙ ·¤× ãô¢ Øæ ÎéÕæÚUæ ¥æ »Øð ãô¢ Øæ âèçÚUØÜU ×ð¢ Ù ãô¢ cover page. Faulty booklets due to pages/questions ¥ÍæüÌ ç·¤âè Öè Âý·¤æÚU ·¤è æéçÅUÂêæü ÂéçSÌ·¤æ Sßè·¤æÚU Ù ·¤Úð¢U ÌÍæ missing or duplicate or not in serial order or any ©âè â×Ø ©âð ÜUõÅUæ·¤ÚU ©â·ð¤ SÍæÙ ÂÚU ÎêâÚUè âãè ÂýàÙ-ÂéçSÌ·¤æ other discrepancy should be got replaced immediately by a correct booklet from the invigilator within the Üð Üð¢Ð U §â·ð¤ çÜ° ¥æ·¤ô Âæ¡¿ ç×ÙÅU çÎØð ÁæØð¢»ðÐ ©â·ð¤ ÕæÎ Ù period of 5 minutes. Afterwards, neither the question Ìô ¥æ·¤è ÂýàÙ-ÂéçSÌ·¤æ ßæÂâ Üè ÁæØð»è ¥õÚU Ù ãè ¥æ·¤ô booklet will be replaced nor any extra time will be ¥çÌçÚUQ¤ â×Ø çÎØæ ÁæØð»æÐ given. (iii) §â Áæ¡¿ ·ð¤ ÕæÎ ÂýàÙ-ÂéçSÌ·¤æ ·¤è R¤× â¢Øæ ©æÚU-Âæ·¤ ÂÚU ¥¢ç·¤Ì (iii) After this verification is over, the Serial No. of the ·¤Úð¢U ¥UõÚU ©æÚU-Âæ·¤ ·¤è R¤×¤â¢Øæ §â ÂýàÙ-ÂéçSÌ·¤æ ÂÚU ¥¢ç·¤Ì ·¤ÚU booklet should be entered in the Answer-sheets and Îð¢Ð the Serial No. of Answer Sheet should be entered on this Booklet. 4. ÂýØð·¤ ÂýàÙ ·ð¤ çÜ° ¿æÚU ©æÚU çß·¤Ë (A), (B), (C) ÌÍæ (D) çÎØð »Øð ãñ¢Ð 4. Each item has four alternative responses marked (A), (B), ¥æ·¤ô âãè ©æÚU ·ð¤ Îèæüßëæ ·¤ô ÂðÙ âð ÖÚU·¤ÚU ·¤æÜæ ·¤ÚUÙæ ãñ Áñâæ ç·¤ Ùè¿ð (C) and (D). You have to darken the oval as indicated çιæØæ »Øæ ãñÐ below on the correct response against each item. ©ÎæãÚUæ Ñ A B C D Example : A B C D ÁÕç·¤ (C) âãè ©æÚU ãñÐ where (C) is the correct response. 5. ÂýàÙô¢ ·ð¤ ©æÚU ·ð¤ßÜU ÂýàÙ Âæ I ·ð¤ ¥ÎÚU çÎØð »Øð ©æÚU-Âæ·¤ ÂÚU ãè ¥¢ç·¤Ì 5. Your responses to the items are to be indicated in the Answer ·¤ÚUÙð ãñ¢Ð ØçÎ ¥æ ©æÚU Âæ·¤ ÂÚU çÎØð »Øð Îèæüßëæ ·ð¤ ¥Üæßæ ç·¤âè ¥Ø Sheet given inside the Paper I booklet only. If you mark SÍæÙ ÂÚU ©æÚU ç¿ãæ¢ç·¤Ì ·¤ÚUÌð ãñ, Ìô ©â·¤æ ×êËUØ梷¤Ù Ùãè¢ ãô»æÐ at any place other than in the ovals in the Answer Sheet, it will not be evaluated. 6. ¥ÎÚU çÎØð »Øð çÙÎðüàæô¢ ·¤ô ØæÙÂêßü·¤ Âɸð¢UÐ 6. Read instructions given inside carefully. 7. ·¤ææ ·¤æ× (Rough Work) §â ÂéçSÌ·¤æ ·ð¤ ¥çÌ× ÂëDU ÂÚU ·¤Úð¢UÐ 7. Rough Work is to be done in the end of this booklet. 8. ØçÎ ¥æ ©æÚU-ÂéçSÌ·¤æ ÂÚU ¥ÂÙæ Ùæ× Øæ °ðâæ ·¤ô§ü Öè çÙàææÙ çÁââð ¥æ·¤è 8. If you write your name or put any mark on any part of the Âã¿æÙ ãô â·ð¤, ¤ç·¤âè Öè Öæ» ÂÚU ÎàææüÌð Øæ ¥¢ç·¤Ì ·¤ÚUÌð ãñ¢ Ìô ÂÚUèÿææ ·ð¤ test booklet, except for the space allotted for the relevant çÜØð ¥ØôØ æôçáÌ ·¤ÚU çÎØð ÁæØð¢»ðÐ entries, which may disclose your identity, you will render yourself liable to disqualification. 9. ¥æ·¤ô ÂÚUèÿææ â×æ# ãôÙð ¤ÂÚU ©æÚU-ÂéçSÌ·¤æ çÙÚUèÿæ·¤ ×ãôÎØ ·¤ô ÜUõÅUæÙæ 9. You have to return the test question booklet to the ¥æßàØ·¤ ãñ ¥õÚU ÂÚUèÿææ â×æç# ·ð¤ ÕæÎ ¥ÂÙð âæÍ ÂÚUèÿææ ÖßÙ âð ÕæãÚU Ù invigilators at the end of the examination compulsorily Üð·¤ÚU ÁæØð¢Ð and must not carry it with you outside the Examination 10. ·ð¤ßÜ ÙèÜð / ·¤æÜð ÕæÜU ßæ§ZÅU ÂñÙ ·¤æ ãè §SÌð×æÜ ·¤Úð¢UÐ Hall. 10. Use only Blue/Black Ball point pen. 11. ç·¤âè Öè Âý·¤æÚU ·¤æ ⢻淤 (·ñ¤Ü·é¤ÜðÅUÚU) UØæ Üæ» ÅðUÕÜ ¥æçÎ ·¤æ 11. Use of any calculator or log table etc., is prohibited. ÂýØô» ßçÁüÌ ãñÐ 12. There is NO negative marking. 12. »ÜÌ ©æÚU ·ð¤ çÜ° ¥¢·¤ Ùãè¢ ·¤æÅðU ÁæØð¢»ðÐ See Page No. 2 and 3 for Special Instructions / çßàæðá âê¿Ùæ¥ô¢ ·ð¤ çÜU° ÂëDU â¢Øæ 2 ¥õÚU 3 Îð¹ð¢Ð D6504 1 P.T.O. DANCE / DRAMA / THEATRE PAPERII SPECIAL INSTRUCTIONS 1. Candidates are required to answer all the 25 questions in Part-I , which are compulsory. They should also select any one from Part-II and Part-III and answer all the 25 questions of that Part only. Each question carries two marks. 2. Candidates are required to mark clearly on the OMR Answer Sheet, the Part Number which they have selected. PARTI COMMON TO DANCE / DRAMA / THEATRE
1. The word for drama in the Natyashastra is ? (A) Nataka (B) Prakarana (C) Bhana (D) Rupaka
2. The Author of "ABHINAYA DARPANA" is : (A) Bharata (B) Sarangadeva (C) Nandikeswara (D) Bhasa
3. The "KHANDITAA NAYIKA" classification is : (A) According to the age (B) According to the relationship with NAYAKA (C) According to the temparament (D) According to the SOCIAL STATUS
4. How many RASA-S are given by Bharathamani ? (A) 8 (B) 9 (C) 13 (D) 6
5. The famous play "URU BHNGAM" was based on the story of : (A) Maha Bharatha (B) Vishnupurana (C) Srimadbhagvat (D) Ramayana
6. Which one is correctly matched ? (A) DASHAVTAR AND RAUDRA (B) RASALILA AND KRISHNA (C) BHAVAI AND SHAKTI (D) THRUKOOTHU AND RAMAYANA
7. Assertion (A) : VRITTI is the mode of stage presentation Reason (R) : MARGI is regional style of dramatic presentation (A) Both Correct (B) Both false (C) (A) True (R) False (D) (A) False (R) True
D6504 2 ÙëØ / ÙæÅU·¤ / Ú¢U»×¢¿ ÂýàÙÂæII çßàæðá âê¿Ùæ°¡
1. ÂÚUèÿææÍèü Öæ»-I ·ð¤ âÖè 25 ÂýàÙô¢ ·ð¤ ©æÚU Îð¢Ð Øã Öæ» ¥çÙßæØü ãñÐ ÂÚUèÿææÍèü Öæ»-II ¥õÚU Öæ»-III¤×ð¢ âð ç·¤âè °·¤ Öæ» ·ð¤ âÖè 25 ÂýàÙô¢ ·ð¤ ©æÚU Îð¢Ð ÂýØð·¤ ÂýàÙ ·ð¤ Îô ¥¢·¤ ãñ¢Ð 2. ÂÚUèÿææÍèü ¥UÂÙè ¿ØçÙÌ Öæ» ·¤ô OMR ©æÚU Âæ ×ð¢ SÂCU M¤Â âð ¥¢ç·¤Ì ·¤Úð¢UÐ
Öæ»I ÙëØ ¥õÚU ÙæÅU·¤ / Ú¢U»×¢U¿ UÎôÙô¢ ·ð¤ çÜU°
1. ÙæÅKàææSæ ×ð´ ÇþUæ×æ ·ð¤ çÜ° ç·¤â àæÎ ·¤æ §SÌð×æÜ ç·¤Øæ »Øæ ãñU? (A) ÙæÅU·¤ (B) Âý·¤ÚUæ (C) Öææ (D) L¤Â·¤
2. Ò¥çÖÙØ ÎÂüæÓ ·¤æ Üð¹·¤ ·¤õÙ Íæ? (A) ÖÚUÌ (B) àææÚ¢U»Îñß (C) Ù¢çηð¤àßÚU (D) Öæâ
3. Ò¹¢çÇUÌæ ÙæçØ·¤æÓ ·ð¤ ß»èü·¤ÚUæ ·¤æ ¥æÏæÚU Øæ ãñU? (A) ßØ (B) ÙæØ·¤ ·ð¤ âæÍ ©Uâ·¤æ âÕÏ (C) SßÖæß (D) âæ×æçÁ·¤ SÌÚU
4. ÖÚUÌ ×éçÙ Ùð ç·¤ÌÙð ÚUâô´ ·¤æ ©UËÜð¹ ç·¤Øæ ãñU? (A) 8 (B) 9 (C) 13 (D) 6
5. âéÂýçâÎ ÙæÅU·¤ ©L¤Ö»× ·¤è ·¤Íæ ·¤æ ¥æÏæÚU ·¤õÙ âæ »ý¢Í ãñU? (A) ×ãUæÖæÚUÌ (B) çßcæé ÂéÚUææ (C) æè×Î÷ Öæ»ßÌ÷ (D) ÚUæ×æØæ
6. ·¤õÙ âæ Øé× âãUè ãñU? (A) ÎàææßÌæÚU ¥õÚU ÚUæñ¼ý (B) ÚUæâÜèÜæ ¥õÚU ·ë¤cææ (C) Ößæ§ü ¥õÚU àæçÌ (D) ÍðL¤·é¤æé ¥õÚU ÚUæ×æØæ
7. ·¤ÍÙ (A) : ßëçæ ·¤æ âÕÏ ×¢¿-ÂýSÌéçÌ âð ãñUÐ ·¤æÚUæ (R) : ×æ»èü ·¤æ âÕÏ ÿæðçæØ ÙæÅK×Ø ÂýSÌéçÌ âð ãñUÐ (A) ÎôÙô âãUè (B) ÎôÙô´ »ÜÌ (C) (A) âãUè (R) »ÜÌ (D) (A) »ÜÌ (R) âãUè
D6504 3 P.T.O. 8. The 'TANDAVA' and 'LASYA' are concepts respectively representing (A) Feminine & Strength (B) Gentle & Strength (C) Masculine & Faminine (D) Faminine & Wild
9. Which is arranged in chronological order ? (A) PATRA PRAVESH - PURVA RANGA - NANDI - BHARATA VAKYA (B) BHARATA VAKYA - PATRA PRAVESH - NANDI - PURVA RANGA (C) NANDI - PURVARANGA - PATRA PRAVESH- BHARATH VAKYA (D) PURVA RANGA - NANDI - BHARATAVAKYA - PATRA PRAVESH
10. Match the items in List-I to the correct ones in the List-II List I List II a Hasya i Vismaya b Vir ii Jugupsa c Bibhatsa iii Hasa c Adbhuta iv Utsaha abcd (A) iv iii i ii (B) i iv ii iii (C) ii i iii iv (D) iii ii iv i
11. RAVANA PLAYED : (A) VIOLIN (B) VEENA (C) MRIDANGAM (D) SITAR
12. Assertion (A) : TALA and LAYA go hand in hand Reason (R) : RHYTHM is most essential for any body movement (A) (A) True (R) False (B) (A) False (R) False (C) (A) False (R) True (D) (A) True (R) True
13. Assertion (A) : Carnatic music is from Karnataka Reason (R) : Varnam, Tillana, and Kajari are sung in carnatic music (A) (A) True (R) False (B) (A) False (R) True (C) (A) False (R) False (D) (A) True (R) True
D6504 4 8. Ìæ¢ÇUß ¥õÚU ÜæSØ mæÚæ çιæØæ ÁæÌæ ãñU (A) Sæèß - Ìæ·¤Ì (B) ×æÎüß - Ìæ·¤Ì (C) ÂõL¤áß - Sæèß (D) Sæèß - Âæ»Ü
9. âãUè ·¤æÜ·ý¤× ç¿çqUUÌ ·¤Úð´U - (A) ÂææÂýßðàæ - ÂêßüÚ¢U» - Ùæ¢Îè - ÖÚUÌßæØ (B) ÖÚUÌßæØ - ÂææÂýßðàæ - Ùæ¢Îè - ÂêßüÚ¢U» (C) Ùæ¢Îè - ÂêßüÚ¢U» - ÂææÂýßðàæ - ÖÚUÌßæØ (D) ÂêßüÚ¢U» - Ùæ¢Îè - ÖÚUÌßæØ - ÂææÂýßðàæ
10. âê¿è -I âð âê¿è-II âð ç×Üæ§ØðÑ âê¿è -I âê¿è - II a. ãUæSØ i. çßS×Ø b. ßèÚU ii. Áé»éâæ c. ÕèÖâ iii. ãUæâ d. ¥Î÷ÖéÌ iv. ©UâæãU abcd (A) iv iii i ii (B) i iv ii iii (C) ii i iii iv (D) iii ii iv i
11. ÚUæßæ ·¤õÙ âæ ßæl ÕÁæÌæ Íæ? (A) ßæØçÜÙ (B) ßèææ (C) ×ë΢»× (D) çâÌæÚU
12. ·¤ÍÙ (A) : ÌæÜ ¥õÚU ÜØ ·¤æ ×ðÜ ãñUÐ ·¤æÚUæ (R) : àææÚUèçÚU·¤ »çÌ ·ð¤ çÜ° ÌæÜ ¥æßàØ·¤ ãñUÐ (A) (A) âãUè (R) »ÜÌ (B) (A) »ÜÌ (R) »ÜÌ (C) (A) »ÜÌ (R) âãUè (D) (A) âãUè (R) âãUè
13. ·¤ÍÙ (A) : ·¤ÙæüÅU·¤ ⢻èÌ ·¤æ âÕÏ ·¤ÙæüÅU·¤ âð ãñUÐ ·¤æÚUæ (R) : ·¤ÙæüÅU·¤ ⢻èÌ ×ð¢ ßæü×÷, çÌËÜæÙæ, ·¤ÁÜè ¥æçÎ ·¤æ »æØÙ ãUôÌæ ãñUÐ (A) (A) âãUè (R) »ÜÌ (B) (A) »ÜÌ (R) âãUè (C) (A) »ÜÌ (R)»ÜÌ (D) (A) âãUè (R) âãUè
D6504 5 P.T.O. 14. Match the items in List I to the correct ones in the List II List-I List-II 1. MANIPURI i. KERALA 2. MOHINIATTAM ii. UTTAR PRADESH 3. KATHAK iii. ANDHRA PRADESH 4. KUCHIPUDI iv. ASSAM 1234 (A) ii iii iv i (B) i ii iii iv (C) iii iv ii i (D) iv i iii ii
15. Match the items in List I to the correct one in the List II ? List-I List-II 1. JATRA i. ANDHRA PRADESH 2. KHAYAL ii. WEST BENGAL 3. YAKSHAGANA iii. RAJASTHAN 4. BURAKATHA iv. KARNATAKA 1234 (A) iv i ii iii (B) iii ii i iv (C) ii i iv iii (D) i iii ii iv
16. Puppet theatre is popular form of : (A) RAJASTHAN (B) INDONESIA (C) TAMIL NADU (D) ALL OF ABOVE
17. The contemporary theatre director who is not using dance movements in his productions : (A) HABIB TANVIR (B) KAVALAM NARAYANA PANICKAR (C) RATAN TIYAM (D) EBRAHIM ALKAZI
18. The university in India not teaching Dance and Theatre at the Post Graduate level is : (A) M.S. UNIVERSITY OF BARODA (B) PONDICHERRY UNIVERSITY (C) RAVINDRA BHARATHI UNIVERSITY, KOLKATA (D) UNIVERSITY OF HYDERABAD
D6504 6 14. âê¿è-I âð âê¿è-II ·¤æ ×ðÜ ç×Üæ§ØðÑ âê¿è-I âê¿è-II 1. ×çÙÂéÚUè i. ·ð¤ÚUÜæ 2. ×ôçãUÙè ¥Å÷UÅU×÷ ii. ©UæÚUÂýÎðàæ 3. ·¤Í·¤ iii. ¥æÏýÂýÎðàæ 4. ·é¤¿èÂéÇUè iv. ¥æâæ× 1234 (A) ii iii iv i (B) i ii iii iv (C) iii iv ii i (D) iv i iii ii
15. âê¿è -I âð âê¿è-II ·¤æ ç×ÜæÙ ·¤èçÁ°Ñ âê¿è -I âê¿è - II 1. Áæææ i. ¥æÏý ÂýÎðàæ 2. ¹ØæÜ ii. Âçà¿× Õ¢»æÜ 3. Øÿæ»æÙ iii. ÚUæÁSÍæÙ 4. ÕêǸUæ·¤Íæ iv. ·¤ÙæüÅU·¤ 1234 (A) iv i ii iii (B) iii ii i iv (C) ii i iv iii (D) i iii ii iv
16. ·¤Æ÷ÂéÌÜè ÙëØ/ÙæÅU·¤ ç·¤Ù ÿæðæô´ ×ð´ Âý¿çÜÌ ãñU? (A) ÚUæÁSÍæÙ (B) §¢ÇUôÙðçàæØæ¢ (C) Ìç×ÜÙæÇéU (D) âÖè ÿæðæ
17. ·¤õÙ âð â×·¤æÜèÙ çÙÎðüàæ·¤ ¥ÂÙè ÂýSÌéçÌØô´ ×ð´ ÙëØ ·¤è »çÌØô´ ·¤æ ©UÂØô» ÙãUè´ ·¤ÚUÌð? (A) ãUÕèÕ ÌÙßèÚU (B) ·¤æßÜ× ÙæÚUæØæ Âçæ·¤ÚU (C) ÚUÌÙ çÍØæ× (D) §ÕýæçãU× ¥Ü·¤æÁè
18. ç·¤â ÖæÚUÌèØ çßàßçßlæÜØ ×ð´ SÙæÌ·¤ôæÚU SÌÚ ÂÚU ÙëØ °ß¢ ÙæÅK ·¤è ÂɸUæ§ü ÙãUè´ ãUôÌè? (A) °×. °â. çßàßçßlæÜØ, ÕǸUõÎæ (B) Âæ¢çÇU¿ðÚUè çßàßçßlæÜØ (C) ÚUßè¼ý ÖæÚUÌè çßàßçßlæÜØ, ·¤ôÜ·¤æÌæ (D) ãñU¼ÚUæÕæÎ çßàßçßlæÜØ
D6504 7 P.T.O. 19. Ajantha cave Temples are famous for their : (A) SCULPTURES (B) PAINTINGS (C) PILLARS (D) ARCHITECTURE
20. SANCHI is famous for its : (A) FORT (B) THEATRE (C) STUPA (D) TEMPLE
21. The Indira Gandhi National Centre for Arts is in : (A) MUMBAI (B) CHENNAI (C) DELHI (D) HYDERABAD
22. A character in a Theatrical production is most easily identified by : (A) THE SPEECH (B) COSTUME MAKE - UP (C) THE LIGHTS (D) THE SET
23. Shiva is know as : (A) VIGHNESH (B) AIYAPPA (C) NATWAR (D) NATRAJ
24. The directors and choreo graphers known for their works on women's issues are : (A) NEELAM MANSINGH CHOUDHRY (B) CHANDRALEKHA (C) TRIPURARI SHARMA (D) ALL OF ABOVE
25. Match the items in List I to the correct ones in the list II List-I List-II 1. KUMMI i. MAHARASHTRA 2. RASIYA ii. MADHYA PRADESH 3. SANTHAL iii. RAJASTHAN 4. LAVNI iv. TAMIL NADU 1234 (A) iv iii ii i (B) i ii iv iii (C) ii i iii iv (D) iii iv i ii
D6504 8 19. ¥ÁÌæ ·ð¤ »éãUæ ×¢çÎÚU 緤⠷¤Üæ×·¤ âëÁÙ ·ð¤ çÜ° Âýçâh ãñU? (A) ×êçÌü·¤Üæ (B) ç¿æ·¤Üæ (C) SÌÖ çÙ×æüæ (D) SÍæÂØ
20. âæ¢¿è ·¤è Âýçâçh ·¤æ ·¤æÚUæ Øæ ãñU? (A) ç·¤Üæ (B) çÍØðÅUÚU (C) SÌê (D) ×¢çÎÚU
21. §¢çÎÚUæ »æ¢Ïè ÚUæcÅþUèØ ·¤Üæ ·ð¤¼ý ç·¤â àæãUÚU ×ð´ ãñU? (A) ×éÕ§ü (B) ¿ðÙ§ü (C) çÎËÜè (D) ãñUÎÚUæÕæÎ
22. ÙæÅK ÂýSÌéçÌ ×ð´ ç·¤âè Âææ ·¤è ÂãU¿æÙ ·¤æ âÕâð âãUÁ Ìß Øæ ãñU? (A) â¢ßæÎ (B) ßðàæÖêáæ °ß¢ M¤Ââææ (C) Âý·¤æàæ - ØôÁÙæ (D) ÎëàØÕ¢Ï
23. çàæß ·¤æ °·¤ ¥õÚU Ùæ× Øæ ãñU? (A) çßÙðàæ (B) °ðØÂæ (C) ÙÅßÚU (D) ÙÅUÚUæÁ
24. çÙÙçÜç¹Ì çÙÎðüàæ·¤ô´ / ÙëØçÙÎðüàæ·¤ô´ ×ð´ âð ç·¤âÙð ×çãUÜæ¥ô´ ·¤è â×SØæ¥ô´ ÂÚU ÚU¿Ùæ°¢ ÂýSÌéçÌ ·¤è ãñ´U? (A) çÙÜ× ×æÙçâ¢ãU ¿õÏÚUè (B) ¿¢¼ýÜð¹æ (C) çæÂéÚUæçÚU àæ×æü (D) ©ÂÚUôQ¤ âÖè
25. âê¿è -I âð âê¿è-II ·¤æ ç×ÜæÙ ·¤èçÁ°Ñ âê¿è -I âê¿è - II 1. ·é¤×è i. ×ãUæÚUæcÅþU 2. ÚUçâØæ ii. ×ØÂýÎðàæ 3. âÍæÜ iii. ÚUæÁSÍæÙ 4. Üæßæè iv. Ìç×ÜÙæÇéU 1234 (A) iv iii ii i (B) i ii iv iii (C) ii i iii iv (D) iii iv i ii
D6504 9 P.T.O. PARTII DANCE
26. Radha is ( Nayika ) : (A) PRAUDHA (B) DEVSHEELA (C) SWIYA (D) PARAKIYA
27. Dance is basically an : (A) Art of Creation (B) Art of Movement (C) Art of Worship (D) Art of Living
28. Match the items in List-I to List-II : List-I List-II 1. BALLET i. EKAHARYA 2. KATHAKALI ii. PUPPET 3. BHARATHANATYAM iii. MASK LIKE MAKE - UP 4. WAYANG iv. SHOES 1234 (A) iii iv ii i (B) ii i iii iv (C) i iv ii iii (D) iii i iv ii
29. Tanjore Quartet is (A) VADIVELU, RAMAIYA, KUPAIYA, SHIVANANDA (B) MUTHUSWAMI, SHIVANANDA, RAMAIYA, KUPAIYA (C) PONNAIYA, SHIVANANDA, CHINNAIYA, VADIVELU (D) CHINNAIYA, PONAIYA, RAMAIYA, VADIVELU
30. LALAT TILAKA is (A) a CHARI (B) a KARANA (C) a NRITTA HASTA (D) a STHANAKA
31. "CHAKRA BHRAMARI" is the characteristic of (A) KHON (B) NOH (C) KATHAKALI (D) KATHAK
32. YAKSHAGANA belongs to (A) ANDAMAN (B) KARNATAKA (C) KASHMIR (D) KERALA
D6504 10 Öæ»II ÙëØ
26. ÚUæÏæ 緤⠷¤ôçÅU ·¤è ÙæçØ·¤æ ãñU? (A) ÂýõɸUæ (B) ÎðßàæèÜæ (C) SßèØæ (D) ÂÚU·¤èØæ
27. ÙëØ ×êÜÌÑ Øæ ãñU? (A) âëÁÙ ·¤è ·¤Üæ (B) ¥¢» ⢿æÜÙ ·¤è ·¤Üæ (C) ÂêÁæ ·¤è ·¤Üæ (D) ÁèßÙ ÁèÙð ·¤è ·¤Üæ
28. âê¿è -I âð âê¿è-II ·¤æ âãUè ç×ÜæÙ ·¤èçÁ°Ñ âê¿è -I âê¿è - II 1. ÕñÜð i. °·¤æãUæØü 2. ·¤Í·¤Üè ii. ·¤ÆÂéÌÜè 3. ÖÚUÌÙæÅK×÷ iii. ×é¹õÅðU Áñâè L¤Ââææ 4. ßØ梻 iv. ÁêÌð 1234 (A) iii iv ii i (B) ii i iii iv (C) i iv ii iii (D) iii i iv ii
29. Ì¢ÁõÚU ßæÚUÅðUÅU ·ð¤ Ùæ× âð ·¤õÙ ÂçÚUç¿Ì ãñ´U? (A) ßçÇUßðÜé, ÚUæ×ñØæ, ·ë¤ÂñØæ, çàæßæÙÎ (B) ×éÍéSßæ×è, çàæßæÙÎ, ÚUæ×ñØæ, ·é¤ÂñØæ (C) ÂéÙñØæ, çàæßæÙÎ, ç¿ÙñØæ, ßçÇUßðÜé (D) ç¿ÙñØæ, ÂéÙñØæ, Úæ×ñØæ, ßçÇUßðÜé
30. ÜÜæÅU çÌÜ·¤ Øæ ãñU? (A) ¿æÚUè (B) ·¤ÚUæ (C) Ùëæ ãUSÌ (D) SÍæÙ·¤
31. ¿·ý¤-Öý×ÚUè ç·¤â·¤æ ¥¢» ãñU? (A) ¹òÙ (B) ÙôãU (C) ·¤Í·¤Üè (D) ·¤Í·¤
32. Øÿæ»æÙ ·¤ãUæ¢ Âý¿çÜÌ ãñU? (A) ¥¢Î×æÙ (B) ·¤ÙæüÅU· (C) ·¤æà×èÚU (D) ·ð¤ÚUÜæ
D6504 11 P.T.O. 33. According to natyasastra "BHEDYAKA" is (A) Pindibandha (B) Vritti (C) Sthanaka (D) Rechaka
34. Krishna of GITA - GOVINDA is (A) DHIRGAMBHIRA (B) DHRUSTHA (C) SHATHA (D) DHIRLALITHA
35. 'KALARIPAYETU' is (A) a FOLK DANCE (B) MARTIAL ART (C) a KIND OF SWORD (D) a LOVE DANCE
36. Match the items in List-I to List-II : List-I List-II 1. GARBA i. SPRING DANCE 2. BIHU ii. CIRCLE DANCE 3. LAVANI iii. HARVEST DANCE 4. BHANGARA iv. MAHARASHTRA 1234 (A) i ii i v iii (B) iii ii i iv (C) ii i iv iii (D) ii i iii iv
37. Which one of the following is correctly matched ? (A) SHAKUNTALA - MEGHADUTAM (B) KUNTI - RAMAYANA (C) MADHAVI - SHILAPADIKARAM (D) DRAUPADI - NALAKHYAN
38. Which is in correct chronological order (A) BHARAT, UDAY SHANKAR, KELUCHARAN MAHAPATRA, NANDIKESWARA (B) UDAY SHANKAR, KELUCHARAN MAHAPATRA, NANDIKESWARA- BHARAT (C) BHARAT, NANDIKESWARA, UDAYSHANKAR, KELUCHARAN MAHAPATRA (D) NANDIKESWARA, UDAY SHANKAR, BHARAT, KELUCHARAN MAHAPATRA
D6504 12 33. ÙæÅKàææSæ ·ð¤ ¥ÙéâæÚU Öðl·¤ Øæ ãñU? (A) ç¢çÇUÕÏ (B) ßëçæ (C) SÍæÙ·¤ (D) ÚðU¿·¤
34. »èÌ»ôçßÎ ·ð¤ ·ë¤cæ 緤⠷¤ôçÅU ·ð¤ ÙæØ·¤ ãñ´U? (A) ÏèÚU»¢ÖèÚU (B) ÏëcÅU (C) àæÉU (D) ÏèÚUÜçÜÌ
35. ·¤ÜæÚUèÂæØæé Øæ ãñU? (A) Üô·¤ÙëØ (B) Øéη¤Üæ (C) °·¤ Âý·¤æÚU ·¤è ÌÜßæÚU (D) æ뢻æÚU ÙëØ
36. âê¿è -I ·¤ô âê¿è-II ·¤æ âãUè ç×ÜæÙ ·¤èçÁ°Ñ âê¿è -I âê¿è - II 1. »ÚUÕæ i. ßâ¢Ì ÙëØ 2. Õèãê ii. »ôÜæ·¤æÚU ÙëØ 3. Üæßæè iii. ãUæÚUßðSÅU ÇUæâ 4. Ö梻ǸUæ iv. ×ãUæÚUæcÅþU 1234 (A) i ii i v iii (B) iii ii i iv (C) ii i iv iii (D) ii i iii iv
37. çÙÙçÜç¹Ì Øé×ô´ ×ð´ âð ·¤õÙ âæ âãUè ãñU? (A) àæ·é¢¤ÌÜæ - ×ðæÎêÌ×÷ (B) ·é¢¤Ìè - ÚUæ×æØæ (C) ×æÏßè - çàæÜÂçη¤æÚU×÷ (D) ¼ýõÂÎè - ÙÜæØæÙ
38. ·¤æÜ·ý¤× âð ·¤õÙ âæ âãUè ãñU? (A) ÖÚUÌ, ©UÎØà梷¤ÚU, ·ð¤Üé¿ÚUæ ×ãUæÂææ, Ù¢çηð¤àßÚU (B) ©UÎØà梷¤ÚU, ·ð¤Üé¿ÚUæ ×ãUæÂææ, Ù¢çηð¤àßÚU, ÖÚUÌ (C) ÖÚUÌ, Ù¢çηð¤àßÚU, ©UÎØà梷¤ÚU, ·ð¤Üé¿ÚUæ ×ãUæÂææ (D) Ù¢çηð¤àßÚU, ©UÎØà梷¤ÚU, ÖÚUÌ, ·ð¤Üé¿ÚUæ ×ãUæÂææ
D6504 13 P.T.O. 39. The matra-s of TRITALA are double of (A) DIPCHANDI (B) KAHARAVA (C) JHAMPA TRIPUTA TALA (D) ADI TALA
40. Assertion (A) : The Devadasis and Nattuvanaras presered the art of Bhrathanatyam Reason (R) : They belonged to the same community (A) (A) False (R) True (B) (A) True (R) False (C) (A) & (R) False (D) (A) & (R) True
41. According to Natyashastra the first play performed was (A) AMRUT MANTHAN (B) VIKRAMAORVASHI (C) MEGHADUTAM (D) PRAHALAD CHARITAM
42. How many Asamyukta Hastas are given in 'ABHINAYA DARPAN' (A) 24 (B) 28 (C) 25 (D) 13
43. The famous Dancers of India are (A) UDAY SHANKAR, RAM GOPAL, BALA SARASWATI, KAMALA LAKSHMAN (B) KAMALA LAKSHMAN, WAJID ALI SHAH, MRINALINI SARABHAI, SUNIL KOTHARI (C) RAM GOPAL, LEELA SAMPSON, MOHAN KHOKAR, SWAPNA SUNDARI (D) SONAL MANSINGH, UDAY SHANKAR, CHANDRALEKHA, TYAGARAJA
44. Match the items in List-I to List-II : List-I List-II 1. KATHAKALI i. VEMPATI CHINNA SATYAM 2. ODISSI ii. KALASAM 3. MOHINIATTAM iii. PARIKHANDA 4. KUCHIPUDI iv. SWATHI TIRUNAL 1234 (A) iv i iii ii (B) i iv iii ii (C) iv i ii iii (D) iii iv ii i
45. It is common impression that classical dances styles of India dances have evolved directly from : (A) BRIHADESI (B) ABHINAYA DARPANA (C) NATYASHASTRA (D) SANGEETHA RATNAKAR
D6504 14 39. çæÌæÜ ×ð´ ç·¤â ÌæÜ âð ÎéàæéÙè ×æææ°¢ ãñ´U? (A) Îè¿¢Îè (B) ·¤ãUÚßæ (C) Ûæ¢Â çæÂéÅU ÌæÜ (D) ¥æçÎ ÌæÜ
40. ·¤ÍÙ (A) : ÎðßÎæçâØô´ ÌÍæ Ù^äßÙÚUô´ Ùð ÖÚUÌÙæÅK×÷ àæñÜè ·¤ô ÁèçßÌ ÚU¹æ ãñUÐ ·¤æÚUæ (R) : Øð °·¤ ãUè â×éÎæØ ·ð¤ ãñ´UÐ (A) (A) »ÜÌ (R) âãUè (B) (A) âãUè (R) »ÜÌ (C) (A) ÌÍæ (R) ÎôÙô´ »ÜÌ (D) (A) ÌÍæ (R) ÎôÙô´ âãUè
41. ÙæÅKàææSæ ·ð¤ ¥ÙéâæÚU âÕâð ÂãUÜð ·¤õÙ âæ ÙæÅU·¤ ×¢ç¿Ì ãéU¥æ Íæ? (A) ¥×ëÌ - ×¢ÍÙ (B) çß·ý¤×ôßüàæè (C) ×ðæÎêÌ×÷ (D) ÂýãU÷ÜæÎ ¿çÚUÌ×÷
42. ¥çÖÙØÎÂüæ ×ð´ ç·¤ÌÙð '¥â¢ØéÌ ãUSÌô´' ·¤æ ©UËÜð¹ ÂýæÌ ãUôÌæ ãñU? (A) wy (B) w} (C) wz (D) vx
43. ÖæÚUÌ ·ð¤ ÂýçâÎ ÙÌü·¤ ·¤õÙ-·¤õÙ Íð? (A) ©UÎØà梷¤ÚU, ÚUæ× »ôÂæÜ, ÕæÜæâÚUSßÌè, ·¤×Üæ Üÿ×æ (B) ·¤×Üæ Üÿ×æ, ßæçÊæÎ ¥Üè àææãU, ×ëææçÜÙè âæÚUæÖæ§ü, âéÙèÜ ·¤ôÆUæÚUè (C) ÚUæ×»ôÂæÜ, ÜèÜæ âñÂâÙ, ×ôãUÙ ¹ô·¤ÚU, SßÙâé¢ÎÚUè (D) âôÙÜ ×æÙçâ¢ãU, ©UÎØà梷¤ÚU, ¿¢¼ýÜð¹æ, Øæ»ÚUæÁ
44. âê¿è -I âð âê¿è-II ·¤æ âãUè ç×ÜæÙ ·¤èçÁ°Ñ âê¿è -I âê¿è - II 1. ·¤Í·¤Üè i. ßð×ÂçÌ ç¿Ùæ âØ×÷ 2. ¥ôçÇUâè ii. ·¤Üæâ× 3. ×ôçãUÙè ¥Å÷UÅU×÷ iii. ÂçÚU¹¢ÇU 4. ·é¤¿èÂéÇUè iv. SßæçÌ çÌL¤ÙæÜ 1234 (A) iv i iii ii (B) i iv iii ii (C) iv i ii iii (D) iii iv ii i
45. ØãU âæ×æØ ÏæÚUææ ãñU ·¤è ÖæÚUÌ ·¤è àææSæèØ ÙëØ àæñçÜØô´ ·¤æ ©UÎ÷Öß çÙÙ âð ãéU¥æ ãñUÐ (A) ÕëãUÎ÷Îðàæè (B) ¥çÖÙØ ÎÂüæ (C) ÙæÅKàææSæ (D) ⢻èÌ ÚUÙæ·¤ÚU
D6504 15 P.T.O. 46. Some of the major terms, which denote dancing as given in the Natyasastra are: (A) LASYA, TANDAVA, DESI, AMAD (B) NRTTA, TANDAVA, ABHINAYA, PINDI BANDHA (C) NRTTA, NATYA, ADAVU, LASYA (D) CHAUK, TATKAR, NATYA, LASYA
47. Match the King who patronised the art forms : List-I List-II 1. SARFOJI i. BALLET 2. WAZID ALI SHAH ii. KATAK 3. LEUIS 14TH iii. MOHINIATTAM 4. SWATHI TIRUNAL iv. BHARATANATYAM 1234 (A) iii i iv ii (B) iii ii i iv (C) ii iii i iv (D) iii ii iv i
48. Match the items in list 1 to items in list 2 List-I List-II 1. MEENAKSHI SUNDARAM PILLAI i. LAKHNAU GHARANA 2. SHAMBU MAHARAJ ii. JAIPUR GHARANA 3. SUNDAR PRASAD iii. VAZUVUR 4. RAMAIYA PILLAI iv. PANDANALLUR
1234 (A) iii ii i iv (B) ii iii iv i (C) iv ii iii i (D) i ii iii iv
49. The Choreography of the film "DEVDAS" was done by (A) SAROJ KHAN (B) SITARA DEVI (C) BIRAJU MAHARAJ (D) KUMUDINI LAKHIA
50. Indicate the odd term - (A) SAMABHANGA (B) TRIBHANGA (C) UNMANA (D) ABHANGA
D6504 16 46. ÙæÅKàææSæ ×ð´ ©UçËÜç¹Ì ÙëØ ·¤è ÂæçÚUÖæçá·¤ àæÎæßÜè ·¤ô ç¿çãÌ ·¤Úð´U - (A) ÜæSØ, Ìæ¢ÇUß, Îðâè, ¥æ×Î (B) Ùëæ, Ìæ¢ÇUß, ¥çÖÙØ, ç¢çÇUÕÏ (C) Ùëæ, ÙæÅK, ¥ÇUßé, ÜæSØ (D) ¿õ·¤, Ì·¤æÚU, ÙæSØ, ÜæSØ
47. âê¿è -I âð âê¿è-II ·¤æ ç×ÜæÙ ·¤Úð´U ¥õÚU SÂcÅU ·¤Úð´U ç·¤ ç·¤â ÚUæÁæ Ùð ç·¤â ÙëØàæñÜè ·¤ô ÂýôâæçãUÌ ç·¤ØæÐ âê¿è -I âê¿è - II 1. âÚUȤôÁè i. ÕñÜð 2. ßæç$ÁÎ ¥Üè àææã ii. ·¤Í·¤ 3. ¿æñÎãUßð´ Üé§ü iii. ×ôçãUÙè¥Å÷UÅU×÷ 4. SßæçÌ çÌL¤ÙæÜ iv. ÖÚUÌÙæÅK×÷ 1234 (A) iii i iv ii (B) iii ii i iv (C) ii iii i iv (D) iii ii iv i
48. âê¿è -I âð âê¿è-II ·¤æ ç×ÜæÙ ·¤Úð´U - âê¿è -I âê¿è - II 1. ×èÙæÿæè âé¢ÎÚU×÷ çÂËÜæ§ü i. ܹ٪¤ æÚUæÙæ 2. àæ¢Öé ×ãUæÚUæÁ ii. ÁØÂéÚU æÚUæÙæ 3. âé¢ÎÚU ÂýâæÎ iii. ßÊæéßéÚU 4. ÚUæ×ñØæ çÂËܧü iv. ÂÇUÙËÜêÚU 1234 (A) iii ii i iv (B) ii iii iv i (C) iv ii iii i (D) i ii iii iv
49. ÎðßÎæâ çȤË× ×ð´ ÙëØ çÙÎðüàæ٠緤ⷤæ Íæ? (A) âÚUôÁ ¹æÙ (B) çâÌæÚUæ Îðßè (C) çÕÚUÁê ×ãUæÚUæÁ (D) ·é¤×éçÎÙè Üæç¹Øæ
50. ¥Ù×ðÜ àæÎ ·¤ô ç¿çãÌ ·¤Úð´U - (A) â×Ö¢» (B) çæÖ¢» (C) ¥×Ù (D) ¥Ö¢»
D6504 17 P.T.O. PARTIII DRAMA / THEATRE
26. Abhinaya style using various parts of the body
(A) SATVIK (B) AAHARYA (C) ANGIK (D) VACHIK
27. Match the items in List -I to the correct ones in the List -II :
List-I List-II
1. BIDESIA i. MANIPUR
2. JATRA ii. BIHAR
3. BAARE CHHAHARIA iii. ASSAM
4. NAT SANKEERTAN iv. WEST BENGAL
1234
(A) ii iv iii i
(B) i iii ii iv
(C) iv ii i iii
(D) iii i iv ii
28. Match the items in List -I to the correct ones in the List -II :
List-I List-II
1. Kathakali i. Maharashtra
2. Yakshagan ii. Uttar Pradesh
3. Dashavatar iii. Kerala
4. Ramalila iv. Karnataka
1234
(A) i iii ii iv
(B) iv ii iii i
(C) iii iv i ii
(D) ii i iv iii
D6504 18 Öæ»III ÙëØ / UÚ¢U»×¢U¿
26. àæÚUèÚU ·ð¤ çßçÖÙ ¥¢»ô´ ·¤æ ©UÂØô» ç·¤â àæñÜè ×ð´ ç·¤Øæ ÁæÌæ ãñ´U?
(A) âæçß·¤ (B) ¥æãUæØü (C) ¥æ¢ç»·¤ (D) ßæç¿·¤
27. âê¿è -I °ß¢ âê¿è-II ×ð´ ç×ÜæÙ ç·¤çÁ°Ð
âê¿è -I âê¿è - II
1. çßÎðçâØæ i. ×çæÂéÚU
2. Áæææ ii. çÕãUæÚU
3. ÕæÚðU ÀUãUÚUèØæ iii. ¥æâæ×
4. ÙæÅU ⢷¤èÌüÙ iv. Âçà¿× Õ¢»æÜ
1234 (A) ii iv iii i (B) i iii ii iv (C) iv ii i iii (D) iii i iv ii
28. âê¿è -I °ß¢ âê¿è-II ×ð´ ç×ÜæÙ ç·¤çÁ°Ð
âê¿è -I âê¿è - II
1. ·¤Í·¤Üè i. ×ãUæÚUæcÅþU
2. Øÿæ»æÙ ii. ©UæÚUÂýÎðàæ
3. ÎàææßÌæÚU iii. ·ð¤ÚUÜæ
4. ÚUæ×ÜèÜæ iv. ·¤ÙæüÅU·¤
1234 (A) i iii ii iv (B) iv ii iii i (C) iii iv i ii (D) ii i iv iii
D6504 19 P.T.O. 29. Match the items in List -I to the correct ones in the List -II : List-I List-II 1. ANTON CHEKOV i. U.S.A. 2. HENRIK IBSEN ii. RUSSIA 3. ARTHUR MILLER iii. NORWAY 4. SHAKESPEARE iv. ENGLAND 1234 (A) i iv iii ii (B) iii ii iv i (C) iv i ii iii (D) ii iii i iv
30. Match the items in List -I to the correct ones in the List -II : List-I List-II 1. BERTOLT BRECHT i. GHOST 2. HENRIK IBSEN ii. WAITING FOR GODOT 3. SAMUEL BECKET iii. DEATH OF A SALESMAN 4. ARTHUR MILLER iv. THREE PENNY OPERA 1234 (A) iv i ii iii (B) ii iii iv i (C) i ii iii iv (D) iii iv i ii
31. Match the items in List -I to the correct ones in the List -II : List-I List-II 1. RAMAMURTHY i. SET DESIGNER 2. ADOLPH APPIA ii. PLAY WRIGHT 3. TENNESSEE WILLIAMS iii. DIRECTOR 4. HABIB TANVIR iv. LIGHT - DESIGNER 1234 (A) iv i ii iii (B) i ii iii iv (C) iii iv i ii (D) ii iii iv i
D6504 20 29. âê¿è -I °ß¢ âê¿è-II ×ð´ ç×ÜæÙ ç·¤çÁ°Ð âê¿è -I âê¿è - II 1. °¢ÅUÙ ¿ð¹ß i. â¢ØéÌ ÚUæcÅþU ¥×ðçÚU·¤æ 2. ãðUÙçÚU·¤ §âðÙ ii. L¤â 3. ¥æÍüÚU ç×ËÜÚU iii. Ùæßðü 4. àæðâçÂØÚU iv. §´ÜñÇ 1234 (A) i iv iii ii (B) iii ii iv i (C) iv i ii iii (D) ii iii i iv
30. âê¿è -I °ß¢ âê¿è-II ×ð´ ç×ÜæÙ ç·¤çÁ°Ð âê¿è -I âê¿è - II 1. ÕýÅUôËÅU ÕýðàÅU i. æôSÅU 2. ãðUÙçÚU·¤ §âÙ ii. ßðçÅ¢U» ȤæòòÚU »ôÇUô 3. âñ×é¥Ü Õð·ð¤ÅU iii. ÇðUÍ ¥æȤ âðËâ×ñÙ 4. ¥æÍüÚU ç×ÜÚU iv. Íýè ÂðÙè ¥æÂðÚæ 1234 (A) iv i ii iii (B) ii iii iv i (C) i ii iii iv (D) iii iv i ii
31. âê¿è -I °ß¢ âê¿è-II ×ð´ ç×ÜæÙ ç·¤çÁ°Ð âê¿è -I âê¿è - II 1. ÚUæ××êçÌü i. ×¢¿ ÂçÚU·¤Ë·¤ 2. °ÇUôËȤ ¥çÂ¥æ ii. ÙæÅU·¤·¤æÚU 3. ÅðUçÙâè çßçÜØâ iii. çÙÎðüàæ·¤ 4. ãUÕèÕ ÌÙßèÚU iv. ¥æÜô·¤ ÂçÚU·¤Ë·¤ 1234 (A) iv i ii iii (B) i ii iii iv (C) iii iv i ii (D) ii iii iv i
D6504 21 P.T.O. 32. Artistic creation basically depends on (A) Imagination (B) Experience (C) Exaggeration (D) Simplicity
33. One which doesnot go together : (A) RAVANA - KING OF LANKA (B) DURYODHANA - RAMAYANA (C) GEETAGOVINDA - JAYADEV (D) SHILAPPADIKARAM - ILANGOADIGAL
34. Match the items in List -I to the correct ones in the List -II : List-I List-II 1. THEYYAM i. MAHARASHTRA 2. VEETHI NATAKAM ii. KERALA 3. JATRA iii. ANDHRA 4. TAMASHA iv. WEST BENGAL
1234 (A) ii iii iv i (B) iii i ii iv (C) i iv iii ii (D) iv ii i iii
35. Match the items in List -I to the correct ones in the List -II : List-I List-II 1. SOMBHU MITRA i. ACTOR 2. SHIELA BHATIA ii. ACTOR-DIRECTOR 3. NISSAR ALLANA iii. SET, LIGHT, DESIGNER 4. MANOHAR SINGH iv. MUSICAL PLAYS 1234 (A) ii iv iii i (B) iii i ii iv (C) iv ii i iii (D) i iii iv ii
D6504 22 32. ·¤Üæ×·¤ âëÁÙ ·¤æ ×êÜ ¥æÏæÚU Øæ ãUôÌæ ãñU? (A) ·¤ËÂÙæ (B) ¥ÙéÖß (C) ¥çÌÚðU· (D) âÚUÜÌæ
33. ç·¤â Øé× ×ð´ ÁôǸU ÙãUè´ ÕñÆÌæ - (A) ÚUæßæ - Ü¢·¤æçÏÚUæÁ (B) ÎéØôüÏÙ - ÚUæ×æØæ (C) »èÌ»ôçßÎ - ÁØÎðß (D) çàæËÂæçη¤æÚ×÷ - §Ü¢»ôßÙ
34. âê¿è -I °ß¢ âê¿è-II ×ð´ ç×ÜæÙ ç·¤çÁ°Ð âê¿è -I âê¿è - II 1. ÍðÄØæ× i. ×ãUæÚUæcÅþU 2. ßèçÏ ÙæÅU·¤×÷ ii. ·ð¤ÚUÜæ 3. Áæææ iii. ¥æÏý 4. Ì×æàææ iv. Âçà¿× Õ¢»æÜ 1234 (A) ii iii iv i (B) iii i ii iv (C) i iv iii ii (D) iv ii i iii
35. âê¿è -I °ß¢ âê¿è-II ×ð´ ç×ÜæÙ ç·¤çÁ°Ð âê¿è -I âê¿è - II 1. àæ¢Öé ç×æ i. ¥çÖÙðÌæ 2. àæèÜæ ÖæçÅUØæ ii. ¥çÖÙðÌæ - çÙÎðüàæ·¤ 3. çÙâæÚU ¥ËÜæÙæ iii. ×¢¿ °ß¢ ÂýæÜô·¤ ÂÚU跤˷¤ 4. ×ÙôãUÚU çâ¢ãU iv. ⢻èÌ×Ø ÙæÅU·¤ 1234 (A) ii iv iii i (B) iii i ii iv (C) iv ii i iii (D) i iii iv ii
D6504 23 P.T.O. 36. Which play wright did not fallow the rules laid by NATYASASTRA: (A) KALIDAS (B) SHRIHARSHA (C) BHASA (D) BHAVA BHUTI
37. Shakespeare performed in (A) ARENA THEATRE (B) ENVIRONMENTAL THEATRE (C) GLOBE THEATRE (D) PROSCENIUM THEATRE
38. Hanging units on a stage are not used for (A) Widening the stage (B) Masking the up-stage (C) Create atmosphere (D) To provide proper light line
39. The famous Balcony scene appears in the play: (A) THE DOLL'S HOUSE (B) ROMEO JULIET (C) A STREET CAR NAMED DESIRE (D) ANTIGONE
40. Which part of the stage is nearest to the audience: (A) Nepathya (B) Ranga Shirsaa (C) Rang peeth (D) Kutab
41. Which is in correct order ? (A) Audience Script Director Actor (B) Script Director Actor Audience (C) Script Actor Director Audience (D) Director Actor Script Audience
42. The director who has combined folk elements in his plays: (A) OM SHIVAPURI (B) RANUJAM (C) HABIB TANVIR (D) PRAVEEN JOSHI
43. Who wrote the trilogy in classical period: (A) ARTISTOPHANES (B) AESCHYLUS (C) EUREPIDES (D) SOPHOCLES
D6504 24 36. ç·¤â ÙæÅU·¤·¤æÚU Ùð ¥ÂÙð ÙæÅU·¤ô´ ×ð´ ÙæÅKàææSæ ·ð¤ çÙØ×ô´ ·¤æ ÂæÜÙ ÙãUè´ ç·¤Øæ ãñ´U? (A) ·¤æçÜÎæâ (B) æèãUáü (C) Öæâ (D) ÖßÖêçÌ
37. àæðâçÂØÚU Ùð ÙæÅU·¤ô ·¤æ ×¢¿Ù ç·¤â çÍØðÅUÚU ×ð´ ç·¤Øæ? (A) °çÚUÙæ çÍØðÅUÚU (B) °ÙçßÚUæÙ×ðÅUÜ çÍØðÅUÚU (C) ÜôÕ çÍØðÅUÚU (D) ÂýôâèçÙØ× çÍØðÅUÚU
38. ×¢¿ ÂÚU ÖêÜÙðßæÜè ØêçÙÅUô´ ·¤æ §SÌð×æÜ ç·¤âçÜ° ÙãUè´ ç·¤Øæ ÁæÌæ? (A) ×¢¿ ·¤ô ÕǸUæ ·¤ÚUÙð ·ð¤ çÜ° (B) ÙðÂØ ·¤ô É·¤Ùð ·ð¤ çÜ° (C) ßæÌæßÚUæ çÙç×üÌè ·ð¤ çÜ° (D) Îàæü·¤ô´ ·¤è âéçßÏæ ·ð¤ çÜ° (Ìæç·¤ ßð Æè·¤ âð Îð¹ â·ð´¤)
39. ÂýçâÎ ÕæË·¤Ùè ÎëàØ ç·¤â ÙæÅU·¤ ×ð´ ãñU? (A) Îè ÇUæòËâ ãUæ©Uâ (B) ÚUôç×Øô °¢ÇU ÁêçÜØÅU (C) ° SÅþUèÅU ·¤æÚU Ùð×÷÷ÇU çÇUÊææØÚU (D) °¢Åè»Ùè
40. Ú¢U»×¢¿ ·¤æ ·¤õÙ âæ çãUSâæ Îàæü·¤ô´ ·ð¤ âÕâð Âæâ ãUôÌæ ãñU? (A) ÙðÂØ (B) Ú¢U»çàæáü (C) Ú¢U»ÂèÆU (D) ·é¤ÙÕ
41. ·¤æñÙâæ âãè R¤× ×ð´ ãñ? (A) Âýðÿæ·¤ çS·ý¤ÅU çÙÎðüàæ·¤ ¥çÖÙðÌæ (B) çS·ý¤ÅU çÙÎðüàæ·¤ ¥çÖÙðÌæ Âýðÿæ·¤ (C) çS·ý¤ÅU ¥çÖÙðÌæ çÙÎðüàæ·¤ Âýðÿæ·¤ (D) çÙÎðüàæ·¤ ¥çÖÙðÌæ çS·ý¤ÅU Âýðÿæ·¤
42. ç·¤â çÙÎðüàæ·¤Ùð ¥ÂÙè ÂýSÌéçÌØô´ ×ð Üô·¤ Ìßô´ ·¤æ ÂýØô» ç·¤Øæ ãñU? (A) ¥ô× çàæßÂéÚUè (B) ÚUæ×æÙéÁ× (C) ãUÕèÕ ÌßèÚU (D) Âýßèæ Áæðàæè
43. Üæçâ·¤Ü Øé» ×ð´ ç·¤â ÙæÅK·¤æÚUÙð ÙæÅKæØè ·¤è ÚU¿Ùæ ·¤è Íè? (A) °ÚUèSÌôÈð¤Ù (B) °S¿ðÜâ (C) ØéÚUèçÂÇUèâ (D) âôÂôÜâ
D6504 25 P.T.O. 44. Which play does not deal with women's problem: (A) KAMALA (B) SURYA KI ANTIM KIRAN SE SURYA KI PAHALI KIRANTAK (C) RESHAMI RUMAL (D) COURT MARTIAL
45. Which play raised controversies in the recent past : (A) ASHADH KA EK DIN (B) MEE NATHURAM GODSE BOLTY (C) KITCHEN KATHA (D) JATI HI PUCHCHO SADHU KI
46. Match the items in List -I to the correct ones in the List -II : List-I List-II 1. Khayal i. Rajasthan 2. Ankiya Nat-Bhadna ii. Assam 3. Prahlad Natak iii. Tamil Nadu 4. Therukootu iv. Orissa 1234 (A) ii i iii iv (B) i iii iv ii (C) iii iv i ii (D) iv ii iii i
47. Who is not a play wright: (A) Manohar Singh (B) Kalidas (C) Mohan Rakesh (D) Jayawanta Dalavi
48. Who is not a Actor: (A) BADAL SIRCAR (B) VASANTA KANETKAR (C) SRREERAM LAGOO (D) SURESH SIKRI
49. In Mahabharat, Krishna plays the role of a : (A) LOVER (B) POLITICIAN (C) BENEFECTOR (D) WARRIOR
50. Who was the writer of SILAPPA DI KARAM: (A) TYAGARAJ (B) KALIDAS (C) ILANGOADIGAL (D) P. LANKESH
D6504 26 44. ç·¤â ÙæÅU·¤ ×ð´ ×çãUÜæ¥ô´ ·ð¤ âÕçÏÌ çßáØ ÂÚU ¿¿æü ÙãUè´ ·¤è »Øè ãñU? (A) ·¤×Üæ (B) âêØü ·¤è ¥¢çÌ× ç·¤ÚUæ âð âêØü ·¤è ÂãUÜè ç·¤ÚUæ Ì·¤ (C) ÚðUàæ×è L¤×æÜ (D) ·¤ôÅüU ×æàæüÜ
45. çÂÀÜð çÎÙô´ ç·¤â ÙæÅU·¤ ·ð¤ ·¤æÚUæ âßæüçÏ·¤ çßßæÎ ãéU¥æ? (A) ¥æáæÉU ·¤æ °·¤ çÎÙ (B) ×è ÙæÍéÚUæ× »ôÇUâð ÕæðÜÌæðØ (C) ·¤è¿Ù ·¤Íæ (D) ÁæçÌ ãUè ÂêÀUô âæÏé ·¤è
46. âê¿è -I °ß¢ âê¿è-II ×ð´ ç×ÜæÙ ç·¤çÁ°Ð âê¿è -I âê¿è - II 1. ¹ØæÜ i. ÚUæÁSÍæÙ 2. ¥¢ç·¤Øæ ÙæÅU -Ö¼ýÙæ ii. ¥æâæ× 3. Âý±ÜæÎ ÙæÅU·¤ iii. Ìæ×èÜÙæÇé 4. ÌðL¤·ê¤Íé iv. ¥ôÚUèâæ 1234 (A) ii i iii iv (B) i iii iv ii (C) iii iv i ii (D) iv ii iii i
47. ·¤õÙ ÙæÅU·¤·¤æÚU ÙãUè´ ãñU? (A) ×ÙôãUÚU çâ¢ãU (B) ·¤æçÜÎæâ (C) ×ôãUÙ ÚUæ·ð¤àæ (D) ÁØßÌ ÎÜßè
48. ·¤õÙ ¥çÖÙðÌæ ÙãUè´ ãñU? (A) ÕæÎÜ âÚU·¤æÚU (B) ßâ¢Ì ·¤æÙðÅ·¤ÚU (C) æèÚUæ× Üæ»ê (D) âéÚðUàæ âè·ý¤è
49. ×ãUæÖæÚUÌ ×ð´ ·ë¤cæ ãñ (A) Âýð×è (B) ÙðÌæ (C) ÎæÌæ (D) Øæðhæ
50. çàæÜÂæÎè·¤æÚU×÷ ·ð¤ ÚU¿çØÌæ ·¤õÙ ãñU ? (A) Øæ»ÚUæÁ (B) ·¤æçÜÎæâ (C) §Üæ»ô ¥ÇUè»Ü (D) Âè. Ü¢·ð¤àæ
D6504 27 P.T.O. Space For Rough Work
D6504 28